Those were tie days of "Florodora" and of s.e.xtets, of pinched-in waists and blown-out sleeves, of almost bustles and absolute ballet skirts, but here, without doubt, disguised as she might be by the unaccustomed stiffness and old fashion of her costume, was a b.u.t.terfly of b.u.t.terflies. Here was the gayety of the period--the soft wine of eyes, the songs that flurried hearts, the toasts and tie bouquets, the dances and the dinners. Here was a Venus of the hansom, cab, the Gibson girl in her glorious prime. Here was...

...here was you. Find by looking at the name beneath, one Roxanne Milbank, who had been chorus girl and understudy in "The Daisy Chain,"

but who, by reason of an excellent performance when the star was indisposed, had gained a leading part.

You would look again--and wonder. Why you had never heard of her. Why did her name not linger in popular songs and vaudeville jokes and cigar bands, and the memory of that gay old uncle of yours along with Lillian Russell and Stella Mayhew and Anna Held? Roxanne Milbank-whither had she gone? What dark trap-door had opened suddenly and swallowed her up? Her name was certainly not in last Sunday's supplement on the list of actresses married to English n.o.blemen. No doubt she was dead--poor beautiful young lady--and quite forgotten.

I am hoping too much. I am having you stumble on Jeffrey Curtains's stories and Roxanne Milbank's picture. It would be incredible that you should find a newspaper item six months later, a single item two inches by four, which informed the public of the marriage, very quietly, of Miss Roxanne Milbank, who had been on tour with "The Daisy Chain," to Mr. Jeffrey Curtain, the popular author. "Mrs. Curtain," it added dispa.s.sionately, "will retire from the stage."

It was a marriage of love. He was sufficiently spoiled to be charming; she was ingenuous enough to be irresistible. Like two floating logs they met in a head-on rush, caught, and sped along together. Yet had Jeffrey Curtain kept at scrivening for twoscore years he could not have put a quirk into one of his stories weirder than the quirk that came into his own life. Had Roxanne Milbank played three dozen parts and filled five thousand houses she could never have had a role with more happiness and more despair than were in the fate prepared for Roxanne Curtain.

For a year they lived in hotels, travelled to California, to Alaska, to Florida, to Mexico, loved and quarrelled gently, and gloried in the golden triflings of his wit with her beauty--they were young and gravely pa.s.sionate; they demanded everything and then yielded everything again in ecstasies of unselfishness and pride. She loved the swift tones of his voice and his frantic, if unfounded jealousy.

He loved her dark radiance, the white irises of her eyes, the warm, l.u.s.trous enthusiasm of her smile.

"Don't you like her?" he would demand rather excitedly and shyly.

"Isn't she wonderful? Did you ever see--"

"Yes," they would answer, grinning. "She's a wonder. You're lucky."

The year pa.s.sed. They tired of hotels. They bought an old house and twenty acres near the town of Marlowe, half an hour from Chicago; bought a little car, and moved out riotously with a pioneering hallucination that would have confounded Balboa.

"Your room will be here!" they cried in turn.

--And then:

"And my room here!"

"And the nursery here when we have children."

"And we'll build a sleeping porch--oh, next year."

They moved out in April. In July Jeffrey's closest friend, Harry Cromwell same to spend a week--they met him at the end of the long lawn and hurried him proudly to the house.

Harry was married also. His wife had had a baby some six months before and was still recuperating at her mother's in New York. Roxanne had gathered from Jeffrey that Harry's wife was not as attractive as Harry--Jeffrey had met her once and considered her--"shallow." But Harry had been married nearly two years and was apparently happy, so Jeffrey guessed that she was probably all right.

"I'm making biscuits," chattered Roxanne gravely. "Can you wife make biscuits? The cook is showing me how. I think every woman should know how to make biscuits. It sounds so utterly disarming. A woman who can make biscuits can surely do no----"

"You'll have to come out here and live," said Jeffrey. "Get a place out in the country like us, for you and Kitty."

"You don't know Kitty. She hates the country. She's got to have her theatres and vaudevilles."

"Bring her out," repeated Jeffrey. "We'll have a colony. There's an awfully nice crowd here already. Bring her out!"

They were at the porch steps now and Roxanne made a brisk gesture toward a dilapidated structure on the right.

"The garage," she announced. "It will also be Jeffrey's writing-room within the month. Meanwhile dinner is at seven. Meanwhile to that I will mix a c.o.c.ktail."

The two men ascended to the second floor--that is, they ascended half-way, for at the first landing Jeffrey dropped his guest's suitcase and in a cross between a query and a cry exclaimed:

"For G.o.d's sake, Harry, how do you like her?"

"We will go up-stairs," answered his guest, "and we will shut the door."

Half an hour later as they were sitting together in the library Roxanne reissued from the kitchen, bearing before her a pan of biscuits. Jeffrey and Harry rose.

"They're beautiful, dear," said the husband, intensely.

"Exquisite," murmured Harry.

Roxanne beamed.

"Taste one. I couldn't bear to touch them before you'd seen them all and I can't bear to take them back until I find what they taste like."

"Like manna, darling."

Simultaneously the two men raised the biscuits to their lips, nibbled tentatively. Simultaneously they tried to change the subject. But Roxanne undeceived, set down the pan and seized a biscuit. After a second her comment rang out with lugubrious finality:

"Absolutely b.u.m!"

"Really----"

"Why, I didn't notice----"

Roxanne roared.

"Oh, I'm useless," she cried laughing. "Turn me out, Jeffrey--I'm a parasite; I'm no goal----"

Jeffrey put his arm around her.

"Darling, I'll eat your biscuits."

"They're beautiful, anyway," insisted Roxanne.

"They're-they're decorative," suggested Harry.

Jeffrey took him up wildly.

"That's the word. They're decorative; they're masterpieces. We'll use them."

He rushed to the kitchen and returned with a hammer and a handful of nails.

"We'll use them, by golly, Roxanne! We'll make a frieze out of them."

"Don't!" wailed Roxanne. "Our beautiful house."

"Never mind. We're going to have the library repapered in October.

Don't you remember?"

"Well----"