Pederson had hair whiter than chalk and was considered an old cop but was actually only a few years older than Bosch. He had walked or driven the Boulevard beat for twenty years on night watch, and that was enough to turn a man's hair white early. Bosch liked Pederson. He was a silo of information about the street. There was rarely a murder on the Boulevard that went by without Bosch's checking with him to see what his informants were saying. And he almost always came through.

"Yeah, it's curious," Bosch said. He added nothing else.

"You doing paper from your shooting?" Pederson asked after settling himself in front of a typewriter. When Bosch didn't answer he added, "You got any more of those cigarettes?"

Bosch got up and carried a whole pack over to Pederson. He put them down on the typewriter in front of the beat cop and told him they were his. Pederson got the message. Nothing personal, but Bosch wasn't going to talk about the shoot-out, especially about what a couple of IAD cops were doing there.

Pederson got to work on the typewriter after that, and Bosch went back to his murder book. He finished reading through it without a single forty-watt bulb lighting up in his head. He sat there with the typewriter clacking in the background, and smoked and tried to think of what else there was to do. There was nothing. He was at the wall.

He decided to call his home and check the tape machine. He picked up his phone, then thought better of using it and hung up. On the off chance his desk phone wasn't a private line, he walked around to Jerry Edgar's spot at the table and used his line. He got his answering machine, punched in a code and listened as it played a dozen messages. The first nine were from cops and some old friends wishing him a speedy recovery. The last three, the most recent messages, were from the doctor who had been treating him, Irving and Pounds.

"Mr. Bosch, this is Dr. McKenna. I consider it very unwise and unsafe for you to have left the hospital environment. You are risking further damage to your body. If you get this message, would you please return to the hospital. We are holding the bed. I can no longer treat you or consider you my patient if you do not return. Please. Thank you."

Irving and Pounds were not as worried about Bosch's health.

Irving's message said, "I do not know where you are or what you are doing, but it better be that you just do not like hospital food. Think about what I told you, Detective Bosch. Do not make a mistake we will both be sorry for."

Irving hadn't bothered to identify himself but didn't have to. Neither did Pounds. His message was the last. It was the chorus.

"Bosch, call me at home as soon as you get this. I have received word that you left the hospital and we need to talk. Bosch, you are not, repeat, not, to continue any line of investigation relating to the shootings on Sat.u.r.day. Call me."

Bosch hung up. He wasn't going to call any of them. Not yet. While sitting at Edgar's spot he noticed a scratch pad on the table on which the name Veronica Niese was written. Sharkey's mother. There was also a phone number. Edgar must have called her to notify her about her son's death. Bosch thought of her answering the call, expecting it to be another one of her jerkoff customers, and instead it was Jerry Edgar calling to say her son was dead.

His thought of the boy reminded Bosch of the interview. He had not had the tape transcribed yet. He decided to listen to it, and went back to his place at the table. He pulled his tape recorder out of a drawer. The tape was gone. He remembered he had given it to Eleanor. He went to the supply closet, trying to calculate whether the interview would still be on the backup tape. The backup automatically rewound when it reached its end and then started taping over itself. Depending on how often the taping system in the interview room had been used since Tuesday's session with Sharkey, the Q-and-A with the boy might still be intact on the backup tape.

Bosch popped the ca.s.sette out of the recorder and brought it back to his table. He put it in his own portable, put on a set of earphones and rewound the tape to its beginning. He reviewed it by playing it for a few seconds until he could tell whether it was his voice or Sharkey's or Eleanor's, and then fast-forwarding for about ten seconds. He repeated this process for several minutes before he finally hit the Sharkey interview in the last half of the tape.

Once he found it, he rewound the tape a bit so he could hear the interview from the start. He rewound too far and ended up listening to half a minute of another interview concluding. Then he heard Sharkey's voice.

"What are you looking at?"

"I don't know." It was Eleanor. "I was wondering if you knew me. You seem familiar. I didn't realize I was staring."

"What? Why should I know you? I never did no federal s.h.i.t, man, I don't know-"

"Never mind. You looked familiar to me, that's all. I was wondering if you recognized me. Why don't we wait until Detective Bosch comes in."

"Yeah, okay. Cool."

There was silence on the tape then. Listening to it, Bosch was confused. Then he realized that what he had just heard had been said before he went into the interview room.

What had she been doing? The silence on the tape ended and Bosch heard his own voice.

"Sharkey, we are going to tape this because it might help us later to go over it. Like I said, you are not a suspect so you-"

Bosch stopped the tape and rewound it to the exchange between the boy and Eleanor. He listened to it again and then again. Each time it felt as if he had been punched in the heart. His hands were sweating and his fingers slipped on the b.u.t.tons of the recorder. He finally pulled the earphones off and flung them onto the table.

"d.a.m.n it," he said.

Pederson stopped typing and looked over.

Part IX

Monday, May 28 Memorial Day Observed

By the time Bosch got to the veterans cemetery in Westwood, it was just after midnight.

He had checked a new car out of the Wilc.o.x fleet garage and then driven by Eleanor Wish's apartment. There were no lights on and he felt like a teenager checking on the girlfriend who dumped him. Even though he was alone he was embarra.s.sed. He didn't know what he would have done if there had been a light. He headed back east toward the cemetery, thinking about Eleanor and how she had betrayed him in love and business, all at the same time.

He started with the supposition that Eleanor had asked Sharkey if he recognized her because it was she who had been in the Jeep that delivered Meadows's body to the reservoir. She had been looking for a sign that the boy realized this and recognized her. But he didn't. Sharkey went on-after Bosch joined the interview-to say he had seen two people who he thought were men. He said the smaller of the two stayed in the Jeep's pa.s.senger seat and didn't help with the body at all. It seemed to Bosch that the boy's mistake should have insured his life. But he knew that it had been he who had then doomed Sharkey when he suggested hypnotizing him. Eleanor had pa.s.sed that on to Rourke, who knew he couldn't risk it.

Next was the question of why. The money was the ultimate answer, but Bosch could not comfortably attribute this motive to Eleanor. There was something more. The others involved-Meadows, Franklin, Delgado and Rourke-all shared the common bond of Vietnam as well as direct knowledge of the two targets, Binh and Tran. How did Eleanor fit into this? Bosch thought about her brother, killed in Vietnam. Was he the connection? He remembered that she had said his name was Michael, but she hadn't mentioned how or when he was killed. Bosch hadn't let her. Now he regretted having stopped her when she apparently wanted to talk about him. She had mentioned the memorial in Washington and how it had changed her. What could she have seen that would do that? What could the wall have told her that she didn't already know?

He drove into the cemetery off Sepulveda Boulevard and up to the great black iron gates that stood closed across the gravel entrance road. Bosch got out and walked up, but they were locked with a chain and padlock. He looked through the black bars and saw a small stone-block house about thirty yards up the gravel road. He saw the pale blue glow of TV light against a curtained window. Bosch went back to the car and flipped the siren. He let it wail until a light came on behind the curtain. The cemetery attendant came out a few moments later and walked toward the gate with a flashlight, while Bosch got his badge case out and held it open through the bars. The man wore dark pants and a light-blue shirt with a tin badge on it.

"You police?" he asked.

Bosch felt like saying no, Amway. Instead, he said, "LAPD. I wonder if you can open 'er up for me."

The attendant put the flashlight on his badge and ID. In the light Bosch could see the white whiskers on the man's face and smell the slight scent of bourbon and sweat.

"What's the problem, officer?"

"Detective. I'm on a homicide investigation, Mr. . . . ?"

"Kester. Homicide? We got plenty dead people here, but these cases are closed, I guess you could say."

"Mr. Kester, I don't have time to go through all the details but what I need to do is take a look at the Vietnam memorial, the replica that is on display here for the holiday weekend."

"What's wrong with your arm, and where's your partner? Don't you guys travel in twos?"

"I was hurt, Mr. Kester. My partner is working on another part of the investigation. You watch too much TV in that little room of yours. That's TV cops stuff."

Bosch said this last part with a smile, but he was already getting tired of the old security guard. Kester turned and looked at the cemetery house and then back at Bosch.

"You seen the TV light, right? I figured that one. Uh, this is federal property and I don't know if I can open it up without-"

"Look, Kester, I know you're civil service and they haven't fired anyone since maybe Truman was president. But if you give me a bad time on this, I'm going to give you a bad time. I'll put a drinking-on-the-job beef in on you Tuesday morning. First thing. Now let's do it. Open it up and I won't bother you. I just need to take a look at the wall."

Bosch rattled the chain. Kester stared dull-eyed at the lock and then fished a ring of keys off his belt and opened the gate.

"Sorry," Bosch said.

"I still don't think this is proper," Kester said angrily. "What's that black stone got to do with a homicide anyway?"

"Maybe everything," Bosch said. He started walking back to his car but then turned around, remembering something he had read about the memorial. "There's a book. It tells where the names are on the wall. You can look them up. Is that up there at the wall?"

Kester had a puzzled look on his face that Bosch could see even in the dark. He said, "Don't know about any book. All I know is that the U.S. Park Service people brought that thing in here, set it up. Took a bulldozer to clear a spot on the hill. They got some guy that stays with it during proper visiting hours. He's the one you'll have to ask about books. And don't ask me where he is. I don't even know his name. You gonna be a while or should I leave it unlocked?"

"Better lock it up. I'll come get you when I'm leaving." He drove the car through the gate after the old man pulled it open, then up to a gravel parking area near the hill. Bosch could see the dark shine of the wall in the gash carved out of the rise. There were no lights and the area was deserted. He took a flashlight off the car seat and headed up the slope.

He first swung the light around to get an idea of the wall's size. It was about sixty feet long, tapering at each end. Then he walked up close enough to read the names. An unexpected feeling came over him. A dread. He did not want to see these names, he realized. There would be too many that he knew. And what was worse was that he might come across names he didn't expect, that belonged to men he didn't know were here. He swept the beam around and saw a wooden lectern, its top canted and ledged to hold a book, like a church Bible stand. But when he walked over, he found nothing on the stand. The park service people must have taken the directory with them for safekeeping. Bosch turned and looked back at the wall, its far end tapering off into darkness. He checked his cigarettes and saw he had nearly a whole pack. He admitted to himself that he had expected it would be this way. He would have to read every name. He knew it before he came. He lit a cigarette and put the beam on the first panel of the wall.

It was four hours before he saw a name he recognized. It wasn't Michael Scarletti. It was Darius Coleman, a boy Bosch bad known from First Infantry. Coleman was the first guy Bosch had known, really known, to get blown away. Everybody had called him Cake. He had a knife-cut tattoo on his forearm that said Cake. And he was killed by friendly fire when a twenty-two-year-old lieutenant called in the wrong chart coordinates for an air strike in the Triangle.

Bosch reached to the wall and ran his fingers along the letters in the dead soldier's name. He had seen people do that on TV and in movies. He pictured Cake with a reefer tucked behind his ear, sitting on his pack and eating chocolate cake out of a can. He was always trading for everybody's cake. The reefer made him crave the chocolate.

Harry moved on to other names after that, stopping only to light cigarettes, until he had none left. In nearly four more hours he had come across three dozen more names belonging to soldiers he had known and knew were dead. There were no surprise names, and so his fear in that regard was unfounded. But despair came from something else. A small picture of a man in uniform was wedged into the thin crack between the false marble panels of the memorial. The man offered his full, proud smile to the world. Now he was a name on the wall. Bosch held the photo in his hand and turned it over. It said: "George, we miss your smile. All our love, Mom and Teri."

Bosch carefully put the photo back into the crack, feeling like an intruder on something very private. He thought about George, a man he never knew, and grew sad for no reason he could explain to himself. After a while, he moved on.

At the end, after 58,132 names, there was one he had not seen. Michael Scarletti. It was what he had expected. Bosch looked up at the sky. It was turning orange in the east and he could feel a slight breeze coming out of the northwest. To the south the Federal Building loomed above the cemetery tree line like a giant dark tombstone. Bosch was lost. He didn't know why he was here or whether what he had found meant a d.a.m.ned thing. Was Michael Scarletti still alive? Had he ever existed? What Eleanor had said about her trip to the memorial had seemed so real and true. How could any of this make sense? The beam of the flashlight was weak and dying. He turned it off.

Bosch napped a couple of hours in his car at the cemetery. When he woke the sun was high in the sky, and for the first time he noticed that the cemetery lawns were awash in flags, each grave marked by a small plastic Old Glory on a wooden stick. He started the car and slowly made his way along the thin cemetery roads, looking for the spot where Meadows would be buried.

It wasn't hard to find. Nestled on the side of one of the roads that wound into the northeast section of the cemetery were four vans with microwave antennas. There was a grouping of other cars as well. The media. Bosch hadn't expected all of the TV cameras and the reporters. But once he saw this crowd he realized that he had forgotten that holidays were slow news days. And the tunnel caper, as it had been dubbed by the media, was still a hot item. The video vampires would need fresh footage for the evening's broadcasts.

He decided to stay in the car, and watched as the short ceremony at Meadows's gray casket was filmed in quadruplicate. It was presided over by a rumpled minister who probably came from one of the downtown missions. There were no real mourners except for a few professionals from the VFW. A three-man honor guard also stood at attention.

When it was over, the minister pushed the brake pedal with his foot and the casket slowly descended. The cameras came in tight on this. And then, afterward, the news teams broke off in different directions to film stand-up reports at locations around the gravesite. They were spread out in a semicircle. This way, each reporter would look as if he or she had been at the funeral exclusively. Bosch recognized a few as people who had shoved microphones in his face before. Then he noticed that one of the men he had thought was one of the professional mourners was actually Bremmer. The Times Times reporter walked away from the grave and was heading to one of the cars parked along the access road. Bosch waited until Bremmer was almost next to his car before he rolled down the window and called to him. reporter walked away from the grave and was heading to one of the cars parked along the access road. Bosch waited until Bremmer was almost next to his car before he rolled down the window and called to him.

"Harry, I thought you were in the hospital or something."

"I thought I'd come by. But I didn't know it was going to be a circus. Don't you people have anything better to do?"

"Hey, I'm not with them. That's a pig f.u.c.k."

"What?"

"TV reporters. That's what they call one of these gang-bangs. So, what are you doing here? I didn't think you'd be out so soon."

"I escaped. Why don't you get in and take a ride." Then indicating the TV reporters with his hand, Bosch said, "They might see me here and charge over and trample us."

Bremmer walked around and got in the car. Bosch took the driveway to the west section of the cemetery. He parked under the shade of a sprawling oak tree, from which they could see the Vietnam memorial. There were several people milling about, mostly men, mostly alone. They all looked at the black stone quietly. A couple of the men wore old fatigue jackets, the sleeves cut off.

"You seen the papers or TV yet on this thing?" Bremmer asked.

"Not yet. But I heard what was put out."

"And?"

"Bulls.h.i.t. Most of it, at least."

"Can you tell me?"

"Not that it gets back to me."

Bremmer nodded. They had known each other a long time. Bosch did not have to ask for promises and Bremmer did not have to go over the differences between off-the-record statements, background statements and statements not for attribution. They had a trust built on prior credibility, going both ways.

"Three things you should check," Bosch said. "n.o.body's asked about Lewis and Clarke. They weren't part of my surveillance. They were working for Irving over at IAD. So once you get that established, put the heat on them to explain what they were doing."

"What were they doing?"

"That you'll have to get somewhere else. I know you have other sources in the department."

Bremmer was writing in a long, thin spiral notebook, the kind that always gave reporters away. He was nodding as he wrote.

"Second, find out about Rourke's funeral. It will probably be out of state somewhere. Someplace far enough away that the media back here won't bother to send anybody. But send somebody anyway. Somebody with a camera. He'll probably be the only one there. Just like today's planting. That should tell you something."

Bremmer looked up from his notebook. "You mean no hero's funeral? You're saying Rourke was part of this thing, or he just f.u.c.ked it up? Christ, the bureau-and we, the media-are making the guy out to be John Wayne reincarnated."

"Yeah, well, you gave him life after death. You can take it away, I guess."

Bosch just looked at him a moment, contemplating how much he should tell, what was safe for him to tell. For just a moment he felt so outraged he wanted to tell Bremmer everything he knew, and the h.e.l.l with what would happen and what Irving had said. But he didn't. Control came back.

"What's the third thing?" Bremmer asked.

"Get the military records of Meadows, Rourke, Franklin and Delgado. That will tie it up for you. They were in Vietnam, same time, same unit. That's where this whole thing starts. When you get that far, call me and I'll try to fill in what you don't have."

Then all at once Bosch grew tired of the charade being orchestrated by his department and the FBI. The thought of the boy, Sharkey, kept coming to mind. Flat on his back, his head c.o.c.ked at that odd, sickening angle. The blood. They were going to mop that one up like it didn't matter.

"There's a fourth thing," he said. "There was a kid."

When the story about Sharkey was finished, Bosch started the car and drove Bremmer back down the driveway to his own car. The TV reporters had cleared out of the cemetery and a man in a small front loader was pushing dirt into Meadows's grave. Another man leaned on a shovel nearby and watched.

"I'll probably need a job after your story comes out," Bosch said while watching the gravediggers.

"You won't be in it as an attribution. Plus, when I get the military records, they'll speak for themselves. I'll be able to scam the department's public information officers into confirming some of this other stuff, make it look like it came from them. And then near the bottom of the story, I'll say, 'Detective Harry Bosch declined comment.' How's that?"

"I'll probably need a job after your story comes out."

Bremmer just looked at the detective for a long moment.

"Are you going over to the grave?"

"I might. After you leave me alone."

"I'm leaving." He opened the car door and got out, then leaned back in. "Thanks, Harry. This is going to be a good one. Heads are going to bounce."

Bosch looked at the reporter and sadly shook his head. "No they aren't," he said.