She and Belle had a little time after the visitors had gone, before Harvey came home. They sat in Belle's bedroom, and her sentences were punctuated by little backs briskly presented to have small garments fastened, or bows put on stiffly bobbed yellow hair.

"Did you understand my letter?" she asked. "I was sorry I had sent it, but it was too late then."

"I put your letter and--theirs, together. I supposed that Harvey--"

"He was about out of his mind," Belle said in her worried voice. "Stand still, Mary Ellen! He went to Mrs. Gregory, and I suppose he said a good bit. You know the way he does. Anyhow, she was very angry. She called a special meeting, and--I tried to prevent their recalling you. He doesn't know that, of course."

"You tried?"

"Well, I felt as though it was your work," Belle said rather uncomfortably. "Bring me the comb, Alice. I guess we get pretty narrow here and--I've been following things more closely since you went over.

I know more than I did. And, of course, after one marries there isn't much chance. There are children and--" Her face twisted. "I wish I could do something."

She got up and brought from the dresser a newspaper clipping.

"It's the London newspaper," she explained. "I've been taking it, but Harvey doesn't know. He doesn't care much for the English. This is about your being decorated."

Sara Lee held it listlessly in her hands.

"Shall I tell him, Belle?" she asked.

Belle hesitated.

"I don't believe I would," she said forlornly. "He won't like it.

That's why I've never showed him that clipping. He hates it all so."

Sara Lee dressed that evening in the white frock. She dressed slowly, thinking hard. All round her was the shiny newness of her furniture, a trifle crowded in Belle's small room. Sara Lee had a terrible feeling of being fastened in by it. Wherever she turned it gleamed. She felt surrounded, smothered.

She had meant to make a clean breast of things--of the little house, and of Henri, and of the King, pinning the medal on her shabby black jacket and shaking hands with her. Henri she must tell about--not his name of course, nor his madness, nor even his love. But she felt that she owed it to Harvey to have as few secrets from him as possible. She would tell about what the boy had done for her, and how he, and he alone, had made it all possible.

Surely Harvey would understand. It was a page that was closed. It had held nothing to hurt him. She had come back.

She stood by her window, thinking. And a breath of wind set the leaves outside to rustling. Instantly she was back again in the little house, and the sound was not leaves, but the shuffling of many stealthy feet on the cobbles of the street at night, that shuffling that was so like the rustling of leaves in a wood or the murmur of water running over a stony creek bed.

XXV

It was clear to Sara Lee from the beginning of the evening that Harvey did not intend to hear her story. He did not say so; indeed, for a time he did not talk at all. He sat with his arms round her, content just to have her there.

"I have a lot of arrears to make up," he said. "I've got to get used to having you where I can touch you. To-night when I go upstairs I'm going to take that d.a.m.ned colorless photograph of you and throw it out the window."

"I must tell you about your photograph," she ventured. "It always stood on the mantel over the stove, and when there was a threatened bombardment I used to put it under--"

"Let's not talk, honey."

When he came out of that particular silence he said abruptly:

"Will Leete is dead."

"Oh, no! Poor Will Leete."

"Died of pneumonia in some G.o.d-forsaken hole over there. He's left a wife and nothing much to keep her. That's what comes of mixing in the other fellow's fight. I guess we can get the house as soon as we want it. She has to sell; and it ought to be a bargain."

"Harvey," she said rather timidly, "you speak of the other fellow's fight. They say over there that we are sure to be drawn into it sooner or later."

"Not on our life!" he replied brusquely. "And if you don't mind, honey, I don't care to hear about what they think over there." He got up from his old place on the arm of her chair and stood on the rug. "I'd better tell you now how I feel about this thing. I can't talk about it, that's all. We'll finish up now and let it go at that. I'm sorry there's a war. I'll send money when I can afford it, to help the Belgians, though my personal opinion is that they're getting theirs for what they did in the Congo. But I don't want to hear about what you did over there."

He saw her face, and he went to her and kissed her cheek.

"I don't want to hurt you, honey," he said. "I love you with all my heart. But somehow I can't forget that you left me and went over there when there was no reason for it. You put off our marriage, and I suppose we'd better get it over. Go ahead and tell me about it."

He drew up a chair and waited, but the girl smiled rather tremulously.

"Perhaps we'd better wait, if you feel that way, Harvey."

His face was set as he looked at her.

"There's only one thing I want to know," he said. "And I've got a right to know that. You're a young girl, and you're beautiful--to me, anyhow.

You've been over there with a lot of crazy foreigners." He got up again and all the bitterness of the empty months was in his voice. "Did any of them--was there anybody there you cared about?"

"I came back, Harvey."

"That's not the question."

"There were many men--officers--who were kind to me. I--"

"That's not the question, either."

"If I had loved any one more than I loved you I should not have come back."

"Wait a minute!" he said quickly. "You had to come back, you know."

"I could have stayed. The Englishwoman who took over my work asked me to stay on and help her."

He was satisfied then. He went back to the arm of her chair and kissed her.

"All right," he said. "I've suffered the tortures of the d.a.m.ned, but--that fixes it. Now let's talk about something else. I'm sick of this war talk."

"I'd like to tell you about my little house. And poor Rene--"

"Who was Rene?" he demanded.

"The orderly."

"The one on the step, with a rifle?"

"Yes."