'Beggars can't be choosers.'

Munro began to fill a pipe. 'Beggars, my a.r.s.e! Well, you're right I owe you one - wouldn't be back here if not for you. I've put a query in train at the divisions, anything they have on Mary Thomason, same at the coroner's. If she's made a complaint or died, you'll hear of it.'

'I don't remember you smoking.'

'Self-defence in this place. Go home stinking of it, anyway; the wife complains. You don't have a wife.'

'Indeed.'

'Thought there might be something with the lady whose ear you almost shot off. Mmm?'

'Unlikely.'

'Oh, well, take that line if you must. How'd you like prison?'

'I'm taking up your time.'

'Slack hour. The prison?'

So Denton gave him a sketch of life as a political prisoner in a country that was still squirming out of the mire of the Middle Ages. Munro filled out paperwork and grunted. When Denton was done, Munro said, 'Been in prison before?'

'I was a guard once.'

'Dear heaven. Almost as bad.' He pushed his papers aside and laid both forearms on the desk. 'Ever think about joining the police again? I could use a partner with some brains.'

Denton smiled. He liked Munro. 'I write books,' he said.

'A waste and a shame.'

'Get Guillam.'

Munro made a face. George Guillam was a Detective Sergeant who had accepted a false confession in the crime that had led to Denton's shooting the real criminal; Guillam and Denton had started off on the wrong foot and got worse. Munro said, 'Georgie's in a bit of a funk just now. Not saying much to me.'

'The business last spring?'

'Aye, that and me getting some credit. And there's you.'

'I didn't strike on his box.'

'You might say you weren't his favourite fella.'

'He still want to be a superintendent?'

'In a funny kind of way, he is - acting like a super, anyway, but without the t.i.tle. They kicked him sideways after the business with you. He's "on leave" from CID and acting as super of a division of odds and sods - Domestic, Missing Persons, Juvenile, a lot of stuff. Georgie has pals upstairs, but he put his foot in the dog's mess with that false confession he accepted. There's some talk it was got with some physical persuasion, too. Georgie did what was right for him, not for the law, and he's going to be in bad odour for a while. Serves him right, although I don't say that to his face.'

'Maybe I should have a word with him.'

'Maybe you should and maybe you shouldn't. Georgie don't forgive easily.' Munro dropped his voice to an almost inaudible rumble and leaned closer. 'Georgie piles up grudges like bricks. Says all's forgiven and then can't resist the knife when you turn your back.' He raised his voice to its normal boom. 'Mind what I say.' He put a finger next to his nose, an antiquated and strange gesture that made him seem like an actor playing Father Christmas. 'Now I've got work to do.'

Denton found his way back to the lobby and was about to leave the building when he realized that postponing a meeting with Guillam was stupid. Denton didn't mind being disliked, didn't mind even being hated if the hater was of the right contemptible kind, but he had once wanted Guillam's respect and he didn't see that things had much changed. If Guillam had a bean up his nose, better to face him than skulk away.

The porter led him to where Guillam could be found. Denton climbed the stairs again, went up a second flight this time, followed the man into more barren corridors and stopped by a door that the porter held open. Inside were four men, each at a desk, electric lights burning overhead, a smell like burnt toast mingling with the tobacco and wet wool. All four looked up. Three swept their eyes over him and went back to their work. The fourth stared at him, frowned, got up as if he were in pain and came around the desk.

'I thought we'd let bygones be bygones,' Denton said. 'I was in the building.' He put out his hand.

'What bygones are those?' Guillam ignored the hand.

'We had some differences a while back.'

'News to me.'

'I thought there might be some - feeling - over - you know.'

'Can't say I do. No idea what you're getting at. I got work to do.'

And he turned his back and headed for his desk.

Denton tried to find his way out, got lost, felt the sting of Guillam's rejection turn to rage. Where was the buoyant mood of the morning? He wanted to kick something. Somebody. A young constable finally had to lead him down to the lobby. Denton steamed through it and aimed himself at the door.

A bench stood next to the porter's lodge. Several sorry specimens were sitting on the bench. Denton merely glanced at them, details in the landscape to be forgotten, until one detail caught his eye: a raised newspaper, folded almost to the size of a book, the newspaper lowered to show a pair of eyes. And then a hairless face, no red moustache, although his upper lip had a gleam that could have been gum arabic. The newspaper was raised again. On the bench, upside down, a black bowler.

'The moustache could be false! But who'd be stupid enough to put on a red moustache if he was going to follow somebody, unless he wanted to call attention to himself?'

'You've lost me.' Atkins put on his deliberately stupid look.

'Wear the thing, you're the most memorable man on the street!'

'Yes, but take it off, the most memorable thing about you is gone, you're n.o.body!'

Denton had started in on it as soon as he had come through his front door. 'He could have been following me all day. Probably was!'

'Master of disguise, you mean? Popping in and out of beards and Inverness capes? Bit Strand Magazine Strand Magazine, isn't it?'

'You're the one who said he was a rum one!'

'So he was. But like you pointed out, General, black bowlers is tuppence a hundred.'

'Well, red moustaches aren't. And at New Scotland Yard! h.e.l.l's bells, that's brazen.'

He had shouted his way up the stairs and into the sitting room, had shucked himself out of his overcoat and tossed it at Atkins, thrown his hat at a table and flung himself into his armchair before Atkins managed to say, 'You got a telegram. Telegram from her her, eh? On the sideboard.'

'Why the h.e.l.l didn't you say so?'

Atkins muttered something that sounded like 'Just listen to yourself' and wandered away with the coat. Denton tore the telegram apart and read: TOMORROW 5 PM ABC BARBICAN STOP JANET STRIKER.

His heart jumped, even though the message was as impersonal as a military order. He tried to remember his own message to her. Had it been as heartless? Had he started them off wrong? He threw himself down again. He remembered her choice once before of an ABC - a shop of the Aerated Bread Company, cheap and faceless. Five tomorrow - twenty-four hours more, good G.o.d.

Returning, Atkins said, 'You've a parcel, too.' He was standing now behind Denton's chair; next to him, Rupert was cleaning his private parts. Atkins handed Denton a battered package. 'From the garden of Central Europe.' He had been holding it with both hands; Denton took it, found why: it was heavy. Atkins wasn't leaving, his posture said; he wanted to see what was in the package. To make sure that he did, he held out his pocket-knife, already open.

The package was tied with heavy string that had been stuck down with sealing wax in six places; the paper, brown, cheap, had been so battered in its travels that it looked like lizard skin, but the string had held everything together. The stamps were triangular, green and purple, now peeling. Denton cut the string, then enlarged a tear in the front of the package to reveal something like a tea box, which the knife made quick work of - the small nails in the lid could be prised up - and Denton dumped the contents into his chair: a tied packet of envelopes with British stamps, the name Striker in the upper left corners (his heart lurched); two objects wrapped in the same brown paper and tied with the same string, one long, one short, both heavy; and, in a separate envelope, a photograph and a sheet of embossed notepaper. 'From Colonel Cieljescu,' he said.

'The Transylvanian Napoleon.'

'Now, now-' Colonel Cieljescu had subjected Denton to long, almost nightly monologues about 'culture', most of which Denton hadn't understood because he didn't know Central European history, but the gist of it had been that English was a barbaric language and America was a desert. 'I think it was the Colonel who got us sprung from that hole.'

'Katya said it was G.o.d's will.'

'Yes, but the Colonel had the keys. Somebody left the doors open, and if you tell me it was an angel, I'll fire you.' He pocketed the letters from Janet Striker, then tore open the two heavy wrappings: one was his Navy Colt, the other his derringer.

'Must be he don't fancy antiques,' Atkins said.

Denton pulled out the note. Under an embossed double eagle and the name of the prison where they had almost starved was the date in blue ink - three weeks before, a month after their 'escape' - and a message: My dear American friend Denton,Now you read this I am believing you are in your own bed. I am desolated to not have you my guest any more for our long chats anent art. For remembrance, herewith is new photo of me for you. Also I am forced by duty to keep your writings which you say is fiction but may be espionage, one day you must read Alfons Duchinatz a real author. Plus some letters I am sending you were overlooked in giving to you during your stay with us. Your vehicle I have with gratest regret empounded for military contrabandage. Hoping you are found good in health, Your esteamed friend, Cieljescu, Anton-Pauli, Colonel, Imperial Corps of Mounted Infantry and Guards, by the Grace of His Imperial Highness, Franz Joseph, Archduke of Austria and Hungary . . .

Denton picked up the photograph. A large man in uniform, recognizably the Colonel, was sitting in the pa.s.senger seat of a motor car, recognizably Denton's Daimler 8. The man was smiling. Beside him, a driver, less clear, sat with both hands grasping the wheel as if to keep it from flying away.

Denton burst into laughter. 'It's our motor car! He sent back my guns and he kept the car!'

Atkins looked over his shoulder. He groaned. 'That's Katya beside him. That's Katya Katya!'

'G.o.d works in mysterious ways.'

Atkins s.n.a.t.c.hed his knife from Denton's hand and turned for the stairs. 'I'm sure there's an explanation. She was to me an angel!' He strode away, and Denton heard him mutter as he closed the door, 'The b.i.t.c.h-'

Denton found himself filled again with something that felt good - contentment, perhaps, even happiness. At once, with the two pistols in his lap, he read Mrs Striker's letters. Written weeks before, they were about trivia - her job with the Society for the Improvement of Wayward Women, her alcoholic mother, the weather, her piano - but they delighted him. More than that, the fact fact of them delighted him. The last letter was dated well after they had left the prison, so she had gone on writing even when he hadn't. Never intimately, never warmly, always signing herself 'your friend', but of them delighted him. The last letter was dated well after they had left the prison, so she had gone on writing even when he hadn't. Never intimately, never warmly, always signing herself 'your friend', but she had written she had written.

He loaded the derringer - .41 black-powder Remington, wildly inaccurate but horrific at a foot or two - and put it in its old place in the box on the mantel, then took the Colt up to the attic and laid it in its case. Somebody in Transylvania had screwed the b.a.l.l.s out and dumped the gunpowder and cleaned it. Closing the lid on it now, he thought, was like closing a coffin - the pistol, which he had picked up on a Civil War battlefield and carried through his early years in the West, which he had used to kill the man who had been threatening to slash Janet Striker's throat only six months before - the pistol had earned a rest. Obsolete, big, it had become a relic. He loved the Colt, but sentiment has its limits.

Downstairs again, he clapped his hands together and walked up and down his bedroom. It was all right. Everything would be all right. Her message had seemed curt because that was the nature of telegrams. The ABC could be quickly got over. Or out of. He was back, he was free, he was going to see her. What were twenty-four hours after all these weeks?

He put the photograph and Cieljescu's letter in an envelope to go to his publisher, Gweneth; if that didn't settle the matter of the motor car, the h.e.l.l with him.

CHAPTER THREE.

On the second morning back, Atkins said as he presented his coffee, 'Garden's a jungle.'

'What, out back?'

'Yes, that one. I thought I'd hang your suits out there. What a hope! Need a map to find the garden wall.'

'Start weeding.'

'My hat.' Atkins was many things but not a gardener. He poured Denton's coffee and said, 'Find us somebody with a strong back and a deal of patience.'

'Aren't there gardening agencies?'

'There's everything; this is London. You want an egg? I had one. Quite good. Or a kipper.'

'Why do you buy kippers? You know I don't like them.'

'I do.'

'Poached, on toast, bacon.'

'If you care, the parlourmaid next door but one says the madam there complains that the seeds from our weeds are spoiling her garden.'

'I'll get somebody - dear G.o.d, we just got back!'

'Middle-cla.s.s respectability. Weeds not respectable. Preserve with your toast?'

'Is that the same as jam? Yes, jam.'

Atkins padded off downstairs - he affected Prince Albert slippers in the house - with Rupert puffing behind him. Until his breakfast came, Denton worked on the novel, a writing tablet in his lap, the words coming faster than he could move the pen. It would be all right now: the book was still in his head, perhaps with a vividness it had lacked when first created, needing only to be set down. He hurried because he didn't want to forget it, yes, but he hurried also because money, finally, was the issue, not art: without the novel, he would come on hard times in eight or ten months. With it, he could look ahead a year and a half, time to write something else.

Atkins brought the first mail of the day at ten - bills (how could there be bills when he hadn't been there?), four dinner invitations he'd refuse - then lunch at twelve from the public house next door, the Lamb. At two, he was back with more mail, this time including an answer from Aubrey Heseltine: Would Mr Denton care to drop by Albany 134-B tomorrow between two and five? Would Mr Denton care to drop by Albany 134-B tomorrow between two and five? Mr Denton supposed he would. Mr Denton supposed he would.

At four, he stopped. He had written thirty-seven pages. If it hadn't been Janet Striker he was stopping for, he'd have gone on. And on, although he knew it was better to stop, better to leave some water in the bucket for tomorrow.

He accepted Atkins's advice about clothes. Atkins of course knew without his saying so that he was going to meet Mrs Striker; Atkins wasn't above doing archaeology in his wastebasket. A dark frock coat, grey waistcoat, subdued necktie. He rejected lavender although told the colour was 'immensely fashionable'. A soft hat, but with a narrower brim than he really liked.

'This ain't the Wild West, General.'

He walked again to Lloyd Baker Street and dropped off the day's work. As he had the day before, he behaved like a guilty man (what was it about the typewriter - she was a mouse), stopping to pretend to look at houses, trees, birds, then covertly looking back down the way he had come. Had he seen anybody? He couldn't be sure. n.o.body he saw twice, certainly - n.o.body he could run after. He told himself he was still disoriented from the trip and fled from the typewriter's, first down Goswell Road, then Aldersgate, finally to the ABC on Barbican - fifteen minutes early, even though it was no good being early; she would be on time. He didn't fancy sitting in the tea shop alone. He walked, thinking about the novel, about her, about Mary Thomason, who had sent him a letter and might be dead or married or living at home by now. n.o.body following; he'd checked again and again. When he finally got to the ABC a second time, he was ten minutes late.

She was, of course, there. She was sitting at a far table, wearing as always an unattractive black hat, a dress that even he knew was years out of fashion - something about the widely puffed sleeves. She turned her head and saw him and he felt a pang of sadness for her: the knife slash down her face was now a red ribbon that seemed to have escaped from her hat. It was nothing she could or did try to hide; seeing him, she even seemed to turn the left side of her face more towards him as if to display it.

'I'm late. I'm sorry I'm late. I didn't want to be early.'

'I was early.'

'I came by before - maybe you were already here.' It was a ridiculous conversation. He had known they wouldn't pick up where they had left off six months before - that grudging and hard-won, only partial intimacy - but this was worse, almost like a first time. He sat, then got himself tea at her urging, some kind of supposedly edible bun, put it down on the table, where it sat, uneaten, for as long as they were there. He thanked her for her letters, explained about the package that had come the day before.

She hardly spoke. It became terrible - long silences, questions that got one-syllable answers. The trivial and the obvious. He said, 'And your mother?'

Her mother had in effect sold her when she was seventeen; the husband was older, brutal, had put her in a mental inst.i.tution when she had rebelled. She smiled with one side of her face - the unscarred side. 'My mother is being seen to.' She looked up from the teacup she was using to make overlapping rings on the tablecloth. 'She is senile, and, as you know, a drunkard. I stood it as long as I could. She's in a house with three other old women and a matron of sorts who cares for them.' She put the cup down in its saucer. 'She's dying.'

'I'm sorry.'

'Oh, don't say things like that, Denton! I can't be sorry; why should you? I'm sorry for for her, but not her, but not sorry. sorry.'

He told her about Mary Thomason. She seemed uninterested. Her life was spent counselling prost.i.tutes in how to get off the street, find work; she hadn't much use, he supposed, for nice young women. She had been a prost.i.tute herself, 'never a very good one'. He tried to think of funny stories from his months away, but they fell flat. Out of nowhere, she said, 'I'm going to be fairly well off.'

'Money?'