Obsidian is a beautiful, translucent volcanic rock, usually black, with cloudy flecks, as are seen in jade; like jade it is so hard as to be capable of taking an edge like a razor. Flaked on its flat surface and often beautifully serrated on the edge, an arrowhead or a spearhead is in itself a thing of beauty and a work of art, whether the Indian manufacturer knew it or not.

L. CLARE DAVIS in "Long Ago in San Joaquin," in _Sunset Magazine._

In a year, in a year, when the grapes are ripe, I shall stay no more away-- Then if you still are true, my love, It will be our wedding day.

In a year, in a year, when my time is past-- Then I'll live in your love for aye.

Then if you still are true, my love, It will be our wedding day.

JACK LONDON.

NOVEMBER 19.

Had California owed her settlement and civic life wholly to the vanguard of that pioneer host, which ... pressed steadily westward to Kansas and the Rockies, the Golden State would not have today that literary flavor that renders her in a measure a unique figure among the western states of the country.

JAMES MAIN DIXON, in _California and Californians in Literature._

NOVEMBER 20.

All things are but material reflections of mental images. This is realized in picture and statue in temple and machine. The picture is but a faint representation of the picture in the soul of painter. He did his best to catch it with brush and canvas. Had it not existed for him before the brush was in his hand, it would never have been painted. * * * Concentration is the only mental att.i.tude under which mental images (ideals) shape themselves into the material life. As long as you hold an ideal before you that long is it shaping itself into your body, your business and into your social life. When you change your ideal then the new begins to shape itself. Have you, like the sculptor, held to one till it carves itself "into the marble real?" Or have you taken the life-block and placed it into the hands of an Ideal today, another tomorrow, and another next day, till you have as many ideals as you have days? * * * Is not your life a composite of all these, not one complete? Concentration means holding to one ideal until your objective life becomes that mental picture.

Thus it is true: I am that which I think myself to be.

HENRY HARRISON BROWN, in _Concentration: The Road to Success._

NOVEMBER 21.

The process which we call evolution is the return of the atom to G.o.d, or the extension of consciousness in the growing creation, and this process which unifies all that exists or can exist in our world is the working out of the One Purpose and Plan by the One Power. This is what we mean by the Spiritual Const.i.tution of the Universe, and in the light of this thought every person, animal, plant and mineral, every atom and all force, all events and circ.u.mstances and conditions and objects are more or less intelligent and conscious expressions of the One Purpose and the One Life. Man is thus led to count nothing human foreign to him, and his inner eyes open to perceive Truth, Goodness and Beauty everywhere.

BENJAMIN FAY MILLS, in _The New Revelation._

NOVEMBER 22.

Laughter is the music of the soul. It is the sun falling on the rain drops. Laughter is the nightingale's voice in the night. It chases away care, destroys worry. It is the intoxicating cup of good nature, which cheers, but does not cheat. Laughter paints pictures, dreams dreams, and floods life with love. Blessed are the people who can laugh! Laughter is religion and hope; and the apostles of good nature, who see the bright side of life, the queer and funny things among men, the clowns in Vanity Fair, as well as the deep and terrible pathos of life, are missionaries of comfort and evangels of good health.

REV. WILLIAM RADER, in _Lecture on Uncle Sam; or The Reign of the Common People._

NOVEMBER 23.

Given so unique a climate as ours of Southern California, one would expect it to be hailed gladly as a helper in the solution of this problem of how and where to build and how to adorn one's home. For it really meets the most trying items of the problem, making it a pure pleasure.

Instead, then, of the styles which suit the winter-climate of other states, and which, transplanted here, have grown too often into mongrel specimens of foreign style and other times--we should adapt our Southern California homes, first of all, to the climatic conditions which prevail here.

MADAME CAROLINE SEVERANCE, in _The Mother of Clubs._

NOVEMBER 24.

Houses furnished in all the styles of modern decorative art rise in all directions, embowered in roses, geraniums, heliotropes, and lilies that bloom the long year round and reach a size that makes them hard to recognize as old friends. Among them rise the banana, the palm, the aloe, the rubber tree, and the pampas-gra.s.s with its tall feathery plumes. Here and there one sees the guava, the j.a.panese persimmon, j.a.panese plum, or some similar exotic--but grapes and oranges are the princ.i.p.al product. Yet there are groves of English walnuts almost rivaling in size the great orange orchards, and orchards of prunes, nectarines, apricots, plums, pears, peaches, and apples that are little behind in size or productiveness.

T.S. VAN d.y.k.e, in _Southern California._

NOVEMBER 25.

He saw a great hall furnished in the most extravagantly complete style of Indian art. The walls were entirely covered with Navaho and Hopi blankets. There was a frieze of Apache hide-shields, each painted with a brave's totem, and beneath, a solid cornice of buffalo skulls.

Puma-skins carpeted the floor; at least a hundred baskets trimmed with wood-p.e.c.k.e.r and quail feathers were scattered about; trophies of Indian bows, arrows, lances, war-clubs, tomahawks, pipes and knives decorated the wall s.p.a.ces. Two couches were made up of Zuni bead-work ornaments and buck-skin embroideries. In spite of all this, it was a tastefully designed room, rather than a museum, flaming with color and vibrant with vitality.

GELETT BURGESS, in _A Little Sister of Destiny._

NOVEMBER 26.

She sent a hundred messages out into the hills by thought's wonderful telegraphy. She saw the yellow-green of the new shoots; the gray-green of the gnarled live oak; she felt that the mariposa was waking in the brown hillside. She almost heard the creamy bells of the tall yucca pealing out a hymn to the G.o.d who expresses himself in continual creation. Then, O, wonder of wonders! Over the same invisible wires came back the response: It all means love, the earth's rendings, the rains, winds, scorchings--it all means love in the grand consummation, nothing but love. She thrilled to the wonder of it.

ELIZABETH BAKER BOHAN, in _The Strength of the Weak._

NOVEMBER 27.

THE IDEAL CALIFORNIA EDITOR.

The ideal editor must be a colossal, composite figure, one to whom no man of whatever age, race or color, is a stranger; one whose mobility of character and elasticity of temperament expands or contracts as occasion demands, without deflecting in the least from the law of perfect harmony. He must know how to smile encouragement, frown disapproval, or, at an instant's notice bow deferentially and attend with utmost courtesy to wearisome stories of stupid patrons, or listen to the fantastic schemes of radical reformers and, with apparent seriousness and ostensible amiability, nod acquiescence to the wild-eyed revolutionist upon whom he inwardly vows to keep a careful watch lest the fire-brand agitator commit serious public mischief. The ideal editor of the popular press must be the quintescence of tact; an adroit strategist, a sagacious chief executive, keenly critical, ably judicial, broad, generous, sympathetic, hospitable, aye, charitable, magnanimous, ready to forgive and forget, patient and long-suffering when subjected to the compet.i.tive lash of adverse criticism, bearing calumny rather with quiet dignity than stooping to low and vulgar forms of retaliation.

BERTHA HIRSCH BARUCH, in _Sunday Times Magazine._