(_The windows open down to the ground and all go out into the starry night, preceded by_ DESTINY _dragging_ TYLTYL _by the hand_.

THE VEILED FORM _follows them slowly, at a distance_.)

CURTAIN

ACT II

SCENE II

_Outside the Door_

_The curtain represents a huge double door surmounted with a flattened arch. The door is old, thick and ma.s.sive, unyielding, bound and studded with iron bars and nails. In the middle of the door is a formidable lock_.

(_Enter_ THE FAIRY _and_ TYLTYL, _who carries an empty wallet over his shoulder_.)

THE FAIRY

This is the Miser's door.

TYLTYL

Where are my sweethearts?

THE FAIRY

At home, in my palace; they'll wait there for you and will be quite safe.... Be quick and come back soon.

TYLTYL

What about Destiny? I thought he would never leave me again?

THE FAIRY

That's true; it's curious. But it's not our business to run after him; it's his own affair; he's by no means indispensable.

TYLTYL

Are you coming with me to the Miser?

THE FAIRY

No, it's better that you should see him alone.... You're not frightened, are you?

TYLTYL

Not a bit; but I don't quite know what I am to do.

THE FAIRY

It's very simple: when you're in there, you turn the sapphire; and he'll give you anything you want.

TYLTYL

He won't attack me? I've no weapons, you know.

THE FAIRY

On the contrary, he will be delighted to be of service.

TYLTYL

How shall I get in? There's no bell and no knocker. Am I to tap at the door?

THE FAIRY

Do nothing of the sort! That would be giving him a hint; and he would become unmanageable.... But this also is quite simple. I will touch the big lock with my wand; the doors will slide back to right and left; and you will suddenly be on the other side, that is to say, right inside the cave, before he even suspects it. Once there, you can keep quiet in your corner for a moment and watch him playing with his gold, if that amuses you; and it will amuse you, for it's rather curious. Then, when you've had enough, turn the sapphire. Get over there, on the left, against the wall of the arch, so that you can slip into his den at once, without making a noise.... Look out! The door will disappear! And I'll take myself off this way!... (_She touches the great lock with her wand_.)

SCENE III

_The Miser's Cave_

(_The heavy doors open in the middle, slide right and left and disappear in the slips, revealing the whole of_ THE MISER'S _den, an immense cave with low arches in which are piled large sacks bursting with gold, silver and copper coins. The only light comes from a wretched smoking candle_. TYLTYL _hides himself as well as he can in a dark corner_. THE MISER, _an old, hook-nosed man, with a dirty white beard and long, scanty hair, is dressed in a sort of squalid, patched dressing-gown. On the floor is an old carpet, with three sacks bulging with gold at one corner_.)

THE MISER

To-day I shall count the contents of these three sacks all over again. I must have made a mistake in my last reckoning. There are three louis missing. Three louis are sixty francs, which make a considerable difference in a total of six hundred thousand francs. It's quite impossible to sleep with that anxiety on one's mind. Each of these three sacks ought to hold two hundred thousand francs, the first and second in louis of twenty francs and the third in ten-franc pieces. I shall empty them on the carpet first to see what a lovely heap they make.... (_He empties the contents of the first sack on the carpet_.) How they sparkle, how they sparkle!... What a lot of them there are!... When you see the gold spreading itself out, it's impossible to believe that it all could go into one sack!... Let's have another.... This is the sack with the little ten-franc pieces.... (_He empties a second sack_.) They are as lovely as the big ones.... They are younger, that's all, and there are more of them.... Now let's see what the third holds.... (_He empties the third sack. A few gold coins roll of the carpet. He throws himself flat on the floor to catch them_.) Oh, no, oh, no, children!...

This won't do!... You mustn't run away like that!... Nothing is allowed to leave this cave!... Trying to hide yourselves, are you? To go where, pray? Don't you know that there's no place like home?... Fancy running away like that from daddy! I should never have thought it of you! This way, children, this way, darlings. This way, my pretty ones! Back to the heap, back to the cradle, then you'll be happy!... (_He picks up a coin which has rolled farther than the rest_.) Don't do it again, you: you're always making off; you're a little torment and you set a bad example.

Beg my pardon, or I'll punish you. You shall be the first to be spent; I'll give you to a beggar, do you hear?... (_Kissing it_.) No, no, I'm only pretending.... There, there, don't cry!... I was merely frightening you.... I love you all the same, but don't do it again!... Here, here, here, they're here, in front of me and all around me.... It will take me quite a fortnight to count them all and to weigh them in my scales....

What a lot of them, what a lot of them! And how pretty they are!... I know them every one, I could call them by their names.... They would need a hundred and twenty thousand different names; and each of those names stands for a treasure!... (_He rolls on the carpet amidst the gold_.) I love to see them close!... Oh, what a cosy bed! And what a joy it is to be among one's daughters!... For they are my daughters: I brought them into the world; I have nurtured them, protected them from harm, fondled and pampered them; I know their history, the trouble they've given me, but all is forgotten: they love me, I love them and we shall never part again!... Oh, what a fine thing happiness is!... (_He fills his two hands with the gold, makes it trickle over his heart, on his forehead and in his heard and utters little sighs of pleasure which gradually swell into roars of delight. Suddenly, he shudders, starts and springs up, thinking that he has heard a sound_.) What is it?... Who's there?... (_Rea.s.suring himself_.) No, no, it's nothing ... no one would dare.... (_He sees_ TYLTYL _and gives a shout_.) A thief!... A thief!...

A thief!... You here!... You here!... (_With his hands clutching like claws, terrified and terrifying, he rushes upon_ TYLTYL, _who jumps back and quickly turns the sapphire_. THE MISER _stops short. After an inward struggle which seems violent and lasts for some seconds, his hands drop to his sides, his face brightens and loses its hardness. He seems to wake from a bad dream and tries to wipe the memory of it from his forehead. He gazes with astonishment at the gold spread over the carpet, feels and pushes it with his foot, seems not to know what it is and then addresses_ TYLTYL _in a very calm and gentle voice_.)

THE MISER

You must have awakened me.... How did you get here?... What have you come for?...

TYLTYL

I've come to ask you to lend me a little money.... I understand that I want some in order to discover my bride....

THE MISER