"Now, here is another matter of much more importance." He showed, but retained, another envelope. "Behind the house where you're to find Miss Rothvelt there's a road into Cole's Creek bottom. The house you're to stop at to-night, say from twelve o'clock till three or half-past, is on that road, about five miles from Wiggins, from Clifton and from Fayette. I'm sending you there expecting the people in that house will rob you if you give them half a chance."

"I understand, General; they'll not get it."

"Smith, I want them to get it. I want them to rob you of this." He waggled the envelope. "I want this to fall into the hands of the enemy; as it will if those people rob you of it."

I snapped my eyes. He smiled and then frowned. "I don't want a clumsy job, now, mind! I don't want you to get captured if you can possibly avoid it; but all the same they mustn't get this so easily as to suspect it's a bait. So I want you to give those villains that half-chance to rob you, but not the other half, or they may--oh, it's no play! You must manage to have this despatch taken from you totally against your will! Then you must reach Clifton shortly after daylight. Ferry's scouts are there, and you'll say to Lieutenant Ferry the single word, Rodney. Understand?" He pretended to be reconsidering. "I--don't know but--after all--I'd better send one of my staff instead of you."

"Oh, General, if you send an officer they'll see the ruse! I can do it! I'll do it all right!"

"I'm most afraid," he said, abstractedly, as he read my detail, which Gholson brought in. "Here,"--he handed it to me--"and here, here's the despatch too."

"What's the name, General, of the man whose house I'm to go to?"

"You'd best not know; I want you to seem to have stumbled upon the place. You can't miss it; there's no other house within two miles of it. Good-bye, my lad;"--he gave me his hand;--"good luck to you."

Gholson, in the Adjutant-general's tent, told me Ned Ferry had named me to the General as a first-cla.s.s horseman and the most insignificant- looking person he knew of who was fit for this venture.

"Ned Ferry! What does Ned Ferry know about my fitness?"

"Read the address on your despatch," said Gholson, resuming his pen.

I s.n.a.t.c.hed the doc.u.ment from my bosom, into which I had thrust it to seize the General's hand "Oh, Gholson!" I said, in deep-toned grief, as I looked up from the superscription, "is that honest!"

He admitted that by the true religionist's standard it was not honest, but reminded me that Ned Ferry--in his blindness--was only a poor romanticist. The despatch was addressed to Lieutenant Edgard Ferry-Durand.

Major Harper's black boy brought me the Yankee's horse with my bridle and saddle on him; an elegant animal as fresh as a dawn breeze. Also he produced a parcel, my new uniform, and a wee note whose breath smelt of lavender as it said,--

"Papa tells us you are being sent off on courier duty to-night. What a heart-breaking thing is war! How full of cruel sepa'--"

That piece of a word was scored out and "dangers" written in its place. The missive ended all too soon, with the statement that I was requested to call, on my way out of camp, at the side gallery of the house-- Sessions's--and let the writer and her sister and her cousin and her father and her aunt see me in my new uniform and bid me good-bye.

XIII

GOOD-BYE, d.i.c.k

I found but one white figure under the dim veranda eaves. "Miss Camille?"

"Wh'--who is that?" responded a musical voice. "Why, is that Mr. Smith?" as if I were the last person in the world one should have expected to see there. The like of those moments I had never known. I saw her eyes note the perfect fit of my uniform, though neither of us mentioned it. I tried to tell her that Lieutenant Durand was Ned Ferry and that I was now one of his scouts, but she had already heard both facts, and would not tell me what her father had said about me, it was so good. Standing at the veranda's edge a trifle above me, with her cheek against one of the posts and her gaze on her slipper, she asked if I was glad I was going with Ned Ferry, and I had no more sense than to say I was; but she would neither say she was glad nor tell why she was not.

Through the open windows we could see the dancers. Now and then a pair of fanning promenaders came down the veranda, but on descrying us turned back. I said I was keeping her from the dance. To which she replied, drooping her head again, that she shouldn't dance that night.

"Too tired?"

"No."

"Too warm?"

"Oh, no, not too warm."

"Why, then?"

"Oh--I--just don't feel as if I could, that's all."

My heart beat wildly and I wanted to ask if it was on my account; but I was too pusillanimous a coward, and when I feebly tried to look into her eyes she would not let me, which convinced me that she lacked candor. A dance ended. Gold-laced fellows came and sat on the veranda rail wiping wrists and brows with over-tasked handkerchiefs, and explaining the small mishaps of the floor. Two promenaders mentioned the hour. I gasped my amazement and extended my hand. "Good-bye."

"Wait a moment," she murmured, and watched the promenading pair turn back. Then she asked if I had read my mother's letter. I said I had. And then, very pensively, with head bent and eyes once more down, she inquired if I liked to get letters. Which led, quite accidentally, to my asking leave to write to her.

She replied that she did not mean that. Nevertheless, I insisted, would she? She only bent lower still. I asked the third time; and with nothing but the parting of her hair for me to look at, she nodded, and one of her braids fell over in front, and I took the pink-ribboned live end of it timorously between thumb and finger and felt as if I had hold of an electric battery.

She backed half a step, and quite needlessly I let it go. Then she bade me not forget I had promised her the words of a certain song. "Want them? Indeed, yes! Did you not say it was an unpublished song written by a messmate of yours?--oh, Mr. Smith! I see why you stammer! You said 'a member of your mess'! oh!--oh!--oh!--you wrote it, yourself! And you wrote it to-day! That explains--" She drew an awesome breath, rose to her toes and knit her knuckles under her throat.

I was in the sweetest consternation. With the end of her braid once more in my fingers I made her promise to keep the dark secret, and so recited them.

"Maiden pa.s.sing fair, turn away thine eyes! Turn away thine eyes ere my bosom burn, Lit with foolish hope to hear thy fondling sighs, Like yon twilight dove's, breathe, Return, return!

Turn away thine eyes, maiden pa.s.sing fair. O maiden pa.s.sing fair, turn away thine eyes!

"Maiden pa.s.sing fair, turn again thine eyes! Turn again thine eyes, love's true mercy learn.

Breathe, O! breathe to me, as these love-languid skies To yon twilight star breathe, Return, return!

Turn again thine eyes, maiden pa.s.sing fair. O maiden pa.s.sing fair, turn again thine eyes!"

"Mis-ter Smith! you wrote that?--to-day! Wh'--who is she?"

"One too modest," I murmured, "to know her own portrait." I clutched the braid emotionally and let it go intending to retake it; but she dropped it behind her and said I was too imaginative to be safe.

I stiffened proudly, turned and mounted my steed, but her eyes drew mine. I pressed close, bent over the saddle-bow, and said, "Good-bye, Camille."

"Good-bye." I could barely hear it.

"Oh!--good-bye, just anybody?" I asked; and thereupon she gathered up all her misplaced trust in me, all her maiden ignorance of what is in man, and all her sweet daring, to murmur--

"Good-bye,--d.i.c.k."

I caught my breath in rapture and rode away. She was there yet when I looked back--once--and again--and again. And when I looked a last time still she had not moved. Oh, Camille, Camille! to this day I see you standing there in pink-edged white, pure, silent, motionless, a summer-evening cloud; while I, my body clad in its unstained--only because unused--new uniform, and my soul tricked out in the foolhardiness and vanity of a boy's innocence, rode forth into the night and into the talons of overmastering temptation.

XIV

CORALIE ROTHVELT

The night was still and sultry. At one of the many camp-fires on the edge of the road I saw the Arkansas colonel sitting cross-legged on the ground, in trousers, socks and undershirt, playing poker.

Out in the open country how sweet was the silence. Not yet have I forgotten one bright star of that night's sky. My mother and I had studied the stars together. Lately Camille, her letter said, had learned them with her. Now the heavens dropped meanings that were for me and for this night alone. While the form of the maiden--pa.s.sing fair--yet glimmered in the firmament of my own mind, behind me in the south soared the Virgin; but as some trees screened the low glare of our camp I saw, just rising into view out of the southeast, the unmistakable eyes of the Scorpion. But these fanciful oracles only flattered my moral self-a.s.surance, and I trust that will be remembered which I forgot, that I had not yet known the damsel from one sun to the next.

I was moving briskly along, making my good steed acquainted with me, testing his education, how promptly for instance, he would respond to rein-touch and to leg-pressure, when I saw, in front, coming toward me, three riders. Two of them were very genteel chaps, though a hand of each was on the lock of his carbine. The third was a woman, veiled, and clad in some dark stuff that in the starlight seemed quite black and contrasted strongly with the paleness of her horse. Her hat, in particular, fastened my attention; if that was not the same soft-brimmed Leghorn I had seen yesterday morning, at least it was its twin sister. I halted, revolver in hand, and said, as they drew rein,--"Good-evening."