So that was the undertone which had arrested their thoughts; the rush of footfalls symbolizing to the group, every one, the pursuit of himself by a belated messenger. They settled themselves, relieved and smiling; after all the thing had been naturally suggested to them by the echo of rain on the broad plate windows. And they nodded their heads to Con, still listening.

The footfall of Tim Cannon, a name of ancient days on the P. D.

Railroad; but as the story does not concern him except as Molly Regan's messenger I will leave him come into it in his own time and take up with the Regans themselves.

Two of them there were to begin with--young Michael, swinging a l.u.s.ty pick in a construction gang of the Great Southwest Railway; and Molly, a pretty bride with solemn wondering gaze and air of listening to things which no one else could hear.

Often Mike would smile at her queer fancies that there are things to learn and do beyond the day's work, and after the Great Southwest has been builded and he has laid aside pick and shovel to become track boss at Turntable Station this queerness of Molly's leads her into playing a great joke on her husband.

For she saves her odd pennies against his birthday and presents him with a book. "A book of higher knowledge, it is," she says, while Mike scratches his head in awe; and she must kiss him for the kind interest he takes and that evening read to him a page in a voice like the song of soldiers marching. Mike toils after in mind with his big fists gripping and forehead glistening in the struggle to remember the journey, but at the end a darkness comes down on him, and the two gaze at each other uneasily and the page is read over again.

But devil a bit can Mike remember of it, so that he sits despairing with his head between his hands. "Do not mind, Molly," he says then; "you shall study on alone at the higher knowledge, having a joy of it which is not for me." He says this, looking up to smile, and yet the big hands hold on to hers as if fearing she was being stolen away.

But Molly answers him back so clear and strong that the song of soldiers marching is nothing to it. "'T is only the joke I am playing. Am I the wife to bother you with learning when you know already so much," she says, "and have the care of the section on your mind, with ties to lay straight and rails to spike fast so that the great railroad may run?"

And when he speaks once more of the study she should make of knowledge Molly closes the big book and sets it on the mantel along with the clock.

"'T is for ornament, and now you know why I bought it from the peddler,"

she explains; "for every household of pretension must have a book."

So they admire the shiny binding and gold letters, and after five years when their new cottage is built it is given a shelf of its own.

Danny is born, the same who in Molly's lifetime shall be an official of the great railroad; and when in the course of time he is turned a st.u.r.dy boy of seven, with coal-black eyes and a round cropped head, she would place the book in his hands for purposes of learning. But detecting the fear of Michael as he smokes in the evening with eyes on the shelf, that the mysterious volume may contain matter treasonable to their state and condition, she ignores the higher knowledge completely and is content to send Danny only to the Turntable school.

A cruel one he is to the old master there, inking the pages of his reader and carving a locomotive on his desk; and when he is twelve he has decided against all books and school and is interested only in things of the Turntable yard.

So that one evening he comes home, and when Molly kisses him because he brought all his books as if to study Danny explains, "Mother, I am now a man and have a job calling crews, so study is of no more use."

He stacks his reader and arithmetic on the shelf by the old book, and Michael hearing the news that evening laughs with pleasure that the boy has completed his education so soon and promises to put half Danny's salary in bank in his own name. Time pa.s.ses and the books fade in their bindings, and are forgotten even by Molly; but the eyes of her shine more clearly than ever as if studying in pages which no one else could see. When Danny is about eighteen years old, and already operator at Turntable, she notices that a habit has come over him of pausing in the doorway at dusk, and there he will stand gazing out into the yards with folded arms till at last his mother asks the reason with timid eagerness.

"'T is the lanterns," says Dan. "Beckon they do to things beyond Turntable."

"To things beyond," repeats Molly with hand on her heart. "Turn to me,"

she says; and Dan does so, grinning at his fancy; but as she studies the black-browed face a fierce frown like the fluff and smoke of powder pa.s.ses over it, with the white teeth gleaming out.

"Beckon they do, mother," he says steadily, "to the job of trainmaster and superintendent, and even beyond to places high and powerful. And there I must trample my way whoever has to be pulled down to make room."

In that instant she sees him as he is, the Regan of them all; and after a bit she smiles and nods, but never again does she ask about the beckoning of the lanterns.

So time pa.s.ses again, and Dan goes up to division headquarters at Barlow to dispatch trains, and Michael gives a last order as a.s.sistant roadmaster and comes home to his long sickness. And now Molly is alone in the little house, settled down to keep blooming the memories of it along with the hollyhocks of the garden beyond the lattice with the morning-glory vines trailing over. Time fades her face, but 't is still uplifted and lighted, and later she is seen among the flowers till they die in the fall, and winter coming down she sits at her window knitting a shawl as the snow is knitted without.

But deep is her grieving over Dan, who is by this time superintendent, with his policy of pull-down and trample-under, dreaded by all round him. Two or three times a year he will stop his special at Turntable, and seated in the little parlor he seems a glowing metal ma.s.s of a man to Molly, standing apart in awe of him. But the time is at hand when she must appeal to him or never at all in this world, so the saints inspire her to speak a message to the man of power and she smiles with shy pride of their confidence in her.

"Faith, I will talk to him as a boy again," she plans; "'Danny,' I will say, 'when the lanterns of the yard do beckon to your ambition is there not one light above and beyond, brighter than all the others, which beckons the spirit?' Then he will be guided by it," reasons old Molly with her solemn gaze fixed on the future of Dan.

But it chances that Dan's visit is delayed and Molly feels that the saints are impatient of her worldly lingering.

"I must put the message into writing lest it be lost entirely," she says then. "Anyhow Danny will read it over and over in memory of me, having that tender a heart toward his mother, for all his hardness to others."

So that the message of the farthest lantern is at last about to be written, on an evening when the little cottage with crusted eaves and h.o.a.ry glimmering windows seems but the bivouac of winter elves in folk story. And as old Molly by the cleared table, with pen in hand and bottle of ink and the paper she bought when Michael died--to write his second cousin in Kildare a letter of sympathy, y' understand--as old Molly makes ready for the writing, after a stick laid on the fire and hearth brushed, the snow drifts solidly to the window but is swept clean of the doorstep, leaving a scratch of firelight under the door on the path beyond.

"The Farthest Lantern," she writes, as a headline, for 't is certain that Danny before reading will wish to know what it is about; and then pleased with the successful beginning she holds it up to the shaded lamp to read over, then because of the wrinkled hands shaking lays it down on the table, surely as steady as rock.

Divil a thing can she make out except blots and scratches, so that the headline is done over with more care. And only then it becomes plain that what with the rheumatism and palsy Molly has written her last, except scratches, which the most credulous could not accept at all as a message of interest, y' understand.

Now well would it be for old Mistress Regan's memory if she had put aside the message with resignation and thought no more about it. But there is no doubt that the look of solemn wonder flitted suddenly from her face, leaving it haggard and fierce, and that like a stab with a dagger she drove the splintering pen into the desk as into the breast of an enemy. So much is known, for there is little done that can be screened from mortal ken.

As for her thoughts--here no man can tell, for she held her words behind grim set lips. But the guess cannot be far amiss that when old Molly discovered she was destined to die with never a word of warning or counsel to Dan she broke into bitter revolt. Not a word of all the wisdom she had stored with this one purpose could be written or spoken to him--and it never was. Far be it from me to blackguard an old lady fallen in with disappointment but it is a fact proved by witness that her trembling hands upraised and her lips, always so faintly smiling, curled as with a curse--and whether it was launched at the fiend or heaven itself is not for me to say who have no proof that her voice was heard above the howling of the blizzard.

But this I know, that on the instant she hears a summons that breaks the spell of anger as no threat of purgatory would have done. A moment she hesitates, the old hands sink unclenching, the fierceness fades from her eyes, and once again with wondering uplifted look Molly Regan turns to the things beyond, which no one else may see.

At the wide-open welcoming door she stands, peering amid the squall of snow; and there in the center of the blur of light stands Tim the messenger, in aftertime the ruin of Dan Regan's fortunes.

The boy's hands are clasped as those of a frozen corpse, the wind whistles in his rags, but he glowers at her with narrowed brows and a gleam of teeth. Here he is, come to demand retribution for her rebellion against the will of G.o.d, and since Molly cannot live to pay it is ordained that she shall give instead into Tim Cannon's hands the means of trampling under Dan Regan and his fortune. 'T is little we know.

"Come," says Molly, "come in to the fire, and the hot coffee; you are frozen with the wind and snow. Glory be, that I am still here to make comfortable for the waif on my doorstep."

The wisp of old woman in mourning dress, with blown white hair and out-stretched hand; the crackling hearth, and coziness of the room beyond--these are hostess and haven enough to any waif of winter tempest; and Molly knowing it to be so steps aside for him, laughing with eagerness to see him at the fireside, dry and warm in Danny's old clothes, sniffing the steam of his coffee cup.

But this is no ordinary outcast, y' understand, submissive to charity, but an agent of retribution, who stands with frozen folded hands, and wind whistling in his rags, looking on with a threatening manner. And when the moment has come for him to enter, and not until then, he stalks stiffly past the outheld hand to the center of the room and turns slowly in his tracks to study the features of the place, as an agent of destiny should always do. His pinched little face is dirty, his black hair tousled by the storm, which has blown away his cap; and now the lamp-light touching his temple reveals the deep scar there. A wild and awesome waif is this, and Molly studying with startled interest his behavior feels at last that she is entertaining some veteran campaigner of regions beyond Turntable to whom the mischances of earthly wandering in cold and snow are nothing.

Not a word does he say but spreads his stiffened fingers before the blaze, and Molly with the strangest of hopes dawning so soon after her rebellion bustles briskly about the coffee making. And presently it is brewed and Tim Cannon stands by the table drinking and munching toast and cold meat.

"Ye must be seated in the chair," urges Molly, "and be comfortable, and it will seem like home to you."

At this Tim Cannon rubs his scar with remembrance of his drunken grandfather and their home in the city slums. Then he eats the faster till he is done, studying her with peculiar interest.

"You should have seen the money before I began the eats," he says by way of advice on the entertainment of wayfarers.

"Do you mean you can't pay?" asks Molly after a moment's reflection.

"Now what am I to do?"

"Throw me out," instructs Tim, with contempt of her ignorance.

"Into the storm? Oh, no!"

"Why not?" he asks with suspicion.

"Faith, I wouldn't treat a dog so," replied Molly.

"Sure, not a dog," agrees Tim; and waiting to be driven out stands arrow-straight in Danny's old clothes, which are too big for him, wondering what the dog has to do with the matter.

"But you can pay," says Molly after a moment. Faintly and eagerly she speaks, her hand pressing her heart to steady it in against the impulse of hope. "You can pay for that and much more--food and drink and warmth all the days of my life--and without money." Tim shrewdly glances his question, but Molly shakes her head for answer.

"To-night I will keep secret and plan how to arrange it--and you may sleep here on the sofa before the fire and dream of good things for to-morrow; and only then"--she nods with mystery in her smile--"I will say what ye are to do."

And Tim gives her a glance of his level eyes, reflecting in the wisdom of experience that here is crooked business to be done for his keep.

"Sure," he answers in a way to inspire confidence, and the bargain being struck Molly says good night, and the guest is soon stretched in sleep on the couch.