Had Derrick invented that in a bid for sympathy? "Yes, of course we are," Roy said impatiently. As soon as he'd started the record-his hands on the controls felt unfamiliar and clumsy, he must try to be less irritable-he complained "Something's wrong with the microphone. I'm getting an echo."

"I can't hear anything," Ian said.

"It isn't there now, only when I'm on the air."

Ian and one of the engineers stared through the gla.s.s at Roy for a while, then shook their heads. "There's nothing," Ian said through the headphones, though Roy could hear the echo growing worse, trapping his voice amid distortions of itself. When he removed the headphones, the echo was still audible. "If you people listening at home are wondering what's wrong with my voice"-he was growing coldly furious, for Derrick was shaking his head too, looking smug-"we're working on it."

Ian ushered the striking undertaker into the studio. Maybe he would take Roy's mind off the technical problems. And maybe not, for as soon as Roy introduced him, something began to rattle the scaffolding outside the window and squeak its claws or its beak on the gla.s.s. "After this next record we'll be talking to him," he said as quickly as he could find his way through echoes.

"What's wrong now?" Ian demanded.

"T." But the tubular framework was still, and the window was otherwise empty. It must have been a bird. No reason for them all to stare at him.

As soon as he came back on the air the sounds began again. Didn't Ian care that the listeners must be wondering what they were? Halfway through introducing the undertaker, Roy turned sharply. Though there wasn't time for anything to dodge out of sight, the window was blank.

That threw him. His words were stumbling among echoes, and he'd forgotten what he meant to say. Hadn't he said it already, before playing the record?

Suddenly, like an understudy seizing his great chance on the night when the star falls ill, Derrick took over. "Some listeners may wonder why we're digging this up, but other people may think that this strike is a grave undertaking..." Roy was too distracted to be appalled, even when Derrick pounced with an anecdote about an old lady whose husband was still awaiting burial. Why, the man was a human vacuum: no personality to be depended on at all.

For the rest of the show, Roy said as little as possible. Short answers echoed less. He suppressed some of the monosyllables he was tempted to use. At last the signature tune was reached. Mopping his forehead theatrically, Derrick opened the window.

Good G.o.d, he would let it in! The problems of the show had distracted Roy from thinking, but there was nothing to m.u.f.fle his panic now. Ian caught his arm. "Roy, if there's anything-" Even if he wanted to help, he was keeping Roy near the open window. Shrugging him off, Roy ran towards the lift.

As he waited, he saw Ian and the engineer stalking away down the corridor, murmuring about him. If he'd offended Ian, that couldn't be helped; he needed to be alone, to think, perhaps to argue himself out of his panic. He dodged into the lift, which resembled a grey windowless telephone box, featureless except for the dogged subtraction of lit numbers. He felt walled in by grey. Never mind, in a minute he would be out in the open, better able to think- But was he fleeing towards the thing he meant to elude?

The lift gaped at the ground floor. Should he ride it back to the third? Ian and the engineer would have gone down to the car park by now; there would only be Derrick and the open window. The cramped lift made him feel trapped, and he stepped quickly into the deserted foyer.

Beyond the gla.s.s doors he could see a section of pavement, which looked oily with sodium light. Around it the tubes of the scaffolding blazed like orange neon. As far as he could judge, the framework was totally still-but what might be waiting silently for him to step beneath? Suddenly the pavement seemed a trap which needed only a footfall to trigger it. He couldn't go out that way.

He was about to press the b.u.t.ton to call the lift when he saw that the lit numbers were already counting down. For a moment-he didn't know why-he might have fled out of the building, had he been able. He was trapped between the lurid stage of pavement and the inexorable descent of the lift. By the time the lift doors squeaked open, his palms were stinging with sweat. But the figure that stumbled out of the lift, hindered a little by his ill-fitting clothes, was Derrick. Roy could never have expected to be so glad to see him. Hastily, before he could lose his nerve, he pulled open the gla.s.s doors, only to find that he was still unable to step beneath the scaffolding. Derrick went first, his footsteps echoing in the deserted street. When nothing happened, Roy managed to follow. The gla.s.s doors snapped locked behind him.

Though the sodium glare was painfully bright, at least it showed that the scaffolding was empty. He could hear nothing overhead. Even his footsteps sounded less panicky now; it was Derrick's that were distorted, thinned and hasty. Never mind, Derrick's hurry was all to the good, whatever its cause; it would take them to the less deserted streets all the more quickly.

Shadows counted their paces. Five paces beyond each lamp their shadows drew ahead of them and grew as dark as they could, then pivoted around their feet and paled before the next lamp. He was still nervous, for he kept peering at the shadows-but how could he expect them not to be distorted? If the shadows were bothering him, he'd have some relief from them before long, for ahead there was a stretch of road where several lamps weren't working. He wished he were less alone with his fears. He wished Derrick would speak.

Perhaps that thought halted him where the shadows were clearest, to gaze at them in dismay.

His shadow wasn't unreasonably distorted. That was exactly the trouble. Without warning he was back in his nightmare, with no chance of awakening. He remembered that the thing in the nightmare had had no voice. No, Roy's shadow wasn't especially distorted-but beside it, produced by the same lamp, Derrick's shadow was.

Above all he mustn't panic; his nightmare had told him so. Perhaps he had a chance, for he'd halted several lamps short of the darkness. If he could just retreat towards the studio without breaking into a run, perhaps he would be safe. If he could bang on the gla.s.s doors without losing control, mightn't the caretaker be in time?

The worst thing he could do was glance aside. He mustn't see what was casting the shadow, which showed how the scrawny limbs beneath the bloated stomach were struggling free of the ill-fitting clothes. Though his whole body was trembling-for the face of the shadow had puckered and was reaching sideways towards him, off the head-he began, slower than a nightmare, to turn away.

Above the World (1979).

n.o.body was at Reception when Knox came downstairs. The dinner-gong hung mute in its frame; napkin pyramids guarded dining-tables; in the lounge, chairs sat emptily. Nothing moved, except fish in the aquarium, fluorescent gleams amid water that bubbled like lemonade. The visitors' book lay open on the counter. He riffled the pages idly, seeking his previous visit. A Manchester address caught his attention: but the name wasn't his-not any longer. The names were those of his wife and the man.

It took him a moment to realise. They must have been married by then. So the man's name had been Tooley, had it? Knox hadn't cared to know. He was pleased to find that he felt nothing but curiosity. Why had she returned here-for a kind of second honeymoon, to exorcise her memories of him?

When he emerged, it was raining. That ought to wash the fells clean of all but the dedicated walkers; he might be alone up there-no perambulatory radios, no families marking their path with trailing children. Above the hotel mist wandered among the pines, which grew pale and blurred, a spiky frieze of grey, then solidified, regaining their green. High on the scree slope, the Bishop of Barf protruded like a single deformed tooth.

The sight seemed to halt time, to turn it back. He had never left the Swan Hotel. In a moment Wendy would run out, having had to go back for her camera or her rucksack or something. "I wasn't long, was I? The bus hasn't gone, has it? Oh dear, I'm sorry." Of course these impressions were nonsense: he'd moved on, developed since his marriage, defined himself more clearly-but it cheered him that his memories were cool, disinterested. Life advanced relentlessly, powered by change. The Bishop shone white only because climbers painted the pinnacle each year, climbing the steep scree with buckets of whitewash from the Swan.

Here came the bus. It would be stuffed with wet campers slow as turtles, their backs burdened with tubular scaffolding and enormous rucksacks. Only once had he suffered such a ride. Had nothing changed? Not the Swan, the local food, the un.o.btrusive service, the long white seventeenth-century building which had so charmed Wendy. He had a table to himself; if you wanted to be left alone, n.o.body would bother you. Tonight there would be venison, which he hadn't tasted since his honeymoon. He'd returned determined to enjoy the Swan and the walks, determined not to let memories deny him those pleasures-and he'd found his qualms were groundless.

He strode down the Keswick road. Rain rushed over Ba.s.senthwaite Lake and tapped on the hood of his cagoule. Why did the stone wall ahead seem significant? Had Wendy halted there once, because the wall was singing? "Oh look, aren't they beautiful." As he stooped towards the crevice, a cl.u.s.ter of hungry beaks had sprung out of the darkness, gaping. The glimpse had unnerved him: the inexorable growth of life, sprouting everywhere, even in stone. Moss choked the silent crevice now.

Somehow that image set him wondering where Wendy and the man had died. Mist had caught them, high on one or other of the fells; they'd died of exposure. That much he had heard from a friend of Wendy's, who had grown aloof from him and who had seemed to blame him for entrusting Wendy to an inexperienced climber-as if Knox should have taken care of her even after the marriage! He hadn't asked for details. He'd felt relieved when Wendy had announced that she'd found someone else. Habit, familiarity, and introversion had screened them from each other well before they'd separated.

He was pa.s.sing a camp in a field. He hadn't slept in a tent since early in his marriage, and then only under protest. Rain slithered down bright canvas. The m.u.f.fled voices of a man and a woman paced him from tent to tent. Irrationally, he peered between the tents to glimpse them-but it must be a radio programme. Though the voices sounded intensely engrossed in discussion, he could distinguish not a word. The camp looked deserted. Everyone must be under canvas, or walking.

By the time he reached Braithwaite village, the rain had stopped. Clouds paraded the sky; infrequent gaps let out June sunlight, which touched the heights of the surrounding fells. He made for the cafe at the foot of the Whinlatter Pa.s.s-not because Wendy had loved the little house, its homemade cakes and its shelves of books, but for something to read: he would let chance choose his reading. But the shop was closed. Beside it Coledale Beck pursued its wordless watery monologue.

Should he climb Grisedale Pike? He remembered the view from the summit, of Braithwaite and Keswick the colours of pigeons, white and grey amid the palette of fields. But climbers were toiling upwards towards the intermittent sun. Sometimes the spectacle of plodding walkers, fell boots creaking, sticks shoving at the ground, red faces puffing like trains in distress, made his climb seem a mechanical compulsion, absurd and mindless. Suppose the height was occupied by a cla.s.s of children, heading like lemmings for the edge?

He'd go back to Barf: that would be lonely-unless one had Mr. WainWright's guidebook, Barf appeared unclimbable. Returning through the village, he pa.s.sed Braithwaite post office. That had delighted Wendy-a house just like the other small white houses in the row, except for the counter and grille in the front hall, beside the stairs. A postcard came fluttering down the garden path. Was that a stamp on its corner, or a patch of moss? Momentarily he thought he recognised the handwriting-but whose did it resemble? A breeze turned the card like a page. Where a picture might have been there was a covering of moss, which looked vaguely like a blurred view of two figures huddled together. The card slid by him, into the gutter, and lodged trembling in a grid, brandishing its message. Impulsively he made a grab for it-but before he could read the writing, the card fell between the bars.

He returned to the road to Thornthwaite. A sheen of sunlight clung to the macadam brows; hedges dripped dazzling silver. The voices still wandered about the deserted campsite, though now they sounded distant and echoing. Though their words remained inaudible, they seemed to be calling a name through the tents.

At Thornthwaite, only the hotel outshone the Bishop. As Knox glanced towards the coaching inn, Wendy appeared in his bedroom window. Of course it was a chambermaid-but the shock reverberated through him, for all at once he realised that he was staying in the room which he had shared with Wendy. Surely the proprietress of the Swan couldn't have intended this; it must be coincidence. Memories surged, disconcertingly vivid-collapsing happily on the bed after a day's walking, making love, not having to wake alone in the early hours. Just now, trudging along the road, he'd thought of going upstairs to rest. Abruptly he decided to spend the afternoon in walking.

Neither the hard road nor the soggy margin of Ba.s.senthwaite Lake tempted him. He'd climb Barf, as he had intended. He didn't need Mr. Wainwright's book; he knew the way. Wendy had loved those handwritten guidebooks; she'd loved searching through them for the self-portrait of Mr Wainwright which was always hidden among the hand-drawn views-there he was, in Harris tweed, overlooking Lanthwaite Wood. No, Knox didn't need those books today.

The beginning of the path through Beckstones larch plantation was easy. Soon he was climbing beside Beckstones Gill, his ears full of its intricate liquid clamour as the stream tumbled helplessly downhill, confined in its rocky groove. But the path grew steep. Surely it must have been elsewhere that Wendy had run ahead, mocking his slowness, while he puffed and cursed. By now most of his memories resembled anecdotes he'd overheard or had been told-blurred, lacking important details, sometimes contradictory.

He rested. Around him larches swayed numerous limbs, engrossed in their tethered dance. His breath eased; he ceased to be uncomfortably aware of his pulse. He stumped upwards, over the path of scattered slate. On both sides of him, ferns protruded from decay. Their highest leaves were wound into a ball, like green caterpillars on stalks.

A small rock-face blocked the path. He had to scramble across to the continuation. Lichen made the roots of trees indistinguishable from the rock. His foot slipped; he slithered, banging his elbow, clutching for handholds. Good Lord, the slope was short, at worst he would turn his ankle, he could still grab hold of rock, in any case someone was coming, he could hear voices vague as the stream's rush that obscured them. At last he was sure he was safe, though at the cost of a bruised hip. He sat and cursed his pounding heart. He didn't care who heard him-but perhaps n.o.body did, for the owners of the voices never appeared.

He struggled upwards. The larches gave way to spruce firs. Fallen trunks, splintered like bone, hindered his progress. How far had he still to climb? He must have laboured half a mile by now; it felt like more. The forest had grown oppressive. Elaborate lichens swelled brittle branches; everywhere he looked, life burgeoned parasitically, consuming the earth and the forest, a constant and ruthless renewal. He was sweating, and the clammy chill of the place failed to cool him.

Silence seized him. He could hear only the restless creaking of trees. For a long time he had been unable to glimpse the Swan; the sky was invisible, too, except in fragments caged by branches. All at once, as he climbed between close banks of mossy earth and rock, he yearned to reach the open. He felt suffocated, as though the omnipresent lichen were thick fog. He forced himself onward, panting harshly.

Pain halted him-pain that transfixed his heart and paralysed his limbs with shock. His head felt swollen, burning, deafened by blood. Beyond that uproar, were there voices? Could he cry for help? But he felt that he might never draw another breath.

As suddenly as it had attacked him, the pain was gone, though he felt as if it had burned a hollow where his heart had been. He slumped against rock. His ears rang as though metal had been clapped over them. Oh G.o.d, the doctor had been right; he must take things easy. But if he had to forgo rambling, he would have nothing left that was worthwhile. At last he groped upwards out of the dank trough of earth, though he was still light-headed and unsure of his footing. The path felt distant and vague.

He reached the edge of the forest without further mishap. Beyond it, Beckstones Gill rushed over broken stones. The sky was layered with grey clouds. Across the stream, on the rise to the summit, bracken shone amid heather.

He crossed the stream and climbed the path. Below him the heathery slope plunged towards the small valley. A few crumbs of boats floated on Ba.s.senthwaite. A constant quivering ran downhill through the heather; the wind dragged at his cagoule, whose fluttering deafened him. He felt unnervingly vulnerable, at the mercy of the gusts. His face had turned cold as bone. Sheep dodged away from him. Their swiftness made his battle with the air seem ridiculous, frustrating. He had lost all sense of time before he reached the summit-where he halted, entranced. At last his toil had meaning.

The world seemed laid out for him. Light and shadow drifted stately over the fells, which reached towards clouds no vaster than they. Across Ba.s.senthwaite, fells higher than his own were only steps on the ascent to Skiddaw, on whose deceptively gentle outline gleamed patches of snow. A few dots, too distant to have limbs, crept along that ridge. The fells glowed with all the colours of foliage, gra.s.s, heather, bracken, except where vast tracts of rock broke through. Drifts of shadow half absorbed the colours; occasional sunlight renewed them.

The landscape was melting; he had to blink. Was he weeping, or had the wind stung his eyes? He couldn't tell; the vastness had charmed away his sense of himself. He felt calm, absolutely unselfconscious. He watched light advancing through Beckstones Plantation, possessing each successive rank of foliage. When he gazed across the lake again, that sight had transfigured the landscape.

Which lake was that on the horizon? He had never before noticed it. It lay like a fragment of slate, framed by two fells dark as storms-but above it, clouds were opening. Blue sky shone through the tangle of grey; veils of light descended from the ragged gap. The lake began to glow from within, intensely calm. Beyond it fields and trees grew clear, minute and luminous. Yes, he was weeping.

After a while he sat on a rock. Its coldness was indistinguishable from his own stony chill. He must go down shortly. He gazed out for a last view. The fells looked smooth, alluringly gentle; valleys were trickles of rock. He held up his finger for a red bug to crawl along. Closer to him, red dots were scurrying: ladybirds, condemned to explore the maze of gra.s.s-blades, to change course at each intersection. Their mindless urgency dismayed him.

They drew his gaze to the heather. He gazed deep into a tangled clump, at the breathtaking variety of colours, the intricacies of growth. As many must be hidden in each patch of heather: depths empty of meaning, and intended for no eye. All around him plants reproduced shapes endlessly: striving for perfection, or compelled to repeat themselves without end? If his gaze had been microscopic, he would have seen the repet.i.tions of atomic particles, mindlessly clinging and building, possessed by the compulsion of matter to form patterns.

Suddenly it frightened him-he couldn't tell why. He felt unsafe. Perhaps it was the ma.s.s of cloud which had closed overhead like a stone lid. The colours of the summit had turned lurid, threatening. He headed back towards the wood. The faces of sheep gleamed like bone-he had never noticed before how they resembled munching skulls. A group of heads, chewing mechanically, glared white against the sky and kept their gaze on him.

He was glad to cross the stream, though he couldn't feel the water. He must hurry down before he grew colder. The hush of the woods embraced him. Had a sheep followed him? No, it was only the cry of a decaying trunk. He slipped quickly down the path, which his feet seemed hardly to touch.

The movement of silver-green lattices caged him. Branches and shadows swayed everywhere, entangled. The tips of some of the firs were luminously new. Winds stalked the depths of the forest, great vague forms on creaking stilts. Scents of growth and decay accompanied him. When he grabbed a branch to make sure of his footing, it broke, scattering flakes of lichen.

Again the forest grew too vivid; the trees seemed victims of the processes of growth, sucked dry by the lichen which at the same time lent them an elaborate patina of life. Wherever he looked, the forest seemed unbearably intricate. How, among all that, could he glimpse initials? Somehow they had seized his attention before he knew what they were. They were carved on a cracked and wrinkled tree: Wendy's initials, and the man's.

Or were they? Perhaps they were only cracks in the bark. Of course she and the man might well have climbed up here-but the more Knox squinted, the less clear the letters seemed. He couldn't recapture the angle of vision at which they had looked unmistakable.

He was still pacing back and forth before the trunk, as though trapped in a ritual, when stealthy movement made him turn. Was it the shifting of grey trees beneath the lowering largely unseen sky? No-it was a cloud or mist, descending swiftly from the summit, through the woods.

He glanced ahead for the path-and, with a shock that seemed to leave him hollow, realised that it was not there. Nor was it visible behind him as far back as the wall of mist. His reluctant fascination with the forest had lured him astray.

He strode back towards the mist, hushing his doubts. Surely the path couldn't be far. But the mist felt thick as icy water, and blinded him. He found himself slithering on decay towards a fall which, though invisible, threatened to be steep. A grab at a crumbling trunk saved him; but when he'd struggled onto safer ground, he could only retreat towards the tree which he had thought was inscribed.

He must press on, outdistancing the mist, and try to head downwards. Wasn't there a forest road below, quite close? But whenever he found an easy slope, it would become abruptly dangerous, often blocked by treacherous splintered logs. He was approaching panic. As much as anything, the hollow at the centre of himself dismayed him. He had tended to welcome it when it had grown there, in his marriage and afterwards; it had seemed safe, invulnerable. Now he found he had few inner resources with which to sustain himself.

The mist was only yards away. It had swallowed all the faint sounds of the wood. If he could only hear the stream, or better still a human voice, a vehicle on the forest road-if only he had gone back to the hotel for his whistle and compa.s.s- But there was a sound. Something was blundering towards him. Why was he indefinably distressed, rather than heartened?

Perhaps because the mist obscured it as it scuttled down the slope towards him; perhaps because it sounded too small for an adult human being, too swift, too lopsided. He thought of a child stumbling blindly down the decayed slope. But what child would be so voiceless? As it tumbled limping through the mist, Knox suppressed an urge to flee. He saw the object stagger against a misty root, and collapse there. Before he had ventured forward he saw that it was only a rucksack.

Yet he couldn't quite feel relieved. The rucksack was old, discoloured and patched with decay; mist drained it of colour. Where had it come from? Who had abandoned it, and why? It still moved feebly, as though inhabited. Of course there was a wind: the mist was billowing. Nevertheless he preferred not to go closer. The blurred tentative movements of the overgrown sack were unpleasant, somehow. Still, perhaps the incident was opportune. It had made him glance upwards for an explanation. He found none-but he caught sight of a summit against the clouds. It wasn't Barf, for between the confusion of trees he could just distinguish two cairns, set close together. If he could reach them, he ought to be able to see his way more clearly. Was he hearing m.u.f.fled voices up there? He hoped so, but hadn't time to listen.

He wasn't safe yet. The mist had slowed, but was still pursuing him. The slope above him was- too steep to climb. He retreated between the trees, avoiding slippery roots which glistened dull silver, glancing upwards constantly for signs of the path. For a while he lost sight of the unknown summit. Only a glimpse of the cairns against the darkening sky mitigated his panic. Were they cairns, or figures sitting together? No, they were the wrong colour for people.

Above him the slope grew steeper. Worse, twilight was settling like mist into the woods. He glared downhill, but the fall was dim and precipitous; there was no sign of a road, only the grey web of innumerable branches. He groped onward, careless of his footing, desperate to glimpse a way. Surely a path must lead to the cairns. But would he reach it before dark? Could he heave himself up the slope now, using trees for handholds? Wait: wasn't that a path ahead, trailing down between the firs? He stumbled forward, afraid to run in case he slipped. He reached out to grab a tree, to lever himself past its trap of roots. But his fingers recoiled-the encrusted glimmering bark looked unnervingly like a face.

He refused to be reminded of anyone. He clung to the hollow within himself and fought off memories. Yet, as he pa.s.sed close to the next tree, he seemed to glimpse the hint of a face composed of cracks in the bark, and of twilight. His imagination was conspiring with the dimness, that was all- but why, as he grasped a trunk to thrust himself onward, did each patch of lichen seem to suggest a face? The more closely he peered, enraged by his fears, the smaller and more numerous the swarming faces seemed. Were there many different faces, or many versions of a couple? Their expressions, though vague, seemed numerous and disturbing.

For a moment he was sure that he couldn't back away-that he must watch until the light was entirely gone, must glimpse faces yet smaller and clearer and more numerous. Panic hurled him away from the lichen, and sent him scrabbling upwards. His fingers dug into decay; ferns writhed and snapped when he grabbed them; the surrounding dimness teemed with faces. He kicked himself footholds, gouged the earth with his heels. He clutched at roots, which flaked, moist and chill. More than once he slithered back into the ma.s.sing darkness. But his panic refused to be defeated. At last, as twilight merged the forest into an indistinguishable crowd of dimness, he scrambled up a slope that had commenced to be gentle, to the edge of the trees.

As soon as he had done so, his triumph collapsed beneath dismay. Even if he glimpsed a path from the summit, night would engulf it before he could make his way down. The sky was blackening. Against it loomed two hunched forms, heads turned to him. Suddenly joy seized him. He could hear voices- surely the sound was more than the muttering of wind. The two forms were human. They must know their way down, and he could join them.

He scrambled upwards. Beyond the trees, the slope grew steep again; but the heather provided easy holds, though his clambering felt almost vertical. The voices had ceased; perhaps they had heard him. But when he glanced up, the figures hadn't moved. A foot higher, and he saw that the faces turned to him were patches of moss; the figures were cairns, after all. It didn't matter: companionship waited at the summit; he'd heard voices, he was sure that he'd heard them, please let him have done so. And indeed, as he struggled up the last yards of the slope, the two grey figures rose with a squeaking and rattling of slate, and advanced heavily towards him.

The Gap (1980).

Tate was fitting a bird into the sky when he heard the car. He hurried to the window. Sunlit cars blazed, a double-stranded necklace on the distant main road; clouds transformed above the hills, a.s.sembling the sky. Yes, it was the Dewhursts: he could see them, packed into the front seat of their Fiat as it ventured into the drive. On his table, sc.r.a.ps of cloud were scattered around the jigsaw. The Dewhursts weren't due for an hour. He glanced at the displaced fragments and then, resigned, went to the stairs.

By the time he'd strolled downstairs and opened the front door, they were just emerging from the car. David's coat b.u.t.tons displayed various colours of thread. Next came his wife Dottie: her real name was Carla, but they felt that Dave and Dottie looked a more attractive combination on book covers-a notion with which millions of readers seemed to agree. She looked like a cartoonist's American tourist: trousers bulging like sausages, carefully silvered hair. Sometimes Tate wished that his writer's eye could be less oppressively alert to telling details.

Dewhurst gestured at his car like a conjuror unveiling an astonishment. "And here are our friends that we promised you."

Had it been a promise? It had seemed more a side effect of inviting the Dewhursts. And when had their friend turned plural? Still, Tate was unable to feel much resentment; he was too full of having completed his witchcraft novel.

The young man's aggressive bony face was topped with hair short as turf; the girl's face was almost the colour and texture of chalk. "This is Don Skelton," Dewhurst said. "Don, Lionel Tate. You two should have plenty to talk about, you're in the same field. And this is Don's friend, er-" Skelton stared at the large old villa as if he couldn't believe he was meant to be impressed.

He let the girl drag his case upstairs; she refused to yield it to Tate when he protested. "This is your room," he told Skelton, and felt like a disapproving landlady. "I had no idea you wouldn't be alone."

"Don't worry, there'll be room for her."

If the girl had been more attractive, if her tangled hair had been less inert and her face less hungry, mightn't he have envied Skelton? "There'll be c.o.c.ktails before dinner, if that's your scene," he said to the closed door.

The jigsaw helped him relax. Evening eased into the house, shadows deepened within the large windows. The table glowed darkly through the last gap, then he snapped the piece home. Was that an echo of the snap behind him? He turned, but n.o.body was watching him.

As he shaved in one of the bathrooms he heard someone go downstairs. Good Lord, he wasn't a very efficient host. He hurried down, achieving the bow of his tie just as he reached the lounge, but idling within were only Skelton and the girl. At least she now wore something like an evening dress; the top of her pale chest was spattered with freckles. "We generally change before going out to dinner," Tate said.

Skelton shrugged his crumpled shoulders. "Go ahead."

Alcohol made Skelton more talkative. "I'll have somewhere like this," he said, glancing at the Victorian carved mahogany suite. After a calculated pause he added "But better."

Tate made a last effort to reach him. "I'm afraid I haven't read anything of yours."

"There won't be many people who'll be able to say that." It sounded oddly threatening. He reached in his briefcase for a book. "I'll give you something to keep."

Tate glimpsed carved boxes, a camera, a small round gleam that twinged him with indefinable apprehension before the case snapped shut. Silver letters shone on the paperback, which was glossy as coal: The Black Road.

A virgin was being mutilated, gloated over by the elegant prose. Tate searched for a question that wouldn't sound insulting. At last he managed "What are your themes?"

"Autobiography." Perhaps Skelton was one of those writers of the macabre who needed to joke defensively about their work, for the Dewhursts were laughing.

Dinner at the inn was nerve-racking. Candlelight made food hop restlessly on plates, waiters loomed beneath the low beams and flung their vague shadows over the tables. The Dewhursts grew merry, but couldn't draw the girl into the conversation. When a waiter gave Skelton's clothes a withering glance he demanded of Tate "Do you believe in witchcraft?"

"Well, I had to do a lot of research for my book. Some of the things I read made me think."

"No" Skelton said impatiently. "Do you believe in it-as a way of life?"

"Good heavens no. Certainly not."

"Then why waste your time writing about it?" He was still watching the disapproving waiter. Was it the candlelight that twitched his lips? "He's going to drop that," he said.

The waiter's shadow seemed to lose its balance before he did. His trayful of food crashed onto a table. Candles broke, flaring; light swayed the oak beams. Flaming wax spilled over the waiter's jacket, hot food leapt into his face.

"You're a writer," Skelton said, ignoring the commotion, "yet you've no idea of the power of words. There aren't many of us left who have." He smiled as waiters guided the injured man away. "Mind you, words are only part of it. Science hasn't robbed us of power, it's given us more tools. Telephones, cameras-so many ways to announce power."