Sword Dancer - Sword Sworn - Part 4
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Part 4

Del was piling bundles on the bed. "Supplies," she replied crisply. "I a.s.sume we're leaving tomorrow, yes?"

I rearranged stiff legs with effort and hauled myself dripping out of the cask, swearing under my breath. "Yes."

Del tossed me the length of thin fabric doubling as a towel, examined my expression and movements, then frowned. "Your hands are hurting."

"Yes." I wrapped the cloth around my waist.

"Tiger-"

"Leave it, Del. I just banged them around on the stud, that's all." I bent, carefully grasped the jar of ale I'd set on the floor beside the cask, and upended the remaining contents into my mouth.

She clearly wanted to say more, but did not. Instead she turned back to the bed and began sorting through bundles. "Food," she announced, "suitable for travel. New botas; we can fill them in the morning. Medicaments. Blankets for bedding. A griddle. Flint and steel." There was more, but she left off anounc-ing everything.

"What about a mount for you, and tack?"

"Arranged. We can collect the stud and my horse first thing tomorrow morning."

"Do we have any money left?"

"Not much," she admitted. "Refitting is costly."

I could not get the memory of the dream fragment out of my mind. I turned away from Del and dropped the towel, rooting around in my belongings for fresh dhoti and burnous. I was done with Skandic clothing. I was in the South again. Home.

Where the dead woman was. Del held out a small leathern flask. "Liniment," she said. "One of the horse-breakers gave it to me. He said it would help."

I tied the thongs on my dhoti. "I think the stud got the better end of the deal. I'm not sure he needs any help."

"He didn't mean it for the stud."

Ah. Trust a horse-breaker to know. And Delilah.

Sighing, I surrendered pride and annoyance and limped to the bed. "Be gentle, bascha. The old man is sore."

"It will be worse tomorrow."

I closed my eyes as she began to work aromatic liquid into my shoulders. "Thank you for that helpful reminder."

"There's a bota of aqivi in the supplies. For the road."

My eyes flew open. "You packed aqivi?" "Only for medicinal purposes, of course." I smiled and let my eyes drift shut again. Del herself was the best medicine a man could know.

She lifts an arm. Beckons. Demands my attention. When I give it, understanding, acceding to that demand, I see that the fragile bones of her hands have begun to fall away. A thumb and three fingers remain. The fourth, the smallest, is missing.

The jaw opens then. A feathering of sand pours between dent.i.tion. Shadowed sockets beseech me.

"Come home," she says.

"I am home," I say. "I have come home."

But it is not, apparently, what the woman wants. The hand ceases its gesture. The bones drop away, collapsing into fragments. Are scattered on the sand.

"Take up the sword," her voice says, before the wind subborns it as well.

I opened my eyes. Square-cut window invited moonlight. Illumination formed a tangible bar of light slicing diagonally across the bed. Del's hair glowed with the sheen of pearls. Her breathing was even, uninterrupted; though neither of us slept deeply in strange places, we had grown accustomed to one another's movements and departures.

Were the dreams my heritage from Meteiera? Would I spend my life viewing the remains of a dead woman in my sleep? Was I doomed to hear her voice issuing nightly from a broken mouth?

Or was there something I was to do, some task to undertake that I didn't yet understand?

I was too restless, too disturbed to sleep. Carefully I peeled back the threadbare blanket, warding tender stumps from rough cloth, and slipped from the bed, trying not to permit the ropes to creak. Trying not to groan about the stiffness of my body. The liniment had helped, but time and movement were the only true cures.

I halted three steps away from the bed, brought up short by a sense of-something.

Something in the room. Something in the darkness. Something in the moonlight.

Something in me?

I lifted my face. Closed my eyes. Saliva ran into my mouth. Flesh p.r.i.c.kled on my bones.

Thumbs and six fingers splayed.

Something was here. Begging for recognition.

It sang in my body. The mantra of the mages.

Discipline. Nihkolara, blue-headed mage of Meteiera-and apparent relative-had told me denying the magic was impossible. That to do so was to invite the madness, to commit self-murder.

I had no inclination to do either.

They had tried to steal my name, the priest-mages, and my knowledge of self, there atop the stony spires. Very nearly had succeeded. But something in me, something more insistent than burgeoning power, despite its insidious seduction, had given me the strength to throw off the infection. At least, enough that I retained my name, rediscovered knowledge of self.

I am Sandtiger.

I am sword-dancer.

More than enough, for me. I needed nothing more.

Even if I had it.

Sweat filmed my body. Soreness remained, bruises had bloomed. But such petty things as discomfort are bearable when weighed against the greater needs of the world.

Or the dictates of magic.

I took up the new sword. In the midst of the moonlight, with eloquent precision, I began yet again to dance, to hone the flesh that sheathed the bones. And the mind that controlled them.

So that I could control it.

I was, as expected, still stiff in the morning, though the midnight dance had helped. Del and I dressed respectively in tunic and dhoti, donned sandals, gauze burnouses, and buckled on harnesses over the clothing. Once we'd merely split the left shoulder seams to allow sword hilts freedom, but that was when challenges were to dance, not to die. Now we didn't have that luxury. We packed up the balance of our belongings and headed out to the livery to collect and tack out our mounts, grabbing something to eat from a vendor along the way.

The stud, when led out into the stableyard square in the kindling sun of early morning, gifted me with a sublimely serene expression suggesting he was nothing but a big, sleepy p.u.s.s.ycat. Though one of the horse-boys offered, I saddled him myself to give my body the chance to get used to movement. I took my time examining the fit of new tack, including bridle, bit, long cotton reins knotted at each end, and of course the saddle. Satisfied, I loaded my share of the supplies, checked the weight distribution, tossed a colorful woven blanket over the new saddle, and turned to see what progress Del was making.

"What is that?" I blurted.

She glanced up from a.s.sessing stirrup length. "I think he's reminiscent of you after a particularly drunken cantina fight." She paused. "A little pale, with two black eyes."

A little pale? He was white. And she didn't mean his actual eyes were black, because they weren't, but the two circles painted around them. The actual eyes were blue, and looked even lighter peering out from black patches.

"Why in hoolies did you pick him?"

"Beggars," she declared succinctly, "cannot be choosers."

Well, no. But ... "A white, blue-eyed horse in the desert?" Actually, he was a pink-and-white, blue-eyed horse, because he lacked pigmentation. His nostrils and lips were a fine, pale pink.

'That is why I've put grease around his eyes," she explained. It will cut down on the sun's glare reflecting off his face. And I slathered alia paste on his nose and lips."

Del, this is a horse, not a woman painting her face." Yes," she agreed equably, continuing to tack out the gelding.

Do you know what you're doing?"

"Yes."

Are you sure? We've got the Punja to get through."

'I had a white dog when I was a child," Del remarked casually after a moment. "He had blue eyes and no pigmentation. My father wanted to put him down, but I insisted he be mine. I was told that with the sun reflecting off the snow, he might in time go blind. So I mixed up grease with charcoal, and painted around his eyes. He lived to be an old, old dog. And he never went blind."

"Is that why you bought this horse? Because he reminds you of your dog?"

"I bought him because he was the only gelding." She glanced up. "Would you want to risk another stallion anywhere near yours?"

"There are mares."

"I tried that before. Your horse, as I recall, spent most of his time trying to breed her.

Sometimes when I was on her."

I recalled that, too. "There are other liveries in town, I suspect. With other geldings."

"But not with one we can afford. I did look." Del reached up and tied something onto the left side of the gelding's headstall, then ran it beneath his forelock to the other side.

My mouth dropped open. "Ta.s.sels?"

"Fringe," she corrected.

"You're putting fringe on a horse?"

"It will help shade his eyes."

First she painted black patches around his eyes, now she hung fringe across his brow. Gold fringe, no less.

I shook my head in disbelief. "Where in hoolies did you find that?"

"I bought it from a wine-girl in one of the cantinas. I don't know what it once was. I was afraid to ask."

"You went into a cantina by yourself?"

"Yes."

"Kind of risky, bascha. Dangerous, even."

"Tiger, I was in a cantina by myself when I met you."

"Well, I said it could be dangerous."

Del slipped a foot into the left stirrup and swung up, settling herself into the blanketed saddle with ease. "Now, do you want to spend all morning arguing about horses, or shall we actually ride them?"

It was ridiculous. We were bound for the Punja and all its merciless miseries, including unceasing sun. Del herself certainly knew the risks; she had once been so sunburned I was afraid she'd never recover. A blue-eyed, white horse lacking pigmentation was a burden we couldn't afford.

But Del was right: neither could we afford something better. I suspected we had only a few coins left from Del's shopping expedition. If we didn't take the gelding, we asked the stud to carry two across the searing Punja, or we'd have to take turns riding and walking, which was slower going yet. Besides, if the gelding dropped dead on us from sunstroke, we could always eat him.

On that cheerful note, I mounted the uncommonly cooperative stud, winced at the creaking of my body, and began the careful process of relaxing complaining muscles fiber by fiber.

Eventually my body remembered how it was supposed to sit a horse, and some of the soreness bled away. The stumps of my missing fingers were still a trifle tender, but once the stud hit his pace and settled, it wouldn't take more than index and middle fingers to grasp the soft cotton reins.

Del, mounted atop her white folly, leaned down to hand the horse-boy a few copper coins.

Likely our last. I sighed, turned the stud, and aimed him out of the stableyard into the narrow alley between livery and adjoining building. He sucked himself up into stiff condescension as the gelding came up beside him, snorting pointed disdain. Then he caught a glimpse of one sad blue eye peering at him out of a circle of black greasepaint coupled with dangling gold fringe and shied sideways toward the nearest wall.

I planted a heel into his ribs, driving him off the wall before my foot could collide with adobe brick. "Let's not."

The stud took my hint and kept off the wall. Now he turned sideways, head bent back around so he could keep both worried eyes on Del's gelding. Ears stabbed toward the white horse like daggers. The accompanying snort was loud enough to drown out the sound of hooves.

Del began to laugh.

"What?" I asked irritably, trying to point the stud back into a straight line as we exchanged alley for street.

"I think he's afraid of him!"

"A lot of horses are afraid of the stud-"

"No! I mean the stud's afraid of my horse!"

"Now, bascha, do you really think-" But I broke off because the stud, now freed of the confines of the narrow alley, took three lunging steps sideways into the center of the street and stopped dead, stiff-legged, snorting wetly and loudly through widened nostrils. Fortunately it was early enough that the street was not yet crowded, and no one was in his way.

Del was still laughing.

"Maybe you should have gotten a mare after all," I muttered. "Look, bascha, just go ahead.

I'll bring up the rear."