The children were glad she held to this plan, for Mr. Quarles laughed and joked with them, built them high swings, let them ride in ox-teams and go on horseback, and tumble in the hayfields all they wished. They had so much fun and exercise that they were even willing to go to bed without any stories. Sam grew plump.

A funny thing happened the first summer they went to nice Mr. Quarles's.

Mrs. Clemens, with the older children, the new baby, and Jennie, went on ahead in a large wagon. Sam was asleep. Mr. Clemens was to wait until he woke up and then was to carry him on horseback, to join the rest. Well, as Mr. Clemens was waiting for Sam to finish his nap, he got to thinking of his invention, or his Tennessee land, and presently he saddled and bridled the horse and rode away without him. He never thought of Sam again until his wife said, as he reached the Quarles's dooryard: "Where is little Sam?"

"Why--why--" he stammered, "I must have forgotten him." Of course he was ashamed of himself and hurried a man off to Hannibal, on a swift horse, where Sam was found hungry and frightened, wandering through the locked house.

Sam was sent to school when he was five. He certainly did not like to study very well but did learn to be a fine reader and speller.

At the age of nine, Sam was a good swimmer (although he came very near being drowned three different times, while he was learning) and loved the river so that he was to be found on its sh.o.r.e almost any hour of the day. He longed to travel by steamer. Once he ran away and hid on board one until it was well down the river. As soon as he showed himself to the captain, he was put ash.o.r.e, his father was sent for, and he received a whipping that he remembered a long time.

At nine he had a head rather too large for his body, and it looked even bigger because he had such a lot of waving, sandy hair. He had fine gray eyes, a slow, drawling voice, and said such droll things that the boys listened to everything he said. His two best chums were Will Bowen and John Briggs. These three friends could run like deer, and what time they were not fishing or swimming they usually spent in a cave which they had found.

At twelve he was just a careless, happy, barefoot boy, often in mischief, and only excelling in two things at school. He won the weekly medal for spelling, and his compositions were so funny that the teachers and pupils used to laugh till the tears came, when they were read aloud.

His teachers said he ought to train himself for a writer, but it did not seem to him that there was anything so n.o.ble or desirable in this world as being a pilot. And he loved the great Mississippi River better than any place he had known or could imagine.

Sam's father died, whispering: "Don't sell the Tennessee land! Hold on to it, and you will all be rich!"

After his death Sam learned the printer's trade. He was very quick in setting type and accurate, so that he soon helped his older brother start a newspaper. He worked with his brother until he was eighteen, and then he told his mother that he wanted to start out for himself in the world. Jane Clemens loved him dearly and hated to part with him, but when she saw his heart was set on going, she took up a testament and said: "Well, Sam, you may try it, but I want you to take hold of this book and make me a promise. I want you to repeat after me these words--'I do solemnly swear that I will not throw a card or drink a drop of liquor while I am gone!'"

He repeated these words after her, bade her good-by, and went to St.

Louis. He meant to travel, and as he earned enough by newspaper work, he visited New York, Philadelphia, and was on his way to South America when he got a chance to be a pilot on the Mississippi River. While he was learning this trade, he was happier than he had ever been in his life.

If you want to know what happened to him at this time you must read a book he wrote, _Life on the Mississippi River_. He wrote a great many books and signed whatever he wrote with a queer name--MARK TWAIN. This was an old term used by pilots to show how deep the water is where they throw the lead. His writings, like his boyish compositions, made people laugh. So that now, although he has been dead several years, whenever the name of Mark Twain is mentioned, a smile goes around. If you want to know more about the actual doings of Sam and his chums, Will Bowen and John Briggs, read _Tom Sawyer_ and _Huckleberry Finn_, for in those books Sam has set down a pretty fair account of their escapades.

Mr. Clemens had a wife and children of whom he was very fond. As he made much money from his books and lectures, they were all able to travel in foreign countries, and his best book of travel is _Innocents Abroad_. It seems to me that even his father would have laughed over that book.

Speaking of his father again reminds me to tell you that the Tennessee land never brought any luxuries to the Clemens family. It was sold for less than the taxes had amounted to.

JOE JEFFERSON

Joseph, or as he was always called, Joe Jefferson was a great actor. And there is never much talk of theaters, actors, and plays but some one is apt to say: "Ah, but you should have seen Joe Jefferson in Rip Van Winkle!" All Americans are very proud of the fact that this man was born in the United States; that he lived and died here. There have been four actors in the Jefferson family by the name of Joseph, but it was Joe Jefferson Number Three who played the part of the queer old Dutchman, Rip Van Winkle, for thirty years, whose life is told of now.

Joe was born in Philadelphia, but his parents went to Washington soon after. They lived in a house whose back hall led right into the side entrance of a theater. As soon as he could walk about by himself, little Joe used to run through this hall and play all day long in the empty theater, behind the scenes. Out in that part of the old building there were all kinds of stage settings piled up behind the wings. There were large pieces of canvas painted to look like an Italian lake, or an English garden, or a Roman palace. There was a tiny cottage, with a real door just big enough for Joe to squeeze through and slam behind him. He used to pretend that he owned this cottage. There were throne chairs for the make-believe kings and queens to sit in, a robber's cave, and a lovely board and canvas bank, covered with moss and flowers. Two or three children often joined Joe here, and they gave plays which they made up themselves. Oh, it was such an odd, exciting place to play in!

In the dressing-room of this old theater was a large mirror, and Joe loved to stand before this and act little bits of certain plays which he had heard his parents recite. His mother was a singer, and his father both an actor and manager, so Joe, being just across the hall, was often carried on to the stage when some play called for a baby or small child. Then, too, some evenings he would escape from his nurse, and, in his night-dress, peep in through the door of the dressing-room and watch the actors making up for their parts.

When Joe was four, a friend of the family was making a great success of a negro part called "Jim Crow." A good deal of dancing and singing went with it, and it was no time at all before little Joe could copy the man perfectly. This made Rice, the friend, pleased enough, and he insisted that Joe should go through the part in public. Rice was more than six feet tall, and Joe was a tiny four-year-old child. You don't wonder, I am sure, when the two stood on the stage, side by side, dressed exactly alike, that the audience shouted with laughter. First the big Jim Crow would sing a verse and dance, and then the tiny Jim would do the same.

The people in the audience kept clapping their hands for more and threw silver coins on to the stage for the child, until stage hands, after the curtain went down, picked up twenty-four dollars and gave them to Joe.

In spite of Joe's being most carefully trained by his parents to tell the truth and say his prayers, he did, when he was small, let his fancy run away with him sometimes, and to a dear old lady, always dressed in stiffly starched frills, black gown and mitts, who kept a book and notion store, he told stories of horrors that never really happened. No doubt he liked to see her hold up her hands in dismay as he described some imaginary runaway accident, and no doubt he liked to have her run to bring him a nice, cool drink to "steady his nerves after such a shocking sight!"

Belonging to an actor's family means, of course, living in many different cities. Joe had known Philadelphia, Washington, and New York well when the Jefferson family went to Illinois. As Springfield was the capital of that State, and the men attending the legislature would swell the audiences, Joe's father decided to build a theater there. Just as it was finished, the ministers of the place began to preach against allowing a theater there at all. They preached to such good effect that the city council put a tremendous tax on the building, so big a tax that poor Mr. Jefferson could not begin to pay it, for he had used every dollar he had in building the theater. While he was wondering what he would do, a young lawyer of Springfield came to him and said that, as he thought the tax was out of all reason, he would agree to bring the matter before the council, free of charge. Well--this lawyer made such a strong plea, and got the members of the council into such gales of laughter with his funny stories, that the tax was removed, and Mr.

Jefferson opened his playhouse and made a good deal of money.

The young lawyer's name was Abraham Lincoln!

Tennessee proved an unlucky State for the Jeffersons. At Memphis there had been a money panic, and people had no heart for theaters. Joe's father had always known how to paint scenery, and now he advertised to paint signs, but did not get many orders. Joe heard that a law was pa.s.sed that all carts, drays, and carriages in the city of Memphis must bear numbers. He went to the mayor's house and rang the bell. "Please, Mr. Mayor," he said, "I'm Joe Jefferson's son."

"Oh, yes, my boy; I've seen both you and your father on the stage."

"Well, Sir, my father can paint signs as well as act, and now that the theaters are closed he is glad of outside work. Couldn't you please give him the contract to paint the numbers on your city carriages?"

The mayor's eyes twinkled. He was pleased with the business-like way of the boy and granted his request. The money from this work was a help, and right after that a rich man hired Joe's father to paint Scottish scenes on the walls of his reception hall, so they were getting on quite comfortably when poor Mr. Jefferson was taken ill and died. This meant that Joe and his sister must leave school and go to work. Mrs. Jefferson opened a boarding-house, and the two children joined a traveling theatrical company. They did fancy dancing and sang comic duets, and ever so many times when they pretended to laugh, they were so tired and homesick that they wanted to cry. Sometimes Joe would be given a few lines to speak in some play. It seemed as if he would never get a chance to show what talent he really had. But he studied all his spare time and watched great actors carefully, because he intended to win a high place on the stage some day.

By and by Laura Keene, an actress who had a theater of her own in New York, let him try a leading character in a play that ran one hundred and fifty nights. There was not one of these performances at which the audience did not applaud young Joe Jefferson and say they wanted to see him in something else. And when they did see him in d.i.c.kens's _Cricket on the Hearth_, as dear old Caleb Plummer, and as Bob Acres in _The Rivals_, they exclaimed: "This young man is a wonder! Why, he knows the whole art of acting!" But Joe Jefferson did not think he knew half enough. He kept on studying for he meant to improve still more.

Finally, after he had become quite famous in half a dozen different parts, in this country, in England, and Australia, he began giving the most wonderful play of all--the one always called his masterpiece--"Rip Van Winkle." In a few years he had all the fame, wealth, and praise that a man could ask for. The little fellow who, at four years of age, was blacked up to dance "Jim Crow" and gathered twenty-four dollars for his queer antics, forty years later could easily count on a thousand dollars for one night's appearance in Rip Van Winkle. But we must not forget how hard and patiently he had worked for this. We must not forget what he had actually done. He had educated himself so that he had friends among the most cultivated people in the world; he was quoted as one of the most polished and finished actors in America; and he had earned enough money to bring up his own children in luxury.

Joe Jefferson had a lovely old age. He bought a large southern estate, where he spent the winter months, and he owned a summer home at Buzzard's Bay, Ma.s.sachusetts, where he fished and painted pictures to his heart's content, and where he entertained many distinguished people. After he stopped playing, except once in a while, and intended to retire from the stage, every now and then there would be such a call for him that he would consent to give "Rip Van Winkle" just once more.

He must have been about perfect in this play, else how is it that old theater-goers look so happy and satisfied when they say: "Ah, you should have seen the great Joe Jefferson in Rip Van Winkle!"

HENRY WADSWORTH LONGFELLOW

When Henry Wadsworth Longfellow, the poet, was a boy, he lived in Portland, Maine. In those days Portland did much trading with the West Indies, and Henry and his boy friends liked to stay down at the wharves when the Portland vessels came in. It was sport to watch the burly negroes unload the hogsheads of mola.s.ses, the barrels of sugar, and the spices. The boys used to wish they were sailors or captains, so that they could sail across the water and perhaps have great adventures.

Henry also thought it would suit him to be a soldier, and when he was five years old, and there was much talk about the great war which is called the War of 1812, he sent a letter to his father, who happened to be away at the time, that he had a toy gun already, and if his father would please buy him a drum, he would start right off for the battle-field. Probably he was not as warlike as he fancied he was, for one Fourth of July just after that, he jumped every time a cannon went off and begged his mother to stuff his ears with cotton, so that he would not hear the banging.

Henry liked music and books far better than fighting. He read a great deal with his mother, and they took long walks together, for they both loved flowers and birds. Twice every Sunday Henry went to church with his mother. In the cold weather he carried her foot-stove for her (a funny little box which held coals) and in the summer her nosegay, because she never went to service, after the flowers began to bloom, without a bunch of sweet smelling blossoms. This odd foot-warmer can be seen any time in the old Wadsworth-Longfellow house in Portland.

Visitors from all over the world, even from India and Turkey, have wandered through this home of the poet to look at the desk at which he wrote, the rich mahogany chairs, and the old-fashioned mirrors.

Henry was willing to do errands or any tasks that his mother wished him to do. He did not mind even driving the cow to pasture, for as he walked along, he was usually making up rhymes. And although he had very good lessons in school, he often scribbled little jingles in his copy book. When he was thirteen, he told his sister that he was going to send a poem to the Portland newspaper. He did not tell any one but her, and he only signed "Henry" at the end of the poem, so although the editor printed it, the other school children did not find out for a long time that it was his. Henry and his sister read the printed verses until they wore the newspaper to shreds and felt they had a lovely secret.

After Henry graduated from college, his father wanted him to be a lawyer, like himself, but Henry was sure he wanted to be an author. He said: "Don't ask me to study law, father; I think I can write books.

Anyway, if you will let me have my way, I will promise to be famous at something." So his parents let him travel through Europe, and when he sent long, happy letters home, telling about the different things he saw, they were so charming that all the neighbors wanted to borrow the letters, and Mr. and Mrs. Longfellow agreed that Henry would probably be famous with his pen.

When Henry came home again, he was chosen for a college professor. He was only twenty-two, and it began to look as if the Portland boy would be a success even if he did not study law.

The students at Harvard College loved young Professor Longfellow. He was so handsome, so lively, so exquisitely neat in dress, that they were very proud to introduce him to their parents, and best of all, he made their lessons so interesting that they were actually sorry when the cla.s.s was dismissed. He proved a fine teacher. But, besides teaching in the college, Henry wrote poem after poem. It was not long before his verses were liked in other countries as well as in America. French people began to say: "Why, we want our children to know Henry Wadsworth Longfellow's poems!" And Spanish ladies and Italian n.o.blemen declared they were beautiful. Finally so many countries were asking for these poems they were translated into fifteen languages.

Longfellow was soon called "The Poet of Every Land."

You will think that was the right name for him, when you hear what happened on a big ocean steamer. Once a large party of travelers were sailing from Greece to France. As they sat talking one evening, somebody praised the great French poet, Victor Hugo. A lovely Russian lady spoke up: "Victor Hugo is fine, but no poet is so well known as the American Longfellow. I want to go to Boston to see the Bridge about which he wrote." Then she repeated every word of "I stood on the Bridge at Midnight." Upon that, an English captain just back from the Zulu war, recited a Longfellow poem. A gray-haired Scotchman said another, an American remembered one, a Greek sang some verses of Longfellow's that had been set to music, and when the French captain of the steamer declaimed "Excelsior", there was great handclapping, and it showed that Henry Longfellow was indeed a favorite poet.

Henry Longfellow liked Cambridge. He boarded in a fine old place, Craigie House, where General George Washington had once stayed. And when he was married to a Boston girl, her father gave them Craigie House for a wedding present. Longfellow was so happy as the years went on, that he wrote better than ever. You will like his "Hiawatha", which tells about the Indians, his "Evangeline", and the story of Myles Standish. Do not forget to read "The Children's Hour." Longfellow was never too busy to play with his children and saw to it that they were kept happy. Once when he took the three girls to England, Charles d.i.c.kens, the great English writer, asked them to visit at his grand place, Gads Hill. He sent a wonderful coach, all glittering with gold tr.i.m.m.i.n.gs and driven by men in scarlet livery, to the station for them, and had a Swiss chalet in his garden for them to use as a playhouse. Many great people gave them dinners and parties. But what pleased them most of all was the respect shown their father. One of the daughters still lives in Craigie House, which is often visited by people who love Longfellow's poems and who wish to see the rooms in which he lived.

Longfellow could sell his verses as fast as he wrote them. A New York editor once paid Longfellow three thousand dollars for one short poem.

And imagine how proud his wife and children must have been to overhear people saying: "I wonder if Mr. Longfellow has written anything lately.

If he has, I must read it!" Imagine how happy it made his father that he had kept his word: "If you will let me have my way, I will promise to be famous in something." And surely all the Americans who were on that steamer and heard the Russian, the Greek, and other foreigners reciting Longfellow's poems must have been proud that a man from their own country had won the name of "The Poet of Every Land."

JAMES McNEILL WHISTLER