The Autobiography of an Ex-Colored Man - Part 6
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Part 6

This big meeting which I was lucky enough to catch was particularly well attended; the extra large attendance was due princ.i.p.ally to two attractions, a man by the name of John Brown, who was renowned as the most powerful preacher for miles around; and a wonderful leader of singing, who was known as "Singing Johnson." These two men were a study and a revelation to me. They caused me to reflect upon how great an influence their types have been in the development of the Negro in America. Both these types are now looked upon generally with condescension or contempt by the progressive element among the colored people; but it should never be forgotten that it was they who led the race from paganism and kept it steadfast to Christianity through all the long, dark years of slavery.

John Brown was a jet-black man of medium size, with a strikingly intelligent head and face, and a voice like an organ peal. He preached each night after several lesser lights had successively held the pulpit during an hour or so. As far as subject-matter is concerned, all of the sermons were alike: each began with the fall of man, ran through various trials and tribulations of the Hebrew children, on to the redemption by Christ, and ended with a fervid picture of the judgment day and the fate of the d.a.m.ned. But John Brown possessed magnetism and an imagination so free and daring that he was able to carry through what the other preachers would not attempt. He knew all the arts and tricks of oratory, the modulation of the voice to almost a whisper, the pause for effect, the rise through light, rapid-fire sentences to the terrific, thundering outburst of an electrifying climax. In addition, he had the intuition of a born theatrical manager. Night after night this man held me fascinated. He convinced me that, after all, eloquence consists more in the manner of saying than in what is said. It is largely a matter of tone pictures.

The most striking example of John Brown's magnetism and imagination was his "heavenly march"; I shall never forget how it impressed me when I heard it. He opened his sermon in the usual way; then, proclaiming to his listeners that he was going to take them on the heavenly march, he seized the Bible under his arm and began to pace up and down the pulpit platform. The congregation immediately began with their feet a tramp, tramp, tramp, in time with the preacher's march in the pulpit, all the while singing in an undertone a hymn about marching to Zion. Suddenly he cried: "Halt!" Every foot stopped with the precision of a company of well-drilled soldiers, and the singing ceased. The morning star had been reached. Here the preacher described the beauties of that celestial body. Then the march, the tramp, tramp, tramp, and the singing were again taken up. Another "Halt!" They had reached the evening star. And so on, past the sun and moon--the intensity of religious emotion all the time increasing--along the milky way, on up to the gates of heaven. Here the halt was longer, and the preacher described at length the gates and walls of the New Jerusalem. Then he took his hearers through the pearly gates, along the golden streets, pointing out the glories of the city, pausing occasionally to greet some patriarchal members of the church, well-known to most of his listeners in life, who had had "the tears wiped from their eyes, were clad in robes of spotless white, with crowns of gold upon their heads and harps within their hands," and ended his march before the great white throne. To the reader this may sound ridiculous, but listened to under the circ.u.mstances, it was highly and effectively dramatic. I was a more or less sophisticated and non-religious man of the world, but the torrent of the preacher's words, moving with the rhythm and glowing with the eloquence of primitive poetry, swept me along, and I, too, felt like joining in the shouts of "Amen! Hallelujah!"

John Brown's powers in describing the delights of heaven were no greater than those in depicting the horrors of h.e.l.l. I saw great, strapping fellows trembling and weeping like children at the "mourners' bench." His warnings to sinners were truly terrible. I shall never forget one expression that he used, which for originality and aptness could not be excelled. In my opinion, it is more graphic and, for us, far more expressive than St. Paul's "It is hard to kick against the p.r.i.c.ks." He struck the att.i.tude of a pugilist and thundered out: "Young man, your arm's too short to box with G.o.d!"

Interesting as was John Brown to me, the other man, "Singing Johnson,"

was more so. He was a small, dark-brown, one-eyed man, with a clear, strong, high-pitched voice, a leader of singing, a maker of songs, a man who could improvise at the moment lines to fit the occasion. Not so striking a figure as John Brown, but, at "big meetings," equally important. It is indispensable to the success of the singing, when the congregation is a large one made up of people from different communities, to have someone with a strong voice who knows just what hymn to sing and when to sing it, who can pitch it in the right key, and who has all the leading lines committed to memory. Sometimes it devolves upon the leader to "sing down" a long-winded or uninteresting speaker. Committing to memory the leading lines of all the Negro spiritual songs is no easy task, for they run up into the hundreds.

But the accomplished leader must know them all, because the congregation sings only the refrains and repeats; every ear in the church is fixed upon him, and if he becomes mixed in his lines or forgets them, the responsibility falls directly on his shoulders.

For example, most of these hymns are constructed to be sung in the following manner:

Leader. _Swing low, sweet chariot._ Congregation. _Coming for to carry me home._ Leader. _Swing low, sweet chariot._ Congregation. _Coming for to carry me home._ Leader. _I look over yonder, what do I see?_ Congregation. _Coming for to carry me home._ Leader. _Two little angels coming after me._ Congregation. _Coming for to carry me home...._

The solitary and plaintive voice of the leader is answered by a sound like the roll of the sea, producing a most curious effect.

In only a few of these songs do the leader and the congregation start off together. Such a song is the well-known "Steal away to Jesus."

The leader and the congregation begin with part-singing:

_Steal away, steal away, Steal away to Jesus; Steal away, steal away home, I ain't got long to stay here._

Then the leader alone or the congregation in unison:

_My Lord he calls me, He calls me by the thunder, The trumpet sounds within-a my soul._

Then all together:

_I ain't got long to stay here._

The leader and the congregation again take up the opening refrain; then the leader sings three more leading lines alone, and so on almost _ad infinitum_. It will be seen that even here most of the work falls upon the leader, for the congregation sings the same lines over and over, while his memory and ingenuity are taxed to keep the songs going.

Generally the parts taken up by the congregation are sung in a three-part harmony, the women singing the soprano and a transposed tenor, the men with high voices singing the melody, and those with low voices a thundering ba.s.s. In a few of these songs, however, the leading part is sung in unison by the whole congregation, down to the last line, which is harmonized. The effect of this is intensely thrilling. Such a hymn is "Go down, Moses." It stirs the heart like a trumpet call.

"Singing Johnson" was an ideal leader, and his services were in great demand. He spent his time going about the country from one church to another. He received his support in much the same way as the preachers--part of a collection, food and lodging. All of his leisure time he devoted to originating new words and melodies and new lines for old songs. He always sang with his eyes--or, to be more exact, his eye--closed, indicating the _tempo_ by swinging his head to and fro.

He was a great judge of the proper hymn to sing at a particular moment; and I noticed several times, when the preacher reached a certain climax, or expressed a certain sentiment, that Johnson broke in with a line or two of some appropriate hymn. The speaker understood and would pause until the singing ceased.

As I listened to the singing of these songs, the wonder of their production grew upon me more and more. How did the men who originated them manage to do it? The sentiments are easily accounted for; they are mostly taken from the Bible; but the melodies, where did they come from? Some of them so weirdly sweet, and others so wonderfully strong.

Take, for instance, "Go down, Moses." I doubt that there is a stronger theme in the whole musical literature of the world. And so many of these songs contain more than mere melody; there is sounded in them that elusive undertone, the note in music which is not heard with the ears. I sat often with the tears rolling down my cheeks and my heart melted within me. Any musical person who has never heard a Negro congregation under the spell of religious fervor sing these old songs has missed one of the most thrilling emotions which the human heart may experience. Anyone who without shedding tears can listen to Negroes sing "n.o.body knows de trouble I see, n.o.body knows but Jesus"

must indeed have a heart of stone.

As yet, the Negroes themselves do not fully appreciate these old slave songs. The educated cla.s.ses are rather ashamed of them and prefer to sing hymns from books. This feeling is natural; they are still too close to the conditions under which the songs were produced; but the day will come when this slave music will be the most treasured heritage of the American Negro.

At the close of the "big meeting" I left the settlement where it was being held, full of enthusiasm. I was in that frame of mind which, in the artistic temperament, amounts to inspiration. I was now ready and anxious to get to some place where I might settle down to work, and give expression to the ideas which were teeming in my head; but I strayed into another deviation from my path of life as I had it marked out, which led me upon an entirely different road. Instead of going to the nearest and most convenient railroad station, I accepted the invitation of a young man who had been present the closing Sunday at the meeting to drive with him some miles farther to the town in which he taught school, and there take the train. My conversation with this young man as we drove along through the country was extremely interesting. He had been a student in one of the Negro colleges--strange coincidence, in the very college, as I learned through him, in which "Shiny" was now a professor. I was, of course, curious to hear about my boyhood friend; and had it not been vacation time, and that I was not sure that I should find him, I should have gone out of my way to pay him a visit; but I determined to write to him as soon as the school opened. My companion talked to me about his work among the people, of his hopes and his discouragements. He was tremendously in earnest; I might say, too much so. In fact, it may be said that the majority of intelligent colored people are, in some degree, too much in earnest over the race question. They a.s.sume and carry so much that their progress is at times impeded and they are unable to see things in their proper proportions. In many instances a slight exercise of the sense of humor would save much anxiety of soul.

Anyone who marks the general tone of editorials in colored newspapers is apt to be impressed with this idea. If the ma.s.s of Negroes took their present and future as seriously as do the most of their leaders, the race would be in no mental condition to sustain the terrible pressure which it undergoes; it would sink of its own weight. Yet it must be acknowledged that in the making of a race overseriousness is a far lesser failing than its reverse, and even the faults resulting from it lean toward the right.

We drove into the town just before dark. As we pa.s.sed a large, unpainted church, my companion pointed it out as the place where he held his school. I promised that I would go there with him the next morning and visit awhile. The town was of that kind which hardly requires or deserves description; a straggling line of brick and wooden stores on one side of the railroad track and some cottages of various sizes on the other side const.i.tuted about the whole of it. The young school teacher boarded at the best house in the place owned by a colored man. It was painted, had gla.s.s windows, contained "store bought" furniture, an organ, and lamps with chimneys. The owner held a job of some kind on the railroad. After supper it was not long before everybody was sleepy. I occupied the room with the school teacher. In a few minutes after we got into the room he was in bed and asleep; but I took advantage of the unusual luxury of a lamp which gave light, and sat looking over my notes and jotting down some ideas which were still fresh in my mind. Suddenly I became conscious of that sense of alarm which is always aroused by the sound of hurrying footsteps on the silence of the night. I stopped work and looked at my watch. It was after eleven. I listened, straining every nerve to hear above the tumult of my quickening pulse. I caught the murmur of voices, then the gallop of a horse, then of another and another. Now thoroughly alarmed, I woke my companion, and together we both listened. After a moment he put out the light and softly opened the window-blind, and we cautiously peeped out. We saw men moving in one direction, and from the mutterings we vaguely caught the rumor that some terrible crime had been committed. I put on my coat and hat. My friend did all in his power to dissuade me from venturing out, but it was impossible for me to remain in the house under such tense excitement. My nerves would not have stood it. Perhaps what bravery I exercised in going out was due to the fact that I felt sure my ident.i.ty as a colored man had not yet become known in the town.

I went out and, following the drift, reached the railroad station.

There was gathered there a crowd of men, all white, and others were steadily arriving, seemingly from all the surrounding country. How did the news spread so quickly? I watched these men moving under the yellow glare of the kerosene lamps about the station, stern, comparatively silent, all of them armed, some of them in boots and spurs; fierce, determined men. I had come to know the type well, blond, tall, and lean, with ragged mustache and beard, and glittering gray eyes. At the first suggestion of daylight they began to disperse in groups, going in several directions. There was no extra noise or excitement, no loud talking, only swift, sharp words of command given by those who seemed to be accepted as leaders by mutual understanding.

In fact, the impression made upon me was that everything was being done in quite an orderly manner. In spite of so many leaving, the crowd around the station continued to grow; at sunrise there were a great many women and children. By this time I also noticed some colored people; a few seemed to be going about customary tasks; several were standing on the outskirts of the crowd; but the gathering of Negroes usually seen in such towns was missing.

Before noon they brought him in. Two hors.e.m.e.n rode abreast; between them, half dragged, the poor wretch made his way through the dust. His hands were tied behind him, and ropes around his body were fastened to the saddle horns of his double guard. The men who at midnight had been stern and silent were now emitting that terror-instilling sound known as the "rebel yell." A s.p.a.ce was quickly cleared in the crowd, and a rope placed about his neck, when from somewhere came the suggestion, "Burn him!" It ran like an electric current. Have you ever witnessed the transformation of human beings into savage beasts? Nothing can be more terrible. A railroad tie was sunk into the ground, the rope was removed, and a chain brought and securely coiled around the victim and the stake. There he stood, a man only in form and stature, every sign of degeneracy stamped upon his countenance. His eyes were dull and vacant, indicating not a single ray of thought. Evidently the realization of his fearful fate had robbed him of whatever reasoning power he had ever possessed. He was too stunned and stupefied even to tremble. Fuel was brought from everywhere, oil, the torch; the flames crouched for an instant as though to gather strength, then leaped up as high as their victim's head. He squirmed, he writhed, strained at his chains, then gave out cries and groans that I shall always hear.

The cries and groans were choked off by the fire and smoke; but his eyes, bulging from their sockets, rolled from side to side, appealing in vain for help. Some of the crowd yelled and cheered, others seemed appalled at what they had done, and there were those who turned away sickened at the sight. I was fixed to the spot where I stood, powerless to take my eyes from what I did not want to see.

It was over before I realized that time had elapsed. Before I could make myself believe that what I saw was really happening, I was looking at a scorched post, a smoldering fire, blackened bones, charred fragments sifting down through coils of chain; and the smell of burnt flesh--human flesh--was in my nostrils.

I walked a short distance away and sat down in order to clear my dazed mind. A great wave of humiliation and shame swept over me. Shame that I belonged to a race that could be so dealt with; and shame for my country, that it, the great example of democracy to the world, should be the only civilized, if not the only state on earth, where a human being would be burned alive. My heart turned bitter within me. I could understand why Negroes are led to sympathize with even their worst criminals and to protect them when possible. By all the impulses of normal human nature they can and should do nothing less.

Whenever I hear protests from the South that it should be left alone to deal with the Negro question, my thoughts go back to that scene of brutality and savagery. I do not see how a people that can find in its conscience any excuse whatever for slowly burning to death a human being, or for tolerating such an act, can be entrusted with the salvation of a race. Of course, there are in the South men of liberal thought who do not approve lynching, but I wonder how long they will endure the limits which are placed upon free speech. They still cower and tremble before "Southern opinion." Even so late as the recent Atlanta riot those men who were brave enough to speak a word in behalf of justice and humanity felt called upon, by way of apology, to preface what they said with a glowing rhetorical tribute to the Anglo-Saxon's superiority and to refer to the "great and impa.s.sable gulf" between the races "fixed by the Creator at the foundation of the world." The question of the relative qualities of the two races is still an open one. The reference to the "great gulf" loses force in face of the fact that there are in this country perhaps three or four million people with the blood of both races in their veins; but I fail to see the pertinency of either statement subsequent to the beating and murdering of scores of innocent people in the streets of a civilized and Christian city.

The Southern whites are in many respects a great people. Looked at from a certain point of view, they are picturesque. If one will put oneself in a romantic frame of mind, one can admire their notions of chivalry and bravery and justice. In this same frame of mind an intelligent man can go to the theatre and applaud the impossible hero, who with his single sword slays everybody in the play except the equally impossible heroine. So can an ordinary peace-loving citizen sit by a comfortable fire and read with enjoyment of the b.l.o.o.d.y deeds of pirates and the fierce brutality of Vikings. This is the way in which we gratify the old, underlying animal instincts and pa.s.sions; but we should shudder with horror at the mere idea of such practices being realities in this day of enlightened and humanitarianized thought. The Southern whites are not yet living quite in the present age; many of their general ideas hark back to a former century, some of them to the Dark Ages. In the light of other days they are sometimes magnificent. Today they are often cruel and ludicrous.

How long I sat with bitter thoughts running through my mind I do not know; perhaps an hour or more. When I decided to get up and go back to the house, I found that I could hardly stand on my feet. I was as weak as a man who had lost blood. However, I dragged myself along, with the central idea of a general plan well fixed in my mind. I did not find my school teacher friend at home, so I did not see him again. I swallowed a few mouthfuls of food, packed my bag, and caught the afternoon train.

When I reached Macon, I stopped only long enough to get the main part of my luggage and to buy a ticket for New York.

All along the journey I was occupied in debating with myself the step which I had decided to take. I argued that to forsake one's race to better one's condition was no less worthy an action than to forsake one's country for the same purpose. I finally made up my mind that I would neither disclaim the black race nor claim the white race; but that I would change my name, raise a mustache, and let the world take me for what it would; that it was not necessary for me to go about with a label of inferiority pasted across my forehead. All the while I understood that it was not discouragement or fear or search for a larger field of action and opportunity that was driving me out of the Negro race. I knew that it was shame, unbearable shame. Shame at being identified with a people that could with impunity be treated worse than animals. For certainly the law would restrain and punish the malicious burning alive of animals.

So once again I found myself gazing at the towers of New York and wondering what future that city held in store for me.

XI

I have now reached that part of my narrative where I must be brief and touch only on important facts; therefore the reader must make up his mind to pardon skips and jumps and meager details.

When I reached New York, I was completely lost. I could not have felt more a stranger had I been suddenly dropped into Constantinople. I knew not where to turn or how to strike out. I was so oppressed by a feeling of loneliness that the temptation to visit my old home in Connecticut was well-nigh irresistible. I reasoned, however, that unless I found my old music teacher, I should be, after so many years of absence, as much of a stranger there as in New York; and, furthermore, that in view of the step which I had decided to take, such a visit would be injudicious. I remembered, too, that I had some property there in the shape of a piano and a few books, but decided that it would not be worth what it might cost me to take possession.

By reason of the fact that my living expenses in the South had been very small, I still had nearly four hundred dollars of my capital left. In contemplation of this, my natural and acquired Bohemian tastes a.s.serted themselves, and I decided to have a couple of weeks'

good time before worrying seriously about the future. I went to Coney Island and the other resorts, took in the pre-season shows along Broadway, and ate at first-cla.s.s restaurants; but I shunned the old Sixth Avenue district as though it were pest-infected. My few days of pleasure made appalling inroads upon what cash I had, and caused me to see that it required a good deal of money to live in New York as I wished to live and that I should have to find, very soon, some more or less profitable employment. I was sure that unknown, without friends or prestige, it would be useless to try to establish myself as a teacher of music; so I gave that means of earning a livelihood scarcely any consideration. And even had I considered it possible to secure pupils, as I then felt, I should have hesitated about taking up a work in which the chances for any considerable financial success are necessarily so small. I had made up my mind that since I was not going to be a Negro, I would avail myself of every possible opportunity to make a white man's success; and that, if it can be summed up in any one word, means "money."

I watched the "want" columns in the newspapers and answered a number of advertis.e.m.e.nts, but in each case found the positions were such as I could not fill or did not want. I also spent several dollars for "ads"

which brought me no replies. In this way I came to know the hopes and disappointments of a large and pitiable cla.s.s of humanity in this great city, the people who look for work through the newspapers.

After some days of this sort of experience I concluded that the main difficulty with me was that I was not prepared for what I wanted to do. I then decided upon a course which, for an artist, showed an uncommon amount of practical sense and judgment. I made up my mind to enter a business college. I took a small room, ate at lunch counters, in order to economize, and pursued my studies with the zeal that I have always been able to put into any work upon which I set my heart.

Yet, in spite of all my economy, when I had been at the school for several months, my funds gave out completely. I reached the point where I could not afford sufficient food for each day. In this plight I was glad to get, through one of the teachers, a job as an ordinary clerk in a downtown wholesale house. I did my work faithfully, and received a raise of salary before I expected it. I even managed to save a little money out of my modest earnings. In fact, I began then to contract the money fever, which later took strong possession of me.

I kept my eyes open, watching for a chance to better my condition. It finally came in the form of a position with a house which was at the time establishing a South American department. My knowledge of Spanish was, of course, the princ.i.p.al cause of my good luck; and it did more for me: it placed me where the other clerks were practically put out of compet.i.tion with me. I was not slow in taking advantage of the opportunity to make myself indispensable to the firm.

What an interesting and absorbing game is money-making! After each deposit at my savings-bank I used to sit and figure out, all over again, my princ.i.p.al and interest, and make calculations on what the increase would be in such and such time. Out of this I derived a great deal of pleasure. I denied myself as much as possible in order to swell my savings. As much as I enjoyed smoking, I limited myself to an occasional cigar, and that was generally of a variety which in my old days at the "Club" was known as a "Henry Mud." Drinking I cut out altogether, but that was no great sacrifice.

The day on which I was able to figure up a thousand dollars marked an epoch in my life. And this was not because I had never before had money. In my gambling days and while I was with my millionaire I handled sums running high up into the hundreds; but they had come to me like fairy G.o.dmother's gifts, and at a time when my conception of money was that it was made only to spend. Here, on the other hand, was a thousand dollars which I had earned by days of honest and patient work, a thousand dollars which I had carefully watched grow from the first dollar; and I experienced, in owning them, a pride and satisfaction which to me was an entirely new sensation. As my capital went over the thousand-dollar mark, I was puzzled to know what to do with it, how to put it to the most advantageous use. I turned down first one scheme and then another, as though they had been devised for the sole purpose of gobbling up my money. I finally listened to a friend who advised me to put all I had in New York real estate; and under his guidance I took equity in a piece of property on which stood a rickety old tenement-house. I did not regret following this friend's advice, for in something like six months I disposed of my equity for more than double my investment. From that time on I devoted myself to the study of New York real estate and watched for opportunities to make similar investments. In spite of two or three speculations which did not turn out well, I have been remarkably successful. Today I am the owner and part-owner of several flat-houses. I have changed my place of employment four times since returning to New York, and each change has been a decided advancement. Concerning the position which I now hold I shall say nothing except that it pays extremely well.

As my outlook on the world grew brighter, I began to mingle in the social circles of the men with whom I came in contact; and gradually, by a process of elimination, I reached a grade of society of no small degree of culture. My appearance was always good and my ability to play on the piano, especially ragtime, which was then at the height of its vogue, made me a welcome guest. The anomaly of my social position often appealed strongly to my sense of humor. I frequently smiled inwardly at some remark not altogether complimentary to people of color; and more than once I felt like declaiming: "I am a colored man.

Do I not disprove the theory that one drop of Negro blood renders a man unfit?" Many a night when I returned to my room after an enjoyable evening, I laughed heartily over what struck me as the capital joke I was playing.