"Coordination? I don't see-well, that may be, but if you've made commitments to contractors, then it seems to me you've just got to explain to them that there's going to be an unavoidable delay." Fiske was all at once afraid that he was taking too stern a tone. "If you don't mind, how much of the money remains in your hands, Reverend Bacon, whether committed or not?"

"None of it," said Reverend Bacon.

"None of it? How can that be?" of it? How can that be?"

"This was seed money. We had to sow the seed. Some of it fell on fallow ground."

"Sow the seed? Reverend Bacon, surely you didn't advance these people their money before they did the work!"

"These are minority firms. People from the community. That was what we wanted. Am I not correct?"

"Yes. But surely you have not advanced-"

"These are not firms with your 'lines of credit,' your 'computerized inventories,' your 'pre-staggered cash flows,' your 'convertible a.s.set management,' your 'capital-sensitive liquidity ratios,' and all that. These are not firms with factors to go to, like they have in the garment industry, when bad luck knocks on the door with your 'unavoidable delays'...see...These are firms founded by people in the community. These are the tender shoots that sprout up from the seeds we sow-you, me, the Episcopal Church, the Gates of the Kingdom Church. Tender shoots...and you say, 'unavoidable delay.' That's not just a term term, that's not just your red tape- red tape-that's a sentence of death. A sentence of death. A sentence of death. That's saying 'Kindly drop dead.' So don't tell me I can just explain explain it to them. it to them. Unavoidable delay...Say, unavoidable death Unavoidable delay...Say, unavoidable death."

"But, Reverend Bacon-we're talking about $350,000! Surely-"

Fiske looked at Moody. Moody was sitting up straight. He no longer looked very cool, and he wasn't saying a word.

"The diocese will-there'll have to be an audit," said Fiske. "Right away."

"Oh yes," said Reverend Bacon. "There'll be an audit. I'll give you an audit...right away. I'm gonna tell you something. I'm gonna tell you something about capitalism north of Ninety-sixth Street. Why do you people think you're investing all this money, your $350,000 $350,000, in a day-care center in Harlem? Why are you?"

Fiske said nothing. Reverend Bacon's Socratic dialogues made him feel childish and helpless.

But Bacon insisted. "Now, you go ahead and tell me. I want to hear it from you you. Like you say, we're going to have an audit. An audit audit. I want to hear it from you in your own words. Why are you people investing all this money in a day-care center in Harlem? Why?"

Fiske couldn't hold out any longer. "Because day-care centers are desperately needed in Harlem," he said, feeling about six years old.

"No, my friend," said Bacon softly, "that is not why. If you people were that worried about the children, you would build the day-care center yourself and hire the best professional people to work in it, people with experience. You wouldn't even talk about hiring the people of the streets. What do the people of the streets know about running a day-care center? No, my friend, you're investing in something else. You're investing in steam control. And you're getting value for money. Value for money Value for money."

"Steam control?"

"Steam control. It's a capital investment. It's a very good one. You know what capital is? You think it's something you own, don't you. You think it's factories and machines and buildings and land and things you can sell and stocks and money and banks and corporations. You think it's something you own, because you always owned it. You owned all this land." He waved his arm back toward the bay window and the gloomy backyard and the three sycamore trees. "You owned all the land, and out there, out there in...Kansas...and...Oklahoma...everybody just lined up, and they said, 'On the mark, get set, go!' and a whole lot of white people started running, and there was all this land, and all they had to do was get to it and stand on it, and they owned it, and their white skin was their deed of property...see...The red man, he was in the way, and he was eliminated. The yellow man, he could lay rails across it, but then he was shut up in Chinatown. And the black man, he was in chains the whole time anyway. And so you owned it all, and you still own it, and so you think capital is owning things. But you are mistaken. Capital is controlling things. Controlling things. You want land in Kansas? You want to exercise your white deed of property? First you got to control Kansas...see...Controlling things. I don't suppose you ever worked in a boiler room. I worked in a boiler room. People control. It's a capital investment. It's a very good one. You know what capital is? You think it's something you own, don't you. You think it's factories and machines and buildings and land and things you can sell and stocks and money and banks and corporations. You think it's something you own, because you always owned it. You owned all this land." He waved his arm back toward the bay window and the gloomy backyard and the three sycamore trees. "You owned all the land, and out there, out there in...Kansas...and...Oklahoma...everybody just lined up, and they said, 'On the mark, get set, go!' and a whole lot of white people started running, and there was all this land, and all they had to do was get to it and stand on it, and they owned it, and their white skin was their deed of property...see...The red man, he was in the way, and he was eliminated. The yellow man, he could lay rails across it, but then he was shut up in Chinatown. And the black man, he was in chains the whole time anyway. And so you owned it all, and you still own it, and so you think capital is owning things. But you are mistaken. Capital is controlling things. Controlling things. You want land in Kansas? You want to exercise your white deed of property? First you got to control Kansas...see...Controlling things. I don't suppose you ever worked in a boiler room. I worked in a boiler room. People own own the boilers, but that don't do 'em a bit of good unless they know how to control the the boilers, but that don't do 'em a bit of good unless they know how to control the steam... steam...see...If you can't control... control...the steam, then it's Powder Valley for you and your whole gang. If you ever see a steam boiler go out of control, then you see a whole lot of people running for their lives. And those people, they are not thinking about that boiler as a capital a.s.set, they are not thinking about the return on their investment, they are not thinking about the escrow accounts and the audits and the prudent thing...see...They are saying, 'Great G.o.d almighty, I lost control,' and they are running for their lives. They're trying to save their very hides. You see this house?" He gestured vaguely toward the ceiling. "This house was built in the year nineteen hundred and six by a man named Stanley Lightfoot Bowman. Lightfoot. Turkish towels and damask tablecloths, wholesale, Stanley Lightfoot Bowman. He sold those Turkish towels and damask tablecloths in job lots. He spent almost a half a million dollars on this house in nineteen hundred and six...see...The man's initials, S.L.B., they're down there made of bronze, going all the way up the stairs, instead a spindles. This was the place to be in nineteen hundred and six. They built these big houses all the way up the West Side, starting at Seventy-second Street, all the way up here. Yeah, and I bought this house from a-from a Jewish fellow-in nineteen hundred and seventy-eight for sixty-two thousand dollars, and that fellow was happy to get that money. He was licking his chops and saying, 'I got some-some fool to give me sixty-two thousand dollars for that place.' Well, what happened to all those Stanley Lightfoot Bow-mans? Did they lose their money? No, they lost control... control...see...They lost control north of Ninety-sixth Street, and when they lost control, they lost the cap capital. You understand? All that capital, it vanished off the face of the earth. The house was still there, but the capital, it van vanished see...So what I'm telling you is, you best be waking up. You're practicing the capitalism of the future, and you don't even know it. You're not investing in a day-care center for the children of Harlem. You're investing in the souls...the souls... souls...of the people who've been in Harlem too long to look at it like children any longer, people who've grown up with a righteous anger in their hearts and a righteous steam steam building up in their souls, ready to blow. A building up in their souls, ready to blow. A righteous righteous steam. When you people come up here and talk about 'minority contractors' and 'minority hiring' and day-care centers for the street people, of the street people, and by the street people, you're humming the right tune, but you don't want to sing the right words. You don't want to come right out and say it: 'Please, dear Lord, G.o.d almighty, let'm do what they want with the money, just so long's it steam. When you people come up here and talk about 'minority contractors' and 'minority hiring' and day-care centers for the street people, of the street people, and by the street people, you're humming the right tune, but you don't want to sing the right words. You don't want to come right out and say it: 'Please, dear Lord, G.o.d almighty, let'm do what they want with the money, just so long's it controls the steam... controls the steam...before it's too late...Well, you go ahead and have your audit and talk to your HRA and reorganize your boards and cross all the t t's and dot all the i i's. Meantime, I've done your investing for you, and thanks to me, you're already ahead of the game...Oh, conduct your audit!... conduct your audit!...But the time is coming when you will say: 'Thank G.o.d. Thank G.o.d! Thank G.o.d we entered the money on the books Reverend Bacon's way!' Because I'm the conservative, whether you know it or not. You don't know who's out there out there on those wild and hungry streets. I am your prudent broker on Judgment Day. Harlem, the Bronx, and Brooklyn, they're gonna on those wild and hungry streets. I am your prudent broker on Judgment Day. Harlem, the Bronx, and Brooklyn, they're gonna blow blow, my friend, and on that day, how grateful you will be for your prudent broker...your prudent broker...who can control the steam. Oh yes. On that day, the owners of capital, how happy they will be to exchange what they own, how happy they will be to give up their very birth birthrights, just to control that wild and hungry steam. No, you go on back down, and you say, 'Bishop, I've been uptown, and I'm here to tell you we made a good investment. We found a prudent broker. We're gonna occupy the high ground when it all comes down."

Just then the intercom buzzer sounded again, and the secretary's voice said: "There's a Mr. Simpson on the phone, from the Citizens Mutual Insurance Company. He wants to talk to the president of Urban Guaranty Investments."

Reverend Bacon picked up the telephone. "This is Reginald Bacon...That's right, president and chief executive officer...That's right, that's right...Yes, well, I appreciate your interest, Mr. Simpson, but we already brought that issue to market...That's right, the entire issue...Oh, absolutely, Mr. Simpson, those school bonds are very popular. Of course, it helps to know that particular market, and that's what Urban Guaranty Investments is here for. We want to put Harlem in the market...That's right, that's right, Harlem's always been on on the market...see...Now Harlem's gonna be the market...see...Now Harlem's gonna be in in the market...Thank you, thank you...Well, why don't you try one of our a.s.sociates downtown. Are you familiar with the firm of Pierce & Pierce?...That's right...They brought a very large block of that issue to market, a the market...Thank you, thank you...Well, why don't you try one of our a.s.sociates downtown. Are you familiar with the firm of Pierce & Pierce?...That's right...They brought a very large block of that issue to market, a very very large block. I'm sure they'll be happy to do business with you." large block. I'm sure they'll be happy to do business with you."

Urban Guaranty Investments? Pierce & Pierce? Pierce & Pierce was one of the biggest and hottest investment banking houses on Wall Street. A terrible suspicion invaded Fiske's ordinarily charitable heart. He cut a glance at Moody, and Moody was looking at him, and, it was obvious, wondering the same thing. Had Bacon shifted $350,000 into this securities operation, whatever in the name of G.o.d it actually was? If the money had entered the securities market, then by now it could have vanished without a trace.

As soon as Reverend Bacon hung up, Fiske said: "I didn't know you had-I'd never heard of-well, perhaps you-but I don't think so-what is-I couldn't help but hear you mention-what is Urban Guaranty Investments?"

"Oh," said Reverend Bacon, "we do a little underwriting, whenever we can help out. No reason why Harlem should always buy retail and sell wholesale...see...Why not make Harlem the broker?"

To Fiske this was pure gibberish. "But where do you get-how are you able to finance-I mean something like that-" He could think of no way to put this particular lit firecracker into words. The necessary euphemisms eluded him. To his surprise, Moody spoke up again.

"I know a little about securities firms, Reverend Bacon, and I know they require a lot of capital." He paused, and Fiske could tell that Moody was thrashing about in the swollen seas of circ.u.mlocution, too. "Well, what I mean is, ordinary capital, capital in the ordinary sense. You've-we've just been talking about capital north of Ninety-sixth Street and controlling...uh, the steam, as you mentioned...but this sounds like straight capitalism, basic capitalism, if you see what I mean."

Reverend Bacon looked at him balefully, then chuckled in his throat and smiled, not with kindness.

"It don't require capital. We're underwriters. We bring the issues to market, so long as they're for the good of the community...see...schools, hospitals-"

"Yes, but-"

"As Paul knew, there are many roads to Damascus, my friend. Many roads." Many roads Many roads hung in the air, humid with meaning. hung in the air, humid with meaning.

"Yes, I know, but-"

"If I were you," said Reverend Bacon, "I wouldn't worry about Urban Guaranty Investments. If I were you, I'd do like the old folks say. I'd stick to my knitting."

"That's what I'm trying to do, Reverend Bacon," said Moody. "My knitting is-well, it amounts to three hundred and fifty thousand dollars."

Fiske slumped down in his seat again. Moody had regained his fool's courage. Fiske cut a glance at the fool killer behind the desk. Just then the intercom buzzed again.

The secretary's voice said: "I got Annie Lamb on the line. Says she's got to talk to you."

"Annie Lamb?"

"That's right, Reverend."

A big sigh. "All right, I'll take it." He picked up the telephone. "Annie?...Annie, wait a minute. Slow down...Say what? Henry?...That's terrible, Annie. How bad is it?...Aw, Annie, I'm sorry...He did?" A long pause, as Reverend Bacon listened, eyes cast down. "What do the police say?...Parking tickets? That don't-...That don't-...I say, that don't-...Okay, Annie, look here. You come on over here and you tell me the whole thing...Meantime, I'm calling the hospital. They didn't do the right thing, Annie. That's what it sounds like to me. They did not do the right thing...What?...You are absolutely right. You're right as rainwater. They did not do the right thing, and they're going to hear from me...Don't worry. You come right on over here."

Reverend Bacon hung up the telephone and swiveled back toward Fiske and Moody and narrowed his eyes and looked at them gravely. "Gentlemen, I've got an emergency here. One of my most loyal workers, one of my community leaders, her son's been struck down by a hit-and-run driver...in a Mercedes-Benz. A Mercedes-Benz...He's at death's door, and this good woman is afraid to go to the police, and do you know why? Park Parking tickets. They've got a warrant out for her arrest for park parking tickets. This lady works works. She works downtown at City Hall, and she needs needs that car, and they've got a warrant out for that car, and they've got a warrant out for...parking tickets. That wouldn't stop you if it was your son, but you've never lived in the ghetto. If it was your son, they wouldn't do what they did. They wouldn't wrap up his wrist and send him packing when what he's got is a concussion and he's at death's door...see...But that's the story of the ghetto. Gross negligence. That's what the ghetto is...gross negligence...Gentlemen, our conference is adjourned. I've got some serious business to tend to now."

On the drive back downtown the two young Yale men didn't say much until they were almost at Ninety-sixth Street. Fiske was happy enough to have found the car where he had left it, with the tires still inflated and the windshield in one piece. As for Moody-twenty blocks had gone by and Fiske hadn't heard a peep out of Moody about being a linebacker at Yale.

Finally, Moody said, "Well, you want to have dinner at Leicester's? I know the mattre d', a big tall black fellow with a gold earring."

Fiske smiled faintly but said nothing. Moody's little joke made Fiske feel superior. Part of the presumed humor was the implausibility of the notion that either of them would be dining at Leicester's, which was this year's most fashionable restaurant of the century. Well, it just so happened that Fiske was going to Leicester's this very evening. Moody also didn't realize that Leicester's, although fashionable, was not a formal restaurant featuring a starched regiment of maitre d's and captains. It was more the British bistro-out-Fulham-Road sort of thing. Leicester's was the favorite hangout of the British colony in New York, and Fiske had gotten to know quite a few of them-and, well, it was the kind of thing he could never explain to a fellow like Moody, but the British understood the art of conversation. Fiske considered himself essentially British, British in ancestry and British in...well, in a certain innately aristocratic comprehension of how one conducted one's life, aristocratic in the sense not of the richest but of the best the best. He was like the great Lord Philbank, wasn't he?-Philbank, a pillar of the Church of England who had used his social connections and his knowledge of the financial markets to help the poor of London's East End.

"Come to think of it," said Moody, "I never have have seen a black waiter in a restaurant in New York, except for lunch counters. You really think Bacon is going to get anywhere?" seen a black waiter in a restaurant in New York, except for lunch counters. You really think Bacon is going to get anywhere?"

"Depends on what you mean by that."

"Well, what will will happen?" happen?"

"I don't know," said Fiske, "but they want to be waiters at Leicester's about as much as you and I do. I kind of think they just might settle for a contribution to the Reverend Mr. Bacon's good works in Harlem, and then they'll move on to the next restaurant."

"Then it's just a payoff," said Moody.

"Well, that's the funny thing," said Fiske. "Things do change. I'm not sure he cares whether they change or not, but they change. Places he never heard of, and wouldn't care about if he had, they'll start hiring black waiters rather than wait for Buck and all those characters to turn up."

"The steam," said Moody.

"I suppose," said Fiske. "Didn't you just love all that about the boiler room? He's never worked in any boiler room. But he's discovered a new resource, I guess you could call it. Maybe it's even a form of capital, if you define capital as anything you can use to create more wealth. I don't know, maybe Bacon is no different from Rockefeller or Carnegie. You discover a new resource and you take your money while you're young, and when you're old they give you awards and name things after you, and you're remembered as a leader of the people."

"All right, then what about Urban Guaranty Investments? That doesn't sound like any new resource."

"I wouldn't be too sure. I don't know what it is, but I'm going to find out. I'm willing to bet you one thing. Whatever it is, it's going to have some kind of weird angle, and it's going to drive me a little bit farther around the f.u.c.king bend."

Then Fiske bit his lip, because he was in truth a devout Episcopalian and seldom swore and regarded foul language not only as wrong but as common. This was one of quite a few points on which, even at this late date, he happened to agree with Reginald Bacon.

By the time they reached Seventy-ninth Street, securely in White Manhattan, Fiske knew that Bacon was right once more. They weren't investing in a day-care center, were they...They were trying to buy souls. They were trying to tranquilize the righteously angry soul of Harlem.

Let's face facts!

Then he snapped out of it. Fiske...you idiot... Fiske...you idiot...If he didn't manage to retrieve the $350,000, or most of it, he was going to look like a most righteous fool.

7. Catching the Fish

The telephone blasted Peter Fallow awake inside an egg with the sh.e.l.l peeled away and only the membranous sac holding it intact. Ah! The membranous sac was his head, and the right side of his head was on the pillow, and the yolk was as heavy as mercury, and it rolled like mercury, and it was pressing down on his right temple and his right eye and his right ear. If he tried to get up to answer the telephone, the yolk, the mercury, the poisoned ma.s.s, would shift and roll and rupture the sac, and his brains would fall out.

The telephone was on the floor, in the corner, near the window, on the brown carpet. The carpet was disgusting. Synthetic; the Americans manufactured filthy carpet; Metalon, Streptolon, deep, s.h.a.ggy, with a feel that made his flesh crawl. Another explosion; he was looking straight at it, a white telephone and a slimy white cord lying there in a filthy s.h.a.ggy brown nest of Streptolon. Behind the Venetian blinds the sun was so bright it hurt his eyes. The room got light only between one and two in the afternoon, when the sun moved between two buildings on its trip across the southern sky. The other rooms, the bathroom, the kitchen, and the living room, never got any sun at all. The kitchen and the bathroom didn't even have windows. When one turned on the light in the bathroom, which had a plastic tub-and-shower-stall module-module!-a single molded unit that deflected slightly when he stepped into the tub-when one turned on the light in the bathroom, a ceiling fan went on up above a metal grille in the ceiling to provide ventilation. The fan created a grinding din and a trememdous vibration. So when he first got up, he no longer turned on the light in the bathroom. He depended solely on the sickly blue dawn provided by the overhead fluorescent light in the pa.s.sageway outside. More than once he had gone to work without shaving.

His head still on the pillow, Fallow kept staring at the telephone, which continued to explode. He really had to get a table to put by the bed, if one could call a mattress and springs on one of those American adjustable metal frames, good for cutting off knuckles and fingers mainly when one tried to adjust them-if one could call this a bed. The telephone looked slimy and filthy lying there on the filthy carpet. But he never invited anybody up here, except for girls, and that was always late in the evening when he had been through two or three bottles of wine and didn't give a d.a.m.n. That wasn't really true, was it? When he brought a girl up here, he always saw this pathetic hole through her eyes, at least for a moment. The thought of wine and a girl tripped a wire in his brain, and a shudder of remorse went through his nervous system. Something had happened last night. These days he often woke up like this, poisonously hung over, afraid to move an inch and filled with an abstract feeling of despair and shame. Whatever he had done was submerged like a monster at the bottom of a cold dark lake. His memory had drowned in the night, and he could feel only the icy despair. He had to look for the monster deductively, fathom by fathom. Sometimes he knew that whatever it had been, he couldn't face it, and he would decide to turn away from it forever, and just then something, some stray detail, would send out a signal, and the beast would come popping to the surface on its own and show him its filthy snout.

He did remember how it started, namely, at Leicester's, where, like many of the Englishmen who frequented the place, he managed to insinuate himself at the table of an American who could be counted on to pick up the bill without pouting over it, in this case a fat fellow named Aaron Gutwillig, who had recently sold a simulator-leasing company for twelve million dollars and liked to be invited to parties given by the English colony and the Italian colony in New York. Another Yank, a crude but amusing little man named Benny Grillo, who produced so-called news doc.u.mentaries for television, had a head on and wanted to go downtown to the Limelight, a discotheque set up in what used to be an Episcopal church. Grillo was good for the bill at the Limelight, and so he had gone down there with Grillo and two American model girls and Franco di Nodini, who was an Italian journalist, and Tony Moss, whom he had known at the University of Kent, and Caroline Heftshank, who had just arrived from London and was absolutely petrified with fear of street crime in New York, which she read about every day in London, and she jumped at every shadow, which was funny at first. The two model girls had ordered roast-beef sandwiches at Leicester's, and they pulled the meat out and dangled it above their mouths and ate it out of their fingers. Caroline Heftshank jumped a lot when they got out of the taxi in front of the Limelight. The place was practically ringed by black youths wearing enormous sneakers and perching on the old iron church fence, eyeing the drunks and heads going in and out of the door. Inside, the Limelight looked unusually grotesque, and Fallow felt unusually witty, drunk, and charming. So many transvest.i.tes! So many supremely repulsive punkers! So many pasty-faced little American girls with ortho-perfect teeth and silver lipstick and wet-night eye makeup! Such loud seamless endless metallic music and such foggy grainy videotapes up on the screens full of morose skinny boys and smoke bombs! Deeper and deeper into the lake it had all gone. They were in a taxi going back and forth across streets in the West Fifties looking for a place with a galvanized-metal door, called the Cup. A black studded rubber floor, and some loathsome Irish boys with no shirts on, or they looked Irish, spraying beer out of cans over everybody; and then some girls with no shirts on. Ah. Something had happened in front of some people in a room. Insofar as he had a true memory of it, he did remember that...Why did he do these things?...The house in Canterbury...the locker room at Cross Keys...He could see himself as he looked back then...his Victorian-picture-book blond hair, of which he had been so proud...his long pointed nose, his long slender jaw, his spindly body, always too thin for his great height, of which he had also been so proud...his spindly body...A ripple... ripple...The monster was heading up from the bottom of the lake! In a moment...its filthy snout!

Can't face it- The telephone exploded again. He opened his eyes and squinted at the sun-drenched modern squalor, and with his eyes open it was even worse. With his eyes open-the immediate future. Such hopelessness! Such icy despair! He squinted and shuddered and closed his eyes again. The snout! The snout!

He opened them immediately. This thing he had done when he was very drunk-in addition to despair and remorse, he now felt fear.

The ringing telephone began to alarm him. Suppose it was The City Light The City Light. After the Dead Mouse's last lecture, he had sworn to himself to be at the office by ten o'clock every morning, and it was now after one. In that case-he'd better not answer it. No-if he didn't answer the telephone, he would sink to the bottom forever, along with the monster. He rolled out of the bed and put his feet on the floor, and the horrible yolk shifted. He was thrown into a violent headache. He wanted to vomit, but he knew it would hurt his head too much for him to possibly allow it to happen. He started toward the telephone. He sank to his knees and then to all fours. He crawled to the telephone, picked up the receiver, and then lay down on the carpet, hoping the yolk would settle again.

"h.e.l.lo," he said.

"Peter?" Pee-tuh? Pee-tuh? Thank G.o.d, it was an English voice. Thank G.o.d, it was an English voice.

"Yes?"

"Peter, you're gurgling. I woke you up, didn't I. This is Tony."

"No, no, no, no, no. I'm-I was, I was in the other room. I'm working at home today." He realized that his voice had sunk to a furtive baritone.

"Well, you do a very good imitation of having just woke up."

"You don't believe me, do you?" Thank G.o.d it was Tony. Tony was an Englishman who had come to work on The City Light The City Light at the same time he had. They were fellow commandos in this gross country. at the same time he had. They were fellow commandos in this gross country.

"Of course I believe you. But that puts me in the minority just now. If I were you, I'd come down here as soon as I could."

"Ummmmmm. Yes."

"The Mouse just came over and asked me where you were. Not out of curiosity, either. He acted extremely p.i.s.sed."

"What did you tell him?"

"I told him you were at the Surrogate's Court."

"Ummmm. Not to pry, but what am I doing there?"

"Great Christ, Peter, I really did get you out of bed, didn't I? That Lacey Putney business."

"Ummmmmmm. Lacey Putney." Pain, nausea, and sleep rolled through Fallow's head like a Hawaiian wave. His head was flat on the carpet. The poisonous yolk sloshed about terribly. "Ummmmmmmmmmm."

"Don't fade out on me, Peter. I'm not joking. I think you should come down here and put in an appearance."

"I know, I know I know I know I know. Thanks, Tony. You're absolutely right."

"Are you coming?"

"Yes." Even as he said it, he knew what it was going to feel like to try to stand up.

"And do me a favor."

"Anything."

"Try to remember that you were at the Surrogate's Court. The Lacey Putney estate. Not that the Mouse necessarily believed me. But, you know."

"Yes. Lacey Putney. Thanks, Tony."

Fallow hung up, got up off the floor, staggered into the Venetian blinds, and cut his lip. The slats were the narrow metal ones the Yanks liked. They were like blades. He wiped the blood off his lip with the back of his index finger. He couldn't hold his head up straight. The mercury yolk ruined his sense of balance. He lurched to the bathroom and entered by the tubercular blue dawn of the fluorescent light in the pa.s.sageway outside. In the mirror on the medicine cabinet door, in this diseased light, the blood on his lip looked purple. That was all right. He could live with purple blood. But if he turned on the light in the bathroom, he was finished.

Rows of diode-light computer terminals in putty-gray 2001 2001 sci-fi casings lent the city room of sci-fi casings lent the city room of The City Light The City Light a gloss of order and modernity. It never survived a second glance. The desks were covered in the usual litter of paper, plastic cups, books, manuals, almanacs, magazines, and sooty ashtrays. The usual sh.e.l.l-backed young men and women sat at the keyboards. A numb dull clattering a gloss of order and modernity. It never survived a second glance. The desks were covered in the usual litter of paper, plastic cups, books, manuals, almanacs, magazines, and sooty ashtrays. The usual sh.e.l.l-backed young men and women sat at the keyboards. A numb dull clattering-thuk thuk thuk thuk thuk thuk thuk thuk thuk thuk thuk thuk thuk-rose from the keyboards, as if an immense mah-jongg tournament was in progress. The reporters, rewrite men, and copy editors were hunched over in the age-old way of journalists. Every few seconds a head would straighten up, as if coming up for air, and yell out something about slugs, headline counts, or story lengths. But not even the excitement of deadline pressure could survive for long. A rear door opened, and a Greek wearing a white uniform came staggering in carrying a prodigious tray full of coffee and soda containers, boxes of doughnuts, cheese Danishes, onion rolls, crullers, every variety of muck and lard known to the takeout food business, and half the room deserted the computer consoles and descended upon him, rooting about the tray like starving weevils.

Fallow took advantage of this hiatus to make his way across the room toward his cubicle. Out in the middle of the field of computer terminals, he stopped and, with an air of professional scrutiny, picked up a copy of the second edition, which had just been brought upstairs. Below the logo-THE CITY LIGHT-the front page consisted of enormous capital letters running down the right side- Scalp Grandma, Then Rob Her -and a photograph running down the left. The photograph was a cropped blowup of the sort of smiling lineless portrait that studios produce. It was a picture of a woman named Carolina Perez, fifty-five years old and not particularly grandmotherly, with a luxuriant head of black hair pulled up behind in the old-fashioned Lady of Spain style.

Christ G.o.d! Scalping her must have been an undertaking! Had he been feeling better, Fallow would have paid a silent tribute to the extraordinary esthetique de l'abattoir esthetique de l'abattoir that enabled these shameless devils, his employers, his compatriots, his fellow Englishmen, his fellow progeny of Shakespeare and Milton, to come up with things like this day after day. Just think of the fine sense of gutter syntax that inspired them to create a headline that was all verbs and objects, with the subject missing, the better to make you claw your way inside these smeary black pages to find out what children of evil were fiendish enough to complete the sentence! Just think of the maggot's perseverance that enabled some reporter to invade that enabled these shameless devils, his employers, his compatriots, his fellow Englishmen, his fellow progeny of Shakespeare and Milton, to come up with things like this day after day. Just think of the fine sense of gutter syntax that inspired them to create a headline that was all verbs and objects, with the subject missing, the better to make you claw your way inside these smeary black pages to find out what children of evil were fiendish enough to complete the sentence! Just think of the maggot's perseverance that enabled some reporter to invade chez chez Perez and extract a picture of Granny that made you feel the b.l.o.o.d.y act in your fingertips-in your very shoulder joints! Just think of the anticlimax of " Perez and extract a picture of Granny that made you feel the b.l.o.o.d.y act in your fingertips-in your very shoulder joints! Just think of the anticlimax of "scalp Grandma"..."then Grandma"..."then rob rob her." The pointless her." The pointless brilliant brilliant anticlimax! Christ, if they'd had more room, they would have added, "then leave all the lights on in her kitchen." anticlimax! Christ, if they'd had more room, they would have added, "then leave all the lights on in her kitchen."

At the moment, however, he was too poisonously ill to enjoy it. No, he stood there staring at this latest bit of tabloid genius only to establish the fact, for all to see-and most especially, he hoped, the Dead Mouse himself-that he was on the premises and interested in little else in the world other than the New York City Light City Light.

Holding the newspaper in his hands and staring at the front page, as if transfixed by the virtuosity of it, he walked the rest of the way across the room and entered his cubicle. It consisted of four-foot-high walls of particleboard in a sickly salmon color, a so-called work station with little high-tech curves at the corners, fencing in a gray metal desk, the ubiquitous computer terminal and keyboard, a plastic desk chair molded in an unpleasant orthopedic fashion and a modular plastic coatrack, which snapped ingeniously onto the modular wall. It was already cracked in the stem. On the rack hung a single drab garment, Peter Fallow's raincoat, which never left the cubicle.

Just by the coatrack was a window, and he could see his reflection. Head on, he looked a young and handsome thirty-six rather than fortyish and gone to seed. Head on, his widow's peak and the longish wavy blond hair that flowed back from it still looked...well, Byronic... Byronic...rather than a bit lonely on the dome of his skull. Yes, at this head-on angle...it was going to be all right! His long thin nose looked patrician from top to bottom rather than too bulbous in the tip. His big cleft chin did not look overly compromised by the jowls that were forming on either side. His navy blazer, which had been made by Blades eight-no, ten!- ten!-years ago was getting a little...shiny...on the lapels...but he could probably raise the nap with one of those wire brushes...He had the beginnings of a belly and was getting too fleshy in the hips and thighs. But this would be no problem now that he was finished with drinking. Never again. He would begin an exercise regimen tonight. Or tomorrow, in any case; he felt too bilious to think about tonight. It wouldn't be this pathetic American business of jogging, either. It would be something clean, crisp, brisk, strenuous...English. He thought of medicine b.a.l.l.s and exercise ladders and leather horses and Indian clubs and pulley weights and parallel bars and stout ropes with leather bindings on the end, and then he realized that these were the apparatus of the gymnasium at Cross Keys, the school he had attended prior to the University of Kent. Dear G.o.d...twenty years ago. But he was still only thirty-six, and he was six-foot-two, and he had a perfectly sound physique, fundamentally.