By degrees this frenzied fever of remorse settled into a permanent malady of the mind. Into one of the most horrible that ever poor wretch was cursed with. Wherever I went, the countenance of him I had slain appeared to follow me. Wherever I turned my head I beheld it behind me, hideous with the contortions of the dying moment. I have tried in every way to escape from this horrible phantom; but in vain. I know not whether it is an illusion of the mind, the consequence of my dismal education at the convent, or whether a phantom really sent by heaven to punish me; but there it ever is--at all times--in all places--nor has time nor habit had any effect in familiarizing me with its terrors. I have travelled from place to place, plunged into amus.e.m.e.nts--tried dissipation and distraction of every kind--all--all in vain.

I once had recourse to my pencil as a desperate experiment. I painted an exact resemblance of this phantom face. I placed it before me in hopes that by constantly contemplating the copy I might diminish the effect of the original. But I only doubled instead of diminishing the misery.

Such is the curse that has clung to my footsteps--that has made my life a burthen--but the thoughts of death, terrible. G.o.d knows what I have suffered. What days and days, and nights and nights, of sleepless torment. What a never-dying worm has preyed upon my heart; what an unquenchable fire has burned within my brain. He knows the wrongs that wrought upon my poor weak nature; that converted the tenderest of affections into the deadliest of fury. He knows best whether a frail erring creature has expiated by long-enduring torture and measureless remorse, the crime of a moment of madness. Often, often have I prostrated myself in the dust, and implored that he would give me a sign of his forgiveness, and let me die.--

Thus far had I written some time since. I had meant to leave this record of misery and crime with you, to be read when I should be no more. My prayer to heaven has at length been heard. You were witness to my emotions last evening at the performance of the Miserere; when the vaulted temple resounded with the words of atonement and redemption. I heard a voice speaking to me from the midst of the music; I heard it rising above the pealing of the organ and the voices of the choir; it spoke to me in tones of celestial melody; it promised mercy and forgiveness, but demanded from me full expiation. I go to make it.

To-morrow I shall be on my way to Genoa to surrender myself to justice.

You who have pitied my sufferings; who have poured the balm of sympathy into my wounds, do not shrink from my memory with abhorrence now that you know my story. Recollect, when you read of my crime I shall have atoned for it with my blood!

When the Baronet had finished, there was an universal desire expressed to see the painting of this frightful visage. After much entreaty the Baronet consented, on condition that they should only visit it one by one. He called his housekeeper and gave her charge to conduct the gentlemen singly to the chamber. They all returned varying in their stories: some affected in one way, some in another; some more, some less; but all agreeing that there was a certain something about the painting that had a very odd effect upon the feelings.

I stood in a deep bow window with the Baronet, and could not help expressing my wonder. "After all," said I, "there are certain mysteries in our nature, certain inscrutable impulses and influences, that warrant one in being superst.i.tious. Who can account for so many persons of different characters being thus strangely affected by a mere painting?"

"And especially when not one of them has seen it!" said the Baronet with a smile.

"How?" exclaimed I, "not seen it?"

"Not one of them?" replied he, laying his finger on his lips in sign of secrecy. "I saw that some of them were in a bantering vein, and I did not choose that the memento of the poor Italian should be made a jest of. So I gave the housekeeper a hint to show them all to a different chamber!"

Thus end the Stories of the Nervous Gentleman.

PART SECOND.

BUCKTHORNE AND HIS FRIENDS.

"'Tis a very good world that we live in, To lend, or to spend, or to give in; But to beg, or to borrow, or get a man's own, 'Tis the very worst world, sir, that ever was known."

LINES FROM AN INN WINDOW.

LITERARY LIFE.

Among the great variety of characters which fall in a traveller's way, I became acquainted during my sojourn in London, with an eccentric personage of the name of Buckthorne. He was a literary man, had lived much in the metropolis, and had acquired a great deal of curious, though unprofitable knowledge concerning it. He was a great observer of character, and could give the natural history of every odd animal that presented itself in this great wilderness of men. Finding me very curious about literary life and literary characters, he took much pains to gratify my curiosity.

"The literary world of England," said he to me one day, "is made up of a number of little fraternities, each existing merely for itself, and thinking the rest of the world created only to look on and admire. It may be resembled to the firmament, consisting of a number of systems, each composed of its own central sun with its revolving train of moons and satellites, all acting in the most harmonious concord; but the comparison fails in part, inasmuch as the literary world has no general concord. Each system acts independently of the rest, and indeed considers all other stars as mere exhalations and transient meteors, beaming for awhile with false fires, but doomed soon to fall and be forgotten; while its own luminaries are the lights of the universe, destined to increase in splendor and to shine steadily on to immortality."

"And pray," said I, "how is a man to get a peep into one of these systems you talk of? I presume an intercourse with authors is a kind of intellectual exchange, where one must bring his commodities to barter, and always give a _quid pro quo_."

"Pooh, pooh--how you mistake," said Buckthorne, smiling; "you must never think to become popular among wits by shining. They go into society to shine themselves, not to admire the brilliancy of others. I thought as you do when I first cultivated the society of men of letters, and never went to a blue-stocking coterie without studying my part beforehand as diligently as an actor. The consequence was, I soon got the name of an intolerable proser, and should in a little while have been completely excommunicated had I not changed my plan of operations. From thenceforth I became a most a.s.siduous listener, or if ever I were eloquent, it was tete-a-tete with an author in praise of his own works, or what is nearly as acceptable, in disparagement of the works of his contemporaries. If ever he spoke favorably of the productions of some particular friend, I ventured boldly to dissent from him, and to prove that his friend was a blockhead; and much as people say of the pertinacity and irritability of authors, I never found one to take offence at my contradictions. No, no, sir, authors are particularly candid in admitting the faults of their friends.

"Indeed, I was extremely sparing of my remarks on all modern works, excepting to make sarcastic observations on the most distinguished writers of the day. I never ventured to praise an author that had not been dead at least half a century; and even then I was rather cautious; for you must know that many old writers have been enlisted under the banners of different sects, and their merits have become as complete topics of party prejudice and dispute, as the merits of living statesmen and politicians. Nay, there have been whole periods of literature absolutely _taboo'd_, to use a South Sea phrase. It is, for example, as much as a man's reputation is worth, in some circles, to say a word in praise of any writers of the reign of Charles the Second, or even of Queen Anne; they being all declared to be Frenchmen in disguise."

"And pray, then," said I, "when am I to know that I am on safe grounds; being totally unacquainted with the literary landmarks and the boundary lines of fashionable taste?"

"Oh," replied he, there is fortunately one tract of literature that forms a kind of neutral ground, on which all the literary world meet amicably; lay down their weapons and even run riot in their excess of good humor, and this is, the reigns of Elizabeth and James. Here you may praise away at a venture; here it is 'cut and come again,' and the more obscure the author, and the more quaint and crabbed his style, the more your admiration will smack of the real relish of the connoisseur; whose taste, like that of an epicure, is always for game that has an antiquated flavor.

"But," continued he, "as you seem anxious to know something of literary society I will take an opportunity to introduce you to some coterie, where the talents of the day are a.s.sembled. I cannot promise you, however, that they will be of the first order. Somehow or other, our great geniuses are not gregarious, they do not go in flocks, but fly singly in general society. They prefer mingling, like common men, with the mult.i.tude; and are apt to carry nothing of the author about them but the reputation. It is only the inferior orders that herd together, acquire strength and importance by their confederacies, and bear all the distinctive characteristics of their species."

A LITERARY DINNER.

A few days after this conversation with Mr. Buckthorne, he called upon me, and took me with him to a regular literary dinner. It was given by a great bookseller, or rather a company of booksellers, whose firm surpa.s.sed in length even that of Shadrach, Meschach, and Abednego.

I was surprised to find between twenty and thirty guests a.s.sembled, most of whom I had never seen before. Buckthorne explained this to me by informing me that this was a "business dinner," or kind of field day, which the house gave about twice a year to its authors. It is true, they did occasionally give snug dinners to three or four literary men at a time, but then these were generally select authors; favorites of the public; such as had arrived at their sixth and seventh editions.

"There are," said he, "certain geographical boundaries in the land of literature, and you may judge tolerably well of an author's popularity, by the wine his bookseller gives him. An author crosses the port line about the third edition and gets into claret, but when he has reached the sixth and seventh, he may revel in champagne and burgundy."

"And pray," said I, "how far may these gentlemen have reached that I see around me; are any of these claret drinkers?"

"Not exactly, not exactly. You find at these great dinners the common steady run of authors, one, two, edition men--or if any others are invited they are aware that it is a kind of republican meeting--You understand me--a meeting of the republic of letters, and that they must expect nothing but plain substantial fare."

These hints enabled me to comprehend more fully the arrangement of the table. The two ends were occupied by two partners of the house. And the host seemed to have adopted Addison's ideas as to the literary precedence of his guests. A popular poet had the post of honor, opposite to whom was a hot-pressed traveller in quarto, with plates. A grave-looking antiquarian, who had produced several solid works, which were much quoted and little read, was treated with great respect, and seated next to a neat, dressy gentleman in black, who had written a thin, genteel, hot-pressed octavo on political economy that was getting into fashion. Several three-volume duodecimo men of fair currency were placed about the centre of the table; while the lower end was taken up with small poets, translators, and authors, who had not as yet risen into much notice.

The conversation during dinner was by fits and starts; breaking out here and there in various parts of the table in small flashes, and ending in smoke. The poet, who had the confidence of a man on good terms with the world and independent of his bookseller, was very gay and brilliant, and said many clever things, which set the partner next him, in a roar, and delighted all the company. The other partner, however, maintained his sedateness, and kept carving on, with the air of a thorough man of business, intent upon the occupation of the moment. His gravity was explained to me by my friend Buckthorne. He informed me that the concerns of the house were admirably distributed among the partners. "Thus, for instance," said he, "the grave gentleman is the carving partner who attends to the joints, and the other is the laughing partner who attends to the jokes."

The general conversation was chiefly carried on at the upper end of the table; as the authors there seemed to possess the greatest courage of the tongue. As to the crew at the lower end, if they did not make much figure in talking, they did in eating. Never was there a more determined, inveterate, thoroughly-sustained attack on the trencher, than by this phalanx of masticators. When the cloth was removed, and the wine began to circulate, they grew very merry and jocose among themselves. Their jokes, however, if by chance any of them reached the upper end of the table, seldom produced much effect. Even the laughing partner did not seem to think it necessary to honor them with a smile; which my neighbour Buckthorne accounted for, by informing me that there was a certain degree of popularity to be obtained, before a bookseller could afford to laugh at an author's jokes.

Among this crew of questionable gentlemen thus seated below the salt, my eye singled out one in particular. He was rather shabbily dressed; though he had evidently made the most of a rusty black coat, and wore his shirt-frill plaited and puffed out voluminously at the bosom. His face was dusky, but florid--perhaps a little too florid, particularly about the nose, though the rosy hue gave the greater l.u.s.tre to a twinkling black eye. He had a little the look of a boon companion, with that dash of the poor devil in it which gives an inexpressibly mellow tone to a man's humor. I had seldom seen a face of richer promise; but never was promise so ill kept. He said nothing; ate and drank with the keen appet.i.te of a gazetteer, and scarcely stopped to laugh even at the good jokes from the upper end of the table. I inquired who he was.

Buckthorne looked at him attentively. "Gad," said he, "I have seen that face before, but where I cannot recollect. He cannot be an author of any note. I suppose some writer of sermons or grinder of foreign travels."

After dinner we retired to another room to take tea and coffee, where we were re-enforced by a cloud of inferior guests. Authors of small volumes in boards, and pamphlets st.i.tched in blue paper. These had not as yet arrived to the importance of a dinner invitation, but were invited occasionally to pa.s.s the evening "in a friendly way." They were very respectful to the partners, and indeed seemed to stand a little in awe of them; but they paid very devoted court to the lady of the house, and were extravagantly fond of the children. I looked round for the poor devil author in the rusty black coat and magnificent frill, but he had disappeared immediately after leaving the table; having a dread, no doubt, of the glaring light of a drawing-room. Finding nothing farther to interest my attention, I took my departure as soon as coffee had been served, leaving the port and the thin, genteel, hot-pressed, octavo gentlemen, masters of the field.

THE CLUB OF QUEER FELLOWS.

I think it was but the very next evening that in coming out of Covent Garden Theatre with my eccentric friend Buckthorne, he proposed to give me another peep at life and character. Finding me willing for any research of the kind, he took me through a variety of the narrow courts and lanes about Covent Garden, until we stopped before a tavern from which we heard the bursts of merriment of a jovial party. There would be a loud peal of laughter, then an interval, then another peal; as if a prime wag were telling a story. After a little while there was a song, and at the close of each stanza a hearty roar and a vehement thumping on the table.

"This is the place," whispered Buckthorne. "It is the 'Club of Queer Fellows.' A great resort of the small wits, third-rate actors, and newspaper critics of the theatres. Any one can go in on paying a shilling at the bar for the use of the club."

We entered, therefore, without ceremony, and took our seats at a lone table in a dusky corner of the room. The club was a.s.sembled round a table, on which stood beverages of various kinds, according to the taste of the individual. The members were a set of queer fellows indeed; but what was my surprise on recognizing in the prime wit of the meeting the poor devil author whom I had remarked at the booksellers'

dinner for his promising face and his complete taciturnity. Matters, however, were entirely changed with him. There he was a mere cypher: here he was lord of the ascendant; the choice spirit, the dominant genius. He sat at the head of the table with his hat on, and an eye beaming even more luminously than his nose. He had a quiz and a fillip for every one, and a good thing on every occasion. Nothing could be said or done without eliciting a spark from him; and I solemnly declare I have heard much worse wit even from n.o.blemen. His jokes, it must be confessed, were rather wet, but they suited the circle in which he presided. The company were in that maudlin mood when a little wit goes a great way. Every time he opened his lips there was sure to be a roar, and sometimes before he had time to speak.

We were fortunate enough to enter in time for a glee composed by him expressly for the club, and which he sang with two boon companions, who would have been worthy subjects for Hogarth's pencil. As they were each provided with a written copy, I was enabled to procure the reading of it.

Merrily, merrily push round the gla.s.s, And merrily troll the glee, For he who won't drink till he wink is an a.s.s, So neighbor I drink to thee.

Merrily, merrily puddle thy nose, Until it right rosy shall be; For a jolly red nose, I speak under the rose, Is a sign of good company.