The Breaking Point - Part 18
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Part 18

Her voice broke and she turned to go out, her chin quivering, but half way to the door he called to her.

"Aunt Lucy--" he said gently.

She heard him behind her, felt his strong arms as he turned her about.

He drew her to him and stooping, kissed her cheek.

"You're right," he said. "Always right. I'll not worry him with it. My word of honor. When the time comes he'll tell me, and until it comes, I'll wait. And I love you both. Don't ever forget that."

He kissed her again and let her go.

But long after David had put down his prayer-book that night, and after the nurse had rustled down the stairs to the night supper on the dining-room table, Lucy lay awake and listened to d.i.c.k's slow pacing of his bedroom floor.

He was very gentle with David from that time on, and tried to return to his old light-hearted ways. On the day David was to have his first broiled sweetbread he caught the nurse outside, borrowed her cap and ap.r.o.n and carried in the tray himself.

"I hope your food is to your taste, Doctor David," he said, in a high falsetto which set the nurse giggling in the hall. "I may not be much of a nurse, but I can cook."

Even Lucy was deceived at times. He went his customary round, sent out the monthly bills, opened and answered David's mail, bore the double burden of David's work and his own ungrudgingly, but off guard he was grave and abstracted. He began to look very thin, too, and Lucy often heard him pacing the floor at night. She thought that he seldom or never went to the Wheelers'.

And so pa.s.sed the tenth day of David's illness, with the smile on Elizabeth's face growing a trifle fixed as three days went by without the shabby car rattling to the door; with "The Valley" playing its second and final week before going into New York; and with Leslie Ward unconsciously taking up the shuttle Clare had dropped, and carrying the pattern one degree further toward completion.

XIV

JUST how Leslie Ward had drifted into his innocuous affair with the star of "The Valley" he was not certain himself. Innocuous it certainly was.

Afterwards, looking back, he was to wonder sometimes if it had not been precisely for the purpose it served. But that was long months after.

Not until the pattern was completed and he was able to recognize his own work in it.

The truth was that he was not too happy at home. Nina's smart little house on the Ridgely Road had at first kept her busy. She had spent unlimited time with decorators, had studied and rejected innumerable water-color sketches of interiors, had haunted auction rooms and bid recklessly on things she felt at the moment she could not do without, later on to have to wheedle Leslie into straightening her bank balance.

Thought, too, and considerable energy had gone into training and outfitting her servants, and still more into inducing them to wear the expensive uniforms and livery she provided.

But what she made, so successfully, was a house rather than a home.

There were times, indeed, when Leslie began to feel that it was not even a house, but a small hotel. They almost never dined alone, and when they did Nina would explain that everybody was tied up. Then, after dinner, restlessness would seize her, and she would want to run in to the theater, or to make a call. If he refused, she nursed a grievance all evening.

And he did not like her friends. Things came to a point where, when he knew one of the gay evenings was on, he would stay in town, playing billiards at his club, or occasionally wandering into a theater, where he stood or sat at the back of the house and watched the play with cynical, discontented eyes.

The casual meeting with Gregory and the introduction to his sister brought a new interest. Perhaps the very novelty was what first attracted him, the oddity of feeling that he was on terms of friendship, for it amounted to that with surprising quickness, with a famous woman, whose face smiled out at him from his morning paper or, huge and shockingly colored, from the sheets on the bill boards.

He formed the habit of calling on her in the afternoons at her hotel, and he saw that she liked it. It was often lonely, she explained. He sent her flowers and cigarettes, and he found her poised and restful, and sometimes, when she was off guard, with the lines of old suffering in her face.

She sat still. She didn't fidget, as Nina did. She listened, too.

She was not as beautiful as she appeared on the stage, but she was attractive, and he stilled his conscience with the knowledge that she placed no undue emphasis on his visits. In her world men came and went, brought or sent small tribute, and she was pleased and grateful. No more. The next week, or the week after, and other men in other places would be doing the same things.

But he wondered about her, sometimes. Did she ever think of Judson Clark, and the wreck he had made of her life? What of resentment and sorrow lay behind her quiet face, or the voice with its careful intonations which was so unlike Nina's?

Now and then he saw her brother. He neither liked nor disliked Gregory, but he suspected him of rather bullying Beverly. On the rare occasions when he saw them together there was a sort of nervous tension in the air, and although Leslie was not subtle he sensed some hidden difference between them. A small incident one day almost brought this concealed dissension to a head. He said to Gregory:

"By the way, I saw you in Haverly yesterday afternoon."

"Must have seen somebody else. Haverly? Where's Haverly?"

Leslie Ward had been rather annoyed. There had been no mistake about the recognition. But he pa.s.sed it off with that curious sense of s.e.x loyalty that will actuate a man even toward his enemies.

"Funny," he said. "Chap looked like you. Maybe a little heavier."

Nevertheless he had a conviction that he had said something better left unsaid, and that Beverly Carlysle's glance at her brother was almost hostile. He had that instantaneous picture of the two of them, the man defiant and somehow frightened, and the woman's eyes anxious and yet slightly contemptuous. Then, in a flash, it was gone.

He had meant to go home that evening, would have, probably, for he was not ignorant of where he was drifting. But when he went back to the office Nina was on the wire, with the news that they were to go with a party to a country inn.

"For chicken and waffles, Les," she said. "It will be oceans of fun. And I've promised the c.o.c.ktails."

"I'm tired," he replied, sulkily. "And why don't you let some of the other fellows come over with the drinks? It seems to me I'm always the goat."

"Oh, if that's the way you feel!" Nina said, and hung up the receiver.

He did not go home. He went to the theater and stood at the back, with his sense of guilt deadened by the knowledge that Nina was having what she would call a heavenly time. After all, it would soon be over. He counted the days. "The Valley" had only four more before it moved on.

He had already played his small part in the drama that involved d.i.c.k Livingstone, but he was unaware of it. He went home that night, to find Nina settled in bed and very sulky, and he retired himself in no pleasant frame of mind. But he took a firmer hold of himself that night before he slept. He didn't want a smash, and yet they might be headed that way. He wouldn't see Beverly Carlysle again.

He lived up to his resolve the next day, bought his flowers as usual, but this time for Nina and took them with him. And went home with the orchids which were really an offering to his own conscience.

But Nina was not at home. The butler reported that she was dining at the Wheelers', and he thought the man eyed him with restrained commiseration.

"Did she say I am expected there?" he asked.

"She ordered dinner for you here, sir."

Even for Nina that sounded odd. He took his coat and went out again to the car; after a moment's hesitation he went back and got the orchids.

d.i.c.k Livingstone's machine was at the curb before the Wheeler house, and in the living-room he found Walter Wheeler, pacing the floor. Mr.

Wheeler glanced at him and looked away.

"Anybody sick?" Leslie asked, his feeling of apprehension growing.

"Nina is having hysterics upstairs," Mr. Wheeler said, and continued his pacing.

"Nina! Hysterics?"

"That's what I said," replied Mr. Wheeler, suddenly savage. "You've made a nice mess of things, haven't you?"

Leslie placed the box of orchids on the table and drew off his gloves.

His mind was running over many possibilities.

"You'd better tell me about it, hadn't you?"

"Oh, I will. Don't worry. I've seen this coming for months. I'm not taking her part. G.o.d knows I know her, and she has as much idea of making a home as--as"--he looked about--"as that poker has. But that's the worst you can say of her. As to you--"

"Well?"