him to the Marquis? Just to pass the time? Or were you hoping to get
him an audience with the Duchess? Was that the goal all along?" Every emphasis in his voice has a sensual intensity now. How he
desires her! It makes me shudder, imagining the Baroness in that windowless room in the basement of Number Six. No duchesses or doctors
to save her. Just Vidocq, in all his savagery, bearing down. And chasing a fantasy, I tell myself. Noblewomen don't hand over
their own sons to washerwomen. And then try to plant them on the
throne of France.
But then a voice rises up inside me: Why is that any more a fantasy
than your Swiss gardener?
Yes, Vidocq could press the Baroness all he liked, but he would
come, finally, to the question that no one-no one alive-can answer.
Who was the boy my father carried out of the tower that night? And
what happened to him?
I take a bottle of raw Burgundy from the armoire. I pour myself a
tall glass. Behind me, I hear Vidocq's trailing sigh, and I turn to see
him draw a pipe from his pocket.
"Got any matches, Hector?"
Such a painstaking quality to how he fills his pipe now. Measured
and cool, like a sniper taking aim.
"The thing is," he says, "we can't lay everything at the Baroness's
door, hard as we try. After all, the piece of evidence that really carried
the day-well, she had nothing to do with that."
"What do you mean?"
"That little note of your father's! The one we found in the back of
his journal. All that business of the birthmark-I mean, that's what got
us to the Duchess, wasn't it? It's what set everything in motion." "I suppose so."
By now the smoke has formed a nimbus over his head, and the
fumes come rolling toward me, they crawl up the cavities of my head. And then, out of nowhere, Vidocq sets down his pipe and reaches
for a leather satchel. Snaps open a compartment and takes out that piece
of aged stationery, still bearing its creases. Still bearing those familiar
words . . .
To Whom It May Concern:
You may verify the merchandise via the following particular: a
mole, black-brown . . .