So saying, he began to look about the room.

"My subconsciousness?" repeated Waynflete. "Have I ever been a samurai in my subconsciousness?"

Paul Stuyvesant looked at Cosmo Waynflete for nearly a minute without reply. Then all the answer he made was to say: "That's a queer dressing-gown you have on."

"It is time I took it off," said the other, as he twisted himself out of its clinging folds. "It is a beautiful specimen of weaving, isn't it? I call it the dream-gown of the j.a.panese amba.s.sador, for although I bought it in a curiosity-shop in Nuremberg, it was once, I really believe, the slumber-robe of an Oriental envoy."

Stuyvesant took the silken garment from his friend's hand.

"Why did the j.a.panese amba.s.sador sell you his dream-gown in a Nuremberg curiosity-shop?" he asked.

"He didn't," Waynflete explained. "I never saw the amba.s.sador, and neither did the old German lady who kept the shop. She told me she bought it from a j.a.panese acrobat who was out of an engagement and desperately hard up. But she told me also that the acrobat had told her that the garment had belonged to an amba.s.sador who had given it to him as a reward of his skill, and that he never would have parted with it if he had not been dead-broke."

Stuyvesant held the robe up to the light and inspected the embroidery on the skirt of it.

"Yes," he said, at last, "this would account for it, I suppose. This bit here was probably meant to suggest 'the well where the head was washed,'--see?"

"I see that those lines may be meant to represent the outline of a spring of water, but I don't see what that has to do with my dream,"

Waynflete answered.

"Don't you?" Stuyvesant returned. "Then I'll show you. You had on this silk garment embroidered here with an outline of the well in which was washed the head of Kotsuke no Suke, the man whom the Forty-Seven Ronins killed. You know the story?"

"I read it in j.a.pan, but----" began Cosmo.

"You had that story stored away in your subconsciousness," interrupted his friend. "And when you hypnotized yourself by peering into the crystal ball, this embroidery it was which suggested to you to see yourself as the hero of the tale--Oishi Kuranosuke, the chief of the Forty-Seven Ronins, the faithful follower who avenged his master by pretending to be vicious and dissipated--just like Brutus and Lorenzaccio--until the enemy was off his guard and open to attack."

"I think I do recall the tale of the Forty-Seven Ronins, but only very vaguely," said the hero of the dream. "For all I know I may have had the adventure of Oishi Kuranosuke laid on the shelf somewhere in my subconsciousness, as you want me to believe. But how about my Persian dragon and my Iberian n.o.blewoman?"

Paul Stuyvesant was examining the dream-gown of the j.a.panese amba.s.sador with minute care. Suddenly he said, "Oh!" and then he looked up at Cosmo Waynflete and asked: "What are those b.u.t.tons? They seem to be old coins."

"They are old coins," the other answered; "it was a fancy of mine to utilize them on that j.a.panese dressing-gown. They are all different, you see. The first is----"

"Persian, isn't it?" interrupted Stuyvesant.

"Yes," Waynflete explained, "it is a Persian daric. And the second is a Spanish peso made at Potosi under Philip II. for use in America. And the third is a York shilling, one of the coins in circulation here in New York at the time of the Revolution--I got that one, in fact, from the farmer who ploughed it up in a field at Tarrytown, near Sunnyside."

"Then there are three of your adventures accounted for, Cosmo, and easily enough," Paul commented, with obvious satisfaction at his own explanation. "Just as the embroidery on the silk here suggested to you--after you had hypnotized yourself--that you were the chief of the Forty-Seven Ronins, so this first coin here in turn suggested to you that you were Rustem, the hero of the 'Epic of Kings.' You have read the 'Shah-Nameh?'"

"I remember Firdausi's poem after a fashion only," Cosmo answered. "Was not Rustem a Persian Hercules, so to speak?"

"That's it precisely," the other responded, "and he had seven labors to perform; and you dreamed the third of them, the slaying of the grisly dragon. For my own part, I think I should have preferred the fourth of them, the meeting with the lovely enchantress; but that's neither here nor there."

"It seems to me I do recollect something about that fight of Rustem and the strange beast. The faithful horse's name was Rakush, wasn't it?"

asked Waynflete.

"If you can recollect the 'Shah-Nameh,'" Stuyvesant pursued, "no doubt you can recall also Beaumont and Fletcher's 'Custom of the Country?'

That's where you got the midnight duel in Lisbon and the magnanimous mother, you know."

"No, I didn't know," the other declared.

"Well, you did, for all that," Paul went on. "The situation is taken from one in a drama of Calderon's, and it was much strengthened in the taking. You may not now remember having read the play, but the incident must have been familiar to you, or else your subconsciousness couldn't have yielded it up to you so readily at the suggestion of the Spanish coin, could it?"

"I did read a lot of Elizabethan drama in my senior year at college,"

admitted Cosmo, "and this piece of Beaumont and Fletcher's may have been one of those I read; but I totally fail to recall now what it was all about."

"You won't have the cheek to declare that you don't remember the 'Legend of Sleepy Hollow,' will you?" asked Stuyvesant. "Very obviously it was the adventure of Ichabod Crane and the Headless Horseman that the York shilling suggested to you."

"I'll admit that I do recollect Irving's story now," the other confessed.

"So the embroidery on the dream-gown gives the first of your strange situations; and the three others were suggested by the coins you have been using as b.u.t.tons," said Paul Stuyvesant. "There is only one thing now that puzzles me: that is the country church and the noon wedding and the beautiful bride."

And with that he turned over the folds of the silken garment that hung over his arm.

Cosmo Waynflete hesitated a moment and a blush mantled his cheek. Then he looked his friend in the face and said: "I think I can account for my dreaming about her--I can account for that easily enough."

"So can I," said Paul Stuyvesant, as he held up the photograph of a lovely American girl that he had just found in the pocket of the dream-gown of the j.a.panese amba.s.sador.

(1896.)

THE RIVAL GHOSTS

The good ship sped on her way across the calm Atlantic. It was an outward pa.s.sage, according to the little charts which the company had charily distributed, but most of the pa.s.sengers were homeward bound, after a summer of rest and recreation, and they were counting the days before they might hope to see Fire Island Light. On the lee side of the boat, comfortably sheltered from the wind, and just by the door of the captain's room (which was theirs during the day), sat a little group of returning Americans. The d.u.c.h.ess (she was down on the purser's list as Mrs. Martin, but her friends and familiars called her the d.u.c.h.ess of Washington Square) and Baby Van Rensselaer (she was quite old enough to vote, had her s.e.x been ent.i.tled to that duty, but as the younger of two sisters she was still the baby of the family)--the d.u.c.h.ess and Baby Van Rensselaer were discussing the pleasant English voice and the not unpleasant English accent of a manly young lordling who was going to America for sport. Uncle Larry and Dear Jones were enticing each other into a bet on the ship's run of the morrow.

"I'll give you two to one she don't make 420," said Dear Jones.

"I'll take it," answered Uncle Larry. "We made 427 the fifth day last year." It was Uncle Larry's seventeenth visit to Europe, and this was therefore his thirty-fourth voyage.

"And when did you get in?" asked Baby Van Rensselaer. "I don't care a bit about the run, so long as we get in soon."

"We crossed the bar Sunday night, just seven days after we left Queenstown, and we dropped anchor off Quarantine at three o'clock on Monday morning."

"I hope we sha'n't do that this time. I can't seem to sleep any when the boat stops."

"I can, but I didn't," continued Uncle Larry, "because my state-room was the most for'ard in the boat, and the donkey-engine that let down the anchor was right over my head."

"So you got up and saw the sun rise over the bay," said Dear Jones, "with the electric lights of the city twinkling in the distance, and the first faint flush of the dawn in the east just over Fort Lafayette, and the rosy tinge which spread softly upward, and----"

"Did you both come back together?" asked the d.u.c.h.ess.

"Because he has crossed thirty-four times you must not suppose he has a monopoly in sunrises," retorted Dear Jones. "No; this was my own sunrise; and a mighty pretty one it was too."

"I'm not matching sunrises with you," remarked Uncle Larry calmly; "but I'm willing to back a merry jest called forth by my sunrise against any two merry jests called forth by yours."

"I confess reluctantly that my sunrise evoked no merry jest at all."