"First thing I know I'm out in the waitin' room again. And what you think I see? I give you a hundred guesses."

"I'll take one," I said to him. "What you saw was the finest exhibition of the 'Shimmie' you ever clapped an eye upon. Am I right?"

The young fellow's mouth hung open. He stared at me.

"Half undressed! Honest! That n.i.g.g.e.r woman! Horse blanket, feed sack, ar'tics--where was they? Shimmie? Say! Can you imagine, in that there prairie depot at three in the mornin', and a wind howlin' under the floor? Say! Well, I can't tell you, but talk about _Shimmie_! Say, she's like a dead one come to life."

"Yes," I agreed, "yes.--But what about the man?"

"Well, that man, now. The record's comin' to the end and I go back in to start it over. And, here's this hobo, come in behind me.

"'What's that?' says he, pointin' to the record I got in my hand.

"Then he grabs it and looks it over. He keeps turnin' it round and round and round, starin' at it.

"'I hope you'll know it again,' says I, with a laugh.

"My laugh seems to set him off into a shiver. Then down he throws that record o' mine onto the floor and stamps on it; busts it into a million pieces under his boots. I been tellin' you he's crazy.

"'Here there!' I yell at him.

"He looks at me. Looks right through me, it seems and beyond, with them there red-rimmed eyes.

"'Seas o' blood,' says he. That's all. 'Seas o' blood!'

"Then he turns around, walks out into the waitin' room, and sits down in a heap in the farthest corner. Never another peep. There he sits till daylight, and the n.i.g.g.e.r woman, with the horse blanket on again, she sits there beside him, holdin' his hand.

"'What's up with him?' I ask her.

"She says somethin' in Mexican--or some language, anyway. But I see she don't know any more 'n me.--It's just like this. The current's gone out o' the wire.--Last I ever see of 'em, she's leadin' him off in the sunrise toward the box cars--leadin' him by the hand.--Now did you ever hear a funnier experience than that to happen to a man?"

"No," I said, "I never did."

"You had to pity him," he added.

"Yes," I agreed.--And I could think of her leading him by the hand.

I saw Signet again. It was on my first and last voyage to the Marquesas.

Under the shadow of a mountain, on a stone platform facing the sea, sat Signet, quite nude save for a loin cloth, and with an unequivocal black beard falling down on his breast. There was a calmness about him.

"How did you come here?" I asked, at length.

"She wanted it," he said.

"She's a wonderful woman," he said to me, "a wonderful woman. She would do anything for me, Dole. _Anything!_ We've got a kid."

I made shift to get in a question I had carried long in mind. "Somebody beat you out at Papeete, then, after all?"

He turned upon me a faintly quizzical look.

"I mean, somebody saw her--some tourist--that time she danced at Papeete--Remember?--and got away with it?"

The thing seemed already so remote that he had to grope back. Then he laughed.

"Lord, no. Look here, Dole. It was her herself seen the thing at Papeete. On board a tourist boat. I found out about it since I learned her language good. Her and some others went aboard to dance the _hula_--same as always, you know. Then some of _them_, the tourists, understand--Well, they had to spring the latest thing from Broadway. And then this woman of mine--Well, you can imagine. Like a woman with a new hat. Got to run right off and show it to the whole d.a.m.n length and breadth of the South Seas. That's all.--And once upon a time I thought I was bright.--"

Out of the half house at the rear of the platform came the daughter of a queen, bearing under one arm a prince of this island valley, and in the other hand a bowl of coconut wine for the visitor. And for her lord. For you will see that at last, despite the malignant thrusts and obstacles of destiny, this gutter snipe of Gotham had come to a certain estate.

When I left, he accompanied me slowly to the beach.

"You ought to like it here," I said. "After all, the city could never have given you so much."

"No," he said. Wide-eyed, he took in the azure immensity of the sea.

"No. Here a guy has got time to think, think, without any hurry or worry.--I been thinking, Dole, a lot. I ain't going to say nothing about it, but Dole, I b'lieve I got an idea coming along. No flivver this time. A real, sure-fire hunch. Something that'll go big in the city.

Big!"

And so I left him there in the shadow of the mountain, staring at the impa.s.sable sea.

KINDRED[19]

By HARRIET MAXON THAYER

(From _The Midland_)

If I had had a less positive sense of revulsion for him, I might have been able to treat him with more contempt, certainly with more indifference. It was a part of Con Darton's power that those who knew him should waver in their judgments of him, should in turn reproach themselves for their hardness of heart and then grow angry at their own lack of a.s.suredness. Perhaps it was the disquieted gray eyes in the lean leathery face, or the thin-lipped mouth that I had seen close so foxly after some sanctimonious speech, or the voice which, when not savage with recrimination, could take on a sustained and calculated intonation of appeal,--perhaps these things aroused my interest as well as my disgust. Certain it is that other men of a like feather, sly, irascible, gone to seed in a disorderly Illinois town, I should have avoided. I made the excuse of Lisbeth, and it was true that her welfare, first as his daughter and later as the wife of my friend, was very dear to my heart. Yet that could not explain the hypnotism the man had for me, befogging, as it sometimes did, an honest estimate.

There were, of course, moments of certainty. I recalled village anecdotes of bitter wrangles among the Dartons with Con always coming out best. They were a quarreling pack of sentimentalists. From all accounts Miss Etta must have been at that time a rugged girl of twenty-eight, of striking, if ungentle, appearance; and only the unsteadied sensibilities and the too-ready acrimony could have foreshadowed the large blatant woman she was to become, a woman who alternated between a generous flow of emotion on the one hand and an unimaginative hardness on the other. Only Lin Darton could have given promise then of the middle-cla.s.s, semi-prosperous business man who was to justify the Darton tradition. But from all that I could gather of those younger days, before Con's marriage to Selma Perkins, he was the c.o.c.k of the walk, holding the reins over them all by virtue of his shrewdness, apparently understanding the robust, over-blooded strains of their temperament and not unwilling to sound these at his pleasure.

My own experience dates back to the first time that he stood out for me a vivid picture in that sagging barn-like old farmhouse behind the elms.

I was ten years old then, and I was already beginning to think highly of my father's profession, which that winter had sent him into a nest of small asthma-ridden towns. It was my privilege to trot by his side, carrying his worn black medicine case and endeavoring vainly to keep pace with his long jerky strides. On this particular occasion he had been summoned suddenly to the Dartons'; and, being unable to leave promptly, had sent me ahead postehaste with instructions, and an envelope of white pills to be taken "only in case of extreme pain."

Arriving at the farmhouse, the peaked facade of which, built to suggest an unbegotten third story, looked more hideous than ever among the bare branches, I knocked with reddened knuckles at the door. There was no response; at last, my half-frozen hand smarting with the contact of the wood, I pushed open the door and went in.

It was very still inside--a strange unnatural stillness. Even Grega and Martie, the two little plain-faced girls, were not to be seen; the drab, rose-patterned carpet m.u.f.fled my footsteps, which, for some inexplicable reason, I made as light as possible. The room, faded, and scrubbed to the point of painfulness, gave only two signs of disorder, a crumpled book of verse open on the table and a Bible lying face down on the worn, orange-colored sofa. But there was something vaguely uncanny about the whole house; the very air seemed thin, like the atmosphere of approaching death. An unnameable terror took hold of me. I waited, fearing to call out. A door shut upstairs. There were footsteps, and the sound of voices,--a man's and a woman's--whispering. Then more footsteps. This time some one was taking no trouble to walk lightly.

"Quietly now," the woman's voice cautioned.

"Ye said it was a boy?" This was Mr. Darton's voice, unmistakable now.

"I didn't say," the woman's whisper floated down to me as a door creaked open. "But it _is_--a girl. You must be ver--"

Her words were cut off by the report of a door banging shut. There was the sibilant sound of a breath being drawn in and, at the same moment, Mr. Darton's voice again.

"What the h.e.l.l made ye think I'd want to see another _girl_ for?" he growled.