She sat down at the piano and ran her fingers in a flourish over the keys. "What shall it be? How shall we capture them, those pa.s.sionate hearts? That first fine careless rapture? Poetry itself." She gazed softly into the garden a moment, and presently, with a shake of her body, began to play the opening bars of Beethoven's "Moonlight" Sonata.

The piano was old and woolly. She played without music. The lamplight was rather dim. The moonbeams from the window lay across the keys. Her head was in shadow. And whether it was simply due to her personality or to some really occult skill in her playing I cannot say: I only know that she gravely and deliberately set herself to satirise the beautiful music. It brooded on the air, disillusioned, charged with mockery and bitterness. I stood at the window; far down the path I could see the white figure glimmering in that pool of colourless light. A few faint stars shone; and still that amazing woman behind me dragged out of the unwilling keys her wonderful grotesquerie of youth and love and beauty.

It came to an end. I knew the player was watching me. "Please, please, go on!" I murmured, without turning. "Please go on playing, Miss Seaton."

No answer was returned to my rather fluttering sarcasm, but I knew in some indefinite way that I was being acutely scrutinised, when suddenly there followed a procession of quiet, plaintive chords which broke at last softly into the hymn, _A Few More Years Shall Roll_.

I confess it held me spellbound. There is a wistful strained, plangent pathos in the tune; but beneath those masterly old hands it cried softly and bitterly the solitude and desperate estrangement of the world. Arthur and his lady-love vanished from my thoughts. No one could put into a rather hackneyed old hymn-tune such an appeal who had never known the meaning of the words. Their meaning, anyhow, isn't commonplace. I turned very cautiously and glanced at the musician. She was leaning forward a little over the keys, so that at the approach of my cautious glance she had but to turn her face into the thin flood of moonlight for every feature to become distinctly visible. And so, with the tune abruptly terminated, we steadfastly regarded one another, and she broke into a chuckle of laughter.

"Not quite so seasoned as I supposed, Mr. Withers. I see you are a real lover of music. To me it is too painful. It evokes too much thought...."

I could scarcely see her little glittering eyes under their penthouse lids.

"And now," she broke off crisply, "tell me, as a man of the world, what do you think of my new niece?"

I was not a man of the world, nor was I much flattered in my stiff and dullish way of looking at things by being called one; and I could answer her without the least hesitation.

"I don't think, Miss Seaton, I'm much of a judge of character. She's very charming."

"A brunette?"

"I think I prefer dark women."

"And why? Consider, Mr. Withers; dark hair, dark eyes, dark cloud, dark night, dark vision, dark death, dark grave, dark DARK!"

Perhaps the climax would have rather thrilled Seaton, but I was too thick-skinned. "I don't know much about all that," I answered rather pompously. "Broad daylight's difficult enough for most of us."

"Ah," she said, with a sly inward burst of satirical laughter.

"And I suppose," I went on, perhaps a little nettled, "it isn't the actual darkness one admires, its the contrast of the skin, and the colour of the eyes, and--and their shining. Just as," I went blundering on, too late to turn back, "just as you only see the stars in the dark.

It would be a long day without any evening. As for death and the grave, I don't suppose we shall much notice that." Arthur and his sweetheart were slowly returning along the dewy path. "I believe in making the best of things."

"How very interesting!" came the smooth answer. "I see you are a philosopher, Mr. Withers. H'm! 'As for death and the grave, I don't suppose we shall much notice that.' Very interesting.... And I'm sure,"

she added in a particularly suave voice, "I profoundly hope so." She rose slowly from her stool. "You will take pity on me again, I hope.

You and I would get on famously--kindred spirits--elective affinities.

And, of course, now that my nephew's going to leave me, now that his affections are centred on another, I shall be a very lonely old woman.... Shall I not, Arthur?"

Seaton blinked stupidly. "I didn't hear what you said, Aunt."

"I was telling our old friend, Arthur, that when you are gone I shall be a very lonely old woman."

"Oh, I don't think so;" he said in a strange voice.

"He means, Mr. Withers, he means, my dear child," she said, sweeping her eyes over Alice, "he means that I shall have memory for company--heavenly memory--the ghosts of other days. Sentimental boy!

And did you enjoy our music, Alice? Did I really stir that youthful heart?... O, O, O," continued the horrible old creature, "you billers and cooers, I have been listening to such flatteries, such confessions!

Beware, beware, Arthur, there's many a slip." She rolled her little eyes at me, she shrugged her shoulders at Alice, and gazed an instant stonily into her nephew's face.

I held out my hand. "Good night, good night!" she cried. "'He that fights and runs away.' Ah, good night, Mr. Withers; come again soon!"

She thrust out her cheek at Alice, and we all three filed slowly out of the room.

Black shadow darkened the porch and half the spreading sycamore. We walked without speaking up the dusty village street. Here and there a crimson window glowed. At the fork of the high-road I said good-bye.

But I had taken hardly more than a dozen paces when a sudden impulse seized me.

"Seaton!" I called.

He turned in the moonlight.

"You have my address; if by any chance, you know, you should care to spend a week or two in town between this and the--the Day, we should be delighted to see you."

"Thank you, Withers, thank you," he said in a low voice.

"I dare say"--I waved my stick gallantly to Alice--"I dare say you will be doing some shopping; we could all meet," I added, laughing.

"Thank you, thank you, Withers--immensely;" he repeated.

And so we parted.

But they were out of the jog-trot of my prosaic life. And being of a stolid and incurious nature, I left Seaton and his marriage, and even his aunt, to themselves in my memory, and scarcely gave a thought to them until one day I was walking up the Strand again, and pa.s.sed the flashing gloaming of the covered-in jeweller's shop where I had accidentally encountered my old schoolfellow in the summer. It was one of those still close autumnal days after a rainy night. I cannot say why, but a vivid recollection returned to my mind of our meeting and of how suppressed Seaton had seemed, and of how vainly he had endeavoured to appear a.s.sured and eager. He must be married by now, and had doubtless returned from his honeymoon. And I had clean forgotten my manners, had sent not a word of congratulation, nor--as I might very well have done, and as I knew he would have been immensely pleased at my doing--the ghost of a wedding-present.

On the other hand, I pleaded with myself, I had had no invitation. I paused at the corner of Trafalgar Square, and at the bidding of one of those caprices that seize occasionally on even an unimaginative mind, I suddenly ran after a green 'bus that was pa.s.sing, and found myself bound on a visit I had not in the least foreseen.

All the colours of autumn were over the village when I arrived. A beautiful late afternoon sunlight bathed thatch and meadow. But it was close and hot. A child, two dogs, a very old woman with a heavy basket I encountered. One or two incurious tradesmen looked idly up as I pa.s.sed by. It was all so rural and so still, my whimsical impulse had so much flagged, that for a while I hesitated to venture under the shadow of the sycamore-tree to enquire after the happy pair. I deliberately pa.s.sed by the faint-blue gates and continued my walk under the high green and tufted wall. Hollyhocks had attained their topmost bud and seeded in the little cottage gardens beyond; the Michaelmas daisies were in flower; a sweet warm aromatic smell of fading leaves was in the air. Beyond the cottages lay a field where cattle were grazing, and beyond that I came to a little churchyard. Then the road wound on, pathless and houseless, among gorse and bracken. I turned impatiently and walked quickly back to the house and rang the bell.

The rather colourless elderly woman who answered my enquiry informed me that Miss Seaton was at home, as if only taciturnity forbade her adding, "But she doesn't want to see _you_."

"Might I, do you think, have Mr. Arthur's address?" I said.

She looked at me with quiet astonishment, as if waiting for an explanation. Not the faintest of smiles came into her thin face.

"I will tell Miss Seaton," she said after a pause. "Please walk in."

She showed me into the dingy undusted drawing-room, filled with evening sunshine and the green-dyed light that penetrated the leaves overhanging the long French windows. I sat down and waited on and on, occasionally aware of a creaking footfall overhead. At last the door opened a little, and the great face I had once known peered round at me. For it was enormously changed; mainly, I think, because the old eyes had rather suddenly failed, and so a kind of stillness and darkness lay over its calm and wrinkled pallor.

"Who is it?" she asked.

I explained myself and told her the occasion of my visit.

She came in and shut the door carefully after her and, though the fumbling was scarcely perceptible, groped her way to a chair. She had on an old dressing-gown, like a ca.s.sock, of a patterned cinnamon colour.

"What is it you want?" she said, seating herself and lifting her blank face to mine.

"Might I just have Arthur's address?" I said deferentially. "I am so sorry to have disturbed you."

"H'm. You have come to see my nephew?"

"Not necessarily to see him, only to hear how he is, and, of course, Mrs. Seaton too. I am afraid my silence must have appeared...."

"He hasn't noticed your silence," croaked the old voice out of the great mask; "besides, there isn't any Mrs. Seaton."

"Ah, then," I answered, after a momentary pause, "I have not seemed so black as I painted myself! And how is Miss Outram?"