The Best American Short Stories Of The Century - The Best American Short Stories of the Century Part 33
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The Best American Short Stories of the Century Part 33

"Yuh thinka lot of tha black Red, don yuh?"

"Hes mah son."

"Why don yuh teach im some sense?"

"Hes mah son," she said again.

"Lissen, ol nigger woman, yuh stan there wid yo hair white. Yuh got bettah sense than t blieve tha niggers kin make a revolution . . . "

"A black republic," said the other one, laughing.

"Take me t the sheriff," she begged.

"Yuh his ma," said one. "Yuh kin make im talk n tell whos in this thing wid im."

"He ain gonna talk," she said.

"Don yuh wan im t live?"

She did not answer.

"C mon, les take her t Bradley."

They grabbed her arms and she clutched hard at the sheet and gun; they led her toward the crowd in the woods. Her feelings were simple; Booker would not tell; she was there with the gun to see to that. The louder became the voices of the men the deeper became her feeling of wanting to right the mistake she had made; of wanting to fight her way back to solid ground. She would stall for time until Booker showed up.

Oh, ef theyll only lemme git close t Johnny-Boy! As they led her near the crowd she saw white faces turning and looking at her and heard a rising clamor of voices.

"Whos tha?"

"A nigger woman!"

"Whut she doin out here?"

"This is his ma!" called one of the men.

"Whut she wans?"

"She brought a sheet t cover his body!"

"He ain dead yit!"

"They tryin t make im talk!"

"But he will be dead soon ef he don open up!"

"Say, look! The niggers ma brought a sheet t cover up his body!"

"Now, ain tha sweet?"

"Mabbe she wans t hoi a prayer meetin!"

"Did she git a preacher?"

"Say, go git Bradley!"

"O.K.!".

The crowd grew quiet. They looked at her curiously; she felt their i8o RICHARD WRIGHT.

cold eyes trying to detect some weakness in her. Humbly, she stood with the sheet covering the gun. She had already accepted all that they could do to her.

The sheriff came.

"So yuh brought yo sheet, hunh?"

"Yessuh," she whispered.

"Looks like them slaps we gave yuh learned yuh some sense, didnt they?"

She did not answer.

"Yuh don need tha sheet. Yo son ain dead yit," he said, reaching.

She backed away, her eyes wide.

"Naw!"

"Now, lissen, Anty!" he said. "There ain no use in yuh ackin a fool!

Go in there n tell tha nigger son of yos t tell us whos in this wid im, see?

Ah promise we wont kill im ef he talks. We'll let im git outta town."

"There ain nothin Ah kin tell im," she said.

"Yuh wan us t kill im?"

She did not answer. She saw someone lean toward the sheriff and whisper.

"Bring her erlong," the sheriff said.

They led her to a muddy clearing. The rain streamed down through the ghostly glare of the flashlights. As the men formed a semi-circle she saw Johnny-Boy lying in a trough of mud. He was tied with rope; he lay hunched, one side of his face resting in a pool of black water. His eyes were staring questioningly at her.

"Speak t im," said the sheriff.

If she could only tell him why she was there! But that was impossible; she was close to what she wanted and she stared straight before her with compressed lips.

"Say, nigger!" called the sheriff, kicking Johnny-Boy. "Here's yo ma!"

Johnny-Boy did not move or speak. The sheriff faced her again.

"Lissen, Anty," he said. "Yuh got mo say wid im than anybody. Tell im t talk n hava chance. Whut he wanna pertect the other niggers n white folks fer?"

She slid her finger about the trigger of the gun and looked stonily at the mud.

"Go t him," said the sheriff.

She did not move. Her heart was crying out to answer the amazed question in Johnny-Boy's eyes. But there was no way now.

"Waal, yuhre astin fer it. By Gawd, we gotta way to make yuh talk t Bright and Morning Star 207.

im," he said, turning away. "Say, Tim, git one of them logs n turn tha nigger upsidedown n put his legs on it!"

A murmur of assent ran through the crowd. She bit her lips; she knew what that meant.

"Yuh wan yo nigger son crippled?" she heard the sheriff ask.

She did not answer. She saw them roll the log up; they lifted Johnny-Boy and laid him on his face and stomach, then they pulled his legs over the log. His knee-caps rested on the sheer top of the log's back, the toes of his shoes pointing groundward. So absorbed was she in watching that she felt that it was she that was being lifted and made ready for torture.

"Git a crowbar!" said the sheriff.

A tall, lank man got a crowbar from a near-by auto and stood over the log. His jaws worked slowly on a wad of tobacco.

"Now, its up t yuh, Anty," the sheriff said. "Tell the man whut t do!"

She looked into the rain. The sheriff turned.

"Mabbe she think wes playin. Ef she don say nothin, then break em at the knee-caps!"

"O.K., Sheriff!"

She stood waiting for Booker. Her legs felt weak; she wondered if she would be able to wait much longer. Over and over she said to herself, Ef he came now Ahd kill em both!

"She ain sayin nothin, Sheriff!"

"Waal, Gawddammit, let im have it!"

The crowbar came down and Johnny-Boy's body lunged in the mud and water. There was a scream. She swayed, holding tight to the gun and sheet.

"Hoi im! Git the other leg!"

The crowbar fell again. There was another scream.

"Yuh break em?" asked the sheriff.

The tall man lifted Johnny-Boy's legs and let them drop limply again, dropping rearward from the knee-caps. Johnny-Boy's body lay still. His head had rolled to one side and she could not see his face.

"Jus lika broke sparrow wing," said the man, laughing softly.

Then Johnny-Boy's face turned to her; he screamed.

"Go way, ma! Go way!"

It was the first time she had heard his voice since she had come out to the woods; she all but lost control of herself. She started violently forward, but the sheriff's arm checked her.

"Aw, naw! Yuh had yo chance!" He turned to Johnny-Boy. "She kin go ef yuh talk."

i8o RICHARD WRIGHT.

"Mistah, he ain gonna talk," she said.

"Go way, ma!" said Johnny-Boy.

"Shoot im! Don make im suffah so," she begged.

"He'll either talk or he'll never hear yuh ergin," the sheriff said.

"Theres other things we kin do t im."

She said nothing.

"Whut yuh come here fer, ma?" Johnny-Boy sobbed.

"Ahm gonna split his eardrums," the sheriff said. "Ef yuh got anything t say t im yuh bettah say it now!"

She closed her eyes. She heard the sheriff's feet sucking in mud. Ah could save im! She opened her eyes; there were shouts of eagerness from the crowd as it pushed in closer.

"Bus em, Sheriff!"

"Fix im so he cant hear!"

"He knows how t do it, too!"

"He busted a Jew boy tha way once!"

She saw the sheriff stoop over Johnny-Boy, place his flat palm over one ear and strike his fist against it with all his might. He placed his palm over the other ear and struck again. Johnny-Boy moaned; his head rolling from side to side, his eyes showing white amazement in a world without sound.

"Yuh wouldn't talk t im when yuh had the chance," said the sheriff.

"Try n talk now."

She felt warm tears on her cheeks. She longed to shoot Johnny-Boy and let him go. But if she did that they would take the gun from her, and Booker would tell who the others were. Lawd, hep me! The men were talking loudly now, as though the main business was over. It seemed ages that she stood there watching Johnny-Boy roll and whimper in his world of silence.

"Say, Sheriff, heres somebody lookin fer yuh!"

"Who is it?"

"Ah don know!"