MRS. DRAINGER'S VEIL[17]

[Note 17: Copyright, 1918, by Smart Set Company, Inc. Copyright, 1920, by Howard Mumford Jones.]

BY HOWARD MUMFORD JONES

From _The Smart Set_

If the house had been merely shabby I doubt whether I would have been interested. Every residence section has its shabby houses, monuments to departed aspirations, falling into slow decay in the midst of weedy yards, sometimes uninhabited and sometimes sheltering one or two members of the family who apparently have been left, like the ancient furniture, to be forgotten. The paint cracks and peels, the windows fall into impossible angles or are boarded up, the porches sag, the chimneys lose a brick or two and come in time to look like stumps of teeth. By and by the whole structure seems to sink into the gra.s.s under the burden of its neglect, and only a faint tenacity, a melancholy inertia keeps it from crumbling altogether. Then suddenly the inhabitants die, the neighbors awake to a sudden sense of change, and that is all.

The Drainger house was such a house, but it was more. It was mysterious, uncommunicative. In the midst of the commonplace residence block, with its white cottages, its monotonous lawns and uninteresting gardens, the contrast was startling, secretive, contemptuous. The tall gra.s.s waved ironically at the neat gra.s.splots which flanked it. The great untrimmed elms sent branches to beat against the decaying shingles, or downward into the faces of pa.s.sers-by, with patrician indifference to the law.

They had, indeed, the air of ragged retainers, haughty and starving, and yet crowding about the house as if to hide the poverty of their master from the eyes of the vulgar. City ordinances required the laying of cement walks; the rotting boardwalk in front of the Drainger mansion was already treacherous, and no one complained.

The building itself was extraordinary. Built in the days when Crosby had been a lumber town and building material had consequently been cheap, its pretensions were immense. A tall, six-sided tower occupied two-thirds of the front, an elaborate affair, crowned by rusty ironwork in lieu of battlements. Windows were inserted at appropriate intervals, suggesting a donjon keep or a page from Walter Scott. The heavy brown shutters were never opened. There was a grim angularity to the deep porch below, a military cut to the bare front door which added to the forbidding character of the place. Behind this imposing front the rest of the building lay like the parts of a castle, each portion a little lower than the preceding. There were four of these sections, like four platforms, their flat roofs crowned with further rusty ironwork. The windows were infrequent and all barred, and a ma.s.sive elm to the east of the house threw over them a gloomy and impenetrable shade. Although the whole building had been painted brown, time and the weather had combined to make it almost black, the only patch of color being the rich green of the mossy shingles on the roof of the porch.

I had first noticed the Drainger house because of its oddity. Then I was impressed by its air of speechless and implacable resentment. So far as I could observe it was empty; no foot disturbed the rank gra.s.s or troubled the dismal porches. The windows were never thrown open to the sunlight. The front door, in the month I had spent in Crosby, remained locked. I had once observed a grocery wagon standing in front of the house, but this, I a.s.sumed, was because the driver wished to leave his horse in the shade.

Proceeding homeward one night to my cousin's, Mark Jedfrey, with whom I was spending the summer, I was startled, when I came in front of the Drainger place, to see a light in the front window of the tower on the ground floor. It was moonlight, and the heavy shadows sculptured the old mansion into fantastic shapes, revealing a barred window inscrutably facing the moon, carving the top of the house into gargoyles of light and throwing the porch into Egyptian darkness. The light through the shutter of the window was therefore as unexpected as a stab. I paused without knowing it. Apparently I was observed; there was a light sound of footsteps from the invisible porch and the creaking, followed by the shutting, of the front door. Immediately afterwards the light was extinguished.

The person who had been on the porch had moved so quickly and so quietly, and the street, drenched in the July moonlight, seemed so still, that I wondered a moment later whether to credit my senses. At any rate, it was not my business, I concluded, to stand staring at a strange house at one o'clock in the morning, and I resumed my walk home.

A week later, a change in the routine of my daily life made me a regular visitant in the neighborhood. Twice a day I pa.s.sed the Drainger house.

In the morning it seemed to resist the genial sunlight, drawing its hedge of shade trees closer about it and remaining impervious to all suggestions of warmth. And on my return from the office in the evening it was as sealed, as autumnal as ever. The pleasant sounds of human intercourse, the chatting of women on the steps or the whirr of lawn-mowers should, I fancied, at least unshutter a window or burst open a frigid door. But the warm impulses of neighborhood life, like the cries of the boys at their evening game of baseball, broke unheeded against that clifflike impa.s.sivity. No one stirred within; no one, not even the paper boy, dared to cut across the front yard; and a pile of yellowing bills on the front steps testified to the unavailing temerity of advertisers.

There was nothing to show I had not dreamed the episode of the light, as I had begun to think of it. I could have made inquiries--Helen, Mark's wife, knows everybody--but I did not. I could have consulted the directory. But I preferred to keep the house to myself. I had a secret sense of proprietorship (I am, I suppose, a romantic and imaginative soul) and I preferred that the mystery should come to me. My alert devotion must, I thought, have its reward. Indeed, my daily walks to and from my work took on the character of a silent duel between the expressionless walls and my expressionless face, and I was not going to be beaten in taciturnity.

One Friday morning, well into August, I was surprised and curious to see a woman standing under the elms in the front of the Drainger mansion.

The neighborhood was, for the moment, deserted. I concealed my eagerness under a mask of impa.s.sivity. I thought myself masterly as, pretending an interest in nothing, I yet watched the place out of the tail of my eye.

Imagine my increasing surprise to observe that as I approached, the person in question came slowly down to the junction of her walk with the sidewalk, so that, as I drew near we were face to face.

"You are Mr. Gillingham?" she asked.

I stopped mechanically and raised my hat. I visit Crosby regularly, where I am well known, so that I was not surprised to be thus accosted by one who was a stranger to me. She was about forty, obviously a spinster, and clad in a costume not merely out-of-date, but so far out-of-date as to possess a false air of theatricalism. I can best describe her (I am not clever in matters of dress) by saying that, with the exception that she was not wearing a hoopskirt, she appeared to have stepped out of _G.o.dey's Lady's Book_. A Paisley shawl was wrapped tightly around her head, although the morning was warm, and its subdued brilliance clashed oddly with the faded lemon of her dress. Her face was small, the features regular, but her complexion was more than sallow, it was yellow, the yellow of dying gra.s.s and sunless places. A spot of rouge glared on either cheek, and, with her eyes, which were black and brilliant, gave her face the look of fever. Her dark hair, just visible under the shawl, deepened the hectic quality of her features, although, as a matter of fact, she was not ill.

"You are a lawyer?" she continued, her brilliant eyes searching my face, I thought with some boldness, and without waiting for an answer she said, "Come," and walked abruptly toward the house.

I followed her. On the porch we paused; my companion turned and searched the street, which was still empty, a fact which seemed to increase her satisfaction, and without giving me a glance, unlocked the front door with a key which she was carrying.

II

She led me into the house and through two of the rooms into a third before we paused. The transition from sunlight to darkness had been too rapid for my eyes, so that, for some moments I could only stand ridiculously in the middle of the room. I was conscious of the presence of a third person--intensely conscious--and exceedingly uncomfortable.

My conductor busied herself pushing forward a chair which, fortunately, she placed under the shuttered window. To this I stumbled.

"You are a lawyer?" asked a voice from the darkness.

I was startled.

The voice sprang from the corner I was facing as though it were a live thing that had seized upon me. It was the voice of a woman, of great age apparently, and yet it possessed a fierce, biting energy that no amount of years could weaken.

"This is Mr. Gillingham," said my conductor with, I thought, a shade of asperity. "Of course he's a lawyer."

To this there succeeded a silence, broken only by the sibilant drawing in of the younger woman's breath.

"I am indeed a lawyer," I said at length. "In what way can I be of service?"

"We see no one," said the imperious voice abruptly. "You must therefore pardon the manner in which I have had you called in."

I was now able to discern something through the gloom.

The speaker sat in extreme shadow. Her dress was a blur in the darkness, faintly outlining her person, which seemed to be of medium height, though in the great chair she looked shrunken and huddled together. Her eyes, faint points of light, were steadfastly fixed on mine, but her face was, I thought, in such deep shadow that I could not make it out.

But the concentration points, so to speak, were not her eyes, but her hands. They lay in her lap motionless, and yet they were extraordinarily alive. Even in that light their emaciated condition testified to her extreme age; but they were not decrepit, they seemed to glow with a steady light, an inward and consuming energy.

"You may leave us, Emily," said the voice, and Emily, who had been hovering with what I somehow felt to be a hint of malice, unwillingly withdrew. The other closed her eyes until the shutting of the door a.s.sured us of privacy.

"I am dying," she began suddenly in her strange, impersonal manner.

"Do not interrupt me," she added coldly as I was about to utter some inanity. "I desire to be certain of one thing while there is time, namely, that my wishes respecting the disposition of my body shall be respected--in every particular."

Her manner indicated nothing out of the ordinary. She might have been speaking of the merest commonplace.

"You are a lawyer. How can I so arrange that the directions I will leave must be carried out after my death?"

"Ordinarily," I managed to stammer, "directions in such matters when given to the heirs, have the binding force----"

There was a second's pause.

"That is not what I wish," continued the inflexible voice. "I wish to compel attention to my instructions."

"A provision can be inserted in your will," I said at length, "which would make the inheritance of your property conditional upon the fulfillment of your wishes."

She seemed to consider this. Her hands moved slightly in her lap.

"And if those conditions were not fulfilled?"

"Your estate would go elsewhere as you might direct."

There was prolonged pause. Her eyes disappeared, and try as I would, I could not distinguish her face. Her hands shifted, and she spoke.

"Step to the door and call my daughter. I am Mrs. Drainger."

I might have been the servant. I arose and groped my way toward the door. She neither offered me any direction as to its location, nor commented upon the gloom in which I hesitated.

I reached the door and, opening it, was about to call, when I was aware of Miss Drainger's presence; she seemed to have materialized, a pale specter, out of the dusk, and I was again conscious of vague malice.