The cloistered effect of the long colonnade surrounding the four sides of the Court of the Ages is deepened by the vaulted ceiling, which, in its Roman simplicity of line, contrasts effectively with the filigreed exterior of the arcade.

The only color in the court, aside from a slight use in the tower and the ma.s.sed luxuriance of flowers, is found in the corridors where, between the square pilasters, the prevailing old ivory is stained pink of a deeper tone than in the other courts. The ivory pilasters are carried up into the ceiling in curving, transverse arches, while the band of blue, following their edges, leads to the rich blue depths between them. At the far end of every vista glows the riot of color in the mural paintings by Frank Brangwyn. The play of sunlight through the succession of rounded arches increases the sense of bright charm.

--M. W. R.

Court of Ages The Tower Through North Aisle

In the North Court of Ages, leading to the Esplanade, the tower is identical with the main court, and the entire architectural treatment, while simpler, is in the same spirit. Robbed of the complex symbolism by which, in the larger court, the evolution of the lower forms of life is depicted, the higher spiritual lesson is here intensified. The sculptured groups in the tower, by Chester A. Beach of San Francisco, represent the rise of humanity through successive ages of civilization.

The conventionalized lily petals decorating the summit of the tower suggest the highest forms of plant life. The delicate lace-like finials, rising from the highest points of court and tower alike, express aspiration. The chanticleers on the finials surrounding the court symbolize the dawn of Christianity.

The star-like cl.u.s.ters of lights, raised aloft, two in the main court and four in the north court, deepen the ecclesiastical atmosphere by suggesting the golden monstrance emblematic of the rays of the sun and of the radiating presence of G.o.d, and used in the Catholic Church as a receptacle for the sacred host.

--M. W. R.

Florentine Court Palace of Transportation

The Florentine Court and the Venetian Court lie east and west respectively of the Court of the Universe. They are sometimes called the Aisles of the Rising and the Setting Sun. While in reality only connecting avenues, the wealth or careful detail lavished upon them makes of them charming interludes between the larger and more imposing courts, and yet so skillfully do they conform to the general plan that they blend one larger court with another, without expressing a distinct individuality of their own. They were planned by W. B. Faville of San Francisco. While identical in design upon three sides, their adaptation upon the fourth side to the courts which they adjoin, east and west, and the variety in landscape effects, insure against exact duplication.

The Florentine Court lies between the Court of Ages and the Court of the Universe, with the Palace of Transportation bounding it on the north and the Palace of Manufactures on the south. Its eastern wall repeats the rich decorative treatment of the Court of Ages, which it joins.

Court of the Universe Through Three Great Arches

When one stands in the Court of the Four Seasons, facing east, two splendid arches are seen framed by the Eastern Gateway of the Court. The first, across the Venetian Court, is the Arch of the Setting Sun, surmounted by its symbolic group of the Nations of the West. Across the vast Court of the Universe, beyond the Fountains of the Rising and the Setting Sun, is the triumphal Arch of the Rising Sun surmounted by its symbolic group of the Nations of the East.

These magnificent modern expressions of the arches erected by the old Romans to commemorate their triumphs were designed by McKim, Mead and White, the architects of the Court of the Universe, and are richly adorned with sculpture designed by various artists. In the attics are carved appropriate inscriptions selected by Porter Garnett, which will be found on succeeding pages.

There is an atmosphere of bigness about the Court of the Universe, created not only by the architectural features, but by the symbolism of the final meeting of the Nations of the World, made possible by the completion of the Panama Ca.n.a.l.

Court of the Universe Triumphal Arch, The Setting Sun

The magnificent ma.s.s of the Western Arch is heightened at night by the effective illumination. Shafts of white light from concealed projectors pick out, the sculptured group that surmounts it. The bulk of the arch catches only the rays from minor lamps within the court and upon this shadowy pedestal, the group of the Nations of the West stands out in strong relief. Below, the ceilings of the arch and corridors are brilliant from concealed lights placed within them.

Court of the Universe Triumphal Arch, The Rising Sun

The triumphal arches which by night gain in majesty and mysterious power, by day have the added beauty of the color manipulation and decorative treatment, which is exceedingly rich and varied.

The twisted columns of Sienna marble which flank the arch, two on either side, are composite, mingling Corinthian and Ionic elements. Each column is crowned with a sculptured figure, representing the "Angel of Peace"

by Leo Lentelli. Between the columns, set in a square of deep pink, is a burnt orange medallion, the figures in relief, suggesting Nature and Art, being designed by A. Stirling Calder and B. Bufano.

On either side of the curve of the arch, latticed windows in green give a Moorish touch. The figures in the spandrels, representing Pegasus are by Frederick G. R. Roth. A frieze in relief, bands the arch beneath the inscription, while Cleopatra's needle, four times repeated, gives height and cla.s.sic emphasis to the crenellated parapet out-lining the summit.

The sculptured groups "The Nations of the East" and "The Nations of the West" are the joint work of A. Stirling Calder, Frederick G. R. Roth and Leo Lentelli.

Court of the Universe Fountain of the Rising Sun

In the eastern portion of the sunken garden is the Fountain of the Rising Sun. The tall, slender shaft, a column of travertine by day and a column of light by night, supports a sphere upon which is poised a statue typifying the dawn of day. Adolph A. Weinman is the sculptor of this "Rising Sun" which is so deservedly popular on account of the irresistible appeal of the youthful figure.

Everything about the fountain is indicative of the vigor of youth, the energy a.s.sociated with the rising of the sun. The friezes about the base represent the triumph of light over darkness, and the merry play of waters suggests perpetual activity. The concrete bowl is of goodly proportions and within the pool are sculptured figures representing mythical creatures of the ocean.

Bordering the fountain are gardens, at first ablaze with rhododendrons, then ma.s.sed with the pink blooms of hydrangeas, and later bright with the flowers of each successive season.

Court of the Universe Fountain of the Setting Sun

Quite as lovely in every detail as the preceding is the Fountain of the Setting Sun. It is in the opposite portion of the sunken garden where, when the sun is in its descent, it is shadowed by the Triumphal Arch of the Nations of the West.

Crowning the pillar is the figure of a maid, her drooping wings and languorous pose denoting relaxation, a suspension of the day's toil.

This statue was also modeled by Adolph A. Weinman. The supporting shaft conveys an impression of buoyancy and there are friezes above and below the bowl of the fountain similar to those of the Rising Sun. At night the columns which support these figures are aglow with concealed lights, and the beauty of the fountain is wonderfully enhanced.

Court of the Universe The Fountain Pool and Tower

The inscriptions on the two Triumphal Arches in the Court of the Universe are drawn respectively from Occidental and Oriental literature.

It was designed that the large central panels possess a cosmical, an epical, or an elemental quality, and that the smaller panels on either side deal with abstractions, such as truth, nature or beauty. In accordance with this plan, the inscriptions on the Arch of the Setting Sun facing away from the court are as follows:

The panel at the left of the attic, representing Italy, reads

The world is in its most excellent state when justice is supreme.-- Dante.

The panel in the center of the attic, representing Germany, is inscribed

It is absolutely indispensable for the United States to effect a pa.s.sage from the Mexican Gulf to the Pacific Ocean; and I am certain that they will do it. Would that I might live to see it--but I shall not.--Goethe.

The panel at the right of the attic, representing France, reads

The Universe, an infinite sphere, the center everywhere, the circ.u.mference, nowhere. Pascal.

Court of the Universe Corinthian Colonnade & Gardens

The inscriptions on the Arch of the Setting Sun, facing the Court, are as follows:

The panel at the left of the attic, representing England, reads

In nature's infinite book of secrecy a little I can read.--Shakespeare.