I walk with you, my son,

Wherever you are going,

I walk with you, my son.

Sometimes she sang to protect him: Tti-la-ye ke-wi-ta-mo-ne i-no-ki,

Tti-la-ye ke-wi-ta-mo-ne i-no-ki-i-i.

Me-ma-ko-te-si-ta

Ki-ma-ma-to-me-ga.

Ke-te-ma-ga-yo-se.

Ghost, I call you today,

Ghost, I speak to you now.

One who is greatly in need

Will worship you.

Send your blessings to me.

Soon these were the songs Shaman hummed as he dogged her steps. Alex followed along glumly, watching as still another adult claimed part of his brother. He obeyed Makwa, but she recognized that the suspicion and dislike she sometimes saw in his young eyes were a son's reflections of Sarah Cole's feelings toward her. It didn't matter to her much. Alex was a child, and she would work to win his trust. As for Sarah-so long as Makwa could remember, Sauks had had enemies.

Jay Geiger, busy with his pharmacy, had hired Mort London to plow the first section of his farm, a slow and brutal task. It had taken Mort from April to the end of July to break the deep, tough sod, a process made more expensive by the fact that the turned-over clods had to be allowed to rot for two or three years before the field was fit to be replowed and planted, and because Mort had caught the Illinois mange, which afflicted most men who ripped open the prairie. Some thought the rotting sod released a miasma that carried the illness to the farmer, while others said the sickness came from the bites of tiny insects disturbed by the plowshare. The ailment was unpleasant, the skin breaking out in little sores that itched. Treated with sulfur, it could be contained as an annoyance, but if it was neglected it could develop into a fatal fever such as the one that had killed Alexander Bledsoe, Sarah's first husband.

Jay insisted that even the corners of his field should be carefully plowed and sown. In accordance with ancient Jewish law, at harvesttime he left the corners unreaped, to be gleaned by the poor. When Jay's first section started producing good crops of corn, he was ready to prepare the second section to plant wheat. But by that time Mort London was sheriff, and none of the other homesteaders was willing to work for wages. It was a time when Chinese coolies didn't dare quit the railroad gangs because they were likely to be stoned if they made it to the nearest town. Occasionally an Irishman or the rare Italian, escaping from the near-slavery of digging the Illinois and Michigan Ca.n.a.l, wandered into Holden's Crossing, but papists were viewed with alarm by a majority of the population, and these interlopers were hurried on their way. Jay had developed a pa.s.sing acquaintance with some of the Sauks because they were the poor whom he had invited to glean his corn. Finally he bought four bullocks and a steel plow and hired two of the warriors, Little Horn and Stone Dog, to break the prairie for him.

The Indians knew secrets about slicing the plains and turning it over to expose its flesh and blood, the black earth. As they worked they apologized to the earth for cutting it, and they sang songs in order to imprecate the proper ghosts. They knew the white men plowed too deep. When they set the plowshare for shallow cultivation, the root ma.s.s below the plowed earth actually rotted away faster, and they cultivated two and one-quarter acres a day instead of a single acre. And neither Little Horn nor Stone Dog caught the mange.

Marveling, Jay tried to share their method with all his neighbors, but he found no willing listeners.

"It's because the ignorant b.a.s.t.a.r.ds consider me a foreigner, even though I was born in South Carolina and some of them were born in Europe," he complained hotly to Rob J. "They don't trust me. They hate the Irish and the Jews and the Chinese and the Italians, and G.o.d knows who all, for coming to America too late. They hate the French and the Mormons on general principles. And they hate the Indians for being in America too early. Who the h.e.l.l do they like?"

Rob grinned at him. "Why, Jay ... they like themselves! They think they are just right, having had the sensibility to arrive at exactly the correct time," he said.

In Holden's Crossing, being liked was one thing, being accepted was another. Rob J. Cole and Jay Geiger gained grudging acceptance because their professions were needed. As they became prominent patches in the community quilt, the two families continued to be close, drawing support and stimulation from one another. The children became accustomed to the works of great composers, lying in bed of an evening and listening to music that rose and fell with the beauty of stringed instruments played with love and pa.s.sion by their fathers.

The year Shaman was five years old, the major spring illness was measles. The invisible armor protecting Sarah and Rob disappeared, and so did the luck that had kept them unscathed. Sarah brought the disease home and became mildly ill, as did Shaman. Rob J. thought anyone was lucky to catch a light dose, because in his experience measles didn't strike twice in one lifetime; but Alex caught the disease in all its terrible power. Whereas his mother and brother had been feverish, he burned. While they had itched, his body ran b.l.o.o.d.y from frenzied scratching, and Rob J. wrapped him in wilted cabbage leaves and bound his hands for his own protection.

The spring after that, the prevailing illness was scarletina. The Sauk band caught it, and Makwa-ikwa from them, so that Sarah had to stay home full of resentment and nurse the Indian woman instead of riding out as her husband's a.s.sistant. Then both boys came down. This time Alex drew the gentler version of the disease, while Shaman burned, vomited, screamed with the earache, and suffered a rash so damaging that in places his skin peeled off like a snake's.

When the disease had run its course, Sarah opened the house to the warm May air and declared that the family needed a holiday. She roasted a goose and let the Geigers know their presence would be appreciated, and that evening, music reigned where it hadn't been heard for weeks.

The Geiger children were put to bed on pallets next to the bunks in the Cole boys' room. Lillian Geiger slipped into the room and gave each child a hug and a kiss. At the door she paused and wished them good night. Alex wished her good night in return, as did her own children, Rachel, Davey, Herm, and Cubby, who was too young to be saddled with his real name, which was Lionel. She noticed that one child hadn't answered. "Good night, Rob J.," she said. There was no reply, and Lillian saw that the child looked straight ahead, as if lost in thought.

"Shaman? My dear?" In a moment, when there was no reply, she clapped her hands sharply. Five faces looked toward her, but one did not.

In the other room, the musicians were doing the Mozart duet, the piece they played together best, the one that made them shine. Rob J. was amazed when Lillian stood before his viola and put her hand out, stopping his bow during a phrase he especially loved.

"Your son," she said. "The little one. He doesn't hear."

25.

THE QUIET CHILD.

All his life Rob J., struggling to salvage people from the afflictions that bring about physical and mental failures, was surprised at how much it hurt him when the patient was someone he loved. He cherished all those he treated, even the ones made mean by their sickness, even the ones he knew had been mean before they'd become sick, because by seeking his help, somehow they became his. As a young physician in Scotland he'd seen his mother fail and move toward death, and it had been a special, bitter lesson in his ultimate powerlessness as a doctor. And now he felt a raw hurt because of what had befallen the strong, chunky little boy, large for his age, who had come from his own seed and soul.

Shaman appeared dazed as his father clapped his hands, dropped heavy books to the floor, stood before him shouting.

"CAN ... YOU ... HEAR ... ANYTHING? SON?" Rob yelled, pointing to his own ears, but the little boy only stared in puzzlement. Shaman was profoundly deaf.

"Will it go away?" Sarah asked her husband.

"Perhaps," Rob said, but he was more frightened than she, because he knew more, had seen tragedies whose possibilities she only sensed.

"You'll make it go away." She had absolute faith in him. As once he had saved her, now he would save their child.

He didn't know how, but he tried. He poured warm oil into Shaman's ears. He soaked him in hot baths, he applied compresses. Sarah prayed to Jesus. The Geigers prayed to Jehovah. Makwa-ikwa tapped her water drum and sang to the manitous and the ghosts. No G.o.d or spirit paid attention.

In the beginning, Shaman was too baffled to be frightened. But within hours he began to whimper and scream. He shook his head and clawed at his ears. Sarah thought the terrible earache had returned, but Rob soon felt it wasn't that, because he had witnessed this before. "He's hearing noises we can't hear. Inside his head."

Sarah blanched. "There is something in his head?"

"No, no." He could tell her what the condition was called-tinnitus-but he couldn't tell her what was causing the sounds that were so private to Shaman.

Shaman didn't stop crying. His father and mother and Makwa took turns lying on the bed hugging him. Later Rob would learn that his son heard a variety of din, sounds of crackling, ringing, thunderous roaring, hissing. All of it was very loud, and Shaman was continually terrified.

The internal barrage disappeared after three days. Shaman's relief was profound and the returned silence was comforting, but the adults who loved him were tortured by the desperation in the small white face.

That night Rob wrote to Oliver Wendell Holmes in Boston, asking for advice about how to treat the deafness. He also asked Holmes, in case nothing could be done regarding the condition, to forward information that would instruct him how to raise a deaf son.

None of them knew how to treat Shaman. While Rob J. cast about for a physician's solutions, it was Alex who a.s.sumed responsibility. Although stunned and frightened by what had happened to his brother, Alex adapted swiftly. He took Shaman's hand and didn't let go. Where the older boy walked, the younger followed. When their fingers cramped, Alex crossed to his brother's other side and switched hands. Shaman quickly became accustomed to the security of Bigger's sweaty, often dirty grasp.

Alex guarded him closely. "He wants more," he would remark at the table during meals, taking Shaman's empty bowl and holding it out to his mother so it could be refilled.

Sarah watched her two sons, observing how each of them suffered. Shaman stopped talking, and Alex chose to join him in his muteness, speaking hardly at all, communicating with Shaman in a series of exaggerated gestures while the two sets of young eyes locked with one another earnestly.

She tortured herself with imagined situations in which Shaman faced a variety of terrible fates because he couldn't hear her agonized screams of warning. She made the boys stay close to the house. They grew bored and sat on the ground and played stupid games with nuts and pebbles, drawing pictures in the dirt with sticks. Incredibly, at times she heard them laughing. Not being able to hear his own voice, Shaman was apt to speak too softly, so they'd have to ask him to repeat what he mumbled, and he wouldn't understand them. He took to grunting instead of speaking. When Alex became exasperated, he forgot about reality. "What?" he shouted. "What, Shaman!" And then he remembered the deafness and resorted to gestures again. He developed an unfortunate habit of grunting like Shaman to emphasize something he was trying to explain with his hands. Sarah couldn't stand the growling-snorting sound, which made her sons seem like animals to her.

She fell into an unfortunate habit of her own, testing the deafness too often by coming up behind them and clapping her hands, or snapping her fingers, or saying their names. Inside the house, if she stamped her foot the vibrations in the floor caused Shaman to turn his head. At all times, only Alex's scowl noted her interruption.

She had been an on-again, off-again mother, choosing to ride out with Rob J. at every opportunity instead of taking care of her children. She admitted to herself that her husband was the most important thing in her life, just as she acknowledged that medicine was the prime force in his life, even more important than his love for her; that's just the way things were. She'd never felt for Alexander Bledsoe, or for any man, what she felt for Rob J. Cole. Now that one of her sons was threatened, she turned her love back to her boys full force, but it was too late. Alex wouldn't relinquish any part of his brother, and Shaman had become accustomed to depending on Makwa-ikwa.

Makwa didn't discourage the dependence; she took Shaman into the hedonoso-te for long periods of time, and she watched his every move. Once Sarah saw her hurry to where the boy had pa.s.sed water against a tree and scoop some of the wet earth from the ground and take it away in a little cup, as if she was collecting the relic of a saint. Sarah thought the woman was a succubus who tried to claim the part of her husband he valued most about himself, and who now claimed her child. She knew Makwa was casting spells, singing, performing savage rituals whose very thought made her skin crawl, but she dared not object. As desperately as she wanted someone-anyone, anything-to succor her child, she couldn't resist a feeling of self-righteous vindication, an affirmation in the one true faith, when day after day pa.s.sed and the heathen nonsense brought no improvement to her son's condition.

At night Sarah lay awake, tormented by thoughts of deaf mutes she'd known, remembering in particular a feebleminded and slovenly woman whom she and her friends had followed through the streets of their Virginia village, taunting the poor creature for her obesity and her deafness. Bessie, her name, Bessie Turner. They'd thrown sticks and pebbles, hilarious to see Bessie respond to physical insults after being able to ignore the horrible things they had shouted. She wondered if cruel children would follow Shaman through the streets.

Slowly it dawned upon her that Rob-even Rob!-didn't know how to help Shaman. He left every morning and rode out on his house calls, absorbed with other people's ills. He wasn't abandoning his own family. It only seemed that way to her sometimes because she remained with her sons day after day, witness to their struggle.

The Geigers, seeking to be supportive, issued several invitations for the kind of evening the families had shared so often, but Rob J. declined. He no longer played his viola da gamba; Sarah believed he couldn't stand to make music that Shaman wouldn't hear.

She threw herself into the work of the farm. Alden Kimball double-dug a new plot for her and she undertook her most ambitious vegetable garden. She foraged the riverbank for miles to find lemon day lilies and transfer them to a bed at the front of the house. She helped Alden and Moon herd small groups of blatting sheep onto a raft and take them out into the middle of the river and push them off so they had to swim ash.o.r.e, cleansing their wool before the shearing. After castrating the spring lambs, Alden looked askance when she claimed the bucket of prairie oysters, his favorite delicacy. Sarah stripped them of their stringy wrapping, wondering if that's how a man's gonads were under the wrinkled skin. Then she cut the tender little b.a.l.l.s in half and fried them in bacon grease along with wild onion and a sliced puffball mushroom. Alden ate his share eagerly, declared it prime, and stopped moping.

She could almost have been content. Except.

Rob J. came home one day and told her he had conferred with Tobias Barr about Shaman. "A school for the deaf was recently established in Jack-sonville, but Barr knows little about it. I could travel there and look it over. But ... Shaman is so young."

"Jacksonville is one hundred and fifty miles away. We would scarcely ever see him."

He told her that the Rock Island physician had confessed to an ignorance about how to treat deafness in children. In fact, some years before, he had given up on a case involving an eight-year-old girl and her six-year-old brother. Ultimately the children had been sent away as wards of the state, to the Illinois Asylum in Springfield.

"Rob J.," she said. Through the open window came the guttural grunting of her sons, a mad sound, and she had a sudden mental picture of Bessie Turner's vacant eyes. "To send a deaf child to be shut up with crazy people ... that is wicked." The thought of wickedness chilled her, as usual. "Do you think," she whispered, "that Shaman is being punished for my sins?"

He took her in his arms and she drew on his strength the way she always did.

"No," he said. He held her a long time. "Oh, my Sarah. You must never think it." But he didn't tell her what they could do.

One morning while the two boys sat in front of the hedonoso-te with Little Dog and Bird Woman, stripping willow withes of bark Makwa would boil to make her medicine, a strange Indian rode a bony horse out of the riverbank woods. He was an apparition of a Sioux, no longer young, as skinny as his horse, as shabby and tattered. His feet were bare and dirty. He wore leggings and a loincloth of deerskin and a tattered fragment of a buffalo skin around the upper part of his body like a shawl, held in place by a knotted rag belt. His long graying hair had been carelessly tended, with a short braid at the back and two longer braids at the sides of his head, wrapped with strips of otter skin.

A few years earlier, a Sauk would have greeted a Sioux with a weapon, but now each of them knew they were surrounded by a common enemy, and when the horseman greeted her in the sign language used by the Plains tribes whose native tongues are dissimilar, she returned the greeting with her fingers.

She guessed he had ridden through the Ouisconsin, following the fringe of forest along Masesibowi. His signs told her he came in peace and followed the setting sun to the Seven Nations. He asked her for food.

The four children were fascinated. They giggled and mimicked the eat sign with their small hands.

He was a Sioux, so she couldn't simply give him anything. He traded a plaited rope for a plate of squirrel stew and a big piece of corncake, and a small bag of dried beans for the trail. The stew was cold but he dismounted and ate it with obvious hunger.

He saw the water drum and asked if she was a ghostkeeper, and looked uneasy when she indicated it was so. They didn't give each other the power of learning their names. When he'd eaten, she warned him not to hunt the sheep or the white men would kill him, and he got back on the skinny horse and rode away.

The children were still playing at the game with their fingers, making signs that didn't mean anything; except that Alex was making the eat sign. She broke off a piece of corncake and gave it to him, and then showed the others how to make the sign, rewarding them with nibbles of cake when they had got it right. The intertribal language was something the Sauk children should be taught, so she gave them the signs for willow, including the white brothers as a kindness until she saw that Shaman seemed to pick up the signs easily, and she was struck by an exciting thought that caused her to concentrate on him more than the others.

In addition to eat and willow, she taught them the signs for girl, for boy, for wash, and for dress. That was enough for the first day, she thought, but she set them to practicing them again and again, a new game, until the children knew the signs perfectly.

That afternoon, when Rob J. came home, she brought the children to him and demonstrated what they had learned.