So the collector goes on, till he perhaps collects some five thousand volumes or so of select works. If he is miscellaneous in his taste, he may get on pretty comfortably to ten or fifteen thousand, and then his troubles will arise. He has easily got Baker's and Froissart's and Monstrelet's Chronicles, because there are modern reprints of them in the market. But if he want Cooper's Chronicle, he may have to wait for it, since its latest form is still the black-letter. True, I did pick up a copy lately, at Braidwood's, for half-a-guinea, but that was a catch--it might have caused the search of a lifetime. Still more hopeless it is when the collector's ambition extends to The Ladder of Perfection of Wynkin de Worde, or to his King Rycharde Cure de Lion, whereof it is reported in the Repertorium Bibliographic.u.m, that "an imperfect copy, wanting one leaf, was sold by auction at Mr Evans's, in June 1817, to Mr Watson Taylor for 40, 19s." "Woe betide," says Dibdin, "the young bibliomaniac who sets his heart upon Breton's Flourish upon Fancie and Pleasant Toyes of an Idle Head, 1557, 4to; or Workes of a Young Wyt trussed up with a Fardell of Pretty Fancies!!

Threescore guineas shall hardly fetch these black-letter rarities from the pigeon-holes of Mr Thorpe. I lack courage to add the prices for which these copies sold." But he has some comfort reserved for the hungry collector, in the intimation that The Ravisht Soul and the Blessed Weaper, by the same author, may be had for 15.[51] It creates a thrilling interest to know, through the same distinguished authority, that the Heber sale must have again let loose upon the world "A merry gest and a true, howe John Flynter made his Testament," concerning which we are told, with appropriate solemnity and pathos, that "Julian Notary is the printer of this inestimably precious volume, and Mr Heber is the thrice-blessed owner of the copy described in the Typographical Antiquities."

[Footnote 51: Library Companion, p. 699.]

Such works as the Knightly Tale of Galogras, The Temple of Glas, Lodge's Nettle for Nice Noses, or the Book of Fayts of Armes, by Christene of Pisa, or Caxton's Pylgremage of the Sowle, or his Myrrour of the Worlde, will be long inquired after before they come to the market, thoroughly contradicting that fundamental principle of political economy, that the supply is always equal to the demand.

He, indeed, who sets his mind on the possession of any one of these rarities, may go to his grave a disappointed man. It will be in general the consolation of the collector, however, that he is by no means the "h.o.m.o unius libri." There is always something or other turning up for him, so long as he keeps within moderate bounds. If he be rich and ravenous, however, there is nothing for it but duplicating--the most virulent form of book-mania. We have seen that Heber, whose collection, made during his own lifetime, was on the scale of those public libraries which take generations to grow, had, with all his wealth, his liberality, and his persevering energy, to invest himself with duplicates, triplicates--often many copies of the same book.

It is rare that the private collector runs himself absolutely into this quagmire, and has so far exhausted the market that no already unpossessed volume turns up in any part of the world to court his eager embraces. The limitation const.i.tutes, however, a serious difficulty in the way of rapidly creating great public libraries. We would obtain the best testimony to this difficulty in America, were our brethren there in a condition to speak or think of so peaceful a pursuit as library-making. In the normal condition of society there--something like that of Holland in the seventeenth century--there are powerful elements for the promotion of art and letters, when wealth gives the means and civilisation the desire to promote them. The very absence of feudal inst.i.tutions--the inability to found a baronial house--turns the thoughts of the rich and liberal to other foundations calculated to transmit their name and influence to posterity. And so we have such bequests as John Jacob Astor's, who left four hundred thousand dollars for a library, and the hundred and eighty thousand which were the nucleus of the Smithsonian Inst.i.tution. Yes! Their efforts in this direction have fully earned for them their own peculiar form of laudation as "actually equal to cash." Hence, as the book-trade and book-buyers know very well, the "almighty dollar" has been hard at work, trying to rear up by its sheer force duplicates of the old European libraries, containing not only all the ordinary stock books in the market, but also the rarities, and those individualities--solitary remaining copies of impressions--which the initiated call uniques. It is clear, however, that when there is but one copy, it can only be in one place; and if it have been rooted for centuries in the Bodleian, or the University of Tubingen, it is not to be had for Harvard or the Astorian.

Dr Cogswell, the first librarian of the Astorian, spent some time in Europe with his princely endowment in his pocket, and showed himself a judicious, active, and formidable sportsman in the book-hunting world.

Whenever, from private collections, or the breaking-up of public inst.i.tutions, rarities got abroad into the open market, the collectors of the old country found that they had a resolute compet.i.tor to deal with--almost, it might be said, a desperate one--since he was in a manner the representative of a nation using powerful efforts to get possession of a share of the literary treasures of the Old World.

In the case of a book, for instance, of which half-a-dozen copies might be known to exist, the combatants before the auctioneer would be, on the one side, many an ambitious collector desiring to belong to the fortunate circle already in possession of such a treasure; but on the other side was one on whose exertions depended the question, whether the book should henceforth be part of the intellectual wealth of a great empire, and should be accessible for consultation by American scholars and authors without their requiring to cross the Atlantic. Let us see how far, by a brief comparison, money has enabled them to triumph over the difficulties of their position.

It is difficult to know exactly the numerical contents of a library, as some people count by volumes, and others by the separate works, small or great; and even if all should consent to count by volumes, the estimate would not be precise, for in some libraries bundles of tracts and other small works are ma.s.sed in plethoric volumes for economy, while in affluent inst.i.tutions every collection of leaves put under the command of a separate t.i.tle-page is separately bound in cloth, calf, or morocco, according to its rank. The Imperial Library at Paris is computed to contain above eight hundred thousand volumes; the Astorian boasts of approaching a hundred thousand: the next libraries in size in America are the Harvard, with from eighty thousand to ninety thousand; the Library of Congress, which has from sixty thousand to seventy thousand; and the Boston Athenaeum, which has about sixty thousand.

There are many of smaller size. In fact, there is probably no country so well stocked as the States with libraries of from ten thousand to twenty thousand volumes,--the evidence that they have bought what was to be bought, and have done all that a new people can to partic.i.p.ate in the long-h.o.a.rded treasures of literature which it is the privilege of the Old World to possess. I know that, especially in the instance of the Astorian Library, the selections of books have been made with great judgment, and that, after the boundaries of the common crowded market were pa.s.sed, and individual rarities had to be stalked in distant hunting-grounds, innate literary value was still held an object more important than mere abstract rarity, and, as the more worthy quality of the two, that on which the buying power available to the emissary was brought to bear.

The zeal and wealth which the citizens of the States have thrown into the limited field from which a library can be rapidly reaped, are manifested in the size and value of their private collections. A volume, called The Private Libraries of New York, by James Wynne, M.D., affords interesting evidence of this phenomenon. It is printed on large thick paper, after the most luxurious fashion of our book clubs, apparently for private distribution. The author states, however, that "the greater part of the sketches of private libraries to be found in this volume, were prepared for and published in the Evening Post about two years since. Their origin is due to a request on the part of Mr Bigelow, one of the editors of the Post, to the writer, to examine and sketch the more prominent private collections of books in New York."

Such an undertaking reveals, to us of the old country, a very singular social condition. With us, the cla.s.s who may be thus offered up to the martyrdom of publicity is limited. The owners of great houses and great collections are doomed to share them with the public, and if they would frequent their own establishments, must be content to do so in the capacity of librarians or showmen, for the benefit of their numerous and uninvited visitors. They generally, with wise resignation, bow to the sacrifice, and, abandoning all connection with their treasures, dedicate them to the people--nor, as their affluence is generally sufficient to surround them with an abundance of other enjoyments, are they an object of much pity.

But that the privacy of our ordinary wealthy and middle cla.s.ses should be invaded in a similar shape, is an idea that could not get abroad without creating sensations of the most lively horror. They manage these things differently across the Atlantic, and so here we have "over" fifty gentlemen's private collections ransacked and anatomised. If _they_ like it, we have no reason to complain, but rather have occasion to rejoice in the valuable and interesting result.

It is quite natural that their ways of esteeming a collection should not be as our ways. There is a story of a c.o.c.kney auctioneer, who had a location in the back settlements to dispose of, advertising that it was "almost entirely covered with fine old timber." To many there would appear to be an equal degree of verdant simplicity in mentioning among the specialties and distinguishing features of a collection--the Biographia and Encyclopaedia Britannica, Lowndes's Manual, the Quarterly and Edinburgh Reviews, Boyle, Ducange, Moreri, Dodsley's Annual Register, Watt's Bibliotheca, and Diodorus Siculus.

The statement that there is in Dr Francis's collection a "complete set of the Recueil des Causes Celebres, collected by Maurice Mejan, in eighteen volumes--a scarce and valuable work"--would throw any of our black-letter knight-errants into convulsions of laughter. There are also some instances of perhaps not unnatural confusion between one merely local British celebrity and another, as where it is set forth that in Mr Noyes's collection "there is a fine copy of Sir Robert Walpole's works, in five large quarto volumes, embellished with plates." But under all this inexperience of the ways of the craft as it is cultivated among us, and unconsciousness of such small parochial distinctions as may hold between Sir Robert Walpole, our Prime Minister, and Horace Walpole, the man of letters and trinkets, the book contains a quant.i.ty of valuable and substantial matter, both as a record of rich stores of learning heaped up for the use of the scholar, and marvellous varieties to dazzle the eyes of the mere Dibdinite. The prevailing feature throughout is the lavish costliness and luxury of these collections, several of which exceed ten thousand volumes. Where collections have grown so large that, on the principles already explained, their increase is impeded, the owner's zeal and wealth seem to have developed themselves in the lavish enshrining and decorating of such things as were attainable.[52]

[Footnote 52: Take as a practical commentary on what has been said (p.

82) on "ill.u.s.trating" books, the following pa.s.sage describing some of the specialties of a collection, the general features of which are described further on:--

"But the crowning glory is a folio copy of Shakespeare, ill.u.s.trated by the collector himself, with a prodigality of labour and expense, that places it far above any similar work ever attempted. The letterpress of this great work is a choice specimen of Nichol's types, and each play occupies a separate portfolio. These are accompanied by costly engravings of landscapes, rare portraits, maps, elegantly coloured plates of costumes, and water-colour drawings, executed by some of the best artists of the day. Some of the plays have over 200 folio ill.u.s.trations, each of which is beautifully inlaid or mounted, and many of the engravings are very valuable. Some of the landscapes, selected from the oldest cosmographies known, ill.u.s.trating the various places mentioned in the pages of Shakespeare, are exceedingly curious as well as valuable.

"In the historical plays, when possible, every character is portrayed from authoritative sources, as old tapestries, monumental bra.s.ses, or illuminated works of the age, in well-executed drawings or recognised engravings. There are in this work a vast number of ill.u.s.trations, in addition to a very numerous collection of water-colour drawings. In addition to the thirty-seven plays, are two volumes devoted to Shakespeare's life and times, one volume of portraits, one volume devoted to distinguished Shakespearians, one to poems, and two to disputed plays, the whole embracing a series of forty-two folio volumes, and forming, perhaps, the most remarkable and costly monument, in this shape, ever attempted by a devout worshipper of the Bard of Avon. The volume devoted to Shakespeare's portraits was purchased by Mr Burton, at the sale of a gentleman's library, who had spent many years in making the collection, and includes various 'effigies' unknown to many laborious collectors. It contains upwards of 100 plates, for the most part proofs. The value of this collection may be estimated by the fact, that a celebrated English collector recently offered its possessor 60 for this single volume.

"In the reading-room directly beneath the main library, are a number of portfolios of prints ill.u.s.trative of the plays of Shakespeare, of a size too large to be included in the ill.u.s.trated collection just noticed.

There is likewise another copy of Shakespeare, based upon Knight's pictorial royal octavo, copiously ill.u.s.trated by the owner; but although the prints are numerous, they are neither as costly nor as rare as those contained in the large folio copy.

"Among the curiosities of the Shakespeare collection are a number of copies of the disputed plays, printed during his lifetime, with the name of Shakespeare as their author. It is remarkable, if these plays were not at least revised by Shakespeare, that no record of a contradiction of their authorship should be found. It is not improbable that many plays written by others were given to Shakespeare to perform in his capacity as a theatrical manager, requiring certain alterations in order to adapt them to the use of the stage, which were arranged by his cunning and skilful hand, and these plays afterward found their way into print, with just sufficient of his emendations to allow his authorship of them, in the carelessness in which he held his literary fame, to pa.s.s uncontradicted by him.

"There is a copy of an old play of the period, with ma.n.u.script annotations, and the name of Shakespeare written on the t.i.tle-page. It is either the veritable signature of the poet, or an admirably imitated forgery. Mr Burton inclined to the opinion that the work once belonged to Shakespeare, and that the signature is genuine. If so, it is probably the only sc.r.a.p of his handwriting on this continent. This work is not included in the list given of Ireland's library, the contents of which were brought into disrepute by the remarkable literary forgeries of the son, but stands forth peculiar and unique, and furnishes much room for curious speculation."--(148-51.)]

The descriptions of a remorseless investigator like this have a fresh individuality not to be found here, where our habitual reserve prevents us from offering or enjoying a full, true, and particular account of the goods of our neighbours, unless they are brought to the hammer,--and then they have lost half the charm which they possessed as the household G.o.ds of some one conspicuous by position or character, and are little more estimable than other common merchandise. It would be difficult to find, among the countless books about books produced by us in the old country, any in which the bent of individual tastes and propensities is so distinctly represented in tangible symbols; and the reality of the elucidation is increased by the sort of innocent surprise with which the historian approaches each "lot," evidently as a first acquaintance, about whom he inquires and obtains all available particulars, good-humouredly communicating them in bald detail to his reader. Here follows a sketch--and surely a tempting one--of a New York interior:--

"Mr Burton's library contains nearly sixteen thousand volumes. Its proprietor had constructed for its accommodation and preservation a three-storey fire-proof building, about thirty feet square, which is isolated from all other buildings, and is connected with his residence in Hudson Street by a conservatory gallery. The chief library-room occupies the upper floor of this building, and is about twenty-five feet in height. Its ceiling presents a series of groined rafters, after the old English style, in the centre of which rises a dome-skylight of stained gla.s.s. The sides of the library are fitted up with thirty-six oak book-cases of a Gothic pattern, which entirely surround it, and are nine feet in height. The s.p.a.ce between the ceiling and the book-cases is filled with paintings, for the most part of large size, and said to be of value. Specimens of armour and busts of distinguished authors decorate appropriate compartments, and in a prominent niche, at the head of the apartment, stands a full-length statue of Shakespeare, executed by Thom, in the same style as the Tam o' Shanter and Old Mortality groups of this Scotch sculptor.

"The great specialty of the library is its Shakespeare collection; but, although very extensive and valuable, it by no means engrosses the entire library, which contains a large number of valuable works in several departments of literature.

"The number of lexicons and dictionaries is large, and among the latter may be found all the rare old English works so valuable for reference.

Three book-cases are devoted to serials, which contain many of the standard reviews and magazines. One case is appropriated to voyages and travels, in which are found many valuable ones. In another are upwards of one hundred volumes of table-talk, and numerous works on the fine arts and bibliography. One book-case is devoted to choice works on America, among which is Sebastian Munster's Cosmographia Totius...o...b..s Regionum, published in folio at Basle in 1537, which contains full notes of Columbus, Vespucci, and other early voyagers. Another department contains a curious catalogue of authorities relating to Crime and Punishment; a liberal s.p.a.ce is devoted to Facetiae, another to American Poetry, and also one to Natural and Moral Philosophy. The standard works of Fiction, Biography, Theology, and the Drama, are all represented.

"There is a fair collection of cla.s.sical authors, many of which are of Aldine and Elzevir editions. Among the rarities in this department is a folio copy of Plautus, printed at Venice in 1518, and ill.u.s.trated with woodcuts."

The author thus coming upon a Roman writer of plays, named Plautus, favours us with an account of him, which it is unnecessary to pursue, since it by no means possesses the interest attached to his still-life sketches. Let us pa.s.s on and take a peep at the collection of Chancellor Kent, known in this country as the author of Kent's Commentary:--

"To a lawyer, the Chancellor's written remarks on his books are, perhaps, their most interesting feature. He studied pen in hand, and all of his books contain his annotations, and some are literary curiosities.

His edition of Blackstone's Commentaries is the first American edition, printed in Philadelphia in 1771. It is creditable to the press of that time, and is overlaid with annotations, showing how diligently the future American commentator studied the elegant work of his English predecessor. The general reader will find still more interest in the earlier judicial reports of the State of New York, printed while he was on the bench. He will find not merely legal notes, but biographical memoranda of many of the distinguished judges and lawyers who lived at the commencement of the century, and built up the present system of laws.

"In proceeding from the legal to the miscellaneous part of the library, the visitor's attention will, perhaps, be attracted by an extensive and curious collection of the records of criminal law. Not merely the English state trials and the French _causes celebres_ are there, but the criminal trials of Scotland and of America, and detached publications of remarkable cases, Newgate Calendars, Malefactors' Register, Chronicles of Crime, with ghastly prints of Newgate and Old Bailey, with their executions. The Chancellor is not responsible for this part of the library, which owes its completeness to the morbid taste of his successor, who defends the collection as best ill.u.s.trating the popular morals and manners of every period, and contends that fiction yields in interest to the gloomy dramas of real life."

The practice attributed to the Chancellor of annotating his books is looked on by collectors as in the general case a crime which should be denied benefit of clergy. What is often said, however, of other crimes may be said of this, that if the perpetrator be sufficiently ill.u.s.trious, it becomes a virtue. If Milton, for instance, had thought fit to leave his autograph annotations on the first folio Shakespeare, the offence would not only have been pardoned but applauded, greatly to the pecuniary benefit of any one so fortunate as to discover the treasure. But it would be highly dangerous for ordinary people to found on such an immunity. I remember being once shown by an indignant collector a set of utterly and hopelessly destroyed copies of rare tracts connected with the religious disputes of Queen Elizabeth's day, each inlaid and separately bound in a thin volume in the finest morocco, with the t.i.tle lengthways along the back. These had been lent to a gentleman who deemed himself a distinguished poet, and he thought proper to write on the margin the sensations caused within him by the perusal of some of the more striking pa.s.sages, certifying the genuineness of his autograph by his signature at full length in a bold distinct hand. He, worthy man, deemed that he was adding greatly to the value of the rarities; but had he beheld the owner's face on occasion of the discovery, he would have been undeceived.

There are in Dr Wynne's book descriptions, not only of libraries according to their kind, but according to their stage of growth, from those which, as the work of a generation or two, have reached from ten to fifteen thousand, to the collections still in their youth, such as Mr Lorimer Graham's of five thousand volumes, rich in early editions of British poetry, and doubtless, by this time, still richer, since its owner was lately here collecting early works on the literature of Scotland, and other memorials of the land of his fathers. Certainly, however, the most interesting of the whole is the library of the Rev. Dr Magoon, "an eminent and popular divine of the Baptist Church." He entered on active life as an operative bricklayer. There are, it appears, wall-plates extant, and not a few, built by his hands, and it was only by saving the earnings these brought to him that he could obtain an education. When an English mechanic finds out that he has a call to the ministry, we can easily figure the grim ignorant fanatical ranter that comes forth as the result. If haply he is able to read, his library will be a few lean sheepskin-clad volumes, such as Boston's Crook in the Lot, Fisher's Marrow of Modern Divinity, Brooks's Apples of Gold, Bolton's Saint's Enriching Examination, and Halyburton's Great Concern. The bricklayer, however, was endowed with the heavenly gift of the high aesthetic, which no birth or breeding can secure, and threw himself into that common ground where art and religion meet--the literature of Christian medieval art. Things must, however, have greatly changed among our brethren since the days of Cotton Mather, or even of Jonathan Edwards, when a person in Dr Magoon's position could embellish his private sanctuary in this fashion.

"The chief characteristic of the collection is its numerous works on the history, literature, and theory of art in general, and of Christian architecture in particular. There is scarcely a church, abbey, monastery, college, or cathedral; or picture, statue, or illumination, prominent in Christian art, extant in Italy, Germany, France, or the British Islands, that is not represented either by original drawings or in some other graphic form.

"In addition to these works, having especial reference to Christian art, are many full sets of folios depicting the leading galleries of ancient, medieval, and modern art in general. Some of these, as the six elephant folios on the Louvre, are in superb bindings; while many others, among which are the Dresden Gallery and Retzsch's Outlines, derive an additional value from once having formed a part of the elegant collection of William Reginald Courtenay.

"But what renders this collection particularly valuable, is its large number of original drawings by eminent masters which accompany the written and engraved works. Amongst these are two large sepia drawings, by Amici, of the Pantheon and St Peter's at Rome. These drawings were engraved and published with several others by Ackermann. Both the originals, and the engravings executed from them, are in the collection.

The original view near the Basilica of St Marco, by Samuel Prout, the engraving of which is in Finden's Byron, and the interior of St Marco, by Luke Price, the engraving of which is in Price's Venice Ill.u.s.trated, grace the collection. There is likewise a superb general view of Venice, by Wyld; a fine exterior view of Rheims Cathedral, by Buckley; an exterior view of St Peter's at Caen, by Charles Vacher; and the interior of St Germain des Pres at Paris, by Duval."

The early history of the American settlements is naturally the object around which many of these collections cl.u.s.ter; but the sc.r.a.ps of this kind of literature which have been secured have a sadly impoverished aspect in comparison with the luxurious stores which American money has attracted from the Old World.[53] Here one is forcibly reminded of those elements in the old-established libraries of Europe which no wealth or zeal can achieve elsewhere, because the commodity is not in the market.

[Footnote 53: "This collection [Mr Menzies's] contains four thousand volumes, and is for the most part in the English language. Its chief specialty consists in works on American history and early American printed books. Among the latter may be mentioned a series of the earliest works issued from the press in New York. Of these, is A Letter of Advice to a Young Gentleman, by R.L., printed and sold by William Bradford, in New York, 1696. Richard Lyon, the author, came early to this country, and officiated as a private tutor to a young English student at Cambridge, to whom the letter of advice was written. It is undoubtedly the earliest work which issued from the press in New York, and is so extremely rare, that it is questionable whether another copy is to be found in the State. There is a collection of tracts comprised in seven volumes, written by the Rev. George Keith, and published by Bradford, at New York, 1702-4. Keith was born in Scotland, and settled in East Jersey, in the capacity of surveyor-general, in 1682. The several tracts in the collection are on religious subjects, and are controversial in their character. As early specimens of printing, and as models of the manner in which the religious controversies of the day were conducted, they are both instructive and curious. In addition to these is a work ent.i.tled The Rebuker Rebuked, by Daniel Leeds, 1703; A Sermon preached at Kingston in Jamaica, by William Corbin, 1703; The Great Mystery of Foxcraft, by Daniel Leeds, 1705; A Sermon preached at Trinity Church, in New York, by John Sharp, 1706; An Alarm Sounded to the Inhabitants of the World, by Bath Bowers, 1709; and Lex Parliamentaria, 1716. All the above works were printed by Bradford, the earliest New York publisher, and one of the earliest printers in America. They const.i.tute, perhaps, the most complete collection in existence of the publications of this early typographer. The whole are in an excellent state of preservation, and are nearly, if not quite, unique."]

America had just one small old library, and the lamentation over the loss of this ewe-lamb is touching evidence of her poverty in such possessions. The Harvard Library dates from the year 1638. In 1764 the college buildings were burned, and though books are not easily consumed, yet the small collection of five thousand volumes was overwhelmed in the general ruin. So were destroyed many books from the early presses of the mother country, and many of the firstlings of the transatlantic printers; and though its bulk was but that of an ordinary country squire's collection, the loss has been always considered national and irreparable.

It is, after all, a rather serious consideration--which it never seems as yet to have occurred to any one to revolve--how entirely the new states of the West and the South seem to be cut off from the literary resources which the Old World possesses in her old libraries. Whatever light lies hidden beneath the bushel in these venerable inst.i.tutions, seems for ever denied to the students and inquirers of the new empire rising in the antipodes, and consequently to the minds of the people at large who receive impressions from students and inquirers. Books can be reprinted, it is true; but where is the likelihood that seven hundred thousand old volumes will be reprinted to put the Astorian Library on a par with the Imperial? Well, perhaps some quick and cheap way will be found of righting it all when the Aerial Navigation Company issues its time-bills, and news come of battles "from the nation's airy navies grappling in the central blue."

In the meantime, what a lesson do these matters impress on us of the importance of preserving old books! Government and legislation have done little, if anything, in Britain, towards this object, beyond the separate help that may have been extended to individual public libraries, and the Copyright Act deposits. Of general measures, it is possible to point out some which have been injurious, by leading to the dispersal or destruction of books. The house and window duties have done this to a large extent. As this statement may not be quite self-evident, a word in explanation may be appropriate. The practice of the department having charge of the a.s.sessed Taxes has been, when any furniture was left in an unoccupied house, to levy the duty--to exempt only houses entirely empty. It was a consequence of this that when, by minority, family decay, or otherwise, a mansion-house had to be shut up, there was an inducement entirely to gut it of its contents, including the library.

The same cause, by the way, has been more destructive still to furniture, and may be said to have lost to our posterity the fashions of a generation or two. Tables, chairs, and cabinets first grow unfashionable, and then old; in neither stage have they any friends who will comfort or support them--they are still worse off than books. But then comes an after-stage, in which they revive as antiquities, and become exceeding precious. As Pompeiis, however, are rare in the world, the chief repositories of antique furniture have been mansions shut up for a generation or two, which, after more fashions than generations have pa.s.sed away, are reopened to the light of day, either in consequence of the revival of the fortunes of their old possessors, or of their total extinction and the entry of new owners. How the house and window duties disturbed this silent process by which antiques were created is easily perceived.

One service our Legislature has done for the preservation of books in the copies which require to be deposited under the Copyright Act at Stationers' Hall for the privileged libraries. True, this has been effected somewhat in the shape of a burden upon authors, for the benefit of that posterity which has done no more for them specially than it has for other people of the present generation. But in its present modified shape the burden should not be grudged, in consideration of the magnitude of the benefit to the people of the future--a benefit the full significance of which it probably requires a little consideration to estimate. The right of receiving a copy of every book from Stationers'

Hall has generally been looked on as a benefit to the library receiving it. The benefit, however, was but lightly esteemed by some of these inst.i.tutions, the directors of which represented that they were thus pretty well supplied with the unsaleable rubbish, while the valuable publications slipped past them; and, on the whole, they would sell their privilege for a very small annual sum, to enable them to go into the market and buy such books, old and new, as they might prefer. The view adopted by the law, however, was, that the depositing of these books created an obligation if it conferred a privilege, the inst.i.tution receiving them having no right to part with them, but being bound to preserve them as a record of the literature of the age.[54]

[Footnote 54: I am not aware that in the blue-books, or any other source of public information, there is any authenticated statement of the quant.i.ty of literature which the privileged libraries receive through the Copyright Act. The information would afford a measure of the fertility of the British press. It is rather curious, that for a morsel of this kind of ordinary modern statistics, one must have recourse to so scholarly a work as the quarto volume of the _Praefationes et Epistolae Editionibus Principibus Auctorum Veterum praepositae, curante Beriah Botfield, A.M._ The editor of that n.o.ble quarto obtained a return from Mr Winter Jones, of the number of deposits in the British Museum from 1814 to 1860. Counting the "pieces," as they are called--that is, every volume, pamphlet, page of music, and other publication--the total number received in 1814 was 378. It increased by steady gradation until 1851, when it reached 9871. It then got an impulse, from a determination more strictly to enforce the Act, and next year the number rose to 13,934, and in 1859 it reached 28,807. In this great ma.s.s, the number of books coming forth complete in one volume or more is roundly estimated at 5000, but a quant.i.ty of the separate numbers and parts which go to make up the total are elementary portions of books, giving forth a certain number of completed volumes annually. From the same authority, it appears that the total number of publications which issued from the French press in 1858 was estimated at 13,000; but this includes "sermons, pamphlets, plays, pieces of music, and engravings." In the same year the issues from the German press, Austria not included, are estimated at 10,000, all apparently actual volumes, or considerable pamphlets. Austria in 1855 published 4673 volumes and parts. What a contrast to all this it must be to live in sleepy Norway, where the annual literary prowess produces 146 volumes! In Holland the annual publications approach 2000. "During the year 1854, 861 works in the Russian language, and 451 in foreign languages were printed in Russia; besides 2940 scientific and literary treatises in the different periodicals." The number of works anywhere published is, however, no indication of the number of books put in circulation, since some will have to be multiplied by tens, others by hundreds, and others by thousands. We know that there is an immense currency of literature in the American States, yet, of the quant.i.ty of literature issued there, the Publishers' Circular for February 1859 gives the following meagre estimate:--"There were 912 works published in America during 1858. Of these 177 were reprints from England, 35 were new editions, and 10 were translations from the French or German. The new American works thus number only 690, and among them are included sermons, pamphlets, and letters, whereas the reprints are in most cases _bona fide_ books."]

If the rule come ever to be thoroughly enforced, it will then come to pa.s.s that of every book that is printed in Britain, good or bad, five copies shall be preserved in the shelves of so many public libraries, slumbering there in peace, or tossed about by impatient readers, as the case may be. For the latter there need not perhaps be much anxiety; it is for the sake of those addicted to slumbering in peaceful obscurity that this refuge is valuable. There is thus at least a remnant saved from the relentless trunk-maker. If the day of resuscitation from the long slumber should arrive, we know where to find the book--in a privileged library. The recollection just now occurs to me of a man of unquestionable character and scholarship, who wrote a suitable and intelligent book on an important subject, and at his own expense had it brought into the world by a distinguished publisher, prudently intimating on the t.i.tle-page that he reserved the right of translation.

Giving the work all due time to find its way, he called at the Row, exactly a year after the day of publication, to ascertain the result. He was presented with a perfectly succinct account of charge and discharge, in which he was credited with three copies sold. Now, he knew that his family had bought two copies, but he never could find out who it was that had bought the third. The one mind into which his thoughts had thus pa.s.sed, remained ever mysteriously undiscoverable. Whether or not he consoled himself with the reflection that what might have been diffused over many was concentrated in one, it is consolatory to others to reflect that such a book stands on record in the privileged libraries, to come forth to the world if it be wanted.

Nor is the resuscitation of a book unsuited to its own age, but suited to another, entirely unexampled. That beautiful poem called Albania was reprinted by Leyden, from a copy preserved somewhere: so utterly friendless had it been in its obscurity, that the author's history, and even his name, were unknown; and though it at once excited the high admiration of Scott, no sc.r.a.p of intelligence concerning it could be discovered in any quarter contemporary with its first publication. The Discourse on Trade by Roger North, the author of the amusing Lives of Lord-Keeper Guildford and his other two brothers, was lately reprinted from a copy in the British Museum, supposed to be the only one existing.

Though neglected in its own day, it has been considered worthy of attention in this, as promulgating some of the principles of our existing philosophy of trade. On the same principle, some rare tracts on political economy and trade were lately reprinted by a munificent n.o.bleman, who thought the doctrines contained in them worthy of preservation and promulgation. The Spirit of Despotism, by Vicesimus Knox, was reprinted, at a time when its doctrines were popular, from a single remaining copy: the book, though instructive, is violent and declamatory, and it is supposed that its author discouraged or endeavoured to suppress its sale after it was printed.

In the public duty of creating great libraries, and generally of preserving the literature of the world from being lost to it, the collector's or book-hunter's services are eminent and numerous. In the first place, many of the great public libraries have been absolute donations of the treasures to which some enthusiastic literary sportsman has devoted his life and fortune. Its gradual acc.u.mulation has been the great solace and enjoyment of his active days; he has beheld it, in his old age, a splendid monument of enlightened exertion, and he resolves that, when he can no longer call it his own, it shall preserve the relics of past literature for ages yet to come, and form a centre whence scholarship and intellectual refinement shall diffuse themselves around.

We can see this influence in its most specific and material shape, perhaps, by looking round the reading-room of the British Museum--that great manufactory of intellectual produce, where so many heads are at work. The beginning of this great inst.i.tution, as everybody knows, was in the fifty thousand volumes collected by Sir Hans Sloane--a wonderful achievement for a private gentleman at the beginning of the last century. When George III. gave it the libraries of the kings of England, it gained, as it were, a better start still by absorbing collections which had begun before Sloane was born--those of Cranmer, Prince Henry, and Casaubon. The Ambrosian Library at Milan was the private collection of Cardinal Borromeo, bequeathed by him to the world. It reached forty thousand volumes ere he died, and these formed a library which had arisen in free, natural, and symmetrical growth, insomuch as, having fed it during his whole life, it began with the young and economic efforts of youth and poverty, and went on acc.u.mulating in bulk and in the costliness of its contents as succeeding years brought wealth and honours to the great prelate. What those merchant princes, the Medici, did for the Laurentian Library at Florence is part of history. Old Cosmo, who had his mercantile and political correspondents in all lands, made them also his literary agents, who thus sent him goods too precious to be resold even at a profit. "He corresponded," says Gibbon, "at once with Cairo and London, and a cargo of Indian spices and Greek books were often imported by the same vessel." The Bodleian started with a collection which had cost Sir Thomas Bodley 10,000, and it was augmented from time to time by the absorption of tributary influxes of the same kind. Some far-seeing promoters of national museums have reached the conclusion that it is not a sound ultimate policy to press too closely on the private collector. He is therefore permitted, under a certain amount of watchful inspection, to acc.u.mulate his small treasury of antiquities, sh.e.l.ls, or dried plants, in the prospect that in the course of time it will find its way, like the feeding rills of a lake, into the great public treasury.[55]

[Footnote 55: The most complete ma.s.s of information which we probably possess in the English language about the history of libraries, both home and foreign, is in the two octavos called Memoirs of Libraries, including a Handbook of Library Concerns, by Edward Edwards.]

In many instances the collectors whose stores have thus gone to the public, have merely followed their hunting propensities, without having the merit of framing the ultimate destiny of their collections, but in others the intention of doing benefit to the world has added zest and energy to the chase. Of this cla.s.s there is one memorable and beautiful instance in Richard of Bury, Bishop of Durham, who lived and laboured so early as the days of Edward III., and has left an autobiographical sketch infinitely valuable, as at once informing us of the social habits, and letting us into the very inner life, of the highly endowed student and the affluent collector of the fourteenth century. His little book, called Philobiblion, was brought to light from an older obscure edition by the scholar printer Badius Ascensius, and was the first fruit of his press when he set it up in Paris in the year 1499. An English translation of it was published in 1832. It is throughout adorned with the gentle and elevated nature of the scholar, and derives a still n.o.bler l.u.s.tre from the beneficent purpose to which the author destined the literary relics which it was the enjoyment of his life to collect and study. Being endowed with power and wealth, and putting to himself the question, "What can I render to the Lord for all that he hath conferred on me?" he found an answer in the determination of smoothing the path of the poor and ardent student, by supplying him with the means of study. "Behold," he says, "a herd of outcasts rather than of elect scholars meets the view of our contemplations, in which G.o.d the artificer, and nature his handmaid, have planted the roots of the best morals and most celebrated sciences. But the penury of their private affairs so oppresses them, being opposed by adverse fortune, that the fruitful seeds of virtue, so productive in the unexhausted field of youth, unmoistened by their wonted dews, are compelled to wither. Whence it happens, as Boetius says, that bright virtue lies hid in obscurity, and the burning lamp is not put under a bushel, but is utterly extinguished for want of oil. Thus the flowery field in spring is ploughed up before harvest; thus wheat gives way to tares, the vine degenerates to woodbine, and the olive grows wild and unproductive."