The information he had given led to Marie's arrest on the following charges:

"Having wasted the treasures of the state, conspiring with the enemies of the Republic, and having, in London, worn mourning for the late King."

Marie was sentenced to death, on December 7, 1793, and was beheaded the same day. Almost alone of all the Frenchwomen thus put to death, she turned coward at the last. The strain of peasant blood came to the fore. And where aristocrats rode smiling to the scaffold, Marie du Barry behaved like a panic-stricken child. She fell on her knees and begged for her life. She told where every article of value she possessed was buried, in her garden. If she thought thus to buy back her life, she did not understand the souls of such men as her captors.

They heard her to the end, jotting down the directions for finding her treasure. Then she was put into the tumbril, and was started on her way to the scaffold. The journey led past the old millinery shop where she had once worked. As she caught sight of its sign, she screamed out, twice.

The crowd had long ago grown accustomed to the sight of death. Now they seemed to awaken to the fact that they were about to kill a woman, a wondrous beautiful woman, at that. A sigh of pity ran through the throng. The driver in charge of the tumbril, fearing a riot and a rescue, whipped up the horses and drove on with his load. There were others besides Madame du Barry in the death wagon.

The cart reached the scaffold at four-thirty in the afternoon. Marie was the first to mount the steps to the guillotine.

Says De Goncourt, her biographer:

"They heard her on the steps of the scaffold, lost and desperate, mad with anguish and terror, struggling, imploring, begging for mercy, crying, 'Help! Help!' like a woman being a.s.sa.s.sinated by robbers."

Then fell the ax edge. And Marie's seven-million-dollar debt to the people of France was paid.

CHAPTER TEN

"THE MOST GORGEOUS LADY BLESSINGTON"

She was the ugly duckling of a family of seven beautiful children--the children of queer old "Shiver-the-Frills" Power, of Tipperary. Her name was Marguerite. Her father picked out a pretty name for the homely girl and then considered his duty done.

Marguerite was a great trial to everybody; to her good-looking brothers and lovely sisters; to Shiver-the-Frills, who was bitterly chagrined that his record for beauteous offspring should have been marred by so hideous an exception; to the family governess, who wouldn't even take the trouble to teach her to read; to the neighbors, whose joy in beauty she offended. Altogether, Marguerite was taught to consider herself a mistake. It is a lesson that children learn with pitiful readiness. Perhaps the mystic "Unpardonable Sin" consists in teaching them such a d.a.m.nable doctrine.

Her father's baptismal name was not really Shiver-the-Frills, though n.o.body ever spoke of him by any other term. He had been christened Edmund, and he was a squireen of the Tipperary village of Knockbrit.

He was a local magistrate, and he fulfilled his magisterial office almost as well as a mad dog might have done.

He had an insane temper. He did not confine this to his home--where he beat his children and servants most unmercifully--but aired it on the bench as well. Notably when, in a rage, he lawlessly commandeered a troop of dragoons and galloped over Tipperary and Waterford Counties with them, hunting down and killing peasants who had stirred his anger to maniac heat by some petty uprising.

He was a dandy--fop--macaroni--toff--whatever you choose, too; in a tarnished and down-at-heel way. And from his habit of eternally shaking out his dirty shirt ruffles and lace wristbands, in order to keep them from hanging limply, he was called "Shiver-the-Frills."

Marguerite's home life was one unbroken h.e.l.l. Starvation, shabby-genteel rags, beatings, and full-flavored curses were her daily portion. A kind-hearted neighbor, Miss Anne Dwyer, took pity on the poor, abused little ugly duckling and taught her to read and write.

But for this, she would have grown up too ignorant to pa.s.s the very simplest literacy test.

And an odd use the child proceeded to make of her smattering of education. Before she could spell correctly, she began to write stories. These she would read aloud by the peat smolder, on winter evenings, to her awed brothers and sisters, who looked on such an accomplishment as little short of super-natural.

Wonderful stories she wrote, all about princesses who had all the clothes they could wear and who could afford three square meals, with real b.u.t.ter, every single day of their lives; and about princes who never swore at or beat children or flew into crazy rages or even fluttered dirty ruffles.

The girl's gift at story writing gave her a higher place in the family esteem than she had ever enjoyed before. So did another miracle which came to pa.s.s when Marguerite was about twelve. She grew pretty. The ugly duckling, in less than a single year, developed from repulsive homeliness into a striking beauty. In fact, by the time she was fourteen, she was far and away the loveliest of all the "exquisite Power sisters."

Then began her career of super-woman. For, with dawning beauty, came an access of the elusive charm that sets Marguerite's type apart from the rest of womankind. And men were swift to recognize her claim to their worship. The swains whom Shiver-the-Frills allowed to visit his tumble-down mansion paid court to her instead of to her sisters. The fame of her reached the near-by garrison town of Clonmel, and brought a host of young redcoat officers swarming to the Knockbrit house.

Of these officers, two soon put themselves far in the van of all other contestants. They were Captain Murray and Captain Maurice St. Leger Farmer. Murray was a jolly, happy-go-lucky, penniless chap, lovable and ardent. The kindest thing one can say about Captain Farmer is that he was more than half insane.

Marguerite met Captain Murray's courtship more than halfway. But Shiver-the-Frills told the sighing, but impecunious, swain to keep off, and ordered Marguerite to marry Farmer, who had a snug fortune.

Marguerite very naturally objected. Shiver-the-Frills flew into a ready-made rage and frightened the poor youngster almost to death by his threats of what should befall her if she did not change her mind.

So, cowed into submission, she meekly agreed to marry Farmer. And marry him she did, in 1805, when she was but fifteen.

It was an early marrying age, even in that era of early marriages.

Many years had pa.s.sed since Sheridan's metrical toast "to the maiden of bashful fifteen." And, as now, a girl of fifteen was deemed too young for wedlock. But all this did not deter old Shiver-the-Frills from a laudable firmness in getting rid of the daughter he hated. So he married her off--to a man who ought to have been in an insane asylum; in an asylum for the criminally insane, at that.

If Marguerite's life at Knockbrit had been unhappy, her new life was positive torture. Farmer's temper was worse than Shiver-the-Frills.

And he added habitual drunkenness to his other allurements.

There is no profit in going into full details of Marguerite's horrible sojourn with him. One of his milder amus.e.m.e.nts was to pinch her until the blood spurted from her white flesh. He flogged her as he never dared flog his dogs. And he used to lock her for days in an unheated room, in winter, with nothing to eat or drink.

Marguerite stood it as long as she could. Then she ran away. You can imagine how insufferable she had found Farmer, when I say she went back by choice to her father's house.

Shiver-the-Frills greeted the unhappy girl with one of his dear old rages. His rage was not leveled at the cur who had so vilely misused her, but against the young wife who had committed the crime of deserting her husband.

Not being of the breed that uses bare fingers to test the efficiency of buzz-saws, I neither express, nor so much as dare to cherish in secret, any opinion whatsoever on the theme of Woman's Rights. But it is a wholly safe and noncontroversial thing to say that the fate of woman at large, and especially of husband-deserters, to-day, is paradise by comparison with what it was a century ago. For leaving a husband who had not refused to harbor her, Marguerite became in a measure an outcast. She could not divorce Farmer; she could not make him support her, unless she would return to him. She was eyed askance by the elect. Her own family felt that she was smirched.

Shiver-the-Frills cursed her roundly, and is said to have a.s.sumed the heavy-father role by ordering her to leave his ramshackle old house.

Without money, without protector, without reputation, she was cast adrift.

There was no question of alimony, of legal redress, of freedom; the laws were all on Farmer's side. So was public opinion. Strange to say, no public benefactor even took the trouble to horsewhip the husband.

He was not even ostracized from his own circle for his treatment to his girl wife.

Remember, this was in the earliest years of the nineteenth century, and in a country where many people still regarded wife-beating as a healthful indoor sport. Less than three decades had elapsed since a man immortalized by Thackeray had made the proud boast that, during the first year of his married life, he had never, when sober, struck his wife in anger. Nor was it so very long after the Lord Chief Justice of England handed down an official decision that a man might legally "punish his wife with a rod no thicker than his lordship's thumb." Whereat, one woman inquired anxiously whether his lordship chanced to suffer from gouty swelling of the hands. Oh, it was a merry time and a merry land--for women--this "Merrie England of the good old days!"

Marguerite vanished from home, from friends, from family. And a blank s.p.a.ce follows. In the lives of scores of super-women--of Lola Montez, Marie de Chevreuse, Lady Hamilton, Adah Menken, Peg Woffington, Adrienne Lecouvreur, even of Cleopatra--there was somewhere a hiatus,--a "dark spot" that they would never afterward consent to illumine. And such a line of asterisks sheared its way across Marguerite's page at this point.

She is next heard of as leading a charmingly un-nun-like existence at Cahair, and, two years later, at Dublin. At the Irish metropolis, she enamored the great Sir Thomas Lawrence, whose portrait of her is one of his most famous paintings, and one that is familiar to nearly everybody. The picture was painted in 1809 when Marguerite was just twenty and in the early prime of her beauty.

She had ever a knack of enslaving army men, and her next wooer--in fact, Lawrence's lucky rival--was an Irish captain, one Jenkins. She and Jenkins fell very seriously in love with each other. There was nothing at all platonic in their relations.

Jenkins was eager to marry Marguerite. And when he found he could not do so, because of the trifling obstacle that her husband was alive, he sought a chance to put Captain Maurice St. Leger Farmer out of the road. But he was a square sort of chap, in his way, this lovelorn Jenkins. He balked at the idea of murder, and a duel would have put him in peril of losing Marguerite by dying. So he let Farmer severely alone, and contented himself by waiting impatiently until the drunken husband-emeritus should see fit to die.

And, until that happy hour should come, he declared that Marguerite was at least his wife in the eyes of Heaven. Startingly novel mode of gluing together the fragments of a fractured commandment! But the strange part of the affair is that Captain Jenkins' eminently respectable family consented to take the same view of the case and publicly welcomed Marguerite as the captain's legal wife.

And so, for a time, life went on. Marguerite was as nearly respectable as the laws of her time gave her the right to be. Jenkins was all devotion. She was moderately well received in local society, and she kept on winning the hearts of all the men who ventured within her sway.

Then into her life swirled Charles John Gardiner, Earl of Blessington, one of the most eccentric and thoroughly delightful figures of his day.

Blessington was an Irish peer, a widower, a man of fashion. He had a once-enormous rent roll, that had been sadly honeycombed by his mad extravagances, but that still totaled one hundred and fifty thousand dollars a year.

What chance had the worthy, but humble, Captain Jenkins against this golden-tinged whirlwind wooer? And the answer to that conundrum is the same that serves for the question concerning the hackneyed s...o...b..ll in the Inferno. Blessington swept Marguerite off her feet, bore her away from the protesting captain and installed her in a mansion of her own.

Then, too late, came the happy event for which Jenkins and Marguerite had so optimistically been looking. In October, 1817, Captain Maurice St. Leger Farmer joined some boon companions in an all-night orgy in the upper room of a pothouse. Farmer waxed so much drunker than usual that he mistook the long window of the loom for the door. Bidding his friends good-by, he strolled out of the window into s.p.a.ce. Being a heavier-than-air body, in spite of the spirits that buoyed him up, he drifted downward into the courtyard below, breaking his miserable neck.

Marguerite was free. Jenkins hastened to her and besought her to marry him, offering her an honorable name and a place in the world, and pointing out to her how much better off she would be in the long run as Mrs. Captain Jenkins than as the brevet bride of a dissolute earl.

But Blessington had by this time become the helpless thrall of Marguerite's charm. As soon as he heard of Farmer's death, he whisked her off to church and married her. And, by way of doing all things handsomely, he soothed the disconsolate Jenkins' feelings with a fifty-thousand-dollar check; thereby securing firm t.i.tle to the good will and fixtures of the previous tenant of his wife's heart.