I am never surprised at London policemen, but I looked at this one closely before I replied.

"You seem a reasonable man," I said. "Let me tell you that what I have told you about the germ--that it confers immortality--is correct. In a day or two you will be immortal."

He seemed to reflect in a calm ma.s.sive way on the news. His eyes were fixed on the dead man's face.

"An Immortal Policeman?"

"Yes."

"You're asking me to believe a lot, sir."

"I know that. But still, there it is. It's the truth."

"And what about crime?" he continued. "If we were all Immortals, what about crime?"

"Crime will become so horrible in its meaning that it will stop."

"It hasn't stopped yet...."

"Of course not. It won't, till people realize they are immortal."

He shifted his lantern and shone it down the road.

"Well, sir, it seems to me it will be a long time before people realize _that_. In fact, I don't see how anyone could ever realize it."

"Why not?"

"Just think," he said, with a large air. "Supposing crime died out, what would happen to the Sunday papers? Where would those lawyers be? What would we do with policemen? No, you can't realize it. You can't realize the things you exist for all vanishing. It's not human nature." He brooded for a time. "You can't do away with crime," he continued.

"What's behind crime? Woman and gold--one or the other, or both. Now you don't mean to tell me, sir, that the Blue Disease is doing away with women and gold in a place like Birmingham? Why, sir, what made Birmingham? What do you suppose life is?"

"I have never been asked the question before by a policeman," I said. "I do not know what made Birmingham, but I will tell you what life is. It is ultimately a cell, containing protoplasm and a nucleus."

A low rumbling noise began somewhere in his vast bulk. It gradually increased to a roar. I became aware that he was laughing. He held his sides. I thought his shining belt would burst. At length his hilarity slowly subsided, and he became sober. He surveyed the dead body at his feet.

"No, sir," he said, "don't you believe it. Life is women and gold. It always was that, and it always will be." He shone his lamp downwards so that the light fell on the terrible features of the dead sailor. "Now this man, sir, was killed because of money, I'll wager. And behind the money I reckon you'll find a woman." He mused for a time. "Not necessarily a pretty woman, but a woman of some sort."

"How do you account for that look of fear on his face?"

"I couldn't say. I've never seen anything like it. I've seen a lot of dead faces, but they are usually quiet enough, as if they were asleep.

But I'll tell you one thing, sir, that I have noticed, and that is that money--which includes diamonds and such like, makes a man die worse and more bitter than anything else."

He turned his lantern down the street. A sound of wheels reached us.

"That's the ambulance."

"Will you really require me at the police station?" I asked.

"Yes."

"Will it be necessary to prove who I am?"

He smiled.

"You won't need to prove that you're a doctor, sir," he said genially.

"We have a lot to do with doctors. I could tell you were a doctor after talking a minute with you. You are all the same."

"What do you mean?"

"Well--it's the things you say. Now only a doctor could have said what you did--about life being a cell. Do you know, sir, I sometimes believe that doctors is more innocent than parsons. It's the things they say...."

The low rumbling began again in his interior. I waited silently until the ambulance came up. I felt a slight shade of annoyance. But how could I expect the enormous uneducated bulk beside me to take a really intelligent and scientific view of life? Of course life was a cell.

Every educated person knew that--and now that cell was, for the first time in history, about to become immortal--but what did the policeman care? How stupid people were, I reflected. We moved off in a small procession towards the police station. Half an hour later I was on my way west, deeply pondering on the causes of that extraordinary expression of fear in the dead sailor's face. Never in my life before had I seen so agonized a countenance, but I was destined to see others as terrible. As I walked, the strangeness of the dead man's tragedy grew in my mind and filled me with a tremendous wonder, for who had ever seen a dead Immortal?

On reaching home I roused Sarakoff and related to him what I had seen.

CHAPTER XIV

FIRST IMPRESSIONS OF IMMORTALITY

After two hours of sleep I awoke. My brief rest had been haunted by unpleasant dreams, vague and indefinite, but seeming to centre about the idea of an impending catastrophe. I lay in bed staring at the dimly outlined window. I felt quite rested and very wide awake. For some time I remained motionless, reflecting on my night adventures and idly thinking whether it was worth while getting up and attending to some correspondence that was overdue. The prospect of a chilly study was not attractive. And then I noticed a very peculiar sensation.

There is only one thing that I can compare it with. After a day of exhausting work a gla.s.s of champagne produces in me an almost immediate effect. I feel as if the worries of the day are suddenly removed to a great and blessed distance. A happy indifference takes their place. I felt the same effect as I lay in bed on that dreary winter's morning.

The idea that I should get up and work retreated swiftly. A pleasant sense of languor came over me. My eyes closed and for some time I lay in a blissful state of peace, such as I had never experienced before so far as my memory could tell.

I do not know how long I lay in this state, but at length a persistent noise made me open my eyes. I looked round. It seemed to be full daylight now. The first thing I noticed was the unusual size of the room. The ceiling seemed far above my head. The walls seemed to have receded many feet. In my astonishment I uttered an exclamation. The result was startling. My voice seemed to reverberate and re-echo as if I had shouted with all my strength. Considerably startled, I remained in a sitting posture, gazing at my unfamiliar surroundings. The persistent noise that had first roused me continued, and for a long time I could not account for it. It appeared to come from under my bed. I leaned over the edge, but could see nothing. And then, in a flash, I knew what it was. It was the sound of my watch, that lay under my pillow.

I drew it out and stared at it in a state of mystification. Each of its ticks sounded like a small hammer striking sharply against a metal plate. I held it to my ear and was almost deafened. For a moment I wondered whether I were not in the throes of some acute nervous disorder, in which the senses became sharpened to an incredible degree.

Such an exultation of perception could only be due to some powerful intoxicant at work on my body. Was I going mad? I laid the watch on the counterpane and in the act of doing it, the explanation burst on my mind. For the recollection of Mr. Herbert Wain and the Clockdrum suddenly came to me. I flung aside the bedclothes, ran to the window and drew the curtains. The radiance of the day almost blinded me. I pressed my hands to my eyes in a kind of agony, feeling that they had been seared and destroyed, and dropped on my knees. I remained in this position for over a minute and then gradually withdrew my hands and gazed at the carpet. I dared not look up yet. The pattern of the carpet glowed in colours more brilliant than I had ever seen before. As I knelt there, in att.i.tude of prayer, it seemed to me that I had never noticed colour before; that all my life had been pa.s.sed without any consciousness of colour. At last I lifted my sight from the miracle of the carpet to the miracle of the day. High overhead, through the dingy windowpane, was a patch of clear sky, infinitely sweet, remote and inaccessible, framed by golden clouds. As I gazed at it an indescribable reverence and joy filled my mind. In the purity of the morning light, it seemed the most lovely and wonderful thing I had ever beheld. And I, Richard Harden, consulting physician who had hitherto looked on life through a microscope, remained kneeling on my miraculous carpet, gazing upwards at the miraculous heavens. Acting on some strange impulse I stretched out my hands, and then I saw something which turned me into a rigid statue.

It was in this att.i.tude that Sarakoff found me.

He entered my room violently. His hair was tousled and his beard stuck out at a grotesque angle. He was clad in pink pyjamas, and in his hand he carried a silver-backed mirror. My att.i.tude did not seem to cause him any surprise. The door slammed behind him, with a noise of thunder, and he rushed across the room to where I knelt, and stooping, examined my finger nails at which I was staring.

"Good!" he shouted. "Good! Harden, you've got it too!"

He pointed triumphantly. Under the nails there was a faint tinge of blue, and at the nail-bed this was already intense, forming little crescent-shaped areas of vivid turquoise.

Sarakoff sat down on the edge of my bed and studied himself attentively in the hand mirror.

"A slight pallor is perceptible in the skin," he announced as if he was dictating a note for a medical journal, "and this is due, no doubt, to a deposit of the blue pigment in the deeper layers of the epidermis. The hair is at present unaffected save at the roots. G.o.d knows what colour blond hair will become. I am anxious about Leonora. The expression--I suppose I can regard myself as a typical case, Harden--is serene, if not animated. Subjectively, one may observe a great sense of exhilaration coupled with an extraordinary increase in the power of perception. You, for example, look to me quite different."

"In what way?" I demanded.

"Well, as you kneel there, I notice in you a kind of angular grandeur, a grotesque touch of the sublime, that was not evident to me before. If I were a sculptor, I would like to model you like that. I cannot explain why--I am just saying what I feel. I have never felt any impulse towards art until this morning." He twisted his moustache. "Yes, you have quite an interesting face, Harden. I can see in it evidence that you have suffered intensely. You have taken life too seriously. You have worked too hard. You are stunted and deformed with work."