"What are you scared about?" asked Kerry savagely. "Got anything else to tell me?"

"No, no," muttered Peters. "Only I've got an idea he saw me."

"Who saw you?"

"Lou Chada."

"What then?"

"Well, only--don't leave me till we get to the station."

Kerry blew down his nose contemptuously, then stopped suddenly.

"Stand still," he ordered. "I want to listen."

Silent, they stood in a place of darkness, untouched by any lamplight.

Not a sound reached them through the curtain of fog. Asiatic mystery wrapped them about, but Kerry experienced only contempt for the cowardice of his companion, and:

"You need come no farther," he said coldly. "Good night."

"But------" began the man.

"Good night," repeated Kerry.

He walked on briskly, tapping the pavement with his malacca. The sneaking figure of the informer was swallowed up in the fog. But not a dozen paces had the Chief Inspector gone when he was arrested by a frenzied scream, rising, hollowly, in a dreadful, m.u.f.fled crescendo.

Words reached him.

"My G.o.d, he's stabbed me!"

Then came a sort of babbling, which died into a moan.

"h.e.l.l!" muttered Kerry, "the poor devil was right!"

He turned and began to run back, fumbling in his pocket for his electric torch. Almost in the same moment that he found it he stumbled upon Peters, who lay half in the road and half upon the sidewalk.

Kerry pressed the b.u.t.ton, and met the glance of upturned, glazing eyes.

Even as he dropped upon his knee beside the dying man, Peters swept his arm around in a convulsive movement, having the fingers crooked, coughed horribly, and rolled upon his face.

Switching off the light of the torch, Kerry clenched his jaws in a tense effort of listening, literally holding his breath. But no sound reached him through the m.u.f.fling fog. A moment he hesitated, well knowing his danger, then viciously snapping on the light again, he quested in the blood-stained mud all about the body of the murdered man.

"Ah!"

It was an exclamation of triumph.

One corner hideously stained, for it had lain half under Peters's shoulder, Kerry gingerly lifted between finger and thumb a handkerchief of fine white silk, such as is carried in the breast pocket of an evening coat.

It bore an ornate monogram worked in gold, and representing the letters "L. C." Oddly enough, it was the corner that bore the monogram which was also bloodstained.

III

THE ROOM OF THE GOLDEN BUDDHA

It was a moot point whether Lady Pat Rourke merited condemnation or pity. She possessed that type of blonde beauty which seems to be a lodestone for mankind in general. Her husband was wealthy, twelve years her senior, and, far from watching over her with jealous care--an att.i.tude which often characterizes such unions--he, on the contrary, permitted her a dangerous freedom, believing that she would appreciate without abusing it.

Her friendship with Lou Chada had first opened his eyes to the perils which beset the road of least resistance. Sir Noel Rourke was an Anglo-Indian, and his prejudice against the Eurasian was one not lightly to be surmounted. Not all the polish which English culture had given to this child of a mixed union could blind Sir Noel to the yellow streak.

Courted though Chada was by some of the best people, Sir Noel remained cold.

The long, magnetic eyes, the handsome, clear-cut features, above all, that slow and alluring smile, appealed to the husband of the wilful Pat rather as evidences of Oriental, half-effeminate devilry than as pa.s.sports to decent society. Oxford had veneered him, but scratch the veneer and one found the sandal-wood of the East, perfumed, seductive, appealing, but something to be shunned as brittle and untrustworthy.

Yet he hesitated, seeking to be true to his convictions. Knowing what he knew already, and what he suspected, it is certain that, could he have viewed Lou Chada through the eyes of Chief Inspector Kerry, the affair must have terminated otherwise. But Sir Noel did not know what Kerry knew. And the pleasure-seeking Lady Rourke, with her hair of spun gold and her provoking smile, found Lou Chada dangerously fascinating; almost she was infatuated--she who had known so much admiration.

Of those joys for which thousands of her plainer sisters yearn and starve to the end of their days she had experienced a surfeit. Always she sought for novelty, for new adventures. She was confident of herself, but yet--and here lay the delicious thrill--not wholly confident. Many times she had promised to visit the house of Lou Chada's father--a mystery palace cunningly painted, a perfumed page from the Arabian poets dropped amid the interesting squalor of Limehouse.

Perhaps she had never intended to go. Who knows? But on the night when she came within the ken of Chief Inspector Kerry, Lou Chada had urged her to do so in his poetically pa.s.sionate fashion, and, wanting to go, she had asked herself: "Am I strong enough? Dare I?"

They had dined, danced, and she had smoked one of the scented cigarettes which he alone seemed to be able to procure, and which, on their arrival from the East, were contained in queer little polished wooden boxes.

Then had come an unfamiliar nausea and dizziness, an uncomfortable recognition of the fact that she was making a fool of herself, and finally a semi-darkness through which familiar faces loomed up and were quickly lost again. There was the soft, musical voice of Lou Chada rea.s.suring her, a sense of chill, of helplessness, and then for a while an interval which afterward she found herself unable to bridge.

Knowledge of verity came at last, and Lady Pat raised herself from the divan upon which she had been lying, and, her slender hands clutching the cushions, stared about her with eyes which ever grew wider.

She was in a long, rather lofty room, which was lighted by three silver lanterns swung from the ceiling. The place, without containing much furniture, was a riot of garish, barbaric colour. There were deep divans cushioned in amber and blood-red. Upon the floor lay Persian carpets and skins of beasts. Cunning niches there were, half concealing and half revealing long-necked Chinese jars; and odd little carven tables bore strangely fashioned vessels of silver. There was a cabinet of ebony inlaid with jade, there were black tapestries figured with dragons of green and gold. Curtains she saw of peac.o.c.k-blue; and in a tall, narrow recess, dominating the room, squatted a great golden Buddha.

The atmosphere was laden with a strange perfume.

But, above all, this room was silent, most oppressively silent.

Lady Pat started to her feet. The whole perfumed place seemed to be swimming around her. Reclosing her eyes, she fought down her weakness.

The truth, the truth respecting Lou Chada and herself, had uprisen starkly before her. By her own folly--and she could find no tiny excuse--she had placed herself in the power of a man whom, instinctively, deep within her soul, she had always known to be utterly unscrupulous.

How cleverly he had concealed the wild animal which dwelt beneath that suave, polished exterior! Yet how ill he had concealed it! For intuitively she had always recognized its presence, but had deliberately closed her eyes, finding a joy in the secret knowledge of danger. Now at last he had discarded pretense.

The cigarette which he had offered her at the club had been drugged. She was in Limehouse, at the mercy of a man in whose veins ran the blood of ancestors to whom women had been chattels. Too well she recognized that his pa.s.sion must have driven him insane, as he must know at what cost he took such liberties with one who could not lightly be so treated. But these reflections afforded poor consolation. It was not of the penalties that Lou Chada must suffer for this infringement of Western codes, but of the price that she must pay for her folly, of which Pat was thinking.

There was a nauseating taste upon her palate. She remembered having noticed it faintly while she was smoking the cigarette; indeed, she had commented upon it at the time.

"The dirty yellow blackguard!" she said aloud, and clenched her hands.

She merely echoed what many a man had said before her. She wondered at herself, and in doing so but wondered at the mystery of womanhood.

Clarity was returning. The room no longer swam around her. She crossed in the direction of a garish curtain, which instinctively she divined to mask a door. Dragging it aside, she tried the handle, but the door was locked. A second door she found, and this also proved to be locked.

There was one tall window, also covered by ornate draperies, but it was shuttered, and the shutters had locks. Another small window she discovered, glazed with amber gla.s.s, but set so high in the wall as to be inaccessible.