Whether the colossal figure be a petrifaction or a piece of statuary, it is a mystery and a success. Who carved it?. When was it made? Whom does it represent? What is its lesson?

Why was it hidden? How happens it that tradition is silent about it? These are puzzling questions, which at present are solved only by conjecture.

Let no one imagine that he has an adequate conception of this wonder till he has seen it, with his own eyes. Description seems to be no aid whatever; ocular inspection is positively necessary.

He who fails to see the curiosity in its present locality and position, will have reason to regret this neglect or misfortune all his life time.

I was not permitted to make a careful and thorough examination.

"Hands off," was the imperative order of the proprietor, and I bowed to the decreer. I craved permission to apply a drop of acid in order to determine certainly whether the material was gypsum or ordinary limestone, but my request was denied. If on the application of acid there had been no effervescence, the inference would be that the specimen was not limestone, the material of which petrifactions are usually composed. But although chemical tests and manipulations were prohibited, there seemed to be no disposition to forbid the use of our eyes--at a respectful distance. And the proprietor very kindly refrained from exacting a promise that we would not express an opinion, if we should have temerity enough to form one.

I take it that this specimen was carefully placed in its present locality. Had it been washed from a distance, it would have been fractured and mutilated, and it would not in all likelihood, have lodged in its present easy and natural position.

If this were once a living man, he must have died ages and ages ago.

If buried, the acc.u.mulated deposits upon his grave, in this low piece of ground, during thousands of years would have been deeper than three feet. If he were drowned, or if he lay down on the surface of the earth to die, the flesh would have decayed and dropped from his bones without petrification. If he were petrified in his present locality, we ought to find other petrifications in its immediate neighborhood, whereas all the twigs and branches which covered and surrounded him are free from the slightest encrustation.

Human bodies do not petrify in layers; but the strata in the Cardiff giant, especially on the left side, are as manifest as they are in a ledge of rocks. The eye brows, the tip of the nose, the breast and the thigh are of the same stratum, and the layers in the right arm are clearly of different degrees of density.

The conclusion seems irresistible that the giant is a work of art rather than of nature. The sculpture must have been done some years ago, or the lower parts of the figure would not have crumbled and been washed away by the sluggish oozing of the water through the soil.

Its age cannot antedate the present race of men, for the shape of the head and the features are entirely modern. The old-time people, as portrayed in the sculpture of a.s.syria and Egypt, had no such heads as this. The artist evidently took a corpse for a model and proportioned his colossal figure by careful measurement. He was thus enabled to secure the general anatomical accuracy for which his giant is remarkable. He followed the model very closely, not attempting to represent a living being, not venturing even to supply the missing hair. And these omissions, the result of inexperience, furnish, singularly enough, the princ.i.p.al arguments to the petrifactionists. For the popular opinion that the body and head are hollow, that the nostrils and other orifices are open, and that the tendons in the decayed leg are visible, has not the slightest foundation. Why was this image made? Why hidden? and by whom? are questions which I must be excused from answering at present. HENRY

THE BELIEF OF THE ONONDAGA INDIANS--THE BODY OF AN INDIAN PROPHET.

To the Editor of the Syracuse Journal:-- In your columns devoted to "Letters from the People," I thought you would at this time publish the following, it being interesting as one of the current opinions of the Indians of "the Castle"

regarding the wonderful "human petrified statue," which, in its colossal proportions and the sphynx-like silence of its history is so electrifying and exciting the people.

By one of the old squaws I am told that a large number of Onondagas believe that the statue is the petrified body of a gigantic Indian prophet, who flourished many centuries ago, and who foretold the coming of the pale-faces, though long before the foot of our forefathers had touched the western continent. He warned his people with prophetic fervor of the coming encroachments of the white man, and the necessity of their abstinence from a poison drink he would bring to craze and destroy them. He told them that he should die and be buried out of their sight, but that THEIR DESCENDANT WOULD SEE HIM--AGAIN. J.P. FOSTER, State Agent and Teacher for the Onondaga Indians.

THE STONE GIANT.

On Sat.u.r.day the sale of the remaining one-half interest in the Great Giant Wonder was closed up. Another partner, Mr. Wm. Spencer --an old-time schoolmate of Mr. Newell--was taken in, so that the present owners are Wm. C. Newell, of Cardiff, Alfred Higgins, Dr.

Amos Westcott and Amos Gillett, of this city, David H. Hannurn, of Homer, and Wm. Spencer, of Utica.

Sat.u.r.day was a bad day, as to weather; nevertheless several hundred visited the Giant.

Sunday was a crusher. The people began to go early, and kept going all day long. From eleven to three o'clock it was a dense ma.s.s of people on the Newell farm. Around the house and barns acres were covered with teams and wagons, and the road, for a long distance in either direction, was lined with them. It seemed as if such another jam never went to a show before, and it was with great difficulty that the line could be kept so that all could have a fair sight. All the proprietors were on hand, and did all they could to accommodate the crowd. At three P.M. twenty-three hundred tickets had been sold, Mr. Higgins bringing in the $1,150 received therefor, for safety. Not less than three hundred tickets were sold after three o'clock, so the total number of visitors for the day would be 2,600.

The Tully story of fraud is exploded. The mysterious man said to have visited that village, etc., turns out to be no other than a cousin of Mr. Newell's, a resident of Binghamton, and a tobacconist.

He was on the grounds all day yesterday, and frankly told all there was of his visit at the time alleged, to the satisfaction of every one.

LETTER FROM A PETRIFACTIONIST.

EDITOR STANDARD:--Permit me to notice a few of the arguments upon the Cardiff discovery, appearing in your paper of Sat.u.r.day last, and the Journal of the same day.

It seems a committee of the editors and owners of the Journal, named respectively Tom, d.i.c.k and Harry, of widely various characteristics, visited the Giant last week, and treat the subject on their return by articles published in that highly original sheet, according to their respective peculiarities. Tom, who is evidently admired in his family circle as a man of great humor, has so cultivated that faculty that it presents an abnormal development, and if petrification ever does overtake him, posterity may hope it will not operate upon his intellectual faculties. d.i.c.k, on the other hand, is gloomily satirical, and by the aid of that useful faculty utterly annihilates his opponents without saying anything. But last, Harry takes up the theme and treats it in a spirit becoming the gravity of the subject.

He thinks that the artist formed the figure according to a pattern, having a cold "corpse" conveniently by as a model, from which he could take "careful measurement," and proceeded to make this figure, not attempting, he says, to make this corpse look like a "living figure," which certainly was modest in the artist. He also says that he did not attempt to "supply the missing hair." The question very naturally arises here, "Why was the hair missing, and how long had the corpse been a corpse to lose its hair? and was it a pleasant occupation to do business with such a corpse?"

This omission (i.e. to put on hair), Harry says, arose from "inexperience."

Now, experience is certainly an excellent thing, and when properly acquired and wisely used is undoubtedly of considerable benefit to mankind. But that it was necessary, in order to enable an artist to know that hair grows on the human head, we had not before supposed. Into such absurdities, oh Harry, does he run who abandons his familiar scissors for the unaccustomed pen.

I will briefly refer to the letter of Rev. S.R. Calthrop in favor of the statue theory. While it shows the scholarship of its author, his thorough appreciation of artistic influences, and the wonderful imitation of nature produced by the one who formed this figure, it does not seem to me to go very far towards proving his position.

Starting off with the idea that many reasons may be given against the theory of petrification, he commences with number one, and then he stops; it is true he gives one other reason, but neglects to number it; and the two reasons are--

First, that evidences of stratification appear on the body, thereby a.s.suming that they would not appear in a petrified body; and, secondly, that the separate members of the body are not detached from each other as they were in life, a.s.suming also that this does occur in cases of petrifaction.

Are these a.s.sumptions correct as matters of fact?

The evidence as to the existence of strata in this body is very conflicting. A number of professional persons who visited this figure on Sat.u.r.day, and subjected it to close scrutiny with a powerful magnifying gla.s.s, and who all, by the way, hold the "statue theory," say there were no evidences of stratification in the body; that what appears to be such is simply the difference in shading, produced by the greater or less density of the material composing the figure. The appearances indicating stratification are also explainable by the action of the water, charged with carbonate of lime, upon the body. The line of contact between the body and the water would necessarily receive a deposit of lime, causing a straight line of lighter color to appeal oi the body. It is also a fact, which I have learned from quite a number who first visited the body when it was submerged in water, that the present water level leaves exposed the nose, eyebrow and breast at the points where some persons now think they see stratification. In fact, deposits of carbonate of lime of a whitish color, even now, adhere to the left ear and side of the face which show the presence of that substance in the water, and that it will adhere to and become a part of the subject with which it is brought in contact.

Now, how is stratification produced in the formation of stone and rocks. It is said by geologists to be formed only when the original material forming the rock or stone has been transported and deposited by the operation of a body of water holding the material in solution, and depositing it in alternate layers at its place of destination.

How is a petrified body formed? Science answers, that it is formed by the gradual infiltration of silicious earth, pyrites of iron, carbonate or sulphate of lime, into the pores of the body, taking the place of the decaying parts, and subst.i.tuting a new and original substance to take the place and form of the body petrified. These substances are always conveyed to their place of destination, and then applied to accomplish their purpose by the operation of water.

The petrified substance may have none of the material composing the original figure, and the nature of the body formed either a.s.similates to the material around it, or is determined by that of which it is composed. So also all of the substances forming petrifaction may be found together in the same subject, or they may accomplish their work separately.

Silicious earth goes largely to form flint quartz and the various kinds of sandstone carbonate of lime, of limestone, and so of the other materials mentioned forming their peculiar kinds of stone. I have heard one statue-theorist trying to prove that the decayed portion of one of the legs showed the presence of flint, and therefore he argued it could not be a petrifaction. Not so. It probably would prove, if true, that the figure was not a statue, for pieces of flint are not found in such material, unless it be a petrifaction, in which case silicious earth would account for it.

Now it is safe to say that there is no substance that enters into the composition of stone that does not enter into the formation of a petrifaction.

Now, these materials are, in cases of petrifaction, brought to the spot and deposited by action of the water--precisely such an operation as forms strata of rock; should it not produce the same effect in the appearance of successive layers or strata in the subject of petrifaction? With reference to the other objection to the theory of petrifaction, viz:--that the members of the body are conjoined and not detached--it is sufficient to say, from the very nature of the operation of petrifaction, portions of the body lying in contact would necessarily be conjoined and filled up. The wasting portions of the body are silently but surely supplied by nature, and as the transformation progresses, nature causes her deposit to adhere to its proximate kindred matter, and forms thus a solid and adhering body.

It is also somewhat worthy of observation that fossiliferous remains occur more frequently, than elsewhere, in marshy and swampy places in this country. Thus the low marshes known as the "Blue Licks"

in Kentucky, and other similar places abound in specimens of fossil remains. These are often, indeed, quite commonly found near the surface of the ground, and it is a fact that the material and formation of marshy grounds change less through the operation of time than other places. The Pantine Marshes and the Marshfield Fens have preserved forms and characteristics for centuries upon centuries. Why is it then, that we are to be driven for a solution of the question as to the character of this curiosity to a hundred improbable and unnatural suppositions, when the thing may be explained by perfectly natural causes without violating any probabilities?

It is somewhat amusing to talk with the various advocates of the "statue theory," as each successive one is sure to knock over his predecessor's structure before he begins to build his own.

The endless suppositions which are produced to account for this marvelous work as a production of the sculptor are certainly a great credit to the imaginative faculties or inventive genius of our people, but people of ordinary intelligence find it hard to believe that men of wonderful genius and skill inhabited our original forests for the purpose of producing gems of art and then burying them in the marshes, or that men of culture and education go traveling in a wild and barbarous country enc.u.mbered by a piece of statuary weighing about two tons and being necessarily somewhat inconvenient to carry in our pockets.

Yours, Com.

OPINION OF PROFESSOR HALL, STATE GEOLOGIST.

Professor Hall, gives the following definite opinion, in the Albany Argus of Monday, the 20th of October:

GENTLEMEN:--Your paragraph in this morning's issue, relative to the Onondagas Stone Giant, does injustice to the proprietor of that most remarkable object.

Dr. Woolworth and Prof. Hall left here on Thursday afternoon, with the intent of visiting, as they had been solicited to do, the supposed fossil giant or statue--for there were conflicting opinions in regard to its nature. On Friday morning they left Syracuse for Cardiff with Dr. Wieting and Judge Woolworth of the former place.

As soon as practicable after their arrival, the tent was cleared of visitors, the party named were admitted and left to their undisturbed investigations for a full quarter of an hour; and when it is understood that the crowd outside were enough to twice fill the tent, and all desirous of seeing, and that the receipts of the owner for tickets were $26 per hour, it seemed scarcely civil to occupy a longer time.

The Giant, as has already been stated, is a statue of crystalline gypsum (not a cast) lying upon its back, or slightly inclining to the right side, and in an att.i.tude of rest or sleep. The head is directed to the east, southeast, and the body, without support or pedestal, lies upon a thin stratum of gravel, which has been covered by about three feet or more of fine silt, in the bottom of which are some partially decayed roots or branches of trees-- doubtless floated there at the beginning of the silt deposit.

The water, oozing from the southwest, along this gravel bed, has dissolved that side of the statue and gives it a pitted appearance, such as ma.s.ses of gypsum or limestone acquire when long exposed to the action of the water. The earth at the sides of the pit bear no evidence of having been disturbed since its original deposition, and, to all appearances, this statue lay upon the gravel when the deposition of the fine silt or soil began, and upon the surface of which the forests have grown for succeeding generations

Altogether, it is the most remarkable object yet brought to light in this country, id altogether, perhaps, not dating back to the stone age, is, nevertheless, deserving of the attention of archaeologists. H. Albany, NY, October 23, 1869.

From the Syracuse Journal Oct. 25, 1869.

MORE THAN A NINE DAYS' WONDER.