"No," said Joseph, "it frightens me to see gold about you."

"Ah! you'll always have a bad opinion of me in this house," cried the colonel in a thundering voice. "Can't I save my money, too?"

"Yes, yes!" cried Agathe, coming out of her hiding-place, and kissing her son. "Let us go and dine with him, Joseph!"

Joseph dared not scold his mother. He went and dressed himself; and Philippe took them to the Rocher de Cancale, where he gave them a splendid dinner, the bill for which amounted to a hundred francs.

"The devil!" muttered Joseph uneasily; "with an income of eleven hundred francs you manage, like Ponchard in the 'Dame Blance,' to save enough to buy estates."

"Bah, I'm on a run of luck," answered the dragoon, who had drunk enormously.

Hearing this speech just as they were on the steps of the cafe, and before they got into the carriage to go to the theatre,--for Philippe was to take his mother to the Cirque-Olympique (the only theatre her confessor allowed her to visit),--Joseph pinched his mother's arm. She at once pretended to feel unwell, and refused to go the theatre; Philippe accordingly took them back to the rue Mazarin, where, as soon as she was alone with Joseph in her garret, Agathe fell into a gloomy silence.

The following Sunday Philippe came again. This time his mother was visibly present at the sitting. She served the breakfast, and put several questions to the dragoon. She then learned that the nephew of old Madame Hochon, the friend of her mother, played a considerable part in literature. Philippe and his friend Giroudeau lived among a circle of journalists, actresses, and booksellers, where they were regarded in the light of cashiers. Philippe, who had been drinking kirsch before posing, was loquacious. He boasted that he was about to become a great man. But when Joseph asked a question as to his pecuniary resources he was dumb. It so happened that there was no newspaper on the following day, it being a fete, and to finish the picture Philippe proposed to sit again on the morrow. Joseph told him that the Salon was close at hand, and as he did not have the money to buy two frames for the pictures he wished to exhibit, he was forced to procure it by finishing a copy of a Rubens which had been ordered by Elie Magus, the picture-dealer. The original belonged to a wealthy Swiss banker, who had only lent it for ten days, and the next day was the last; the sitting must therefore be put off till the following Sunday.

"Is that it?" asked Philippe, pointing to a picture by Rubens on an easel.

"Yes," replied Joseph; "it is worth twenty thousand francs. That's what genius can do. It will take me all to-morrow to get the tones of the original and make the copy look so old it can't be distinguished from it."

"Adieu, mother," said Philippe, kissing Agathe. "Next Sunday, then."

The next day Elie Magus was to come for his copy. Joseph's friend, Pierre Gra.s.sou, who was working for the same dealer, wanted to see it when finished. To play him a trick, Joseph, when he heard his knock, put the copy, which was varnished with a special glaze of his own, in place of the original, and put the original on his easel. Pierre Gra.s.sou was completely taken in; and then amazed and delighted at Joseph's success.

"Do you think it will deceive old Magus?" he said to Joseph.

"We shall see," answered the latter.

The dealer did not come as he had promised. It was getting late; Agathe dined that day with Madame Desroches, who had lately lost her husband, and Joseph proposed to Pierre Gra.s.sou to dine at his table d'hote. As he went out he left the key of his studio with the concierge.

An hour later Philippe appeared and said to the concierge,--

"I am to sit this evening; Joseph will be in soon, and I will wait for him in the studio."

The woman gave him the key; Philippe went upstairs, took the copy, thinking it was the original, and went down again; returned the key to the concierge with the excuse that he had forgotten something, and hurried off to sell his Rubens for three thousand francs. He had taken the precaution to convey a message from his brother to Elie Magus, asking him not to call till the following day.

That evening when Joseph returned, bringing his mother from Madame Desroches's, the concierge told him of Philippe's freak,--how he had called intending to wait, and gone away again immediately.

"I am ruined--unless he has had the delicacy to take the copy," cried the painter, instantly suspecting the theft. He ran rapidly up the three flights and rushed into his studio. "G.o.d be praised!" he e.j.a.c.u.l.a.t.ed. "He is, what he always has been, a vile scoundrel."

Agathe, who had followed Joseph, did not understand what he was saying; but when her son explained what had happened, she stood still, with the tears in her eyes.

"Have I but one son?" she said in a broken voice.

"We have never yet degraded him to the eyes of strangers," said Joseph; "but we must now warn the concierge. In future we shall have to keep the keys ourselves. I'll finish his blackguard face from memory; there's not much to do to it."

"Leave it as it is; it will pain me too much ever to look at it,"

answered the mother, heart-stricken and stupefied at such wickedness.

Philippe had been told how the money for this copy was to be expended; moreover he knew the abyss into which he would plunge his brother through the loss of the Rubens; but nothing restrained him. After this last crime Agathe never mentioned him; her face acquired an expression of cold and concentrated and bitter despair; one thought took possession of her mind.

"Some day," she said to herself, "we shall hear of a Bridau in the police courts."

Two months later, as Agathe was about to start for her office, an old officer, who announced himself as a friend of Philippe on urgent business, called on Madame Bridau, who happened to be in Joseph's studio.

When Giroudeau gave his name, mother and son trembled, and none the less because the ex-dragoon had the face of a tough old sailor of the worst type. His fishy gray eyes, his piebald moustache, the remains of his s.h.a.ggy hair fringing a skull that was the color of fresh b.u.t.ter, all gave an indescribably debauched and libidinous expression to his appearance. He wore an old iron-gray overcoat decorated with the red ribbon of an officer of the Legion of honor, which met with difficulty over a gastronomic stomach in keeping with a mouth that stretched from ear to ear, and a pair of powerful shoulders. The torso was supported by a spindling pair of legs, while the rubicund tints on the cheek-bones bore testimony to a rollicking life. The lower part of the cheeks, which were deeply wrinkled, overhung a coat-collar of velvet the worse for wear. Among other adornments, the ex-dragoon wore enormous gold rings in his ears.

"What a 'noceur'!" thought Joseph, using a popular expression, meaning a "loose fish," which had lately pa.s.sed into the ateliers.

"Madame," said Finot's uncle and cashier, "your son is in so unfortunate a position that his friends find it absolutely necessary to ask you to share the somewhat heavy expense which he is to them. He can no longer do his work at the office; and Mademoiselle Florentine, of the Porte-Saint-Martin, has taken him to lodge with her, in a miserable attic in the rue de Vendome. Philippe is dying; and if you and his brother are not able to pay for the doctor and medicines, we shall be obliged, for the sake of curing him, to have him taken to the hospital of the Capuchins. For three hundred francs we would keep him where he is. But he must have a nurse; for at night, when Mademoiselle Florentine is at the theatre, he persists in going out, and takes things that are irritating and injurious to his malady and its treatment. As we are fond of him, this makes us really very unhappy.

The poor fellow has pledged the pension of his cross for the next three years; he is temporarily displaced from his office, and he has literally nothing. He will kill himself, madame, unless we can put him into the private asylum of Doctor Dubois. It is a decent hospital, where they will take him for ten francs a day. Florentine and I will pay half, if you will pay the rest; it won't be for more than two months."

"Monsieur, it is difficult for a mother not to be eternally grateful to you for your kindness to her son," replied Agathe; "but this son is banished from my heart, and as for money, I have none. Not to be a burden on my son whom you see here, who works day and night and deserves all the love his mother can give him, I am the a.s.sistant in a lottery-office--at my age!"

"And you, young man," said the old dragoon to Joseph; "can't you do as much for your brother as a poor dancer at the Porte-Saint-Martin and an old soldier?"

"Look here!" said Joseph, out of patience; "do you want me to tell you in artist language what I think of your visit? Well, you have come to swindle us on false pretences."

"To-morrow your brother shall go to the hospital."

"And he will do very well there," answered Joseph. "If I were in like case, I should go there too."

Giroudeau withdrew, much disappointed, and also really mortified at being obliged to send to a hospital a man who had carried the Emperor's orders at the battle of Montereau. Three months later, at the end of July, as Agathe one morning was crossing the Pont Neuf to avoid paying a sou at the Pont des Arts, she saw, coming along by the shops of the Quai de l'Ecole, a man bearing all the signs of second-cla.s.s poverty, who, she thought, resembled Philippe. In Paris, there are three distinct cla.s.ses of poverty. First, the poverty of the man who preserves appearances, and to whom a future still belongs; this is the poverty of young men, artists, men of the world, momentarily unfortunate. The outward signs of their distress are not visible, except under the microscope of a close observer. These persons are the equestrian order of poverty; they continue to drive about in cabriolets. In the second order we find old men who have become indifferent to everything, and, in June, put the cross of the Legion of honor on alpaca overcoats; that is the poverty of small incomes, --of old clerks, who live at Sainte-Perine and care no longer about their outward man. Then comes, in the third place, poverty in rags, the poverty of the people, the poverty that is poetic; which Callot, Hogarth, Murillo, Charlet, Raffet, Gavarni, Meissonier, Art itself adores and cultivates, especially during the carnival. The man in whom poor Agathe thought she recognized her son was astride the last two cla.s.ses of poverty. She saw the ragged neck-cloth, the scurfy hat, the broken and patched boots, the threadbare coat, whose b.u.t.tons had shed their mould, leaving the empty shrivelled pod dangling in congruity with the torn pockets and the dirty collar. Sc.r.a.ps of flue were in the creases of the coat, which showed plainly the dust that filled it. The man drew from the pockets of his seam-rent iron-gray trousers a pair of hands as black as those of a mechanic. A knitted woollen waistcoat, discolored by use, showed below the sleeves of his coat, and above the trousers, and no doubt served instead of a shirt. Philippe wore a green silk shade with a wire edge over his eyes; his head, which was nearly bald, the tints of his skin, and his sunken face too plainly revealed that he was just leaving the terrible Hopital du Midi. His blue overcoat, whitened at the seams, was still decorated with the ribbon of his cross; and the pa.s.sers-by looked at the hero, doubtless some victim of the government, with curiosity and commiseration; the rosette attracted notice, and the fiercest "ultra" was jealous for the honor of the Legion. In those days, however much the government endeavored to bring the Order into disrepute by bestowing its cross right and left, there were not fifty-three thousand persons decorated.

Agathe trembled through her whole being. If it were impossible to love this son any longer, she could still suffer for him. Quivering with this last expression of motherhood, she wept as she saw the brilliant staff officer of the Emperor turn to enter tobacconist's and pause on the threshold; he had felt in his pocket and found nothing. Agathe left the bridge, crossed the quai rapidly, took out her purse, thrust it into Philippe's hand, and fled away as if she had committed a crime. After that, she ate nothing for two days; before her was the horrible vision of her son dying of hunger in the streets of Paris.

"When he has spent all the money in my purse, who will give him any?"

she thought. "Giroudeau did not deceive us; Philippe is just out of that hospital."

She no longer saw the a.s.sa.s.sin of her poor aunt, the scourge of the family, the domestic thief, the gambler, the drunkard, the low liver of a bad life; she saw only the man recovering from illness, yet doomed to die of starvation, the smoker deprived of his tobacco. At forty-seven years of age she grew to look like a woman of seventy. Her eyes were dimmed with tears and prayers. Yet it was not the last grief this son was to bring upon her; her worst apprehensions were destined to be realized. A conspiracy of officers was discovered at the heart of the army, and articles from the "Moniteur" giving details of the arrests were hawked about the streets.

In the depths of her cage in the lottery-office of the rue Vivienne, Agathe heard the name of Philippe Bridau. She fainted, and the manager, understanding her trouble and the necessity of taking certain steps, gave her leave of absence for two weeks.

"Ah! my friend," she said to Joseph, as she went to bed that night, "it is our severity which drove him to it."

"I'll go and see Desroches," answered Joseph.

While the artist was confiding his brother's affairs to the younger Desroches,--who by this time had the reputation of being one of the keenest and most astute lawyers in Paris, and who, moreover, did sundry services for personages of distinction, among others for des Lupeaulx, then secretary of a ministry,--Giroudeau called upon the widow. This time, Agathe believed him.

"Madame," he said, "if you can produce twelve thousand francs your son will be set at liberty for want of proof. It is necessary to buy the silence of two witnesses."

"I will get the money," said the poor mother, without knowing how or where.

Inspired by this danger, she wrote to her G.o.dmother, old Madame Hochon, begging her to ask Jean-Jacques Rouget to send her the twelve thousand francs and save his nephew Philippe. If Rouget refused, she entreated Madame Hochon to lend them to her, promising to return them in two years. By return of courier, she received the following letter:--

My dear girl: Though your brother has an income of not less than forty thousand francs a year, without counting the sums he has laid by for the last seventeen years, and which Monsieur Hochon estimates at more than six hundred thousand francs, he will not give one penny to nephews whom he has never seen. As for me, you know I cannot dispose of a farthing while my husband lives. Hochon is the greatest miser in Issoudun. I do not know what he does with his money; he does not give twenty francs a year to his grandchildren. As for borrowing the money, I should have to get his signature, and he would refuse it. I have not even attempted to speak to your brother, who lives with a concubine, to whom he is a slave. It is pitiable to see how the poor man is treated in his own home, when he might have a sister and nephews to take care of him.

I have hinted to you several times that your presence at Issoudun might save your brother, and rescue a fortune of forty, perhaps sixty, thousand francs a year from the claws of that s.l.u.t; but you either do not answer me, or you seem never to understand my meaning. So to-day I am obliged to write without epistolary circ.u.mlocution. I feel for the misfortune which has overtaken you, but, my dearest, I can do no more than pity you. And this is why: Hochon, at eighty-five years of age, takes four meals a day, eats a salad with hard-boiled eggs every night, and frisks about like a rabbit. I shall have spent my whole life--for he will live to write my epitaph--without ever having had twenty francs in my purse. If you will come to Issoudun and counteract the influence of that concubine over your brother, you must stay with me, for there are reasons why Rouget cannot receive you in his own house; but even then, I shall have hard work to get my husband to let me have you here. However, you can safely come; I can make him mind me as to that. I know a way to get what I want out of him; I have only to speak of making my will. It seems such a horrid thing to do that I do not often have recourse to it; but for you, dear Agathe, I will do the impossible.