The Circular Study - Part 21
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Part 21

The moment was ghastly. I saw his face change, his finger tremble where it hovered above the fatal b.u.t.ton; saw-though only in imagination as yet-the steely edge of that deadly plate of steel advancing beyond the lintel, and was about to dare all in a sudden grapple with this man, when a sound from another direction caught my ear, and looking around in terror of the only intrusion we could fear, beheld Eva advancing from the room in which we had placed her.

That moment a blood-red glow took the place of the sickly yellow which had hitherto filled every recess of this weird apartment. But I scarcely noticed the change, save as it affected her pallor and gave to her cheeks the color that was lacking in the roses at her belt.

Fearless and sweet as in the hour when she first told me that she loved me, she approached and stood before us.

"What is this?" she cried. "I have heard words that sound more like the utterances of some horrid dream than the talk of men and brothers. What does it mean, Thomas? What does it mean, Mr. --"

"Cadwalader," announced Felix, dropping his eyes from her face, but changing not a whit his features or posture.

"Cadwalader?" The name was not to her what it was to her father. "Cadwalader? I have heard that name in my father's house; it was Evelyn's name, the Evelyn who--"

"Whom you see painted there over your head," finished Felix, "my sister, Thomas's sister-the girl whom your father-but I spare you, child though you be of a man who spared nothing. From your husband you may learn why a Cadwalader can never find his happiness with a Poindexter. Why thirty or more years after that young girl's death, you who were not then born are given at this hour the choice between death and dishonor. I allow you just five minutes in which to listen. After that you will let me know your joint decision. Only you must make your talk where you stand. A step taken by either of you to right or left, and Thomas knows what will follow."

Five minutes, with such a justification to make, and such a decision to arrive at! I felt my head swim, my tongue refuse its office, and stood dumb and helpless before her till the sight of her dear eyes raised in speechless trust to mine flooded me with a sense of triumph amid all the ghastly terrors of the moment, and I broke out in a tumult of speech, in excuses, explanations, all that comes to one in a more than mortal crisis.

She listened, catching my meaning rather from my looks than my words. Then as the minutes fled and my brother raised a warning hand, she turned toward him, and said:

"You are in earnest? We must separate in shame or perish in this prison-house with you?"

His answer was mere repet.i.tion, mechanical, but firm:

"You have said it. You have but one minute more, madam."

She shrank, and all her powers seemed leaving her, then a reaction came, and a flaming angel stood where but a moment before the most delicate of women weakly faltered; and giving me a look to see if I had the courage or the will to lift my hand against my own flesh and blood (alas for us both! I did not understand her) caught up an old Turkish dagger lying only too ready to her hand, and plunged it with one sideways thrust into his side, crying:

"We cannot part, we cannot die, we are too young, too happy!"

It was sudden; the birth of purpose in her so unexpected and so rapid that Felix, the ready, who was prepared for all contingencies, for the least movement or suggestion of escape, faltered and pressed, not the fatal b.u.t.ton, but his heart.

One impulsive act on the part of a woman had overthrown all the fine-spun plans of the subtlest spirit that ever attempted to work its will in the face of G.o.d and man.

But I did not think of this then; I did not even bestow a thought upon the narrowness of our escape, or the price which the darling of my heart might be called upon to pay for this supreme act of self-defence. My mind, my heart, my interest were with Felix, in whom the nearness of death had called up all that was strongest and most commanding in his strong and commanding spirit.

Though struck to the heart, he had not fallen. It was as if the will which had sustained him through thirty years of mental torture held him erect still, that he might give her, Eva, one look, the like of which I had never seen on mortal face, and which will never leave my heart or hers until we die. Then as he saw her sink shudderingly down and the delicate woman reappear in her pallid and shrunken figure, he turned his eyes on me and I saw,-good G.o.d!-a tear well up from those orbs of stone and fall slowly down his cheek, fast growing hollow under the stroke of death.

"Eva! Eva! I love Eva!" shrilled the voice which once before had startled me from the hollow vault above.

Felix heard, and a smile faint as the failing rush of blood through his veins moved his lips and brought a revelation to my soul. He, too, loved Eva!

When he saw I knew, the will which had kept him on his feet gave way, and he sank to the floor murmuring:

"Take her away! I forgive. Save! Save! She did not know I loved her."

Eva, aghast, staring with set eyes at her work, had not moved from her crouching posture. But when she saw that speaking head fall back, the fine limbs settle into the repose of death, a shock went through her which I thought would never leave her reason unimpaired.

"I've killed him!" she murmured. "I've killed him!" and looking wildly about, her eyes fell on the cross that hung behind us on the wall. It seemed to remind her that Felix was a Catholic. "Bring it!" she gasped. "Let him feel it on his breast. It may bring him peace-hope."

As I rushed to do her bidding, she fell in a heap on the floor.

"Save!" came again from the lips we thought closed forever in death. And realizing at the words both her danger and the necessity of her not opening her eyes again upon this scene, I laid the cross in his arms, and catching her up from the floor, ran with her out of the house. But no sooner had I caught sight of the busy street and the stream of humanity pa.s.sing before us, than I awoke to an instant recognition of our peril. Setting my wife down, I commanded life back into her limbs by the force of my own energy, and then dragging her down the steps, mingled with the crowd, encouraging her, breathing for her, living in her till I got her into a carriage and we drove away.

For the silence we have maintained from that time to this you must not blame Mrs. Adams. When she came to herself-which was not for days-she manifested the greatest desire to proclaim her act and a.s.sume its responsibility. But I would not have it. I loved her too dearly to see her name bandied about in the papers; and when her father was taken into our confidence, he was equally peremptory in enjoining silence, and shared with me the watch I now felt bound to keep over her movements.

But alas! His was the peremptoriness of pride rather than love. John Poindexter has no more heart for his daughter than he had for his wife or that long-forgotten child from whose grave this tragedy has sprung. Had Felix triumphed he would never have wrung the heart of this man. As he once said, when a man cares for nothing and n.o.body, not even for himself, it is useless to curse him.

As for Felix himself, judge him not, when you realize, as you now must, that his last conscious act was to reach for and put in his mouth the paper which connected Eva with his death. At the moment of death his thought was to save, not to avenge. And this after her hand had struck him.

CHAPTER VI.

ANSWERED.

A silence more or less surcharged with emotion followed this final appeal. Then, while the various auditors of this remarkable history whispered together and Thomas Adams turned in love and anxiety toward his wife, the inspector handed back to Mr. Gryce the memorandum he had received from him.

It presented the following appearance:

Answered 1. Why a woman who was calm enough to stop and arrange her hair during the beginning of an interview should be wrought up to such a pitch of frenzy and exasperation before it was over as to kill with her own hand a man she had evidently had no previous grudge against. (Remember the comb found on the floor of Mr. Adams's bedroom.)

Answered 2. What was the meaning of the following words, written just previous to this interview by the man thus killed: "I return you your daughter. Neither you nor she will ever see me again. Remember Evelyn!"

Answered 3. Why was the p.r.o.noun "I" used in this communication? What position did Mr. Felix Adams hold toward this young girl qualifying him to make use of such language after her marriage to his brother?

Answered 4. And having used it, why did he, upon being attacked by her, attempt to swallow the paper upon which he had written these words, actually dying with it clinched between his teeth?

Answered 5. If he was killed in anger and died as monsters do (her own word), why did his face show sorrow rather than hate, and a determination as far as possible removed from the rush of over-whelming emotions likely to follow the reception of a mortal blow from the hand of an unexpected antagonist?

Answered 6. Why, if he had strength to seize the above-mentioned paper and convey it to his lips, did he not use that strength in turning on a light calculated to bring him a.s.sistance, instead of leaving blazing the crimson glow which, according to the code of signals as now understood by us, means: "Nothing more required just now. Keep away?"

Answered 7. What was the meaning of the huge steel plate found between the casings of the doorway, and why did it remain at rest within its socket at this, the culminating, moment of his life?

Answered 8. An explanation of how old Poindexter came to appear on the scene so soon after the event. His words as overheard were: "It is Amos' son, not Amos!" Did he not know whom he was to meet in this house? Was the condition of the man lying before him with a cross on his bosom and a dagger in his heart less of a surprise to him than the personality of the victim?

Not Answered 9. Remember the conclusions we have drawn from Bartow's pantomime. Mr. Adams was killed by a left-handed thrust. Watch for an acknowledgment that the young woman is left-handed, and do not forget that an explanation is due why for so long a time she held her other arm stretched out behind her.

Answered 10. Why did the bird whose chief cry is "Remember Evelyn!" sometimes vary it with "Poor Eva! Lovely Eva! Who would strike Eva?" The story of this tragedy, to be true, must show that Mr. Adams knew his brother's bride both long and well.

Answered 11. If Bartow is, as we think, innocent of all connection with this crime save as witness, why does he show such joy at its result? This may not reasonably be expected to fall within the scope of Thomas Adams's confession, but it should not be ignored by us. This deaf-and-dumb servitor was driven mad by the fact which caused him joy. Why?[2]

[2] It must be remembered that the sc.r.a.ps of writing in Felix's hand had not yet been found by the police. The allusions in them to Bartow show him to have been possessed by a jealousy which probably turned to delight when he saw his master smitten down by the object of that master's love and his own hatred. How he came to recognize in the bride of another man the owner of the name he so often saw hovering on the lips of his master, is a question to be answered by more astute students of the laws of perception than myself. Probably he spent much of his time at the loophole on the stairway, studying his master till he understood his every gesture and expression.

Answered 12. Notice the following schedule. It has been drawn up after repeated experiments with Bartow and the various slides of the strange lamp which cause so many different lights to shine out in Mr. Adams's study:

White light-Water wanted.

Green light-Overcoat and hat to be brought.

Blue light-Put back books on shelves.

Violet light-Arrange study for the night.

Yellow light-Watch for next light.

Red light-Nothing wanted; stay away.

The last was on at the final scene. Note if this fact can be explained by Mr. Adams's account of the same.