She moaned aloud, wringing her hands. Her teeth gnawed her lips. She clung to the foot of the Icon, sobbing, struggling with herself, glancing around fearfully into the shadows. A gleam from the candle fell on her hood; it had slipped slightly and a strand of her hair hung from under the cowl. It sparkled like gold.

She staggered to her feet, still sobbing and trembling, catching her breath. Then she went to the nail on the wall and took down the cloak.

The woman stood alone in the midst of the shadows; they were heavy, motionless. Glancing to right and left, behind her, to the wreckage of the door, to the furthermost corner, back to the Icon again, her eyes roved, darting from side to side like a creature hunted. Clasping the cloak to her quivering bosom she approached the candle slowly, stealthily. Her steps faltered. She hesitated. She stooped forward--another glance over her shoulder, and blowing with feeble breath, the spark went out.

[1] A small gla.s.s of brandy.

[2] "The devil take you!"

CHAPTER III

Velasco sat in his Studio before the great tiled fire-place, dreaming, with his violin across his knees. His servant had gone to bed and he was alone.

The coals burned brightly, and the lamp cast a golden, radiant light on the rug at his feet, rich-hued and jewel tinted as the stained rose windows of Notre Dame. Tapestries hung from the walls, a painting here and there, a few engravings. In the centre stood an Erard, a magnificent concert-grand, open, with music strewn on its polished lid in a confusion of sheets; some piled, some fluttering loose, still others flung to the floor where a chance breeze, or a careless hand, may have scattered them. Near it was the exquisite bronze figure of a young satyr playing the flute, the childish arms and limbs, round and molded, glowing rosy and warm in the lamp light. In one corner was a violin stand, a bow tossed heedlessly across it; and all about were boxes, half packed and disordered. The curtains were drawn. The malachite clock on the mantel-piece was striking two.

Velasco stirred suddenly and his dark head turned from the fire light, moving restlessly against the cushions. He was weary. The applause, the uproar of the Mariinski was still in his ears; before his eyes danced innumerable notes, tiny and black, the sound of them boring into his brain.

"Ye G.o.ds--ye G.o.ds!"

The young Violinist sprang up and began pacing the room, pressing his hands to his eyes to drive away the notes, humming to himself to get rid of the sound, the theme, the one haunting, irrepressible motive.

He walked up and down, lighting one cigarette after the other, puffing once, twice, and then hurling it half-smoked into the coals.

Every little while he stopped and seemed to be listening. Then he went back to his seat before the fire-place and flinging himself down began to play, a few bars at a time, stopping and listening, then playing again. As he played, his eyes grew dreamy and heavy, the brows seemed to press upon them until they drooped under the lids, and his dark hair fell like a screen.

When he stopped, a strange, moody look came over his face and he frowned, tapping the rug nervously with his foot. Sometimes he held the violin between his knees, playing on it as on a cello; then he caught it to his breast again in a sudden fury of improvisation--an arpeggio, light and running, his fingers barely touching the strings--the s.n.a.t.c.h of a theme--a trill, low and pa.s.sionate--the rush of a scale. He toyed with the Stradivarius mocking it, clasping it, listening.

His overwrought nerves were as pinpoints p.r.i.c.king his body. His brain was like a church, the organ of music filling it, thundering, reverberating, dying away; and then, as he lay back exhausted, low, subtle, insinuating ran the theme in his ears, the maddening motive.

Beside him was a stand, with a decanter of red wine and a gla.s.s. The wine was l.u.s.trous and sparkling. He drank of it, and lit another cigarette and threw it away. Presently Velasco took from his pocket a twist of paper blotted, and studied it, with his head in his hands.

"_Will you help me--life or death--tonight? Kaya._"

He listened again.

The theme was still running, the black notes dancing; but between them intertwined was a face, upturned, exquisite, the eyes pleading, the lips parted, hands clasped and beckoning. That night at the Mariinski--ah!

He had searched for her everywhere. Ushers had flown from loggia to loggia, ransacking the Theatre. Next to the Imperial Box, or was it the second? To the right?--no, the left! Below, or perhaps on the Bel-Etage?--All in vain. Was it only a dream? He stared down at the twist of paper blotted "_Kaya--to-night._"

Her name came to his lips and he repeated it aloud, smiling to himself, musing. His eyes gazed into the coals, dreamy, heavy, half open, gleaming like dark slits under the brows. They closed gradually and his head fell lower. His hands relaxed. The violin lay on his breast, his pale cheek resting against the arch.

He was asleep.

All of a sudden there came a light tap on the door. A pause, a tap, still lighter; then another pause.

Velasco raised his head and tossed back his hair restlessly; his eyes drooped again.

"Tap--tap."

He started and listened.

Some one was at the Studio door--something. It was like the flutter of a bird's wing against the oak, softly, persistently.

"Tap--tap."

He rose slowly, reluctantly to his feet and went to the door. It was strange, inexplicable. After two, and the moon was gone, the night was dark--unless--An eager look came into his eyes.

"Who is there?" he cried, "Who are you? What do you want?"

A silence followed, as if the bird had poised suddenly with wings outstretched, hovering. Then it came again against the oak: "Tap--tap."

Velasco threw open the door: "Bozhe moi!"

As he did so, a woman's figure, slim and small, hooded and wrapped in a long, black cloak, darted inside, and s.n.a.t.c.hing the door from his hand, closed it behind her rapidly, fearfully, glancing back into the darkness. The woman was panting under the hood. She braced herself against the door, still clasping the bolt as though a weapon. Her back was crooked beneath the cloak and she seemed to be crippled.

Velasco drew back. His eagerness vanished and the light died out of his face. "Who in the name of--" He hesitated: "What in the world--"

Then he hesitated again, his dark eyes blinking under his brows.

The woman stretched her hands from under the cloak, clasping them. She was fighting hard for her breath.

"Tell me, Monsieur," she whispered, "Tell me quickly--are you married?

Are you going alone to Germany?" Her voice shook and trembled: "Oh, tell me,--quickly."

"Married, my good woman!" exclaimed Velasco. His eyes opened wide and he drew back a little further: "Why really, Madame--Of course I am going alone to Germany. What do you mean? How extraordinary!"

"Quite alone?" repeated the woman, "no friend, no manager? Oh then, sir, do me the little favour, the kindness--it will cost you nothing--I shall never forget it--I shall bless you all the days of my life."

She took a step forward, limping. Velasco recovered himself.

"Sit down, Madame," he said, "and explain. You are trembling so. Let me give you some wine.--Wait a minute. There,--is it money you want?

Tell me."

His manner was that of a prince to a beggar, lofty, authoritative, kindly, indifferent. "Sit down, Madame."

The woman shrank back against the door and her hand fled to the bolt as if seeking support. "No--no!" she murmured. "You don't understand.

It's not for--not money! I'm in trouble, danger. Don't you see? I must flee from Russia--now, at once. You are going to Germany alone, to-morrow night. Take me with you--take me with--you!"

An irritated look came over Velasco's face. Was the creature mad?

"That is nonsense," he said, "I can't take any one with me, and I wouldn't if I could. Besides there is only one pa.s.sport."

The woman put her hand to her breast. It was throbbing madly under the cloak. "You could take--your--wife," she whispered, "Your wife. No one would suspect."

"Really, my dear Madame!"

Velasco yawned behind his palm. "What you say is simply absurd. I tell you I have no wife."