Mr. T. A. Daly was until recently business manager of a weekly paper.

Messrs. Bliss Carman, Richard Le Gallienne, Ford Madox Hueffer, Nicholas Vach.e.l.l Lindsay, and eight thousand other poets write literary criticisms. Dr. Henry van d.y.k.e preaches and is a diplomat. Mr. Rudyard Kipling preaches and is not a diplomat. All the poets have regular jobs.

In the good old days it was different. Then Dr. Henry van d.y.k.e, Mr. Tom Daly, and the rest of them would have done nothing all day and all night but write poetry and read it to each other as they sat and drank anisette or some other sweet, sticky cordial in a club named the Camembert Cheese, or something of the sort. They would have scorned editing anything less precious than The Germ or The Yellow Book. And as to writing book reviews--as well ask them to get married!

For a time Mr. Alfred Noyes kept the spirit of craft-integrity. He alone, among book reviewing, story writing, magazine editing versifiers, was solely a poet. But now even he has taken up a side line. First he delivered the Lowell lectures; then he became a university professor.

Over his laurel wreath he has put a mortar-board.

But the departure of the poets from a strictly professional att.i.tude toward life is only one side of the shield. The poets have become citizens; that is bad enough. But also the citizens have become poets.

They do not call themselves poets, they merely write verse as casually as they write letters.

For one thing, the rhymed advertis.e.m.e.nt is more common now than ever before. Formerly, when the proprietor or advertising manager of a manufactory of automobiles or chewing gum or some other necessity of American life desired to celebrate his wares in verse, he went to some trouble and expense. He called in an impecunious literary man, that is, a literary man, and with some trepidation made what business men quaintly call a proposition. The poet considered the matter carefully, arranged the terms of payment, and insisted upon the exclusion of his name from the published composition, was supplied with material descriptive of his subject, and departed to his conventional garret. In the course of time he brought back the desired verses, was paid, and treated with mingled curiosity and awe by the men of affairs who had made use of his talents.

Now all is changed. The advertising managers started scabbing on the unorganized and individualistic poets and actually drove them off the job. Now, when a cough drop is to be made the subject of a sonnet-sequence what happens? Does a regular professional poet get a dollar a line for the work? He does not. The advertising manager sends the office boy out for a rhyming dictionary and writes the verses himself. Or else he lets the office boy write them.

But this is only one manifestation of this lamentable state of affairs.

Another is the fact that most people are the authors of books of verse.

People do not buy poetry, they do not read poetry, but they write it with amazing enthusiasm and industry. There are now at least four prosperous publishers who do nothing but bring out books at the expense of the authors, and their lists contain practically nothing but volumes of verse. The country clergyman, lawyer, or school teacher who has not written a volume of verse and paid from $100 to $500 to have it printed (with his portrait as frontispiece) is a rare bird indeed. These people never buy books of verse, and, of course, almost no copies of their own books are sold. But the fact remains that nearly everybody who can read and write makes verse, carelessly, casually, without effort or emotion.

The shoemaker who wishes to call the attention of the public to his new stock of canvas shoes with green leather inserts lisps in numbers and the numbers come. And the man who has nothing to advertise but his own personality seizes authoritatively upon the Muse's hair and pulls it until she shrieks his praise.

It will be objected that what these people write is merely verse, not poetry; that no one considers them poets and that they do not claim the t.i.tle. But this is not a valid objection, it is thoroughly in accordance with my thesis. They write verse, and they are not poets; therefore they--all people, that is--believe that one need not be a professional poet to write verse any more than one need be a professional dishwasher to wash dishes. So poetry, as a distinct craft, utterly disappears; it does not even continue as a separate and special branch of unskilled labor.

Of course, there still exist people who take the making of verse somewhat seriously. But the loudest of them, those who most earnestly insist upon the importance of themselves and their art, are those ridiculous young people who call themselves Imagistes and Vorticists and similar queer names. And they deliberately take from poetry its characteristics of rhyme and rhythm and apply the name poetry to little chunks of maudlin prose. So they, too, are working for the abolition of poets and poetry.

There is an exquisite Socialist doctrine called "progressive poverty" or something of the sort, according to which we are to let conditions get worse and worse so that they may ultimately become unbearable. Then, it is said, the cooperative commonwealth will almost automatically come into being. Perhaps this suggests a solution for the problem now under consideration. Let the few remaining professional poets resolutely abstain from writing verse; let verse be made only by patent medicine manufacturers and grocers and Imagistes and, in general, people totally ignorant of poetry. They will produce it in abundance; they will probably perfect some mechanical device, a poem-jenny, perhaps, which will produce a standard poem in a short time and gradually do away with the home-manufactured article.

In the course of time the patents on this device will be taken over by the Standard Oil Company, and poems of uniform perfection will be furnished at small cost to every house or apartment. Then, after some twenty-five years, there will come a reaction, a sort of craftsman, back-to-nature movement. Some adventurous person will make up a real poem of his own, and his friends will say, "How quaint! That is the way they did in the old days before the poem-jenny was invented. I rather like this poem. It has strength, simplicity, a primitive quality that I cannot find in the poems the Standard Oil Company sends up every week.

Go on, Rollo, and see if you can make another one."

Thus encouraged, Rollo will make another poem, and another, and rather histrionically will a.s.sume the picturesque old t.i.tle of poet. Other poets will arise, and the Standard Oil Company will turn its attention to perfecting devices for the construction of novels. Poems made by hand by specialists will then be the only articles of the sort produced. In this way only can there ever be a genuine renascence of the ancient and honorable craft of poetry.

NOON-HOUR ADVENTURING

Sun worship, according to the latest religious census, is no longer a popular cult. This is a pity, for it was more respectable and more diverting than most of the forms of paganism that have superseded it.

But the sun is a good-humored deity; he showered his gifts no more generously of old on Teheran, whose walls were resonant with his praise, than now on faithless New York. Daily from his meridian he stretches forth his shining scimitar and strikes the fetters from the feet of young men, setting them free to walk the golden streets of an enchanted city.

The feet, I said, of young men. For men no longer young the noon hour is a time for the comfortable but unromantic occupation of eating. The man who usually takes a car to get from Thirty-third Street to Times Square, who occasionally lets the barber rub tonic on the top of his head, who carries blocks and dolls home on Sat.u.r.day, who is morbidly interested in building loans and gra.s.s-seed, regards the noon hour as at worst a time for shopping and at best a time for eating. But to the young man, particularly to the young man for the first time a wage-earner in the city, the noon hour is a time for splendid adventuring.

It may be that there are young women for whom the luncheon hour is a gay thread of romance in the dull fabric of the working day. Of this I cannot speak with certainty; my observation indicates that they regard it merely as an opportunity to go, in chattering companies, to those melancholy retreats called tea rooms to amuse themselves with gossip and extraordinary ices. But the young man leaves his desk at the appointed hour as bravely as ever pirate vessel left its wharf, and sails forth to sparkling and uncharted seas.

Consider, for example, the case of James Jones. James spent his boyhood in a town less than a hundred miles from New York. Visits to the city were great events in his young life. He was taken there to buy clothing, to go to the theater, to visit unusually exciting relatives who lived in apartment houses, rode on elevators, and drew milk from dumb-waiters.

During his collegiate career James made occasional trips to New York, always with the theater and the tavern as his objectives. Triumphantly now he feels himself actually a New Yorker, a dweller in no mean city.

Joyfully, therefore, he goes forth every noon to explore the territory of his new possession.

James is, let it be understood, nearer 20 than 25. He is beginning to regard his diploma with some disrespect, but he still wears his fraternity pin on an obscure corner of his waistcoat. Every Sat.u.r.day morning he gets an envelope containing a $10 bill and a $5 bill, and he has already formulated in his mind an eloquent appeal which cannot fail, he believes, to increase that amount to $18.50. James endeavors to seem as sophisticated as the chauffeur of a taxicab; not for worlds would he betray the innocent delight with which he regards the city of his habitation.

With James's occupation from 9 in the morning until the luncheon hour we have no concern. Perhaps he sits on a high stool and ciphers in a great ledger, perhaps he haltingly dictates letters to a patronizing stenographer, perhaps he urges certain necessities or luxuries upon a suspicious public. The important fact of his life--for us and, in a measure, for him--is that once every day he answers the welcome summons of the unknown.

Luncheon is a tiresome obligation, quickly to be fulfilled. His mother would be vexed to see him gulp his malted milk or bolt his sandwich. On some occasions, with a pleasant sense of recklessness, he enters a bar, and, with something of a flourish, consumes beer and free lunch. With some difficulty he refrains from looking over the swinging doors before leaving, as he did in his home town, to make sure that none of his neighbors are coming down the street.

James left his desk only six minutes ago and his luncheon is already over. There remain fifty-four precious minutes. Behold him tasting rapturously of every second of these minutes! Behind a cheap but decorative cigar he walks up, perhaps, Fifth Avenue, undeniably that excellent thoroughfare's possessor. For his delight is Diana poised on her tower of purple memories; the gra.s.s of Madison Square is greener than that of his father's lawn; tulips more vivid than these never bloomed in the rich gardens of Holland.

He is considered a sympathetic person, but at noon, I fear, his att.i.tude is that of a realist. For he watches with ingenuous interest the antics of that drunkard on a park bench, and regards the arrival of the patrol wagon and summary removal of the culprit as a drama got up solely for his entertainment. Regrettable as it may seem, it is with heightened spirits that he continues his stroll.

Now he has reached a great bookshop which even the penniless find hospitable. "Some day," says James to himself, "two hundred copies of my novel will draw a crowd around this plate gla.s.s window." Mentally he arranges an effective window display and goes on to feast his eyes on vellum and s.h.a.green, on calf delicately tooled and parchment gay with gold leaf and many colored inks. Sometimes he enters the shop (the clerks are indulgent to James and his kind) and, over the merry pages of _Jugend_ and _La Vie Parisienne_, rejoices that his father made him study modern languages at college.

But literature must not claim too much of his fast-fleeting hour. There are shops at hand whose windows show things stranger than books; chairs and bedsteads eloquent of the genius of Adam and Heppelwhite; the ma.s.sive silver platter on which old Wardle carved a Christmas goose when Mr. Pickwick was his guest; a mighty flagon that brimmed with red wine for Pantagruel; a carved jade bracelet from the brown arm of the Princess Badoura; the sword of Robert Bruce. All lands, all ages have sent their treasures to New York this noon for the entertainment of James Jones.

It may be that this square of j.a.panese embroidery, on which fantastic knights thrust tremendous javelins at red and green dragons under astonished willows, was made in Paterson, N. J. What of that? The colors are not therefore less bright. James is not a purchaser, he is merely a spectator of the greatest raree-show in the world. It is well for him to be deceived in the splendors displayed before him. Not so many years ago he would prefer a red gla.s.s ball to the Kohinoor and a hand organ with a monkey to a piano with Paderewski. James yet retains a receptivity almost infantile; but it would pain him to be told so.

They are not gregarious, at noon, these young discoverers of New York.

They are selfish in their adventuring, for a vision shared is only half a vision. James, I know, is annoyed when he finds an acquaintance gobbling a sandwich at his luncheon counter or staring in a jeweler's window that he has come to regard as his own private property. On Sundays he is sociable enough; he is glad of a companion on his journeys across and up and down Manhattan, among the Italians and negroes of the upper west side, through the loud ghetto and speciously weird Chinatown, in the deliberate sylvanity of Central Park and the Bronx Gardens. In the evening, too, he is not at all a recluse. But at noon he has no appet.i.te for conversation; he would not have his attention taken from the strange streets by an accustomed human being.

James has never ridden on a London bus, yet I believe in the truth of his unspoken thought, that a Fifth Avenue bus is the most excellent vehicle in the world. The London bus depends for its charm on a number of non-essential qualities; on the humor of its driver (are the chauffeurs of London's electric buses also masters of epigram?), on the quaintness and antiquity of the thoroughfare, on the military efficiency of the traffic policemen, on the philmayishness of the pa.s.sengers. The Fifth Avenue bus has one reason for existence: it shows its pa.s.sengers Fifth Avenue. No bus can do more.

So one may (if one is young enough to be so foolish and so wise) ride, like the Gaikwar of Baroda in his swaying howdah, high above the people for a golden hour. He may start at uneasy Washington Square, where ancient respectability wars with young bohemianism. Soon he looks down on the throngs of new Americans that tramp the once proud pavement. From his high seat he sees them, the small, dark men and women who, like him, are for a time released from labor. They move slowly in great crowds, they eat frugal meals, the wares of curb-side peddlers, they talk and gesture incessantly. What does James think of them? I do not believe that his opinion is worth knowing.

But he enjoys, I know, the tour through the traffic-filled intersection of Broadway and Twenty-third Street, and he is not old enough to notice with regret the gradual deterioration of the latter street. Freed from the close company of baser vehicles, how triumphantly the bus whirrs up the broad street past the square, among the splendid shops and clubs and churches--the true New Yorker, I think, names them in this order. But James must not give too much attention to the lovely Gothic lines of St.

Thomas's, or the lovely Byzantine lines of that pink chiffon lady in the landau--the luncheon hour draws to a close, and punctuality, he still believes, is a business virtue.

The brevity of this recess is essential to it. If the time be indefinitely increased, if the young adventurer be allowed all the morning and all the afternoon for his wandering, then all the zest goes out of the adventure. There is that trusted veteran employee in the corner of the office. He receives fabulous sums on pay day and may go out to luncheon whenever he desires, with no time clerk to censor him.

He knows New York less than does James. But does his curiosity urge him forth to long adventures? Over his stale morning's paper in the deserted office, seated before his familiar task, he eats his sordid and wife-made luncheon!

But the noon adventurer is not limited to Fifth Avenue. The antique shops of Fourth Avenue charm him with pewter and bra.s.s, they cheer his heart with sun dials from English rose gardens and crucifixes from convents of Dante's land and time. At Twenty-third Street stalls he reads bits of forgotten writings and breathes the pleasant scent of worn calfskin. Perhaps on the 15-cent rack he comes upon a prize. Here is a little book of English verse by a j.a.panese poet. What is this faded inscription? "To Mary McLane from Yone Noguchi." The adventurer buys it, as the late Mr. Morgan would buy a Nuremburg Bible, and salves his economical conscience by rolling his own cigarettes for a while.

There are great sights for him, now and then. People who seemed, not so long ago, as legendary as Cuchulain and Cinderella appear to him on these noon expeditions, most startlingly human and real. He sees Mr.

Roosevelt leave the Charities Building to enter a waiting taxicab. He visits the bootblack and in the chair next to him sits Mr. Bliss Carman, crowned with the huge black hat that is the livery of Vagabondia. On Fourteenth Street a big black-haired man and a little spectacled woman stop to laugh at the fortune-telling paroquets. With a delicious thrill the adventurer recognizes Mr. Ben Reitman and Miss Emma Goldman.

Nor are his adventures confined to seeing. There is plenty of action, sometimes. Once, as he stared into the windows of an Oriental rug shop, he was aware of a thin, hunted-looking man who demanded his attention.

"I beg your pardon, Sir," said the hunted-looking man, "but can you tell me where I can find a parnbroker?"

I do not know why the hunted-looking man said "parnbroker," instead of "p.a.w.nbroker," but James always tells the story this way.

"No," said James, truthfully, "I can't."

"The reason I wanna know is," said the hunted-looking man very rapidly, "I gotta very fine stone here. I got into a little trouble in a hotel uptown; I gotta sell it right away very cheap."

And from a dirty pasteboard box he drew what seemed to be a large diamond ring.

Now was the thoroughly interested James aware of yet another stranger who sought his attention, a prosperous-looking man, who smoked a fat cigar and flourished a silver-headed stick, who seemed trying to caution James against buying the diamond.

James had only 35 cents in his pocket, and was not a buyer, but a spectator of jewelry anyway. The hunted-looking man withdrew slowly.

Then said the prosperous-looking man to James:

"Excuse me for b.u.t.tin' in, old man, but I didn't want to see you stung.

Sometimes these here fellers got real stones, sometimes they got fakes.

Now I'm a professional jeweler and I got my microscope that I look at diamonds with in my pocket. Now, you call that guy back and tell him I'm a friend of yours and I'll examine that stone and tell you if it's any good."