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AT half past five that afternoon David had let himself into the house with his latch key, hung up his overcoat on the old walnut hat rack, and went into his office. The strain of the days before had told on him, and he felt weary and not entirely well. He had fallen asleep in his buggy, and had wakened to find old Nettie drawing him slowly down the main street of the town, pursuing an erratic but homeward course, while the people on the pavements watched and smiled.

He went into his office, closed the door, and then, on the old leather couch with its sagging springs he stretched himself out to finish his nap.

Almost immediately, however, the doorbell rang, and a moment later Minnie opened his door.

"Gentleman to see you, Doctor David."

He got up clumsily and settled his collar. Then he opened the door into his waiting-room.

"Come in," he said resignedly.

A small, dapper man, in precisely the type of clothes David most abominated, and wearing light-colored spats, rose from his chair and looked at him with evident surprise.

"I'm afraid I've made a mistake. A Doctor Livingstone left his seat number for calls at the box office of the Annex Theater last night--the Happy Valley company--but he was a younger man. I--"

David stiffened, but he surveyed his visitor impa.s.sively from under his s.h.a.ggy white eyebrows.

"I haven't been in a theater for a dozen years, sir."

Gregory was convinced that he had made a mistake. Like Louis Ba.s.sett, the very unlikeliness of Jud Clark being connected with the domestic atmosphere and quiet respectability of the old house made him feel intrusive and absurd. He was about to apologize and turn away, when he thought of something.

"There are two names on your sign. The other one, was he by any chance at the theater last night?"

"I think I shall have to have a reason for these inquiries," David said slowly.

He was trying to place Gregory, to fit him into the situation; straining back over ten years of security, racking his memory, without result.

"Just what have you come to find out?" he asked, as Gregory turned and looked around the room.

"The other Doctor Livingstone is your brother?"

"My nephew."

Gregory shot a sharp glance at him, but all he saw was an elderly man, with heavy white hair and fierce s.h.a.ggy eyebrows, a portly and dignified elderly gentleman, rather resentfully courteous.

"Sorry to trouble you," he said. "I suppose I've made a mistake. I--is your nephew at home?"

"No."

"May I see a picture of him, if you have one?"

David's wild impulse was to smash Gregory to the earth, to annihilate him. His collar felt tight, and he pulled it away from his throat.

"Not unless I know why you want to see it."

"He is tall, rather spare? And he took a young lady to the theater last night?" Gregory persisted.

"He answers that description. What of it?"

"And he is your nephew?"

"My brother's son," David said steadily.

Somehow it began to dawn on him that there was nothing inimical in this strange visitor, that he was anxious and ill at ease. There was, indeed, something almost beseeching in Gregory's eyes, as though he stood ready to give confidence for confidence. And, more than that, a sort of not unfriendly stubbornness, as though he had come to do something he meant to do.

"Sit down," he said, relaxing somewhat. "Certainly my nephew is making no secret of the fact that he went to the theater last night. If you'll tell me who you are--"

But Gregory did not sit down. He stood where he was, and continued to eye David intently.

"I don't know just what it conveys to you, Doctor, but I am Beverly Carlysle's brother."

David lowered himself into his chair. His knees were suddenly weak under him. But he was able to control his voice.

"I see," he said. And waited.

"Something happened last night at the theater. It may be important. I'd have to see your nephew, in order to find out if it is. I can't afford to make a mistake."

David's ruddy color had faded. He opened a drawer of his desk and produced a copy of the photograph of d.i.c.k in his uniform. "Maybe this will help you."

Gregory studied it carefully, carrying it to the window to do so. When he confronted David again he was certain of himself and his errand for the first time, and his manner had changed.

"Yes," he said, significantly. "It does."

He placed the photograph on the desk, and sitting down, drew his chair close to David's. "I'll not use any names, Doctor. I think you know what I'm talking about. I was sure enough last night. I'm certain now."

David nodded. "Go on."

"We'll start like this. G.o.d knows I don't want to make any trouble. But I'll put a hypothetical case. Suppose that a man when drunk commits a crime and then disappears; suppose he leaves behind him a bad record and an enormous fortune; suppose then he reforms and becomes a useful citizen, and everything is buried."

Doctor David listened stonily. Gregory lowered his voice.

"Suppose there's a woman mixed up in that situation. Not guiltily, but there's a lot of talk. And suppose she lives it down, for ten years, and then goes back to her profession, in a play the families take the children to see, and makes good. It isn't hard to suppose that neither of those two people wants the thing revived, is it?"

David cleared his throat.

"You mean, then, that there is danger of such a revival?"

"I think there is," Gregory said bitterly. "I recognized this man last night, and called a fellow who knew him in the old days, Saunders, our stage manager. And a newspaper man named Ba.s.sett wormed it out of Saunders. You know what that means."

David heard him clearly, but as though from a great distance.

"You can see how it appears to Ba.s.sett. If he's found it, it's the big story of a lifetime. I thought he'd better be warned."