He had no security that it wouldn't be repeated and with a far different conclusion. He had a pa.s.sing impulse to ask Jannie to call off her subliminal thugs; the phrasing is my own. There was no doubt in his disordered mind that it was she who, at the instigation of the elder Meekers, was trying to remove him in the effort to secure Wallace Esselmann.

She dissolved presently into tears, and cried that she was the most miserable girl in existence. She dropped an absurd confection of a handkerchief on the floor, and he leaned over, returning it to her.

Jannie's head drooped against his shoulder, and, to keep her from sliding to the floor, he was obliged to sit beside her and support her with an arm. It had been a temporary measure, but Jannie showed no signs of shifting her weight; and, from wishing every moment for Ena's appearance, he now prayed desperately for her to stay away.

McGeorge said that he heard the girl murmur something that sounded like, "Why shouldn't I?" Her face was turned up to him in a way that had but one significance for maiden or medium. She was, he reminded me, Ena's sister, about to become his own; there was a clinging, seductive scent about her, too, and a subtle aroma of Benedictine; and, well, he did what was expected.

However, no sooner had he kissed her than her manner grew inexplicable.

She freed herself from him, and sat upright in an expectant, listening att.i.tude. Her manner was so convincing that he straightened up and gazed about the parlor. There was absolutely no unusual sight or sound; the plain, heavy table in the center of the room was resting as solidly as if it had never playfully cavorted at the will of the spirits, the chairs were back against the walls, the miniature Rock of Ages, on the mantel, offered its testimony to faith.

One insignificant detail struck his eye--a weighty cane of Mr. Meeker's stood in an angle of the half-opened door to the hall, across the floor from where Jannie and he were sitting.

III

After a little, with nothing apparently following, the girl's expectancy faded; her expression grew petulant once more, and she drew sharply away from McGeorge, exactly as if he had forced a kiss on her and she was insulted by the indignity. Lord! he thought, with an inward sinking, what she'll do to me now will be enough!

He rose uneasily and walked to the mantel, where he stood with his back to Jannie, looking down absently at the fringed gray asbestos of a gas hearth. An overwhelming oppression crept over him when there was a sudden cold sensation at the base of his neck, and a terrific blow fell across his shoulders.

McGeorge wheeled instinctively, with an arm up, when he was smothered in a rain of stinging, vindictive battering. The blows came from all about him, a furious attack against which he was powerless to do anything but endeavor to protect his head. No visible person, he said solemnly, was near him. Jannie was at the other side of the room.

"Did you see her clearly while this was going on?" I asked.

Oh, yes, he a.s.sured me sarcastically; he had as well glanced at his diary to make sure of the date. He then had the effrontery to inform me that he had been beaten by Mr. Meeker's cane without human agency. He had seen it whirling about him in the air. McGeorge made up his mind that the hour of his death had arrived. A fog of pain settled on him, and he gave up all effort of resistance, sinking to his knees, aware of the salt taste of blood. But just at the edge of unconsciousness the a.s.sault stopped.

After a few moments he rose giddily, with his ears humming and his ribs a solid ache. The cane lay in the middle of the room, and Jannie stood, still across the parlor, with her hands pressed to scarlet cheeks, her eyes shining, and her breast heaving in gasps.

"Why not after such a violent exercise?"

McGeorge ignored my practical comment.

"She was delighted," he said; "she ran over to me and, throwing her arms about my neck, kissed me hard. She exclaimed that I had helped Jannie when everything else had failed, and she wouldn't forget it. Then she rushed away, and I heard her falling up-stairs in her high-heeled slippers."

Naturally he had half collapsed into a chair, and fought to supply his laboring lungs with enough oxygen. It's an unpleasant experience to be thoroughly beaten with a heavy cane under any condition, and this, he was convinced, was special.

I asked if he was familiar with Havelock Ellis on hysterical impulses, and he replied impatiently that he wasn't.

"There are two explanations," I admitted impartially, "although we each think there is but one. I will agree that yours is more entertaining.

Jannie was jealous again. The Roman orgies, the young person from the _grands boulevards_, were more than she could accept; and she tried, in the vocabulary lately so prevalent, a reprisal. But I must acknowledge that I am surprised at the persistent masculine flexibility of Stepan."

"It was at the next sitting," McGeorge concluded, "that Stepan announced the wedding of Ena and me. The spirits awaited it. There was a row in the Meeker circle; but he dissolved, and refused to materialize in any form until it was accomplished."

"To the music of the spheres," I added, with some attempt at ordinary decency.

THE CENTENARIAN[15]

[Note 15: Copyright, 1919, by Harper & Brothers. Copyright, 1920, by Will E. Ingersoll.]

BY WILL E. INGERSOLL

From _Harper's Magazine_

There were few who knew--and, frankly, there were few who seemed to care to know--what Old Dalton meant when he mumbled, in his aspirate and toothless quest for expression of the thoughts that doddered through his misty old brain, "Thay wur-rld luks diff'rent now--all diff'rent now, yagh!" Sometimes he would go on, after a pause, in a kind of laborious elucidation: "Na, na! Ma there, now, she's gone. I--egh, egh--I went to school 'long of her; an' et didn't matter so much, mun, about th' rest going, 's long as she wer' here. But now--she's gone, ey. Agh-m! Ey, now she's gone-like, an' th' ain't n.o.body to help me keep--keep a-hold o'

things. I'm a hundred years old, mun. Agh-m! You wouldn't--you wouldn't know what I was meanin', now, when I tell you this here world has growed all yellow-like, this month back. Ey, that's it, mun--all queer-like.

Egh, it's time I was movin' on--movin' on."

Part of this monologue--a very small part--was Old Dalton's own, repeated over and over, and so kept in mind ever since the more initiative years a decade ago when he first began to think about his age. Another part of the utterance--more particularly that about "movin'

on"--consisted of sc.r.a.ps of remarks that had been addressed to him, which he had h.o.a.rded up as an ape lays away odds and ends, and which he repeated, parrotlike, when the sun and his pipe warmed Old Dalton into speech. But that idea that the earth was growing yellow--that was a recent uncanny turn of his fancy, his own entirely.

He was pretty well past having any very definite inclination, but there seemed no special reason why the old man should wish to "move on." He appeared comfortable enough, pulling away at his blackened old pipe on the bench by the door. No man above fifty, and few below that age, enjoyed better health than he had; and many of fifty there are who _look_ nearer death than Old Dalton did.

"Crack me a stick 'r two o' wood, grampa," his married great-granddaughter, with whom he lived, would sometimes say; and up and at it the old man would get--swinging his ax handily and hitting his notch cleanly at every clip.

a.s.suredly, his body was a wonderful old machine--a grandfather's clock with every wheel, bearing, and spring in perfect order and alignment.

Work had made it so, and work kept it so, for every day after his smoke Old Dalton would fuss about at his "ch.o.r.es" (which, partly to please him, were designedly left for him to do)--the changing of the bull's tether-picket, watering the old horse, splitting the evening's wood, keeping the fence about the house in repair, and driving the cows o'

nights into the milking-pen.

To every man in this world is a.s.signed his duty. To every man is given just the mental and physical equipment he needs for that duty. Some men obtusely face away from their appointed work; some are carried afield by exigency; some are drawn by avarice or ambition into alien paths; but a minor proportion of happy ones follow out their destiny. There do not occur many exceptions to the rule that the men who find their work and do it, all other conditions being equal, not only live to old age, but to an extreme, a desirable, a comfortable, and a natural old age.

Old Dalton had been built and outfitted to be a simple, colloquial home-maker, family-raiser, and husbandman. His annals were never intended to be anything more than plain and short. His was the function of the tree--to grow healthily and vigorously; to propagate; to give during his life, as the tree gives of its fruit and shade, such pleasant dole and hospitable emanation as he naturally might; and in the fullness of time to return again to the sod.

He had found and done thoroughly this appointed work of his. He was doing it still, or at least that part of it which, at the age of one hundred years, fittingly remained for him to do. He was tapering off, building the crown of his good stack. When Death, the great Nimrod, should come to Old Dalton, he would not find him ready caught in the trap of decrepitude. He would find him with his boots on, up and about--or, if in bed, not there except as in the regular rest intervals of his diurnal round.

And the fact that he, a polyp in the great atoll of life, had found his exact place and due work was the reason that, at one hundred years, life was yet an orange upon the palate of Old Dalton.

Nanny Craig--who later became Mother Dalton--had, in remote eighteen hundred and twenty, been a squalling, crabbed baby, and had apparently started life determined to be crotchety. If she had adhered to this schedule she would have been buried before she was sixty and would have been glad to go. But Old Dalton--then young Dave Dalton--married her out of hand at seventeen, and so remade and conserved her in the equable, serene, and work-filled atmosphere of the home he founded that Nanny far outdid all her family age records, recent or ancestral, and lived to ninety-three. She was seven years younger than Dave, and now three months dead.

Dave had missed her sorely. People had said the Message would not be long coming to him after she went. Perhaps if he had been in the usual case of those who have pa.s.sed the seventh decade--weary and halt and without employment or the ability or wish for it--he would have brooded and worried himself into the grave very soon after the pa.s.sing of his old "mate" and one living contemporary. But he was a born, inured, and inveterate worker, and as long as there were "ch.o.r.es" for him to do he felt ample excuse for continuing to exist. Old Dalton still had the obsession, too, that while and where he lived he was "boss" and manager; and one solid, sustaining thought that helped to keep him living was that if he died the Dalton farm (it was the original old homestead that these young descendants of his occupied) would be without its essential head and squire.

So st.u.r.dy, so busy, and so well had he been always that all the deaths he had seen in his journey down a hundred years of mortality had failed to bring home to him the grave and puissant image of death as a personal visitant.

"Ey, I'm always out wur-rkin' when they send fur me, I guess," was the joke he had made at eighty and repeated so often since that now he said it quite naively and seriously, as a fact and a credible explanation.

But, although it took time to show its effect, Nanny's going hit him a little harder than any of the other deaths he had witnessed. She had traveled with him so long and so doughtily that he had never been able to form any antic.i.p.ative picture of himself without her. Indeed, even now it felt as if she had merely "gone off visitin'," and would be back in time to knit him a pair of mitts before the cold weather came.

It was the odd idea about the world growing "yellow-lookin'"--sometimes he said "red-lookin'" and at other times seemed not quite certain which description conveyed the vague hue of his fancy--that appeared to be pulling him to pieces, undermining him, more than any other influence.

Most people, however, were accustomed to consider the hallucination an effect of Mother Dalton's removal and a presage of Old Dalton's own pa.s.sing.

This odd yellowness (or redness), as of gra.s.s over which chaff from the threshing-mill has blown, lay across the old pasture on this afternoon of his second century, as Old Dalton went to water the superannuated black horse that whinnied at his approach.

"Ey, Charley," he said, reflectively, as he took the old beast by the forelock to lead it up to the pump--"ey, Charley-boy"; then, as the horse, diminishing the s.p.a.ce between its forefoot and his heel with a strange ease, almost trod on him--"ey, boy--steady there, now. Es yur spavin not throublin' ye th' day, then? Ye walk that free. S-steady, boy--ey!"

But Grace, the granddaughter, glancing across the pasture as she came to the kitchen door to empty potato peelings, put it differently.

"See how hard it be's gettin' for grampa to get along, Jim," she said to her husband, who sat mending a binder-canvas at the granary door. "I never noticed it before, but that old lame Charley horse can keep right up to him now."