Then there was the problem of getting the rope over the branch in the first place. An hour or two's experimenting with some fine tough cord and a length of springy branch produced a bow; the Swiss Army knife cut some arrows, with stiff leaves in place of feathers to stabilize them in flight; and finally, after a day's work, Mary was ready to begin. But the sun was setting, and her hands were tired, and she ate and slept, preoccupied, while the mulefa mulefa discussed her endlessly in their quiet, musical whispers. discussed her endlessly in their quiet, musical whispers.

First thing in the morning, she set off to shoot an arrow over a branch. Some of the mulefa mulefa gathered to watch, anxious for her safety. Climbing was so alien to creatures with wheels that the very thought of it horrified them. gathered to watch, anxious for her safety. Climbing was so alien to creatures with wheels that the very thought of it horrified them.

Privately Mary knew how they felt. She swallowed her nervousness and tied an end of the thinnest, lightest line to one of her arrows, and sent it flying upward from the bow.

She lost the first arrow: it stuck in the bark partway up and wouldn't come out. She lost the second because, although it did clear the branch, it didn't fall far enough to reach the ground on the other side, and pulling it back, she caught it and snapped it. The long line fell back attached to the broken shaft, and she tried again with the third and last, and this time it worked.

Pulling carefully and steadily so as not to snag the line and break it, she hauled the prepared rope up and over until both ends were on the ground. Then she tied them both securely to a massive buttress of one of the roots, as thick around as her own hips. So it should be fairly solid, she thought. It had better be. What she couldn't tell from the ground, of course, was what kind of branch the whole thing, including her, would be depending on. Unlike climbing on rock, where you could fasten the rope to pitons on the cliff face every few yards so you never had far to fall, this business involved one very long free length of rope, and one very long fall if anything went wrong. To make herself a little more secure, she braided together three small ropes into a harness, and passed it around both hanging ends of the main rope with a loose knot that she could tighten the moment she began to slip.

Mary put her foot in the first sling and began to climb.

She reached the canopy in less time than she'd anticipated. The climbing was straightforward, the rope was kindly on her hands, and although she hadn't wanted to think about the problem of getting on top of the first branch, she found that the deep fissures in the bark helped her to get a solid purchase and feel secure. In fact, only fifteen minutes after she'd left the ground, she was standing on the first branch and planning her route to the next.

She had brought two more coils of rope with her, intending to make a web of fixed lines to serve in place of the pitons and anchors and "friends" and other hardware she relied on when climbing a rock face. Tying them in place took her some minutes more, and once she'd secured herself, she chose what looked like the most promising branch, coiled her spare rope again, and set off.

After ten minutes' careful climbing she found herself right in the thickest part of the canopy. She could reach the long leaves and run them through her hands; she found flower after flower, off-white and absurdly small, each growing the little coin-sized thing that would later become one of those great iron-hard seedpods.

She reached a comfortable spot where three branches forked, tied the rope securely, adjusted her harness, and rested.

Through the gaps in the leaves, she could see the blue sea, clear and sparkling as far as the horizon; and in the other direction over her right shoulder, she could see the succession of low rises in the gold-brown prairie, laced across by the black highways.

There was a light breeze, which lifted a faint scent out of the flowers and rustled the stiff leaves, and Mary imagined a huge, dim benevolence holding her up, like a pair of giant hands. As she lay in the fork of the great branches, she felt a kind of bliss she had only felt once before; and that was not when she made her vows as a nun.

Eventually she was brought back to her normal state of mind by a cramp in her right ankle, which was resting awkwardly in the crook of the fork. She eased it away and turned her attention to the task, still dizzy from the sense of oceanic gladness that surrounded her.

She'd explained to the mulefa mulefa how she had to hold the sap-lacquer plates a hand span apart in order to see the how she had to hold the sap-lacquer plates a hand span apart in order to see the sraf; sraf; and at once they'd seen the problem and made a short tube of bamboo, fixing the amber-colored plates at each end like a telescope. This spyglass was tucked in her breast pocket, and she took it out now. When she looked through it, she saw those drifting golden sparkles, the and at once they'd seen the problem and made a short tube of bamboo, fixing the amber-colored plates at each end like a telescope. This spyglass was tucked in her breast pocket, and she took it out now. When she looked through it, she saw those drifting golden sparkles, the sraf, sraf, the Shadows, Lyra's Dust, like a vast cloud of tiny beings floating through the wind. For the most part they drifted randomly like dust motes in a shaft of sunlight, or molecules in a glass of water. the Shadows, Lyra's Dust, like a vast cloud of tiny beings floating through the wind. For the most part they drifted randomly like dust motes in a shaft of sunlight, or molecules in a glass of water.

For the most part.

But the longer she looked, the more she began to see another kind of motion. Underlying the random drifting was a deeper, slower, universal movement, out from the land toward the sea.

Well, that was curious. Securing herself to one of her fixed ropes, she crawled out along a horizontal branch, looking closely at all the flower heads she could find. And presently she began to see what was happening. She watched and waited till she was perfectly sure, and then began the careful, lengthy, strenuous process of climbing down.

Mary found the mulefa mulefa in a fearful state, having suffered a thousand anxieties for their friend so far off the ground. in a fearful state, having suffered a thousand anxieties for their friend so far off the ground.

Atal was especially relieved, and touched her nervously all over with her trunk, uttering gentle whinnies of pleasure to find her safe, and carrying her swiftly down to the settlement along with a dozen or so others.

A soon as they came over the brow of the hill, the call went out among those in the village, and by the time they reached the speaking ground, the throng was so thick that Mary guessed there were many visitors from elsewhere, come to hear what she said. She wished she had better news for them.

The old zalif zalif Sattamax mounted the platform and welcomed her warmly, and she responded with all the Sattamax mounted the platform and welcomed her warmly, and she responded with all the mulefa mulefa courtesy she could remember. As soon as the greetings were over, she began to speak. courtesy she could remember. As soon as the greetings were over, she began to speak.

Haltingly and with many roundabout phrasings, she said: My good friends, I have been into the high canopy of your trees and looked closely at the growing leaves and the young flowers and the seedpods.

I could see that there is a current of sraf high in the treetops, she went on, she went on, and it moves against the wind. The air is moving inland off the sea, but the sraf is moving slowly against it. Can you see that from the ground? Because I could not. and it moves against the wind. The air is moving inland off the sea, but the sraf is moving slowly against it. Can you see that from the ground? Because I could not.

No, said Sattamax. said Sattamax. That is the first we ever heard about that. That is the first we ever heard about that.

Well, she continued, she continued, the trees are filtering the sraf as it moves through them, and some of it is attracted to the flowers. I could see it happening: the flowers are turned upward, and if the sraf were falling straight down, it would enter their petals and fertilize them like pollen from the stars. the trees are filtering the sraf as it moves through them, and some of it is attracted to the flowers. I could see it happening: the flowers are turned upward, and if the sraf were falling straight down, it would enter their petals and fertilize them like pollen from the stars.

But the sraf isn't falling down, it's moving out toward the sea. When a flower happens to be facing the land, the sraf can enter it. That's why there are still some seedpods growing. But most of them face upward, and the sraf just drifts past without entering. The flowers must have evolved like that because in the past all the sraf fell straight down. Something has happened to the sraf, not to the trees. And you can only see that current from high up, which is why you never knew about it.

So if you want to save the trees, and mulefa life, we must find out why the sraf is doing that. I can't think of a way yet, but I will try.

She saw many of them craning to look upward at this drift of Dust. But from the ground you couldn't see it: she looked through the spyglass herself, but the dense blue of the sky was all she could see.

They spoke for a long time, trying to recall any mention of the sraf sraf wind among their legends and histories, but there was none. All they had ever known was that wind among their legends and histories, but there was none. All they had ever known was that sraf sraf came from the stars, as it had always done. came from the stars, as it had always done.

Finally they asked if she had any more ideas, and she said: I need to make more observations. I need to find out whether the wind goes always in that direction or whether it alters like the air currents during the day and the night. So I need to spend more time in the treetops, and sleep up there and observe at night. I will need your help to build a platform of some kind so I can sleep safely. But we do need more observations.

The mulefa, mulefa, practical and anxious to find out, offered at once to build her whatever she needed. They knew the techniques of using pulleys and tackle, and presently one suggested a way of lifting Mary easily into the canopy so as to save her the dangerous labor of climbing. practical and anxious to find out, offered at once to build her whatever she needed. They knew the techniques of using pulleys and tackle, and presently one suggested a way of lifting Mary easily into the canopy so as to save her the dangerous labor of climbing.

Glad to have something to do, they set about gathering materials at once, braiding and tying and lashing spars and ropes and lines under her guidance, and assembling everything she needed for a treetop observation platform.

After speaking to the old couple by the olive grove, Father Gomez lost the track. He spent several days searching and inquiring in every direction, but the woman seemed to have vanished completely.

He would never have given up, although it was discouraging; the crucifix around his neck and the rifle at his back were twin tokens of his absolute determination to complete the task.

But it would have taken him much longer if it hadn't been for a difference in the weather. In the world he was in, it was hot and dry, and he was increasingly thirsty; and seeing a wet patch of rock at the top of a scree, he climbed up to see if there was a spring there. There wasn't, but in the world of the wheel-pod trees, there had just been a shower of rain; and so it was that he discovered the window and found where Mary had gone.

TWENTY-ONE.

THE HARPIES.

I hate things all fiction ... There should always be some foundation of fact ... BY RON Lyra and Will each awoke with a heavy dread: it was like being a condemned prisoner on the morning fixed for the execution. Tialys and Salmakia were attending to their dragonflies, bringing them moths lassoed near the anbaric lamp over the oil drum outside, flies cut from spiderwebs, and water in a tin plate. When she saw the expression on Lyra's face and the way that Pantalaimon, mouse-formed, was pressing himself close to her breast, the Lady Salmakia left what she was doing to come and speak with her. Will, meanwhile, left the hut to walk about outside.

"You can still decide differently," said Salmakia.

"No, we can't. We decided already," said Lyra, stubborn and fearful at once.

"And if we don't come back?"

"You don't have to come," Lyra pointed out. don't have to come," Lyra pointed out.

"We're not going to abandon you."

"Then what if you you don't come back?" don't come back?"

"We shall have died doing something important."

Lyra was silent. She hadn't really looked at the Lady before; but she could see her very clearly now, in the smoky light of the naphtha lamp, standing on the table just an arm's length away. Her face was calm and kindly, not beautiful, not pretty, but the very sort of face you would be glad to see if you were ill or unhappy or frightened. Her voice was low and expressive, with a current of laughter and happiness under the clear surface. In all the life she could remember, Lyra had never been read to in bed; no one had told her stories or sung nursery rhymes with her before kissing her and putting out the light. But she suddenly thought now that if ever there was a voice that would lap you in safety and warm you with love, it would be a voice like the Lady Salmakia's, and she felt a wish in her heart to have a child of her own, to lull and soothe and sing to, one day, in a voice like that.

"Well," Lyra said, and found her throat choked, so she swallowed and shrugged.

"We'll see," said the Lady, and turned back.

Once they had eaten their thin, dry bread and drunk their bitter tea, which was all the people had to offer them, they thanked their hosts, took their rucksacks, and set off through the shanty town for the lakeshore. Lyra looked around for her death, and sure enough, there he was, walking politely a little way ahead; but he didn't want to come closer, though he kept looking back to see if they were following.

The day was overhung with a gloomy mist. It was more like dusk than daylight, and wraiths and streamers of the fog rose dismally from puddles in the road, or clung like forlorn lovers to the anbaric cables overhead. They saw no people, and few deaths, but the dragonflies skimmed through the damp air, as if they were sewing it all together with invisible threads, and it was a delight to the eyes to watch their bright colors flashing back and forth.

Before long they had reached the edge of the settlement and made their way beside a sluggish stream through bare-twigged scrubby bushes. Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.

"It would be merciful to kill it," said Tialys.

"How do you know?" said Lyra. "It might still like being alive, in spite of everything."

"If we killed it, we'd be taking it with us," said Will. "It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead."

"But if it's in pain?" said Tialys.

"If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's."

They moved on. Before long the changing sound their footsteps made told them that there was an openness nearby, although the mist was even thicker. Pantalaimon was a lemur, with the biggest eyes he could manage, clinging to Lyra's shoulder, pressing himself into her fog-pearled hair, peering all around and seeing no more than she did. And still he was trembling and trembling.

Suddenly they all heard a little wave breaking. It was quiet, but it was very close by. The dragonflies returned with their riders to the children, and Pantalaimon crept into Lyra's breast as she and Will moved closer together, treading carefully along the slimy path.

And then they were at the shore. The oily, scummy water lay still in front of them, an occasional ripple breaking languidly on the pebbles.

The path turned to the left, and a little way along, more like a thickening of the mist than a solid object, a wooden jetty stood crazily out over the water. The piles were decayed and the planks were green with slime, and there was nothing else; nothing beyond it; the path ended where the jetty began, and where the jetty ended, the mist began. Lyra's death, having guided them there, bowed to her and stepped into the fog, vanishing before she could ask him what to do next.

"Listen," said Will.

There was a slow, repetitive sound out on the invisible water: a creak of wood and a quiet, regular splash. Will put his hand on the knife at his belt and moved forward carefully onto the rotting planks. Lyra followed close behind. The dragonflies perched on the two weed-covered mooring posts, looking like heraldic guardians, and the children stood at the end of the jetty, pressing their open eyes against the mist, and having to brush their lashes free of the drops that settled on them. The only sound was that slow creak and splash that was getting closer and closer.

"Don't let's go!" Pantalaimon whispered.

"Got to," Lyra whispered back.

She looked at Will. His face was set hard and grim and eager: he wouldn't turn aside. And the Gallivespians, Tialys on Will's shoulder, Salmakia on Lyra's, were calm and watchful. The dragonflies' wings were pearled with mist, like cobwebs, and from time to time they'd beat them quickly to clear them, because the drops must make them heavy, Lyra thought. She hoped there would be food for them in the land of the dead.

Then suddenly there was the boat.

It was an ancient rowboat, battered, patched, rotting; and the figure rowing it was aged beyond age, huddled in a robe of sacking bound with string, crippled and bent, his bony hands crooked permanently around the oar handles, and his moist, pale eyes sunk deep among folds and wrinkles of gray skin.

He let go of an oar and reached his crooked hand up to the iron ring set in the post at the corner of the jetty. With the other hand he moved the oar to bring the boat right up against the planks.

There was no need to speak. Will got in first, and then Lyra came forward to step down, too.

But the boatman held up his hand.

"Not him," he said in a harsh whisper.

"Not who?"

"Not him."

He extended a yellow-gray finger, pointing directly at Pantalaimon, whose red-brown stoat form immediately became ermine white.

"But he is is me!" Lyra said. me!" Lyra said.

"If you come, he must stay."

"But we can't! We'd die!"

"Isn't that what you want?"

And then for the first time Lyra truly realized what she was doing. This was the real consequence. She stood aghast, trembling, and clutched her dear daemon so tightly that he whimpered in pain.

"They... " " said Lyra helplessly, then stopped: it wasn't fair to point out that the other three didn't have to give anything up. said Lyra helplessly, then stopped: it wasn't fair to point out that the other three didn't have to give anything up.

Will was watching her anxiously. She looked all around, at the lake, at the jetty, at the rough path, the stagnant puddles, the dead and sodden bushes... Her Pan, alone here: how could he live without her? He was shaking inside her shirt, against her bare flesh, his fur needing her warmth. Impossible! Never!

"He must stay here if you are to come," the boatman said again.

The Lady Salmakia flicked the rein, and her dragonfly skimmed away from Lyra's shoulder to land on the gunwale of the boat, where Tialys joined her. They said something to the boatman. Lyra watched as a condemned prisoner watches the stir at the back of the courtroom that might be a messenger with a pardon.

The boatman bent to listen and then shook his head.

"No," he said. "If she comes, he has to stay."

Will said, "That's not right. We don't have to leave part of ourselves behind. Why should Lyra?"

"Oh, but you do," said the boatman. "It's her misfortune that she can see and talk to the part she must leave. You will not know until you are on the water, and then it will be too late. But you all have to leave that part of yourselves here. There is no passage to the land of the dead for such as him."

No, Lyra thought, and Pantalaimon thought with her: We didn't go through Bolvangar for this, no; how will we ever find each other again?

And she looked back again at the foul and dismal shore, so bleak and blasted with disease and poison, and thought of her dear Pan waiting there alone, her heart's companion, watching her disappear into the mist, and she fell into a storm of weeping. Her passionate sobs didn't echo, because the mist muffled them, but all along the shore in innumerable ponds and shallows, in wretched broken tree stumps, the damaged creatures that lurked there heard her full-hearted cry and drew themselves a little closer to the ground, afraid of such passion.

"If he could come-" cried Will, desperate to end her grief, but the boatman shook his head.

"He can come in the boat, but if he does, the boat stays here," he said.

"But how will she find him again?"

"I don't know."

"When we leave, will we come back this way?"

"Leave?"

"We're going to come back. We're going to the land of the dead and we are going to come back."

"Not this way."