The Arrow of Gold - Part 23
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Part 23

"I forbid you to talk like this about Rose. I won't have it. Rose is not to be abused before me."

"I only mean to say that she failed in this instance to read your mind, that's all."

"This is, without exception, the most unintelligent thing you have said ever since I have known you. You may understand a lot about running contraband and about the minds of a certain cla.s.s of people, but as to Rose's mind let me tell you that in comparison with hers yours is absolutely infantile, my adventurous friend. It would be contemptible if it weren't so-what shall I call it?-babyish. You ought to be slapped and put to bed." There was an extraordinary earnestness in her tone and when she ceased I listened yet to the seductive inflexions of her voice, that no matter in what mood she spoke seemed only fit for tenderness and love.

And I thought suddenly of Azzolati being ordered to take himself off from her presence for ever, in that voice the very anger of which seemed to twine itself gently round one's heart. No wonder the poor wretch could not forget the scene and couldn't restrain his tears on the plain of Rambouillet. My moods of resentment against Rita, hot as they were, had no more duration than a blaze of straw. So I only said:

"Much _you_ know about the management of children." The corners of her lips stirred quaintly; her animosity, especially when provoked by a personal attack upon herself, was always tinged by a sort of wistful humour of the most disarming kind.

"Come, _amigo_ George, let us leave poor Rose alone. You had better tell me what you heard from the lips of the charming old lady. Perfection, isn't she? I have never seen her in my life, though she says she has seen me several times. But she has written to me on three separate occasions and every time I answered her as if I were writing to a queen.

_Amigo_ George, how does one write to a queen? How should a goatherd that could have been mistress of a king, how should she write to an old queen from very far away; from over the sea?"

"I will ask you as I have asked the old queen: why do you tell me all this, Dona Rita?"

"To discover what's in your mind," she said, a little impatiently.

"If you don't know that yet!" I exclaimed under my breath.

"No, not in your mind. Can any one ever tell what is in a man's mind?

But I see you won't tell."

"What's the good? You have written to her before, I understand. Do you think of continuing the correspondence?"

"Who knows?" she said in a profound tone. "She is the only woman that ever wrote to me. I returned her three letters to her with my last answer, explaining humbly that I preferred her to burn them herself. And I thought that would be the end of it. But an occasion may still arise."

"Oh, if an occasion arises," I said, trying to control my rage, "you may be able to begin your letter by the words '_Chere Maman_.'"

The cigarette box, which she had taken up without removing her eyes from me, flew out of her hand and opening in mid-air scattered cigarettes for quite a surprising distance all over the room. I got up at once and wandered off picking them up industriously. Dona Rita's voice behind me said indifferently:

"Don't trouble, I will ring for Rose."

"No need," I growled, without turning my head, "I can find my hat in the hall by myself, after I've finished picking up ... "

"Bear!"

I returned with the box and placed it on the divan near her. She sat cross-legged, leaning back on her arms, in the blue shimmer of her embroidered robe and with the tawny halo of her unruly hair about her face which she raised to mine with an air of resignation.

"George, my friend," she said, "we have no manners."

"You would never have made a career at court, Dona Rita," I observed.

"You are too impulsive."

"This is not bad manners, that's sheer insolence. This has happened to you before. If it happens again, as I can't be expected to wrestle with a savage and desperate smuggler single-handed, I will go upstairs and lock myself in my room till you leave the house. Why did you say this to me?"

"Oh, just for nothing, out of a full heart."

"If your heart is full of things like that, then my dear friend, you had better take it out and give it to the crows. No! you said that for the pleasure of appearing terrible. And you see you are not terrible at all, you are rather amusing. Go on, continue to be amusing. Tell me something of what you heard from the lips of that aristocratic old lady who thinks that all men are equal and ent.i.tled to the pursuit of happiness."

"I hardly remember now. I heard something about the unworthiness of certain white geese out of stuffy drawing-rooms. It sounds mad, but the lady knows exactly what she wants. I also heard your praises sung. I sat there like a fool not knowing what to say."

"Why? You might have joined in the singing."

"I didn't feel in the humour, because, don't you see, I had been incidentally given to understand that I was an insignificant and superfluous person who had better get out of the way of serious people."

"Ah, _par exemple_!"

"In a sense, you know, it was flattering; but for the moment it made me feel as if I had been offered a pot of mustard to sniff."

She nodded with an amused air of understanding and I could see that she was interested. "Anything more?" she asked, with a flash of radiant eagerness in all her person and bending slightly forward towards me.

"Oh, it's hardly worth mentioning. It was a sort of threat wrapped up, I believe, in genuine anxiety as to what might happen to my youthful insignificance. If I hadn't been rather on the alert just then I wouldn't even have perceived the meaning. But really an allusion to 'hot Southern blood' I could have only one meaning. Of course I laughed at it, but only '_pour l'honneur_' and to show I understood perfectly. In reality it left me completely indifferent."

Dona Rita looked very serious for a minute.

"Indifferent to the whole conversation?"

I looked at her angrily.

"To the whole ... You see I got up rather out of sorts this morning.

Unrefreshed, you know. As if tired of life."

The liquid blue in her eyes remained directed at me without any expression except that of its usual mysterious immobility, but all her face took on a sad and thoughtful cast. Then as if she had made up her mind under the pressure of necessity:

"Listen, _amigo_," she said, "I have suffered domination and it didn't crush me because I have been strong enough to live with it; I have known caprice, you may call it folly if you like, and it left me unharmed because I was great enough not to be captured by anything that wasn't really worthy of me. My dear, it went down like a house of cards before my breath. There is something in me that will not be dazzled by any sort of prestige in this world, worthy or unworthy. I am telling you this because you are younger than myself."

"If you want me to say that there is nothing petty or mean about you, Dona Rita, then I do say it."

She nodded at me with an air of accepting the rendered justice and went on with the utmost simplicity.

"And what is it that is coming to me now with all the airs of virtue?

All the lawful conventions are coming to me, all the glamours of respectability! And n.o.body can say that I have made as much as the slightest little sign to them. Not so much as lifting my little finger.

I suppose you know that?"

"I don't know. I do not doubt your sincerity in anything you say. I am ready to believe. You are not one of those who have to work."

"Have to work-what do you mean?"

"It's a phrase I have heard. What I meant was that it isn't necessary for you to make any signs."

She seemed to meditate over this for a while.

"Don't be so sure of that," she said, with a flash of mischief, which made her voice sound more melancholy than before. "I am not so sure myself," she continued with a curious, vanishing, intonation of despair.

"I don't know the truth about myself because I never had an opportunity to compare myself to anything in the world. I have been offered mock adulation, treated with mock reserve or with mock devotion, I have been fawned upon with an appalling earnestness of purpose, I can tell you; but these later honours, my dear, came to me in the shape of a very loyal and very scrupulous gentleman. For he is all that. And as a matter of fact I was touched."

"I know. Even to tears," I said provokingly. But she wasn't provoked, she only shook her head in negation (which was absurd) and pursued the trend of her spoken thoughts.

"That was yesterday," she said. "And yesterday he was extremely correct and very full of extreme self-esteem which expressed itself in the exaggerated delicacy with which he talked. But I know him in all his moods. I have known him even playful. I didn't listen to him. I was thinking of something else. Of things that were neither correct nor playful and that had to be looked at steadily with all the best that was in me. And that was why, in the end-I cried-yesterday."

"I saw it yesterday and I had the weakness of being moved by those tears for a time."