The Best American Short Stories Of The Century - The Best American Short Stories of the Century Part 20
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The Best American Short Stories of the Century Part 20

"What do you want to do?" she said.

"Tell us a story," Caddy said. "Can you tell a story?"

"Yes," Nancy said.

"Tell it," Caddy said. We looked at Nancy. "You don't know any stories," Caddy said.

"Yes," Nancy said. "Yes, I do."

She came and sat down in a chair before the hearth. There was some fire there; she built it up; it was already hot. You didn't need a fire. She built a good blaze. She told a story. She talked like her eyes looked, like her eyes watching us and her voice talking to us did not belong to her. Like she was living somewhere else, waiting somewhere else. She was outside the house. Her voice was there and the shape of her, the Nancy that could stoop under the fence with the bundle of clothes balanced as though without weight, like a balloon, on her head, was there. But that was all. "And so this here queen come walking up to the ditch, where that bad man was hiding. She was walking up the ditch, and she say, 'If I can just get past this here ditch,' was what she say...."

"What ditch?" Caddy said. "A ditch like that one out there? Why did the queen go into the ditch?"

"To get to her house," Nancy said. She looked at us. "She had to cross that ditch to get home."

"Why did she want to go home?" Caddy said.

IV.

Nancy looked at us. She quit talking. She looked at us. Jason's legs stuck straight out of his pants, because he was little. "I don't think that's a good story," he said. "I want to go home."

"Maybe we had better," Caddy said. She got up from the floor. "I bet they are looking for us right now." She went toward the door.

122.

WILLIAM FAULKNER.

"No," Nancy said. "Don't open it." She got up quick and passed Caddy. She didn't touch the door, the wooden bar.

"Why not?" Caddy said.

"Come back to the lamp," Nancy said. "We'll have fun. You don't have to go."

"We ought to go," Caddy said. "Unless we have a lot of fun." She and Nancy came back to the fire, the lamp.

"I want to go home," Jason said. "I'm going to tell."

"I know another story," Nancy said. She stood close to the lamp. She looked at Caddy, like when your eyes look up at a stick balanced on your nose. She had to look down to see Caddy, but her eyes looked like that, like when you are balancing a stick.

"I won't listen to it," Jason said. "I'll bang on the floor."

"It's a good one," Nancy said. "It's better than the other one."

"What's it about?" Caddy said. Nancy was standing by the lamp. Her hand was on the lamp, against the light, long and brown.

"Your hand is on that hot globe," Caddy said. "Don't it feel hot to your hand?"

Nancy looked at her hand on the lamp chimney. She took her hand away, slow. She stood there, looking at Caddy, wringing her long hand as though it were tied to her wrist with a string.

"Let's do something else," Caddy said.

"I want to go home," Jason said.

"I got some popcorn," Nancy said. She looked at Caddy and then at Jason and then at me and then at Caddy again. "I got some popcorn."

"I don't like popcorn," Jason said. "I'd rather have candy."

Nancy looked at Jason. "You can hold the popper." She was still wringing her hand; it was long and limp and brown.

"All right," Jason said. "I'll stay a while if I can do that. Caddy can't hold it. I'll want to go home, if Caddy holds the popper."

Nancy built up the fire. "Look at Nancy putting her hands in the fire,"

Caddy said. "What's the matter with you, Nancy?"

"I got popcorn," Nancy said. "I got some." She took the popper from under the bed. It was broken. Jason began to cry.

"We can't have any popcorn," he said.

"We ought to go home, anyway," Caddy said. "Come on, Quentin."

"Wait," Nancy said; "wait. I can fix it. Don't you want to help me fix it?"

"I don't think I want any," Caddy said. "It's too late now."

"You help me, Jason," Nancy said. "Don't you want to help me?"

That Evening Sun Go Down 123.

"No," Jason said. "I want to go home."

"Hush," Nancy said; "hush. Watch. Watch me. I can fix it so Jason can hold it and pop the corn." She got a piece of wire and fixed the popper.

"It won't hold good," Caddy said.

"Yes, it will," Nancy said. "You all watch. You all help me shell the corn."

The corn was under the bed too. We shelled it into the popper and Nancy helped Jason hold the popper over the fire.

"It's not popping," Jason said. "I want to go home."

"You wait," Nancy said. "It'll begin to pop. We'll have fun then." She was sitting close to the fire. The lamp was turned up so high it was beginning to smoke.

"Why don't you turn it down some?" I said.

"It's all right," Nancy said. "I'll clean it. You all wait. The popcorn will start in a minute."

"I don't believe it's going to start," Caddy said. "We ought to go home, anyway. They'll be worried."

"No," Nancy said. "It's going to pop. Dilsey will tell um you all with me. I been working for you all long time. They won't mind if you at my house. You wait, now. It'll start popping in a minute."

Then Jason got some smoke in his eyes and he began to cry. He dropped the popper into the fire. Nancy got a wet rag and wiped Jason's face, but he didn't stop crying.

"Hush," she said. "Hush." He didn't hush. Caddy took the popper out of the fire.

"It's burned up," she said. "You'll have to get some more popcorn, Nancy."

"Did you put all of it in?" Nancy said.

"Yes," Caddy said. Nancy looked at Caddy. Then she took the popper and opened it and poured the blackened popcorn into her apron and began to sort the grains, her hands long and brown, and we watching her.

"Haven't you got any more?" Caddy said.

"Yes," Nancy said; "yes. Look. This here ain't burnt. All we need to do is - "

"I want to go home," Jason said. "I'm going to tell."

"Hush," Caddy said. We all listened. Nancy's head was already turned toward the barred door, her eyes filled with red lamplight. "Somebody is coming," Caddy said.

Then Nancy began to make that sound again, not loud, sitting there 124 WILLIAM FAULKNER.

above the fire, her long hands dangling between her knees; all of a sudden water began to come out on her face in big drops, running down her face, carrying in each one a little turning ball of firelight until it dropped off her chin.

"She's not crying," I said.

"I ain't crying," Nancy said. Her eyes were closed. "I ain't crying. Who is it?"

"I don't know," Caddy said. She went to the door and looked out.

"We've got to go home now," she said. "Here comes father."

"I'm going to tell," Jason said. "You all made me come."

The water still ran down Nancy's face. She turned in her chair.

"Listen. Tell him. Tell him we going to have fun. Tell him I take good care of you all until in the morning. Tell him to let me come home with you all and sleep on the floor. Tell him I won't need no pallet. We'll have fun. You remember last time how we had so much fun?"

"I didn't have any fun," Jason said. "You hurt me. You put smoke in my eyes."

Father came in. He looked at us. Nancy did not get up.

"Tell him," she said.

"Caddy made us come down here," Jason said. "I didn't want to."

Father came to the fire. Nancy looked up at him. "Can't you go to Aunt Rachel's and stay?" he said. Nancy looked up at father, her hands between her knees. "He's not here," father said. "I would have seen.

There wasn't a soul in sight."

"He in the ditch," Nancy said. "He waiting in the ditch yonder."

"Nonsense," father said. He looked at Nancy. "Do you know he's there?"

"I got the sign," Nancy said.

"What sign?"

"I got it. It was on the table when I come in. It was a hog bone, with blood meat still on it, laying by the lamp. He's out there. When you all walk out that door, I gone."

"Who's gone, Nancy?" Caddy said.

"I'm not a tattletale," Jason said.

"Nonsense," father said.

"He out there," Nancy said. "He looking through that window this minute, waiting for you all to go. Then I gone."

That Evening Sun Go Down 125.

"Nonsense," father said. "Lock up your house and we'll take you on to Aunt Rachel's."

"'Twon't do no good," Nancy said. She didn't look at father now, but he looked down at her, at her long, limp, moving hands.

"Putting it off won't do no good."

"Then what do you want to do?" father said.

"I don't know," Nancy said. "I can't do nothing. Just put it off. And that don't do no good. I reckon it belong to me. I reckon what I going to get ain't no more than mine."

"Get what?" Caddy said. "What's yours?"

"Nothing," father said. "You all must get to bed."

"Caddy made me come," Jason said.

"Go on to Aunt Rachel's," father said.

"It won't do no good," Nancy said. She sat before the fire, her elbows on her knees, her long hands between her knees. "When even your own kitchen wouldn't do no good. When even if I was sleeping on the floor in the room with your own children, and the next morning there I am, and blood all - "

"Hush," father said. "Lock the door and put the lamp out and go to bed."

"I scared of the dark," Nancy said. "I scared for it to happen in the dark."

"You mean you're going to sit right here, with the lamp lighted?"

father said. Then Nancy began to make the sound again, sitting before the fire, her long hands between her knees. "Ah, damnation," father said. "Come along, chillen. It's bedtime."

"When you all go, I gone," Nancy said. "I be dead to-morrow. I done had saved up the coffin money with Mr. Lovelady - "