"Why, it's just the time to say it," said Newman, fervently. "After forty years one wants a change."

"You are very kind, sir;" and this faithful servant dropped another curtsey and seemed disposed to retire. But she lingered a moment and gave a timid, joyless smile. Newman was disappointed, and his fingers stole half shyly half irritably into his waistcoat-pocket. His informant noticed the movement. "Thank G.o.d I am not a Frenchwoman," she said. "If I were, I would tell you with a brazen simper, old as I am, that if you please, monsieur, my information is worth something. Let me tell you so in my own decent English way. It IS worth something."

"How much, please?" said Newman.

"Simply this: a promise not to hint to the countess that I have said these things."

"If that is all, you have it," said Newman.

"That is all, sir. Thank you, sir. Good day, sir." And having once more slid down telescope-wise into her scanty petticoats, the old woman departed. At the same moment Madame de Cintre came in by an opposite door. She noticed the movement of the other portiere and asked Newman who had been entertaining him.

"The British female!" said Newman. "An old lady in a black dress and a cap, who curtsies up and down, and expresses herself ever so well."

"An old lady who curtsies and expresses herself?... Ah, you mean poor Mrs. Bread. I happen to know that you have made a conquest of her."

"Mrs. Cake, she ought to be called," said Newman. "She is very sweet.

She is a delicious old woman."

Madame de Cintre looked at him a moment. "What can she have said to you?

She is an excellent creature, but we think her rather dismal."

"I suppose," Newman answered presently, "that I like her because she has lived near you so long. Since your birth, she told me."

"Yes," said Madame de Cintre, simply; "she is very faithful; I can trust her."

Newman had never made any reflections to this lady upon her mother and her brother Urbain; had given no hint of the impression they made upon him. But, as if she had guessed his thoughts, she seemed careful to avoid all occasion for making him speak of them. She never alluded to her mother's domestic decrees; she never quoted the opinions of the marquis. They had talked, however, of Valentin, and she had made no secret of her extreme affection for her younger brother. Newman listened sometimes with a certain harmless jealousy; he would have liked to divert some of her tender allusions to his own credit. Once Madame de Cintre told him with a little air of triumph about something that Valentin had done which she thought very much to his honor. It was a service he had rendered to an old friend of the family; something more "serious" than Valentin was usually supposed capable of being. Newman said he was glad to hear of it, and then began to talk about something which lay upon his own heart. Madame de Cintre listened, but after a while she said, "I don't like the way you speak of my brother Valentin."

Hereupon Newman, surprised, said that he had never spoken of him but kindly.

"It is too kindly," said Madame de Cintre. "It is a kindness that costs nothing; it is the kindness you show to a child. It is as if you didn't respect him."

"Respect him? Why I think I do."

"You think? If you are not sure, it is no respect."

"Do you respect him?" said Newman. "If you do, I do."

"If one loves a person, that is a question one is not bound to answer,"

said Madame de Cintre.

"You should not have asked it of me, then. I am very fond of your brother."

"He amuses you. But you would not like to resemble him."

"I shouldn't like to resemble any one. It is hard enough work resembling one's self."

"What do you mean," asked Madame de Cintre, "by resembling one's self?"

"Why, doing what is expected of one. Doing one's duty."

"But that is only when one is very good."

"Well, a great many people are good," said Newman. "Valentin is quite good enough for me."

Madame de Cintre was silent for a short time. "He is not good enough for me," she said at last. "I wish he would do something."

"What can he do?" asked Newman.

"Nothing. Yet he is very clever."

"It is a proof of cleverness," said Newman, "to be happy without doing anything."

"I don't think Valentin is happy, in reality. He is clever, generous, brave; but what is there to show for it? To me there is something sad in his life, and sometimes I have a sort of foreboding about him. I don't know why, but I fancy he will have some great trouble--perhaps an unhappy end."

"Oh, leave him to me," said Newman, jovially. "I will watch over him and keep harm away."

One evening, in Madame de Bellegarde's salon, the conversation had flagged most sensibly. The marquis walked up and down in silence, like a sentinel at the door of some smooth-fronted citadel of the proprieties; his mother sat staring at the fire; young Madame de Bellegarde worked at an enormous band of tapestry. Usually there were three or four visitors, but on this occasion a violent storm sufficiently accounted for the absence of even the most devoted habitues. In the long silences the howling of the wind and the beating of the rain were distinctly audible.

Newman sat perfectly still, watching the clock, determined to stay till the stroke of eleven, but not a moment longer. Madame de Cintre had turned her back to the circle, and had been standing for some time within the uplifted curtain of a window, with her forehead against the pane, gazing out into the deluged darkness. Suddenly she turned round toward her sister-in-law.

"For Heaven's sake," she said, with peculiar eagerness, "go to the piano and play something."

Madame de Bellegarde held up her tapestry and pointed to a little white flower. "Don't ask me to leave this. I am in the midst of a masterpiece.

My flower is going to smell very sweet; I am putting in the smell with this gold-colored silk. I am holding my breath; I can't leave off. Play something yourself."

"It is absurd for me to play when you are present," said Madame de Cintre. But the next moment she went to the piano and began to strike the keys with vehemence. She played for some time, rapidly and brilliantly; when she stopped, Newman went to the piano and asked her to begin again. She shook her head, and, on his insisting, she said, "I have not been playing for you; I have been playing for myself." She went back to the window again and looked out, and shortly afterwards left the room. When Newman took leave, Urbain de Bellegarde accompanied him, as he always did, just three steps down the staircase. At the bottom stood a servant with his overcoat. He had just put it on when he saw Madame de Cintre coming towards him across the vestibule.

"Shall you be at home on Friday?" Newman asked.

She looked at him a moment before answering his question. "You don't like my mother and my brother," she said.

He hesitated a moment, and then he said softly, "No."

She laid her hand on the bal.u.s.trade and prepared to ascend the stairs, fixing her eyes on the first step.

"Yes, I shall be at home on Friday," and she pa.s.sed up the wide dusky staircase.

On the Friday, as soon as he came in, she asked him to please to tell her why he disliked her family.

"Dislike your family?" he exclaimed. "That has a horrid sound. I didn't say so, did I? I didn't mean it, if I did."

"I wish you would tell me what you think of them," said Madame de Cintre.

"I don't think of any of them but you."

"That is because you dislike them. Speak the truth; you can't offend me."

"Well, I don't exactly love your brother," said Newman. "I remember now.

But what is the use of my saying so? I had forgotten it."

"You are too good-natured," said Madame de Cintre gravely. Then, as if to avoid the appearance of inviting him to speak ill of the marquis, she turned away, motioning him to sit down.