The Shadow At The Bottom Of The World (1990).

First published in Fear #16, April 1990.

Also published in: Grimscribe, The Nightmare Factory, The Shadow At The Bottom Of The World.

Before there occurred anything of a truly prodigious nature, the season had manifestly erupted with some feverish intent. This, at least, was how it appeared to us, whether we happened to live in town or somewhere outside its limits. (And travelling between town and countryside was Mr. Marble, who had been studying the seasonal signs far longer and in greater depth than we, disclosing prophecies that no one would credit at the time.) On the calendars which hung in so many of our homes, the monthly photograph ill.u.s.trated the spirit of the numbered days below it: sheaves of cornstalks standing brownish and brittle in a newly harvested field, a narrow house and wide barn in the background, a sky of empty light above, and fiery leaf.a.ge frolicking about the edges of the scene. But something dark, something abysmal always finds its way into the bland beauty of such pictures, something that usually holds itself in abeyance, some entwining presence that we always know is there. And it was exactly this presence that had gone into crisis, or perhaps had been secretly invoked by small shadowy voices calling out in the midst of our dreams. There came a bitter scent into the air, as of sweet wine turning to vinegar, and there was an hysteric brilliance flourished by the trees in town as well as those in the woods beyond, while along the roads between were the intemperate displays of thornapple, sumac, and towering sunflowers that nodded behind crooked roadside fences. Even the stars of chill nights seemed to grow delirious and take on the tints of an earthly inflammation. Finally, there was a moonlit field where a scarecrow had been left to watch over ground that had long been cleared yet would not turn cold.

Adjacent to the edge of town, the field allowed full view of itself from so many of our windows. It lay s.p.a.cious beyond tilting fence-posts and under a bright round moon, uncluttered save for the peaked silhouettes of corn shocks and a manlike shape that stood fixed in the nocturnal solitude. The head of the figure was slumped forward, as if a groteque slumber had overtaken its straw-stuffed body, and the arms were slackly extended in a way that suggested some incredible gesture toward flight. For a moment it seemed to be an insistent wind which was flapping those patched-up overalls and fluttering the worn flannel of those shirt sleeves; and it would seem a forceful wind indeed which caused that st.i.tched-up head to nod in its dreams. But nothing else joined in such movements: the withered leaves of the cornstalks were stiff and unstirring, the trees of the distant woods were in a lull against the clear night. Only one thing appeared to be living where the moonlight spread across that dead field. And there were some who claimed that the scarecrow actually raised its arms and its empty face to the sky, as though declaring itself to the heavens, while others thought that its legs kicked wildly, like those of a man who is hanged, and that they kept on kicking for the longest time before the thing collapsed and lay quiet. Many of us, we discovered, had been nudged from our beds that night, called as witnesses to this obscure spectacle. Afterward, the sight we had seen, whatever we believed its reason, would not rest within us but s.n.a.t.c.hed at the edges of our sleep until morning.

And during the overcast hours of the following day we could not keep ourselves from visiting the place around which various rumors had hastily arisen. As pilgrims we wandered into that field, scrutinizing the debris of its harvest for augural signs, circling that scarecrow as if it were a great idol in shabby disguise, a sacred avatar out of season. But everything upon that land seemed unwilling to support our hunger for revelation, and our congregation was lost in fidgeting bemus.e.m.e.nt. (With the exception, of course, of Mr. Marble, whose eyes, we recall, were gleaming with illuminations he could not offer us in any words we would understand.) The sky had hidden itself behind a leaden vault of clouds, depriving us of the crucial element of pure sunlight which we needed to fully burn off the misty dreams of the past night. And a vine-twisted stone wall along the property line of the farm was the same shade as the sky, while the dormant vines themselves were as colorless as the stone they enmeshed like a strange network of dead veins. But this calculated grayness was merely an aspect of the scene, for the colors of the abundant woods along the margins of the landscape were undulled, as if those radiant leaves possessed some inner source of illumination or stood in contrast to some deeper shadow which they served to mask.

Such conditions no doubt impeded our efforts to come to terms with our fears about that particular field. Above all these manifestations, however, was the fact that the earth of those harvested acres, especially in the area surrounding the scarecrow, was unnaturally warm for the season. It seemed, in fact, that a late harvest was due. And some insisted that the odd droning noises, that filled the air could not be blamed on the legions of local cicadas but indeed rose up from under the ground.

By the time of twilight, only a few stragglers remained in the field, among them the old farmer who owned this suddenly notorious acreage. We knew that he shared the same impulse as the rest of us when he stepped up to his scarecrow and began to tear the impostor to pieces. Others joined in the vandalism, pulling out handfuls of straw and stripping away the clothes until they had exposed what lay beneath them-the strange and unexpected sight.

For the skeleton of the thing should have been merely two crosswise planks. We verified this common fact with its maker, and he swore that no other materials had been used. Yet the shape that stood before us was of a wholly different nature. It was something black and twisted into the form of a man, something that seemed to have come up from the earth and grown over the wooden planks like a dark fungus, consuming the structure. There were now black legs that hung as if charred and withered; there was a head that sagged like a sack of ashes upon a meager body of blackness; and there were thin arms stretched out like k.n.o.bby branches from a lightning-scorched tree. All of this was supported by a thick dark stalk which rose out of the earth and reached into the effigy like a hand into a puppet.

And even as that dull day was dimming into night, our vision was distracted by the profounder darkness of the thing which dangled so blackly in the dusk. Its composition appeared to be of the blackest earth, of earth that had gone stagnant somewhere in its depths, where a rich loam had festered into a bog of shadows. Soon we realized that each of us had fallen silent, entranced by a deep blackness which seemed to absorb our sight but which exposed nothing to scrutiny except an abyss in the outline of a man. Even when we ventured to lay our hands on that ma.s.s of darkness, we found only greater mysteries. For there was almost no tangible aspect to it, merely a hint of material sensation, barely the feel of wind or water. It seemed to possess no more substance than a few shifting flames, but flames of only the slightest warmth, black flames that have curled together to take on the molten texture of spoiled fruit. And there was a vague sense of circulation, as though a kind of serpentine life swirled gently within. But no one could stand to keep his hold upon it for long before stepping suddenly away.

"d.a.m.n the thing, it's not going to be rooted to my land," said the old farmer. Then he walked off toward the barn.

And like the rest of us he was trying to rub something from the hand that had touched the shrivelled scarecrow, something that could not be seen.

He returned to us with an armory of axes, shovels, and other implements for uprooting what had grown upon his land, this eccentricity of the harvest. It would seem to have been a simple task: the ground was unusually soft all around the base of that black growth and its tenuous substance could hardly resist the wide blade of the farmer's ax. But when the old man swung and tried to split the thing like a piece of firewood, the blade would not cleave. The ax entered and was closed upon, as if sunk within a viscous mire. The farmer pulled at the handle and managed to dislodge the ax, but he immediately let it fall from his hands. "It was pulling back on me," he said in a low voice. "And you heard that sound." Indeed, the sound which had haunted the area all that day-like innumerable insects laughing-did seem to rise in pitch and intensity when the thing was struck.

Without a word, we began digging up the earth where that thick black stalk was buried. We dug fairly deep before the approaching darkness forced us to abandon our efforts. Yet no matter how far down we burrowed, it was not far enough to reach the bottom of that sprouting blackness. Furthermore, out attempts became hindered by a perverse reluctance, as in the instance of someone who is hesitant to have a diseased part of his own body cut away in order to keep the disease from spreading.

It was nearly pitch dark when we finally walked away from that field, for the clouds of that day had lingered to hide the moon. In the blackness our voices whispered various strategies, so that we might yet accomplish what we had thereto failed in doing. We whispered, although none of us would have said why he did so.

The great shadow of a moonless night encompa.s.sed the landscape, preserving us from seeing the old farmer's field and what was tenanted there. And yet so many of the houses in town were in vigil throughout those dark hours. Soft lights shone through curtained windows along the length of each street, where our trim wooden homes seemed as small as dollhouses beneath the dark rustling depths of the season. Above the gathered roofs hovered the gla.s.s globes of streetlamps, like little moons set inside the dense leaves of elms and oaks and maples. Even in the night, the light shining through those leaves betrayed the festival of colors seething within them, blazing auras which had not faded with the pa.s.sing days, a plague of colors that had already begun to infect our dreams. This prodigy had by then become connected in our minds with that field just outside of town and the strange growth which there had taken root.

Thus, a sense of urgency led us back to that place, where we found the old farmer waiting for us as the frigid aurora of dawn appeared above the distant woods. Our eyes scanned the frost-powdered earth and studied every s.p.a.ce among shadows and corn shocks spread out over the land, searching for what was no longer present in the scene. "It's gone back," the farmer revealed to us. "Gone into the earth like something hiding in its sh.e.l.l. Don't walk there," he warned, pointing to the mouth of a wide pit.

We gathered about the edge of this opening in the ground, gazing into its depths. Even full daybreak did not show us the bottom of that dark well. Our speculations were brief and useless. Some of us picked up the shovels lying nearby, as if to begin the long duty of filling in the great aperture. "No use in that," said the farmer. He then found a large stone and dropped it straight down the shaft. We waited and waited; we put our heads close to the hole and listened. But all we seemed to hear were remote, droning echoes, as of countless voices of insects chattering unseen. Finally, we covered the hazardous pit with some boards and buried the makeshift enclosure under a mound of soft dirt. "Maybe there'll be some change in the spring," someone said. But the old farmer only chuckled. "You mean when the ground warms up? Why do you think those leaves aren't falling the way they should?"

It was not long after this troubling episode that our dreams, which formerly had been the merest shadows and glimpses, swelled into full phase. Yet they must not have been dreams entirely, but also excavations into the season which had inspired them. In sleep we were consumed by the feverish life of the earth, cast among a ripe, fairly rotting world of strange growth and transformation. We took a place within a darkly flourishing landscape where even the air was ripened into ruddy hues and everything wore the wrinkled grimace of decay, the mottled complexion of old flesh. The face of the land itself was knotted with so many other faces, ones that were corrupted by vile impulses. Grotesque expressions were molding themselves into the darkish grooves of ancient bark and the whorls of withered leaf; pulpy, misshapen features peered out of damp furrows; and the crisp skin of stalks and dead seeds split into a mult.i.tude of crooked smiles. All was a freakish mask painted with russet, rashy colors colors that bled with a virulent intensity, so rich and vibrant that things trembled with their own ripeness. But despite this gross palpability, there remained something spectral at the heart of these dreams. It moved in shadow, a presence that was in the world of solid forms but not of it. Nor did it belong to any other world that could be named, unless it was to that realm which is suggested to us by an autumn night when fields lay ragged in moonlight and some wild spirit has entered into things, a great aberration sprouting forth from a chasm of moist and fertile shadows, a hollow-eyed howling malignity rising to present itself to the cold emptiness of s.p.a.ce and the pale gaze of the moon.

And it was to that moon we were forced to look for comfort when we awoke trembling in the night, overcome by the sense that another life was taking root within us, seeking its ultimate incarnation in the bodies we always dreamed were our own and inviting us into the depths of an extraordinary harvest.

Certainly there was some relief when we began to discover, after many insecure hints and delvings, that the dreams were not a sickness restricted to solitary individuals or families but in fact were epidemic throughout the community. No longer were we required to disguise our uneasiness as we met on the streets under the luxuriant shadows of trees that would not cast off their gaudy foliage, the mocking plumage of a strange season. We had become a race of eccentrics and openly declared an array of curious whims and suspicions, at least while daylight allowed this audacity.

Honored among us was that one old fellow, well known for his oddities, who had antic.i.p.ated our troubles weeks beforehand. As he wandered about town, wheeling the blade-sharpening grindstone by which he earned his living, Mr. Marble had spoken of what he could "read in the leaves", as if those fluttering sc.r.a.ps of lush color were the pages of a secret book in which he perused gold and crimson hieroglyphs. "Just look at them," he urged pa.s.sers-by, "bleeding their colors like that. They should be bled dry, but now they're... making pictures. Something inside trying to show itself. They're as dead as rags now, look at them all limp and flapping. But something's still in there. Those pictures, do you see them?"

Yes, we saw them, though somewhat belatedly. And they were not seen only in the chromatic designs of those deathless leaves. They could show themselves anywhere, if always briefly. Upon a cellar wall there might appear an ill-formed visage among the damp and fractured stones, a hideous impersonation of a face infiltrating the dark corners of our homes. Other faces, leprous masks, would arise within the grain of panelled walls or wooden floors, spying for a moment before sinking back into the knotty shadows, withdrawing below the surface, And there were so many nameless patterns that might spread themselves across the boards of an old fence or the side of a shed, engravings all tangled and wizened like a subterranean craze of roots and tendrils, an underworld riot of branching convolutions, gnarled ornamentations. Yet these designs were not unfamiliar to us... for in them we recognized the same outlines of autumnal decay that illuminated our dreams. Like the old visionary who sharpened knives and axes and curving scythes, we too could now read the great book of countless colored leaves. But still he remained far in advance of what was happening deep within us all. For it was he who manifested certain idiosyncrasies of manner that would have later appeared in so many others, whether they lived in town or somewhere outside its limits. Of course, he had always set himself apart from us by his waywardness of speech, his willingness to utter p.r.o.nouncements of dire or delightful curiosity. To a child he might say: "The sight of the night can fly like a kite," while someone older would be told: "Doesn't have arms, but it knows how to use them. Doesn't have a face, but it knows where to find one."

Nevertheless, he plied his trade with every efficiency, pedalling the mechanism that turned the grindstone, expertly honing each blade and taking his pay like any man of business. Then, we noticed, he seemed to become distracted in his work. In a dull trance he touched metal implements to his spinning wheel of stone, careless of the sparks that flew into his face. Yet there was also a wild luminousness in his eyes, as of a diamond-bright fever burning within him. Eventually we found ourselves unable to abide his company, though we now attributed this merely to some upsurge in his perennial strangeness rather than to a wholly unprecedented change in his behavior. It was not until he no longer appeared on the streets of town, or anywhere else, that we admitted our fears about him.

And these fears necessarily became linked to the other disruptions of that season, those extravagant omens which were gaining force all around us. The disappearance of Mr. Marble coincided with a new phenomenon, one that finally became apparent in the twilight of a certain day when all of the cl.u.s.tering and tenacious foliage seemed to exude a vague phosph.o.r.escence. By nightfall this prodigy was beyond skepticism. The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.

That night we kept to our houses and watched at our windows. It was no marvel, then, that so many of us saw the one who wandered that iridescent eve, who joined in its outbursts and celebrations. Possessed by the ecstacies of a dark festival, he moved in a trance, bearing in his hand that great ceremonial knife whose keen edge flashed a thousand glittering dreams, He was seen standing alone beneath trees whose colors shined upon him, staining his face and his tattered clothes. He was seen standing alone in the yards of our houses, a rigid scarecrow concocted from a patchwork of colors and shadows. He was seen stalking slow and rhythmically beside high wooden fences that were now painted with a quivering colored glow. Finally, he was seen at a certain intersection of streets at the center of town; but now, as we saw, he was no longer alone.

Confronting him in the open night were two figures whom none of us knew: a young woman and, held tightly by her side, a small boy. We were not unaccustomed to strangers walking the streets of our town, or even stopping by one of the surrounding farms people who were pa.s.sing through, some momentarily lost. And it was not too late in the evening for some travellers to appear, not really late at all. But they should not have been there, those two. Not on that night. Now they stood transfixed before a creature of whom they could have no conception, a thing that squeezed the knife in its hand the way the woman was now squeezing the small boy. We might have taken action but did not; we might have made an effort to help them. But the truth is that we wanted something to happen to them-we wanted to see them silenced. Such was our desire. Only then would we be sure that they could not tell what they knew. Our fear was not what those intruders might have learned about the trees that glowed so unnaturally in the night; or about the chittering noises that now began rising to a pitch of vicious laughter; or even about the farmer's field where a mound of dirt covered a bottomless hole. Our fear was what they might have known, what they must certainly have discovered, about us.

And we lost all hope when we saw the quaking hand that could not raise the knife, the tortured face that could only stare while those two terrible victims-the rightful sacrifice!-ran off to safety, never to be seen by us again. After that we turned back to our houses, which now reeked of moldering shadows, and succ.u.mbed to a dreamless sleep.

Yet at daybreak it became evident that something had indeed happened during the night. The air was silent, everywhere the earth was cold. And the trees now stood bare of leaves, all of which lay dark and withered upon the ground, as if their strangely deferred dying had finally overtaken them in a sudden rage of mortification. Nor was it long before Mr. Marble was discovered by an old farmer.

The corpse reposed in a field, stretched face-down across a mound of dirt and alongside the remains of a dismantled scarecrow. When we turned over the body we saw that its staring eyes were as dull as that ashen autumn morning. We also saw that its left arm had been slashed by the knife held in its right hand.

Blood had flowed over the earth and blackened the flesh of the suicide. But those of us who handled that limp, nearly weightless body, dipping our fingers into the dark wound, found nothing at all that had the feeling of blood. We knew very well, of course, what that shadowy blackness did feel like; we knew what had found its way into the man before us, dragging him down into its savage world. His dreams had always reached much deeper than ours. So we buried him deep in a bottomless grave.

The Medusa (1991).

"The Medusa had two inspirations: Arthur Machen's legend-based horror tales, with their sinister glamour and doomed protagonists, and the pessimistic philosophical writings of E.M. Cioran."-Thomas Ligotti, Introduction to The Medusa in The Mammoth Book of Monsters, 2007.

First published in Fantasy Tales, Winter, 1991.

Also published in: Noctuary, The Nightmare Factory.

I.

Before leaving his room Lucian Dregler transcribed a few stray thoughts into his notebook.

The sinister, the terrible never deceive: the state in which they leave us is always one of enlightenment. And only this condition of vicious insight allows us a full grasp of the world, all things considered, just as a frigid melancholy grants us full possession of ourselves.

We may hide from horror only in the heart of horror.

Could I be so unique among dreamers, having courted the Medusa-my first and oldest companion-to the exclusion of all others? Would I have her respond to this sweet talk?

Relieved to have these fragments safely on the page rather than in some precarious mental notebook, where they were likely to become smudged or altogether effaced, Dregler slipped into an old overcoat, locked the door of his room behind him, and exited down a series of staircases at the back of his apartment building. An angular pattern of streets and alleys was his usual route to a certain place he now and then visited, though for time's sake-in order to waste it that is-he chose to stray from his course at several points. He was meeting an acquaintance he had not seen in quite a while.

The place was very dark, though no more than in past experience, and much more populated than it first appeared to Dregler's eyes. He paused at the doorway, slowly but unsystematically removing his gloves, while his vision worked with the faint halos of illumination offered by lamps of tarnished metal, which were s.p.a.ced so widely along the walls that the light of one lamp seemed barely to link up and propagate that of its neighbor. Gradually, then, the darkness sifted away, revealing the shapes beneath it: a beaming forehead with the glitter of wire-rimmed eyegla.s.ses below, cigarette-holding and beringed fingers lying asleep on a table, shoes of shining leather which ticked lightly against Dregler's own as he now pa.s.sed cautiously through the room. At the back stood a column of stairs coiling up to another level, which was more an appended platform, a little brow of balcony, than a section of the establishment proper. This level was caged in at its brink with a railing constructed of the same rather wiry and fragile material as the stairway, giving this area the appearance of a makeshift scaffolding. Rather slowly, Dregler ascended the stairs.

"Good evening, Joseph," Dregler said to the man seated at the table beside an unusually tall and narrow window. Joseph Gleer stared for a moment at the old gloves Dregler had tossed onto the table.

"You still have those same old gloves," he replied to the greeting, then lifted his gaze, grinning: "And that overcoat!"

Gleer stood up and the two men shook hands. Then they both sat down and Gleer, indicating the empty gla.s.s between them on the table, asked Dregler if he still drank brandy. Dregler nodded, and Gleer said "Coming up" before leaning over the rail a little ways and holding out two fingers in view of someone in the shadows below.

"Is this just a sentimental symposium, Joseph?" inquired the now uncoated Dregler.

"In part. Wait until we've got our drinks, so you can properly congratulate me."

Dregler nodded again, scanning Gleer's face without any observable upsurge in curiosity. A former colleague from Dregler's teaching days, Gleer had always possessed an open zest for minor intrigues, academic or otherwise, and an addiction to the details of ritual and protocol, anything preformulated and with precedent. He also had a liking for petty secrets, as long as he was among those privy to them. For instance, in discussions-no matter if the subject was philosophy or old films-Gleer took an obvious delight in revealing, usually at some advanced stage of the dispute, that he had quite knowingly supported some treacherously absurd school of thought. His perversity confessed, he would then a.s.sist, and even surpa.s.s, his opponent in demolishing what was left of his old position, supposedly for the greater glory of disinterested intellects everywhere. But at the same time, Dregler saw perfectly well what Gleer was up to. And though it was not always easy to play into Gleer's hands, it was this secret counter-knowledge that provided Dregler's sole amus.e.m.e.nt in these mental contests, for Nothing that asks for your arguments is worth arguing, just as nothing that solicits your belief is worth believing. The real and the unreal lovingly cohabit in our terror, the only "sphere" that matters.

Perhaps secretiveness, then, was the basis of the two men's relationship, a flawed secretiveness in Gleer's case, a consummate one in Dregler's.

Now here he was, Gleer, keeping Dregler in so-called suspense. His eyes, Dregler's, were aimed at the tall narrow window, beyond which were the bare upper branches of an elm that twisted with spectral movements under the floodlights fixed high upon the outside wall. But every few moments Dregler glanced at Gleer, whose baby like features were so remarkably unchanged: the cupid's bow lips, the cookie-dough cheeks, the tiny gray eyes now almost buried within the flesh of a face too often screwed up with laughter.

A woman with two gla.s.ses on a cork-bottomed tray was standing over the table. While Gleer paid for the drinks, Dregler lifted his and held it in the position of a lazy salute. The woman who had brought the drinks looked briefly and without expression at toastmaster Dregler. Then she went away and Dregler, with false ignorance, said: "To your upcoming or recently pa.s.sed event, whatever it may be or have been."

"I hope it will be for life this time, thank you, Lucian."

"What is this, quintus?"

"Quartus, if you don't mind."

"Of course, my memory is as bad as my powers of observation. Actually I was looking for something shining on your finger, when I should have seen the shine of your eyes. No ring, though, from the bride?"

Gleer reached into the open neck of his shirt and pulled out a length of delicate chainwork, dangling at the end of which was a tiny rose-colored diamond in a plain silver setting.

"Modern innovations," he said neutrally, replacing the chain and stone. "The moderns must have them, I suppose, but marriage is still marriage."

"Here's to the Middle Ages," Dregler said with unashamed weariness.

"And the middle-aged," refrained Gleer.

The men sat in silence for some moments. Dregler's eyes moved once more around that shadowy loft, where a few tables shared the light of a single lamp. Most of its dim glow backfired onto the wall, revealing the concentric coils of the wood's knotty surface. Taking a calm sip of his drink, Dregler waited.

"Lucian," Gleer finally began in a voice so quiet that it was nearly inaudible.

"I'm listening," Dregler a.s.sured him.

"I didn't ask you here just to commemorate my marriage. It's been almost a year, you know. Not that that would make any difference to you."

Dregler said nothing, encouraging Gleer with receptive silence.

"Since that time," Gleer continued, "my wife and I have both taken leaves from the university and have been traveling, mostly around the Mediterranean. We've just returned a few days ago. Would you like another drink? You went through that one rather quickly."

"No, thank you. Please go on," Dregler requested very politely.

After another gulp of brandy, Gleer continued. "Lucian, I've never understood your fascination with what you call the Medusa. I'm not sure I care to, though I've never told you that. But through no deliberate efforts of my own, let me emphasize, I think I can further your, I guess you could say, pursuit. You are still interested in the matter, aren't you?"

"Yes, but I'm too poor to afford Peloponnesian jaunts like the one you and your wife have just returned from. Was that what you had in mind?"

"Not at all. You needn't even leave town, which is the strange part, the real beauty of it. It's very complicated how I know what I know. Wait a second. Here, take this."

Gleer now produced an object he had earlier stowed away somewhere in the darkness, laying it on the table. Dregler stared at the book. It was bound in a rust-colored cloth and the gold lettering across its spine was flaking away. From what Dregler could make out of the remaining fragments of the letters, the t.i.tle of the book seemed to be: Electro-Dynamics for the Beginner.

"What is this supposed to be?" he asked Gleer.

"Only a kind of pa.s.sport, meaningless in itself. This is going to sound ridiculous-how I know it!-but you want to bring the book to this establishment," said Gleer, placing a business card upon the book's front cover, "and ask the owner how much he'll give you for it. I know you go to these shops all the time. Are you familiar with it?"

"Only vaguely," replied Dregler.

The establishment in question, as the business card read, was Brothers' Books: Dealers in Rare and Antiquarian Books, Libraries and Collections Purchased, Large Stock of Esoteric Sciences and Civil War, No Appointment Needed, Member of Manhattan Society of Philosophical Bookdealers, Benjamin Brothers, Founder and Owner.

"I'm told that the proprietor of this place knows you by your writings," said Gleer, adding in an ambiguous monotone: "He thinks you're a real philosopher."

Dregler gazed at length at Gleer, his long fingers abstractly fiddling with the little card. "Are you telling me that the Medusa is supposed to be a book?" he said.

Gleer stared down at the table-top and then looked up. "I'm not telling you anything I do not know for certain, which is not a great deal. As far as I know, it could still be anything you can imagine, and perhaps already have. Of course you can take this imperfect information however you like, as I'm sure you will. If you want to know more than I do, then pay a visit to this bookstore."

"Who told you to tell me this?" Dregler calmly asked.

"It seems better if I don't say anything about that, Lucian. Might spoil the show, so to speak."

"Very well," said Dregler, pulling out his wallet and inserting the business card into it. He stood up and began putting on his coat. "Is that all, then? I don't mean to be rude but-"

"Why should you be any different from your usual self? But one more thing I should tell you. Please sit down. Now listen to me. We've known each other a long time, Lucian. And I know how much this means to you. So whatever happens, or doesn't happen, I don't want you to hold me responsible. I've only done what I thought you yourself would want me to do. Well, tell me if I was right."

Dregler stood up again and tucked the book under his arm. "Yes, I suppose. But I'm sure we'll be seeing each other. Good night, Joseph."

"One more drink," offered Gleer.

"No, good night," answered Dregler.

As he started away from the table, Dregler, to his embarra.s.sment, nearly rapped his head against a ma.s.sive wooden beam which hung hazardously low in the darkness. He glanced back to see if Gleer had noticed this clumsy mishap. And after merely a single drink! But Gleer was looking the other way, gazing out the window at the tangled tendrils of the elm and the livid complexion cast upon it by the floodlights fixed high upon the outside wall.

For some time Dregler thoughtlessly observed the wind-blown trees outside before turning away to stretch out on his bed, which was a few steps from the window of his room. Beside him now was a copy of his first book, Meditations on the Medusa. He picked it up and read piecemeal from its pages.

The worshipants of the Medusa, including those who clog pages with "insights" and interpretations such as these, are the most hideous citizens of this earth-and the most numerous. But how many of them know themselves as such? Conceivably there may be an inner cult of the Medusa, but then again: who could dwell on the existence of such beings for the length of time necessary to round them up for execution?

It is possible that only the dead are not in league with the Medusa. We, on the other hand, are her allies-but always against ourselves. How does one become her companion... and live?

We are never in danger of beholding the Medusa. For that to happen she needs our consent. But a far greater disaster awaits those who know the Medusa to be gazing at them and long to reciprocate in kind. What better definition of a marked man: one who "has eyes" for the Medusa, whose eyes have a will and a fate of their own.

Ah, to be a thing without eyes. What a break to be born a stone!

Dregler closed the book and then replaced it on one of the shelves across the room. On that, same overcrowded shelf, leather and cloth pressing against cloth and leather, was a fat folder stuffed with loose pages. Dregler brought this back to the bed with him and began rummaging through it. Over the years the file had grown enormously, beginning as a few random memoranda-clippings, photographs, miscellaneous references which Dregler copied out by hand-and expanding into a storehouse of infernal serendipity, a testament of terrible coincidence. And the subject of every entry in this inadvertent encyclopaedia was the Medusa herself.