"Please don't be shocked," she mocked him. "You know as well as I do how Marcus lives."

"The boy is very fond of you."

"The boy is between thirty and thirty-six," she said tersely. "And he's not the kind of boy that I am particularly fond of. He is useful and may be more useful yet."

She rose, stretched her arms and yawned.

"I'm going up to my room to work on my story. You are watching for Mr.

Jaggs?"

"Work on what?" he said.

"The story I am writing and which I think will create a sensation," she said calmly.

"What's this?" asked Briggerland suspiciously. "A story? I didn't know you were writing that kind of Stuff."

"There are lots of important things that you know nothing about, parent," she said and left him a little dazed.

For once Jean was not deceiving him. A writing table had been put in her room and a thick pad of paper awaited her attention. She got into her kimono and with a little sigh sat down at the table and began to write.

It was half-past two when she gathered up the sheets and read them over with a smile which was half contempt. She was on the point of getting into bed when she remembered that her father was keeping watch below.

She put on her slippers and went downstairs and tapped gently at the door of the darkened dining-room.

Almost immediately it was opened.

"What did you want to tap for?" he grumbled. "You gave me a start."

"I preferred tapping to being shot," she answered. "Have you heard anything or seen anybody?"

The French windows of the dining-room were open, her father was wearing his coat and on his arm she saw by the reflected starlight from outside he carried a shot-gun.

"Nothing," he said. "The old man hasn't come to-night."

She nodded.

"Somehow I didn't think he would," she said.

"I don't see how I can shoot him without making a fuss."

"Don't be silly," said Jean lightly. "Aren't the police well aware that an elderly gentleman has threatened my life, and would it be remarkable if seeing an ancient man prowl about this house you shot him on sight?"

She bit her lips thoughtfully.

"Yes, I think you can go to bed," she said. "He will not be here to-night. To-morrow night, yes."

She went up to her room, said her prayers and went to bed and was asleep immediately.

Lydia had forgotten about Jean's story until she saw her writing industriously at a small table which had been placed on the lawn. It was February, but the wind and the sun were warm and Lydia thought she had never seen a more beautiful picture than the girl presented sitting there in a garden spangled with gay flowers, heavy with the scent of February roses, a dainty figure of a girl, almost ethereal in her loveliness.

"Am I interrupting you?"

"Not a bit," said Jean, putting down her pen and rubbing her wrist.

"Isn't it annoying. I've got to quite an exciting part, and my wrist is giving me h.e.l.l."

She used the word so naturally that Lydia forgot to be shocked.

"Can I do anything for you?"

Jean shook her head.

"I don't exactly see what you can do," she said, "unless you could--but, no, I would not ask you to do that!"

"What is it?" asked Lydia.

Jean puckered her brows in thought.

"I suppose you could do it," she said, "but I'd hate to ask you. You see, dear, I've got a chapter to finish and it really ought to go off to London to-day. I am very keen on getting an opinion from a literary friend of mine--but, no, I won't ask you."

"What is it?" smiled Lydia. "I'm sure you're not going to ask the impossible."

"The thought occurred to me that perhaps you might write as I dictated.

It would only be two or three pages," said the girl apologetically. "I'm so full of the story at this moment that it would be a shame if I allowed the divine fire of inspiration--that's the term, isn't it--to go out."

"Of course I'll do it," said Lydia. "I can't write shorthand, but that doesn't matter, does it?"

"No, longhand will be quick enough for me. My thoughts aren't so fast,"

said the girl.

"What is it all about?"

"It is about a girl," said Jean, "who has stolen a lot of money----"

"How thrilling!" smiled Lydia.

"And she's got away to America. She is living a very full and joyous life, but the thought of her sin is haunting her and she decides to disappear and let people think she has drowned herself. She is really going into a convent. I've got to the point where she is saying farewell to her friend. Do you feel capable of being harrowed?"

"I never felt fitter for the job in my life," said Lydia, and sitting down in the chair the girl had vacated, she took up the pencil which the other had left.

Jean strolled up and down the lawn in an agony of mental composition and presently she came back and began slowly to dictate.

Word by word Lydia wrote down the thrilling story of the girl's remorse, and presently came to the moment when the heroine was inditing a letter to her friend.

"Take a fresh page," said Jean, as Lydia paused half-way down one sheet. "I shall want to write something in there myself when my hand gets better. Now begin:

"MY DEAR FRIEND."

Lydia wrote down the words and slowly the girl dictated.

"_I do not know how I can write you this letter. I intended to tell you when I saw you the other day how miserable I was. Your suspicion hurt me less than your ignorance of the one vital event in my life which has now made living a burden. My money has brought no joy to me. I have met a man I love, but with whom I know a union is impossible. We are determined to die together--farewell--_"