The walls are panelled and painted a soft taupe--there are no pictures; simply one very beautiful mirror in a dull-gold frame, a Louis XVI reproduction.

PLATE XXIII

In another suite we have a boudoir done in sage greens and soft browns. The curtains of taffeta, in stripes of the two colours.

Two tiers of creme net form sash curtains.

The carpet is a rich mulberry brown, day-bed a reproduction of an antique, painted in faded greens with _panier fleuri_ design on back, in lovely faded colours, taffeta cushions of sage green and an occasional note about the room of mulberry and dull blue.

Electric light shades are of decorated parchment paper.

Really an enchanting nest, and as it is in a New York apartment, and occasionally used as a bedroom, a piece of furniture has been designed for it similar to the wardrobe shown in picture, only not so high. The gla.s.s door, when open, disclose a toilet table, completely fitted out, the presence of which one would never suspect.

[Ill.u.s.tration: _Boudoir in New York Apartment. Painted Furniture, Antique and Reproductions._]

The carpet made of dark taupe velvet covers the entire floor. The furniture is Louis XV, of the wonderful painted sort, the beautiful bed with its low head and foot boards exactly the same height, curving backward; the edges a waved line, the ground-colour a lovely pistache green, and the decoration gay old-fashioned garden flowers in every possible shade. The bureau has three or four drawers and a bowed front with clambering flowers. These two pieces, and a delightful night-table are exact copies of the Clyde Fitch set in the Cooper Hewitt Museum, at New York; the originals are genuine antiques, and their colour soft from age.

A graceful dressing-table, with winged mirrors, has been designed to go with this set, and is painted like the bureau. The gla.s.s is a modern reproduction of the lovely old eighteenth century mirror gla.s.s which has designs cut into it, forming a frame.

For chairs, all-over upholstered ones are used, of good lines and proportions; two or three for comfort, and a low slipper-chair for convenience. These are covered in a chintz with a light green ground, like the furniture, and flowered in roses and violets, green foliage and lovely blue sprays.

The window curtains are of soft, apple-green taffeta, trimmed with a broad puffing of the same silk, edged on each side by black moss-tr.i.m.m.i.n.g, two inches wide. These curtains hang from dull-gold cornices of wood, with open carving, through which one gets glimpses of the green taffeta of the curtains.

The sash-curtains are of the very finest cream net, and the window shades are of glazed linen, a deep cream ground, with a pattern showing a green lattice over which climb pink roses. The shades are edged at the bottom with a narrow pink fringe.

The bed has a cover of green taffeta exactly like curtains, with the same tr.i.m.m.i.n.g of puffed taffeta, edged with a black moss-tr.i.m.m.i.n.g.

The mantelpiece is true to artistic standards and realises the responsibility of its position as keynote to the room. Placed upon it are a beautiful old clock and two vases, correct as to line and colour.

Always be careful not to spoil a beautiful mantel or beautiful ornaments by having them out of proportion one with the other. Plate XXIV shows a mantel which fails as a composition because the bust, an original by Behnes, beautiful in itself, is too heavy for the mantel it stands on and too large for the mirror which reflects it and serves as its background.

Keep everything in correct proportion to the whole. We have in mind the instance of some rarely beautiful walls taken from an ancient monastery in Parma, Italy. They were ideal in their original setting, but since they have been transported to America, no setting seems right. They belonged in a building where there were a succession of small rooms with low ceilings, each room perfect like so many pearls on a string. Here in America their only suitable place would be a museum, or to frame the tiny "devotional" of some precieuse Flower of Modernity.

CHAPTER XXVIII

A MODERN HOUSE IN WHICH GENUINE JACOBEAN FURNITURE IS APPROPRIATELY SET

An original scheme for a dining-room was recently carried out in a country house in England by a woman whose hobby is illuminating. It will appeal to experts in the advance guard of interior decoration.

The woman in question was stimulated for her task by coming into possession of some interesting Jacobean pieces of furniture, of oak, squarely and solidly made, with flat carvings, characteristic of the period.

PLATE XXIV

A beautiful mantel, a beautiful mirror, beautiful ornaments, and a rare and beautiful marble bust by Behnes, but because the bust is too large for both mantel and reflecting mirror, the composition is poor.

[Ill.u.s.tration: _Example of Lack of Balance in Mantel Arrangement_]

The large Jacobean chest happened to be lined, as many of those old chests were, with quaint figured paper, showing a coat-of-arms alternating with another design in large squares of black and grey.

This paper, the owner had reproduced to cover the walls of her dining-room, and then she stained her woodwork black (giving the effect of old black oak), also, the four corner cupboards, but the _inside_ of these cupboards--doors and all--she made a rich Pompeian red and lackered it. The doors are left open and one sees on the shelves of the corner cupboards a wonderful collection of old china, much of it done in rich gold. At night the whole is illuminated with invisible electric bulbs. The gleaming effect is quite marvellous.

The seat-pads on chairs, are made of hides, gilded all over, and on the gilt the owner has painted large baskets holding fruit and flowers done in gay colours. The long Jacobean bench has a golden cushion with baskets painted on it in gay colours.

A part of the wonderful gold china is used at every meal, and the rest of it being left on the shelves of the four cupboards with their Pompeian red lining, when lit up, forms part of the glowing blaze of colour, concentrated in all four corners of this unique room.

The Jacobean library in this house has the same black oak effect for panelling and at the windows, hang long, red silk curtains, with deep borders of gold on which are painted gay flowers. This blaze of colour is truly Jacobean and recalls the bedroom at Knole, occupied by James I where the bed-curtains were of red silk embroidered in gorgeous gold, and the high post bedstead heavily carved, covered with gold and silver tissue, lined with red silk, its head-board carved and gilded.

Another room at Knole was known as the "Spangle" bedroom. James I gave the furniture in it to Lionel, Earl of Middles.e.x. Bed curtains, as well as the seats of chairs and stools, are of crimson, heavily embroidered in gold and silver.

CHAPTER XXIX

UNCONVENTIONAL BREAKFAST-ROOMS AND SPORTS BALCONIES

"Sun-rooms" are now a feature of country and some town houses. One of the first we remember was in Madrid, at the home of Canovas del Castillo, Prime Minister during the Regency. Dejeuner used to be served at one end of the conservatory, in the shadow of tall palms, while fountains played, birds with gay plumage sang, and the air was as fragrant as the tropics. For comfort, deep red rugs were put down on the white marble floors. Which reminds us that in many Spanish hand-made rugs, what is known as "Isabella white" figures conspicuously. The term arises from the following story. It seems that Queen Isabella during the progress of some war, vowed she would not have her linen washed until her army returned victorious. The war was long, hence the term!

In furnishing a conservatory or porch breakfast room, it is best to use some variety of informal tables and chairs, such as painted furniture, willow or bamboo, and coloured, not white, table cloths, doilies and napkins, to avoid the glare from the reflection of strong light. Also, informal china, gla.s.s, etc.

Screens, if necessary, should have frames to accord with the furniture, and the panels should be of wood, or some simple material such as sacking or rough linen, which comes in lovely vivid, out-of-door colours.

The bizarre and fascinating sports balconies overlooking squash courts, tennis courts, golf links, croquet grounds, etc., are among the newest inventions of the decorator. Furnished porches we have all grown accustomed to, and when made so as to be enclosed by gla.s.s, in inclement weather, they may be treated like inside rooms in the way of comforts and conveniences.

The smart porch-room is furnished with only such chairs, tables, sofas and rugs as are appropriate to a place not thoroughly protected from the elements, for while gla.s.s is provided for protection, a summer shower can outstrip a slow-footed servant and valuable articles made for indoors cannot long brave the effect of rain and hot sun.

PLATE XXV

In this case the house stood so near the road that there was no privacy, so the ingenious architect-decorator became landscape-gardener and by making a high but ornamental fence and numerous arbours, carried the eye to the green trees beyond and back to the refreshing tangle of shrubs and flowers in the immediate foreground, until the illusion of being secluded was so complete that the nearby road was forgotten.

[Ill.u.s.tration: _Treatment of Ground Lying Between House and Much Travelled Country Road_]

For this reason furnish your porch with colours which do not fade, and with wicker furniture which knows how to contract and expand to order!

The same rule applies to rugs. Put your Oriental rugs indoors, and use inexpensive, effective porch rugs which, with a light heart, you can renew each season, if necessary.

The sports balcony is fitted out with special reference to the comfort of those who figure as audience for sports, and as a lounge between games, and each hostess vies with her friends in the originality and completeness of equipment, as well as in the costumes she dons in her commendable desire to make of herself a part of her scheme of decoration.

A country place which affords tennis courts, golf links, cricket and polo grounds or has made arrangements for the exercise of any sports, usually makes special provision for the comfort of those engaging in them, more or less as a country club does. There is a large porch for lounging and tea, and a kitchenette where tea, cooling drinks and sandwiches are easily and quickly prepared, without interfering with the routine of the kitchens. There are hot and cold plunge baths, showers, a swimming pool, dressing rooms with every convenience known to man or woman, and a room given over to racks which hold implements used in the various sports, as well as lockers for sweaters, change of linen, socks, etc., belonging to those stopping in the house.

Where sports are a main issue, an entire building is often devoted to the comfort of the partic.i.p.ants. We have in mind the commodious and exceptionally delightful arrangements made for the comfort and pleasure of those playing court tennis in a large and architecturally fine building erected for the purpose on the estate of the Neville Lyttons, Crabber Park, Poundhill, England.