At five, then, with a tremendous effort at concentration he decided that he must put more variety into his canva.s.sing. He selected a medium-sized delicatessen store, and went in. He felt, illuminatingly, that the thing to do was to cast a spell not only over the storekeeper but over all the customers as well--and perhaps through the psychology of the herd instinct they would buy as an astounded and immediately convinced whole.

"Af'ernoon," he began in a loud thick voice. "Ga l'il prop'sition."

If he had wanted silence he obtained it. A sort of awe descended upon the half-dozen women marketing and upon the gray-haired ancient who in cap and ap.r.o.n was slicing chicken.

Anthony pulled a batch of papers from his flapping briefcase and waved them cheerfully.

"Buy a bon'," he suggested, "good as liberty bon'!" The phrase pleased him and he elaborated upon it. "Better'n liberty bon'. Every one these bon's worth two liberty bon's." His mind made a hiatus and skipped to his peroration, which he delivered with appropriate gestures, these being somewhat marred by the necessity of clinging to the counter with one or both hands.

"Now see here. You taken up my time. I don't want know why you won't buy. I just want you say why. Want you say how many!"

At this point they should have approached him with check-books and fountain pens in hand. Realizing that they must have missed a cue Anthony, with the instincts of an actor, went back and repeated his finale.

"Now see here! You taken up my time. You followed prop'sition. You agreed 'th reasonin'? Now, all I want from you is, how many lib'ty bon's?"

"See here!" broke in a new voice. A portly man whose face was adorned with symmetrical scrolls of yellow hair had come out of a gla.s.s cage in the rear of the store and was bearing down upon Anthony. "See here, you!"

"How many?" repeated the salesman sternly. "You taken up my time--"

"Hey, you!" cried the proprietor, "I'll have you taken up by the police."

"You mos' cert'nly won't!" returned Anthony with fine defiance. "All I want know is how many."

From here and there in the store went up little clouds of comment and expostulation.

"How terrible!"

"He's a raving maniac."

"He's disgracefully drunk."

The proprietor grasped Anthony's arm sharply.

"Get out, or I'll call a policeman."

Some relics of rationality moved Anthony to nod and replace his bonds clumsily in the case.

"How many?" he reiterated doubtfully.

"The whole force if necessary!" thundered his adversary, his yellow mustache trembling fiercely.

"Sell 'em all a bon'."

With this Anthony turned, bowed gravely to his late auditors, and wabbled from the store. He found a taxicab at the corner and rode home to the apartment. There he fell sound asleep on the sofa, and so Gloria found him, his breath filling the air with an unpleasant pungency, his hand still clutching his open brief case.

Except when Anthony was drinking, his range of sensation had become less than that of a healthy old man and when prohibition came in July he found that, among those who could afford it, there was more drinking than ever before. One's host now brought out a bottle upon the slightest pretext. The tendency to display liquor was a manifestation of the same instinct that led a man to deck his wife with jewels. To have liquor was a boast, almost a badge of respectability.

In the mornings Anthony awoke tired, nervous, and worried. Halcyon summer twilights and the purple chill of morning alike left him unresponsive. Only for a brief moment every day in the warmth and renewed life of a first high-ball did his mind turn to those opalescent dreams of future pleasure--the mutual heritage of the happy and the d.a.m.ned. But this was only for a little while. As he grew drunker the dreams faded and he became a confused spectre, moving in odd crannies of his own mind, full of unexpected devices, harshly contemptuous at best and reaching sodden and dispirited depths. One night in June he had quarrelled violently with Maury over a matter of the utmost triviality. He remembered dimly next morning that it had been about a broken pint bottle of champagne. Maury had told him to sober up and Anthony's feelings had been hurt, so with an attempted gesture of dignity he had risen from the table and seizing Gloria's arm half led, half shamed her into a taxicab outside, leaving Maury with three dinners ordered and tickets for the opera.

This sort of semi-tragic fiasco had become so usual that when they occurred he was no longer stirred into making amends. If Gloria protested--and of late she was more likely to sink into contemptuous silence--he would either engage in a bitter defense of himself or else stalk dismally from the apartment. Never since the incident on the station platform at Redgate had he laid his hands on her in anger--though he was withheld often only by some instinct that itself made him tremble with rage. Just as he still cared more for her than for any other creature, so did he more intensely and frequently hate her.

So far, the judges of the Appellate Division had failed to hand down a decision, but after another postponement they finally affirmed the decree of the lower court--two justices dissenting. A notice of appeal was served upon Edward Shuttleworth. The case was going to the court of last resort, and they were in for another interminable wait. Six months, perhaps a year. It had grown enormously unreal to them, remote and uncertain as heaven.

Throughout the previous winter one small matter had been a subtle and omnipresent irritant--the question of Gloria's gray fur coat. At that time women enveloped in long squirrel wraps could be seen every few yards along Fifth Avenue. The women were converted to the shape of tops. They seemed porcine and obscene; they resembled kept women in the concealing richness, the feminine animality of the garment. Yet--Gloria wanted a gray squirrel coat.

Discussing the matter--or, rather, arguing it, for even more than in the first year of their marriage did every discussion take the form of bitter debate full of such phrases as "most certainly," "utterly outrageous," "it's so, nevertheless," and the ultra-emphatic "regardless"--they concluded that they could not afford it. And so gradually it began to stand as a symbol of their growing financial anxiety.

To Gloria the shrinkage of their income was a remarkable phenomenon, without explanation or precedent--that it could happen at all within the s.p.a.ce of five years seemed almost an intended cruelty, conceived and executed by a sardonic G.o.d. When they were married seventy-five hundred a year had seemed ample for a young couple, especially when augmented by the expectation of many millions. Gloria had failed to realize that it was decreasing not only in amount but in purchasing power until the payment of Mr. Haight's retaining fee of fifteen thousand dollars made the fact suddenly and startlingly obvious. When Anthony was drafted they had calculated their income at over four hundred a month, with the dollar even then decreasing in value, but on his return to New York they discovered an even more alarming condition of affairs. They were receiving only forty-five hundred a year from their investments. And though the suit over the will moved ahead of them like a persistent mirage and the financial danger-mark loomed up in the near distance they found, nevertheless, that living within their income was impossible.

So Gloria went without the squirrel coat and every day upon Fifth Avenue she was a little conscious of her well-worn, half-length leopard skin, now hopelessly old-fashioned. Every other month they sold a bond, yet when the bills were paid it left only enough to be gulped down hungrily by their current expenses. Anthony's calculations showed that their capital would last about seven years longer. So Gloria's heart was very bitter, for in one week, on a prolonged hysterical party during which Anthony whimsically divested himself of coat, vest, and shirt in a theatre and was a.s.sisted out by a posse of ushers, they spent twice what the gray squirrel coat would have cost.

It was November, Indian summer rather, and a warm, warm night--which was unnecessary, for the work of the summer was done. Babe Ruth had smashed the home-run record for the first time and Jack Dempsey had broken Jess Willard's cheek-bone out in Ohio. Over in Europe the usual number of children had swollen stomachs from starvation, and the diplomats were at their customary business of making the world safe for new wars. In New York City the proletariat were being "disciplined," and the odds on Harvard were generally quoted at five to three. Peace had come down in earnest, the beginning of new days.

Up in the bedroom of the apartment on Fifty-seventh Street Gloria lay upon her bed and tossed from side to side, sitting up at intervals to throw off a superfluous cover and once asking Anthony, who was lying awake beside her, to bring her a gla.s.s of ice-water. "Be sure and put ice in it," she said with insistence; "it isn't cold enough the way it comes from the faucet."

Looking through the frail curtains she could see the rounded moon over the roofs and beyond it on the sky the yellow glow from Times Square--and watching the two incongruous lights, her mind worked over an emotion, or rather an interwoven complex of emotions, that had occupied it through the day, and the day before that and back to the last time when she could remember having thought clearly and consecutively about anything--which must have been while Anthony was in the army.

She would be twenty-nine in February. The month a.s.sumed an ominous and inescapable significance--making her wonder, through these nebulous half-fevered hours whether after all she had not wasted her faintly tired beauty, whether there was such a thing as use for any quality bounded by a harsh and inevitable mortality.

Years before, when she was twenty-one, she had written in her diary: "Beauty is only to be admired, only to be loved-to be harvested carefully and then flung at a chosen lover like a gift of roses. It seems to me, so far as I can judge clearly at all, that my beauty should be used like that...."

And now, all this November day, all this desolate day, under a sky dirty and white, Gloria had been thinking that perhaps she had been wrong. To preserve the integrity of her first gift she had looked no more for love. When the first flame and ecstasy had grown dim, sunk down, departed, she had begun preserving--what? It puzzled her that she no longer knew just what she was preserving--a sentimental memory or some profound and fundamental concept of honor. She was doubting now whether there had been any moral issue involved in her way of life--to walk unworried and unregretful along the gayest of all possible lanes and to keep her pride by being always herself and doing what it seemed beautiful that she should do. From the first little boy in an Eton collar whose "girl" she had been, down to the latest casual man whose eyes had grown alert and appreciative as they rested upon her, there was needed only that matchless candor she could throw into a look or clothe with an inconsequent clause--for she had talked always in broken clauses--to weave about her immeasurable illusions, immeasurable distances, immeasurable light. To create souls in men, to create fine happiness and fine despair she must remain deeply proud--proud to be inviolate, proud also to be melting, to be pa.s.sionate and possessed.

She knew that in her breast she had never wanted children. The reality, the earthiness, the intolerable sentiment of child-bearing, the menace to her beauty--had appalled her. She wanted to exist only as a conscious flower, prolonging and preserving itself. Her sentimentality could cling fiercely to her own illusions, but her ironic soul whispered that motherhood was also the privilege of the female baboon. So her dreams were of ghostly children only--the early, the perfect symbols of her early and perfect love for Anthony.

In the end then, her beauty was all that never failed her. She had never seen beauty like her own. What it meant ethically or aesthetically faded before the gorgeous concreteness of her pink-and-white feet, the clean perfectness of her body, and the baby mouth that was like the material symbol of a kiss.

She would be twenty-nine in February. As the long night waned she grew supremely conscious that she and beauty were going to make use of these next three months. At first she was not sure for what, but the problem resolved itself gradually into the old lure of the screen. She was in earnest now. No material want could have moved her as this fear moved her. No matter for Anthony, Anthony the poor in spirit, the weak and broken man with bloodshot eyes, for whom she still had moments of tenderness. No matter. She would be twenty-nine in February--a hundred days, so many days; she would go to Bloeckman to-morrow.

With the decision came relief. It cheered her that in some manner the illusion of beauty could be sustained, or preserved perhaps in celluloid after the reality had vanished. Well--to-morrow.

The next day she felt weak and ill. She tried to go out, and saved herself from collapse only by clinging to a mail box near the front door. The Martinique elevator boy helped her up-stairs, and she waited on the bed for Anthony's return without energy to unhook her bra.s.siere.

For five days she was down with influenza, which, just as the month turned the corner into winter, ripened into double pneumonia. In the feverish perambulations of her mind she prowled through a house of bleak unlighted rooms hunting for her mother. All she wanted was to be a little girl, to be efficiently taken care of by some yielding yet superior power, stupider and steadier than herself. It seemed that the only lover she had ever wanted was a lover in a dream.

"ODI PROFANUM VULGUS"

One day in the midst of Gloria's illness there occurred a curious incident that puzzled Miss McGovern, the trained nurse, for some time afterward. It was noon, but the room in which the patient lay was dark and quiet. Miss McGovern was standing near the bed mixing some medicine, when Mrs. Patch, who had apparently been sound asleep, sat up and began to speak vehemently: "Millions of people," she said, "swarming like rats, chattering like apes, smelling like all h.e.l.l ... monkeys! Or lice, I suppose. For one really exquisite palace ... on Long Island, say--or even in Greenwich ... for one palace full of pictures from the Old World and exquisite things--with avenues of trees and green lawns and a view of the blue sea, and lovely people about in slick dresses ... I'd sacrifice a hundred thousand of them, a million of them." She raised her hand feebly and snapped her fingers. "I care nothing for them--understand me?"

The look she bent upon Miss McGovern at the conclusion of this speech was curiously elfin, curiously intent. Then she gave a short little laugh polished with scorn, and tumbling backward fell off again to sleep.

Miss McGovern was bewildered. She wondered what were the hundred thousand things that Mrs. Patch would sacrifice for her palace. Dollars, she supposed--yet it had not sounded exactly like dollars.

THE MOVIES.

It was February, seven days before her birthday, and the great snow that had filled up the cross-streets as dirt fills the cracks in a floor had turned to slush and was being escorted to the gutters by the hoses of the street-cleaning department. The wind, none the less bitter for being casual, whipped in through the open windows of the living room bearing with it the dismal secrets of the areaway and clearing the Patch apartment of stale smoke in its cheerless circulation.

Gloria, wrapped in a warm kimona, came into the chilly room and taking up the telephone receiver called Joseph Bloeckman.

"Do you mean Mr. Joseph Black?" demanded the telephone girl at "Films Par Excellence."

"Bloeckman, Joseph Bloeckman. B-l-o--"

"Mr. Joseph Bloeckman has changed his name to Black. Do you want him?"

"Why--yes." She remembered nervously that she had once called him "Blockhead" to his face.

His office was reached by courtesy of two additional female voices; the last was a secretary who took her name. Only with the flow through the transmitter of his own familiar but faintly impersonal tone did she realize that it had been three years since they had met. And he had changed his name to Black.

"Can you see me?" she suggested lightly. "It's on a business matter, really. I'm going into the movies at last--if I can."

"I'm awfully glad. I've always thought you'd like it."

"Do you think you can get me a trial?" she demanded with the arrogance peculiar to all beautiful women, to all women who have ever at any time considered themselves beautiful.

He a.s.sured her that it was merely a question of when she wanted the trial. Any time? Well, he'd phone later in the day and let her know a convenient hour. The conversation closed with conventional padding on both sides. Then from three o'clock to five she sat close to the telephone--with no result.

But next morning came a note that contented and excited her: * * * * *

My dear Gloria: Just by luck a matter came to my attention that I think will be just suited to you. I would like to see you start with something that would bring you notice. At the same time if a very beautiful girl of your sort is put directly into a picture next to one of the rather shop-worn stars with which every company is afflicted, tongues would very likely wag. But there is a "flapper" part in a Percy B. Debris production that I think would be just suited to you and would bring you notice. Willa Sable plays opposite Gaston Mears in a sort of character part and your part I believe would be her younger sister.

Anyway Percy B. Debris who is directing the picture says if you'll come to the studios day after to-morrow (Thursday) he will run off a test. If ten o'clock is suited to you I will meet you there at that time.

With all good wishes.

Ever Faithfully.

JOSEPH BLACK.

Gloria had decided that Anthony was to know nothing of this until she had obtained a definite position, and accordingly she was dressed and out of the apartment next morning before he awoke. Her mirror had given her, she thought, much the same account as ever. She wondered if there were any lingering traces of her sickness. She was still slightly under weight, and she had fancied, a few days before, that her cheeks were a trifle thinner--but she felt that those were merely transitory conditions and that on this particular day she looked as fresh as ever. She had bought and charged a new hat, and as the day was warm she had left the leopard skin coat at home.

At the "Films Par Excellence" studios she was announced over the telephone and told that Mr. Black would be down directly. She looked around her. Two girls were being shown about by a little fat man in a slash-pocket coat, and one of them had indicated a stack of thin parcels, piled breast-high against the wall, and extending along for twenty feet.

"That's studio mail," explained the fat man. "Pictures of the stars who are with 'Films Par Excellence.'"

"Oh."

"Each one's autographed by Florence Kelley or Gaston Mears or Mack Dodge--" He winked confidentially. "At least when Minnie McGlook out in Sauk Center gets the picture she wrote for, she thinks it's autographed."

"Just a stamp?"

"Sure. It'd take 'em a good eight-hour day to autograph half of 'em. They say Mary Pickford's studio mail costs her fifty thousand a year."

"Say!"

"Sure. Fifty thousand. But it's the best kinda advertising there is--"

They drifted out of earshot and almost immediately Bloeckman appeared--Bloeckman, a dark suave gentleman, gracefully engaged in the middle forties, who greeted her with courteous warmth and told her she had not changed a bit in three years. He led the way into a great hall, as large as an armory and broken intermittently with busy sets and blinding rows of unfamiliar light. Each piece of scenery was marked in large white letters "Gaston Mears Company," "Mack Dodge Company," or simply "Films Par Excellence."

"Ever been in a studio before?"

"Never have."

She liked it. There was no heavy closeness of greasepaint, no scent of soiled and tawdry costumes which years before had revolted her behind the scenes of a musical comedy. This work was done in the clean mornings; the appurtenances seemed rich and gorgeous and new. On a set that was joyous with Manchu hangings a perfect Chinaman was going through a scene according to megaphone directions as the great glittering machine ground out its ancient moral tale for the edification of the national mind.

A red-headed man approached them and spoke with familiar deference to Bloeckman, who answered: "h.e.l.lo, Debris. Want you to meet Mrs. Patch.... Mrs. Patch wants to go into pictures, as I explained to you.... All right, now, where do we go?"

Mr. Debris--the great Percy B. Debris, thought Gloria--showed them to a set which represented the interior of an office. Some chairs were drawn up around the camera, which stood in front of it, and the three of them sat down.

"Ever been in a studio before?" asked Mr. Debris, giving her a glance that was surely the quintessence of keenness. "No? Well, I'll explain exactly what's going to happen. We're going to take what we call a test in order to see how your features photograph and whether you've got natural stage presence and how you respond to coaching. There's no need to be nervous over it. I'll just have the camera-man take a few hundred feet in an episode I've got marked here in the scenario. We can tell pretty much what we want to from that."

He produced a typewritten continuity and explained to her the episode she was to enact. It developed that one Barbara Wainwright had been secretly married to the junior partner of the firm whose office was there represented. Entering the deserted office one day by accident she was naturally interested in seeing where her husband worked. The telephone rang and after some hesitation she answered it. She learned that her husband had been struck by an automobile and instantly killed. She was overcome. At first she was unable to realize the truth, but finally she succeeded in comprehending it, and went into a dead faint on the floor.

"Now that's all we want," concluded Mr. Debris. "I'm going to stand here and tell you approximately what to do, and you're to act as though I wasn't here, and just go on do it your own way. You needn't be afraid we're going to judge this too severely. We simply want to get a general idea of your screen personality."

"I see."

"You'll find make-up in the room in back of the set. Go light on it. Very little red."

"I see," repeated Gloria, nodding. She touched her lips nervously with the tip of her tongue.

THE TEST.

As she came into the set through the real wooden door and closed it carefully behind her, she found herself inconveniently dissatisfied with her clothes. She should have bought a "misses'" dress for the occasion--she could still wear them, and it might have been a good investment if it had accentuated her airy youth.

Her mind snapped sharply into the momentous present as Mr. Debris's voice came from the glare of the white lights in front.

"You look around for your husband.... Now--you don't see him ... you're curious about the office...."

She became conscious of the regular sound of the camera. It worried her. She glanced toward it involuntarily and wondered if she had made up her face correctly. Then, with a definite effort she forced herself to act--and she had never felt that the gestures of her body were so ba.n.a.l, so awkward, so bereft of grace or distinction. She strolled around the office, picking up articles here and there and looking at them inanely. Then she scrutinized the ceiling, the floor, and thoroughly inspected an inconsequential lead pencil on the desk. Finally, because she could think of nothing else to do, and less than nothing to express, she forced a smile.

"All right. Now the phone rings. Ting-a-ling-a-ling! Hesitate, and then answer it."