"You don't think Spiro's a multitasker."

"Spiro's a rodent. You put a rodent in a maze, and he focuses on one thing, he goes for the piece of cheese."

"Then who killed Michael Barroni?"

"Don't know. If I was going on gut instinct, I'd have to say it feels like Spiro's got his finger in that pie, but there's absolutely no evidence. We don't know why Barroni was killed, and we have no reason to believe he was involved in the hijacking."

"Jeez, you're such a party pooper."

"Yeah, insisting on evidence is always a downer."

I hung up and went back to my searches, but I couldn't keep my mind on them. I was getting double vision from looking at the computer, and I was tired of sitting in the cubby. And even worse, I was feeling friendly. I was thinking Morelli's voice had sounded nice on the phone. I was wondering what he was wearing. And I was remembering what he looked like when he wasn't wearing anything. And I was thinking I might have to leave work early, so I could be naked by the time Morelli walked through the door at four o'clock.

I pushed away from my desk, stuffed myself into the windbreaker, and grabbed the key fob.

"I need to get some air," I told Hal. "I won't be gone long."

I rode the elevator to the garage and got on the bike. When I pushed away from my desk I didn't have a direction in mind. By the time I'd reached the garage I knew where I was going. I was going to the memorial service.

I got to Stiva's exactly at one o'clock. Latecomers were hunting parking places and hustling up to the big front porch. I zipped into the lot with the Due and parked on a patch of grass separating the lot from the drive-thru lane for the hearse and the flower car. My mothers gray Buick was in the lot. From the location of her parking place I was guessing she'd gotten there early. Grandma always liked a seat up front.

Stiva had a chapel on the first floor to the rear of the building. When there was a large crowd he opened the doors and seated the overflow on folding chairs in the wide hallway. Today was standing room only. Since I was one of the last to arrive, I was far down the hall, catching the service over the speaker system.

I wandered away after fifteen minutes and peeked in some of the other rooms. Mr. Earls was in Slumber Salon number three. I thought he was sort of a sad sack in there all by himself while everyone else was at the service. It felt like poor Mr. Earls didn't get an invitation to the party. I snooped in the kitchen and spent a moment considering the cookie tray. I told myself they weren't that good. They were store-bought cookies, and there weren't any of my favorites on the tray. There were better things to nibble on, I told myself. Fresh doughnuts, homemade chocolate chip cookies... Ranger. I left the kitchen and tiptoed into Con's office. He'd left the door open. It was an announcement that he had nothing to hide. If you can't trust your undertaker, who can you trust, eh?

I don't ordinarily do recreational mortuary tours, and I'd absolutely believed Con when he said he hadn't seen Spiro, so I wasn't sure why I felt compelled to search the building. I guess it just wasn't adding up for me. I kept coming back to the mole. It had been made from mortician's putty. Stiva doesn't run the only funeral home in the greater Trenton area. And for that matter, you can probably order morticians putty on the Net. Still, this was the easiest and most logical place for Spiro to get a chunk of the stuff. I had a feeling that if I opened enough doors here, I'd find Spiro or at least some evidence that Spiro had passed through.

I went upstairs and checked out the storage room and the two additional viewing rooms Con reserved for peak periods, like the week after Christmas. I returned to the ground level, exited the side door, and looked in the garage. Two slumber coaches, waiting for the call. Two flower cars that were somber, even when filled with flowers. Two Lincoln Town Cars. And Con's black Navigator, the vehicle of choice when someone inconveniently dies during a blizzard.

I returned to the main building through the back door. The chapel was straight ahead, at the end of a short corridor. The embalming rooms were in the new wing, to my left. These rooms were added after the fire. The new structure was cinder block and the equipment supposedly was state of the art, whatever that meant.

I took a deep breath and turned left. I'd gone this far, I should finish the search. I tested the door that led to the new wing. Locked. Gee, too bad. Guess God doesn't want me to see the embalming rooms.

The basement also remained unexplored. And that's the way it was going to stay. The furnaces and meat lockers are in the basement. This is where the fire started. I've been told the basement's all rebuilt and shiny and bright, but I'd rather not see for myself. I'm afraid the ghosts are still there... and the memories.

Con lived in a house that sat next to the mortuary. It was a good-size Victorian, not as big as the original mortuary house, but twice the size of my parents' house. Spiro had grown up in that house. I'd never been inside. Spiro hadn't been one of my friends. Spiro had been a kid who lived in shadows, scheming and spying on the rest of the world, occasionally sucking another kid into the darkness.

I went out through the back door and followed the walkway past the garages to Con's house. It was a pretty house, well maintained, the property professionally landscaped. It was painted white with black shutters, like the mortuary. I circled the house and stepped up onto the small back porch that sheltered the kitchen door. I looked in the windows. The kitchen was dark. I could see through to the dining room. It was also dark. Nothing out of place. No dirty dishes on the counter. No cereal boxes. No sweatshirt draped over a chair. I stood very still and listened. Nothing. Just the beating of my heart, which seemed frighteningly loud.

I tried the door. Locked. I worked my way around the side of the house. No open windows. I returned to the back of the house and looked up at the second floor. An open window. People felt safe leaving windows open on the second floor. And most of the time they were safe. But not this time. This window was over the little back porch, and I was good at climbing up back porches. When I was in high school my parents' back porch had been my main escape route when I was grounded. And I was grounded a lot.

Stephanie, Stephanie, Stephanie, I said to myself. This is insane. You're obsessed with this Spiro thing. There's no good reason to believe you'll find anything helpful in Con's house. What if you get caught? How embarrassing will that be? Then the stupid Stephanie spoke up. Yes, but I won't get caught, the stupid Stephanie said. Everyone's at the memorial service and it'll go on for another half hour at least. And no one can see this side of the house. It's blocked by the garage. The smart Stephanie didn't have an answer to that, so the stupid Stephanie shimmied up the porch railing and climbed through the second-story window and dropped into the bathroom.

The bathroom was white tile, white walls, white towels, white fixtures, white shower curtain, white toilet paper. It was blindingly antiseptic. The towels were perfectly folded and lined up on the towel bar. There was no scum in the soap dish. I took a quick peek in the medicine cabinet. Just the usual over-the-counter stuff you'd expect to find.

I walked through the three upstairs bedrooms, looking in closets and drawers and under beds. I went downstairs and walked through the living room, dining room, and den. The house was eerily unlived-in. No wrinkles on the pillowcases, and all the clothes hanging in the closet and folded in the chest were perfectly pressed. Just like Con, I thought. Lifeless and perfectly pressed.

I went to the kitchen. No food in the fridge. A bottle of water and a bottle of cranberry juice. The poor man was probably anemic from starvation. No wonder he was always so pale. His complexion frequently mirrored the deceased. Not flawed by death or disease but not quite human either. I thought it was by association, but Grandma said she thought Con dabbled in the makeup tray in the prep room.

Constantine Stiva was surrounded by grieving people every night, left alone with the dead by day, and went home to this sterile house after the evening viewings. And if we're to believe him, he has a son who came back to the Burg but never stopped by to say hello. Morelli thought Spiro was a single-minded rodent. I thought Spiro was a fungus. I thought Spiro fed off a host, and his host had always been Con.

I opened the door to the cellar, switched the light on, and cautiously crept down the stairs. Eureka. This was the room I'd been looking for. It was a windowless basement room that had been made into a do-it-yourself apartment. There was a couch covered by a rumpled sleeping bag and pillow. A television. A comfy chair that had seen better days. A scarred coffee table. A bookshelf that had been stocked with cans of soup and boxes of crackers. At the far end someone had installed a sink and a makeshift counter. There was a hotplate on the counter. And there was a small under-the-counter refrigerator. This was the perfect hiding hole for Spiro. There was a door next to the refrigerator. Bathroom, I thought.

I opened the door and looked around the room. I'd expected to find a small bathroom. What I had in front of me was a mortician's workroom. Two long tables covered with tubes of paint, artists' brushes, a couple large plastic containers of mortician's modeling clay, wigs and hairpieces, trays of cosmetics, jars of replacement teeth. And on a chair in the corner was a jacket and hat. Spiro's.

I had my cell phone clipped to my belt alongside my gun. I undipped the phone and went to dial. No service in the basement. I was on my way through the door when a flash of color caught my eye. It was a rubbery blob that looked a lot like uncooked bacon. I moved closer and realized it was several pieces of the material morticians used for facial reconstruction. I didn't know a lot about the mechanics of preparing the dead for their last appearance, but I'd seen shows on movie makeup, and this looked similar. I knew it was possible to transform people into animals and aliens with this stuff. It was possible to make young actors look old, and it was possible to give the appearance of health and well-being to the newly departed. Stiva was a genius when it came to reconstructing the dead. He added fullness to the cheeks, smoothed over wrinkles, tucked away excess skin. He filled in bullet holes, added teeth, covered bruises, straightened noses when necessary.

Stiva was Burg comfort food. Burg residents knew their secrets and flaws were safe in Stiva's hands. At the end of the day, Stiva would make the fat look thin and the jaundiced look healthy. He wiped away time and alcoholism and self-indulgence. He chose the most flattering lipstick shade for the ladies.

He hand-selected men's ties. Even fifty-two-year-old Mickey Branchek, who had a heart attack while laboring over Mrs. Branchek and died with an enormous erection that gave new meaning to the term stiffy, looked rested and respectable for his last hoohah. Best not to consider the process used to achieve that result.

Spiro had watched his father at work and would know the same techniques. So it wasn't shocking that the mole had been made from mortician's putty. The pieces of plastic that were lying on the table were more disturbing. They reminded me of Spiro's scars, and I realized Spiro would have the ability to change his appearance. A perfectly healthy Spiro could make himself horribly disfigured. He wouldn't fool anyone up close, but I'd only seen him at a distance, in a car. And Chester Rhinehart had seen him at night. If I was, in fact, looking at a disguise, it was pretty darn creepy.

I heard movement behind me, and I turned to find Con standing in the doorway.

"What are you doing? How'd you get in here?" he asked. "The doors to the house were closed and locked."

"The back door was open." When in a jam always go with a fib. "Is the service done?"

"No. I came back here because you tripped my alarm."

"I didn't hear it."

"It rings in my office. It monitors the cellar door, among others."

"You're hiding Spiro," I said. "I recognize the coat and hat on the chair. I'm sorry. This must be awful for you."

Con looked at me, his face composed, as always, his eyes completely devoid of emotion. "You're perfect," he said. "Stupid to the end. You haven't figured it out, have you? There's no Spiro. Spiro is dead. He died in the fire. There was nothing left of him but ashes and his school ring."

"I thought he was never found. There was never a service."

"He wasn't found. There wasn't anything left of him. Just the ring. I stumbled across it and never said anything. I didn't want a service. I wanted to move on, to rebuild my business. If he'd lived he would have ruined me, anyway. He was a moron."

This was the first I'd ever heard Con speak badly of the dead. And it was of his son. I didn't know what to say. It was true. Spiro was a moron, but it was chilling to hear it from Con. And if Spiro was dead then who was tormenting me? Who blew up Mama Macaroni? I suspected the answer was standing two feet away, but I couldn't put it together. I couldn't imagine solicitous Constantine Stiva, Mr. No Personality, offing Mama Mac.

"So it wasn't Spiro who was leaving me notes and blowing up cars?" No.

"It was you."

"Hard to believe, isn't it?"

"Why? Why were you stalking me?"

"Why doesn't matter," Con said. "Let's just say you're serving a purpose. I guess it's just as well that you're here. I don't have to hunt you down."

I put my hand to the gun at my hip, but it was an unfamiliar act, and I was slow. Con was much faster with his weapon. He lunged forward, and I saw the glint of metal in his hand, and I barely registered stun gun before I went out.

I was in absolute blackness when I came around. My mind was working, but my body was slow to respond, and I couldn't see. I was cuffed and shackled, and I was blindfolded. No, I thought. Back up. I wasn't blindfolded. I could open and close my eyes. It was just very, very dark. And silent. And stuffy. I was disoriented in the dark, and I was having a hard time focusing. I rocked side to side. Not much room. I tried to sit but couldn't raise my head more than a couple inches. The space around me was minimal. The realization of confinement sent a shock of panic into my chest and burned in my throat. I was in a silk-lined container. God help me. Constantine Stiva had put me in one of his caskets. My heart was pounding and my mind was in free fall. This couldn't be real. Con was the heart and soul of the Burg. No one would ever suspect Con of bad things.

My hands ached from the cuffs, and I couldn't breathe. I was suffocating. I was buried alive. Hysteria came in waves and receded. Tears slid down my cheeks and soaked into the satin lining. I had no idea of time, but I didn't think much time had passed. Maybe a half hour. An hour at most. I had a moment of calm and realized I was breathing easier. Maybe I wasn't suffocating. Maybe I was just suffering a panic attack. I didn't smell dirt. I wasn't cold. Maybe I wasn't buried. Okay, hold that thought. Did I hear a siren far off in the distance? A dog barking?

My confinement stretched on with nothing to break the monotony. My muscles were cramping and my hands were numb. I no longer knew if it was day or night.

What I knew with certainty was that Ranger would be looking for me. He'd return from Florida, and he'd do what he does best... he'd go into tracking mode. Ranger would find me. I just hoped he'd get to me in time.

I heard a door slam and an engine catch. The casket shifted. I was pretty sure I was being driven somewhere. I hoped it wasn't the cemetery. I strained to hear voices. If I heard voices I'd make noise. I seemed to have air, but I didn't want to chance depleting the oxygen if I didn't hear voices. We were stopping and starting and turning corners.

We stopped, and a door opened and slammed shut, and then I was sliding and bumping along. I'd been to a lot of funerals with Grandma Mazur. I knew what this was. I was moving on the casket gurney. I was out of the hearse or the truck or whatever, and I was being taken somewhere. I was wheeled around corners, and then the motion stopped. Nothing happened for what seemed like years, and finally the lid was raised, and I blinked up at Con.

"Good," he said, "you're still alive. Didn't die of fright, eh?" He looked in at me. "Undertaker humor."

My first thought was that I wouldn't cry. I'd try to stay smart. I'd keep him talking. I'd look for an opportunity to escape. I'd stall for time. Time was my friend. If I had enough time, Ranger would find me.

"I need to get out of this casket," I said.

"I don't think that's a good idea."

"I need to use the bathroom... bad."

Con was fastidious to a fault, and he looked genuinely horrified at the possibility of a woman peeing in one of his silk-lined caskets. He cranked the gurney down to floor level and helped me wriggle myself out of the box.

"This is the way it will work," he said. "I don't want you making a mess all over everything, so I'm going to let you use the bathroom. I'm going to release one cuff, but I'll stun-gun you if you do anything dumb."

It took a moment to get my balance, and then I very carefully shuffled into the bathroom. When I shuffled out I felt a lot better. My hands were no longer numb and the cramps in my legs had subsided. We were in a house that looked like a small '70s ranch. It was sparsely furnished with mix-and-match hand-me-downs.

The kitchen linoleum was old and the paint was faded. The counters were red Formica dotted with cigarette burns. The white ceramic sink was rust stained. Some of the over-the-counter kitchen cabinets were open and I could see they were empty. The casket was in the kitchen, and I was guessing it had been wheeled in from an attached garage.

"Is this in retaliation for Spiro's death or the fire in the funeral home?" I asked Con.

"Only tangentially. It's a bonus. Although it's a very nice bonus. There've been a couple nice bonuses to this charade. I got to kill Mama Macaroni. Who wouldn't love to do that? And then I got to bury her! Life doesn't get much better. The Macaronis bought the top-of-the-line slumber bed."

I cut my eyes to my slumber bed.

"Sorry," Con said. "Molded plastic. Not one of my better caskets. Lined with acetate. Still, it's good quality for people who haven't set aside funeral expenses. I'd like to put your grandmother in one of these. Her death should be declared a national holiday. What is this morbid obsession she has with the dead? I have to nail the lid down when there's a closed casket. And she's never happy with the cookies. Always wanting the kind with the icing in the middle. What does she think, cookies grow on trees?" Con smiled. "Maybe I'll nail your lid down just to annoy her. That would be fun."

"So, I guess that means you're not going to bury me alive?"

"No. If I buried you alive I'd have to put you back in the casket. And I have plans for the casket. Mary Aleski is on a table back at the mortuary, and she'll be on view in that casket tomorrow. And besides, do you have any idea how much digging is involved in burying someone in a casket? I have a better plan. I'm going to hack you up and leave you here on the kitchen floor. It's important to my plan that you're found in this house."

"Why?"

"This house belongs to Spiro. It's tied up in probate because he hasn't been pronounced dead. If Spiro killed you it would be in this house, don't you think?"

"You still haven't told me why you want to kill me."

"It's a long story."

"Are we in a rush?"

Con looked at his watch. "No. As a matter of fact, I'm ahead of schedule. I'm coordinating this with the last of the Spiro sightings. Spiro will be seen in his car around midnight, and then I'll come back here and kill you, and Spiro will disappear forever."

"I don't get the Spiro tie-in. I don't get anything."

"This is about a crime that happened a long time ago. Thirty-six years to be exact. I was stationed at Fort Dix, and I masterminded a hijacking. I had four friends who helped me. Michael Barroni, Louis Lazar, Ben Gorman, and Jim Runion."

"The four men who were found shot to death behind the farmer's market."

"Yes. An unfortunate necessity."

"I wouldn't have pegged you for a criminal mastermind."

"I have many unappreciated talents. For instance, I'm quite good as an actor. I play the role of the perfect undertaker each night. And as you know I'm a genius with makeup. All I needed was a hat and a jacket, some colored contacts and handmade scars, and I was able to fool you and that pizza delivery boy."

"You always seemed like you enjoyed being a funeral director."

"It has its moments. And I hold a certain prominence in the community. I like that."

Constantine Stiva has an ego, go figure. "So you masterminded a hijacking."

"I saw the trucks come through once a week, and I knew how easy it would be to take one of them down on that isolated back station. Lazar was a munitions expert. I learned everything I know about bombs from Lazar. Gorman had been stealing cars since he was nine. Gorman stole the tow truck we used to drag the armored truck away. Barroni had all kinds of connections to launder the money. Runion was the dumb muscle.

"Do you want to know how we did it? It was so simple. I was on guard duty with two other men. The armored truck pulled up. Runion and Lazar were directly behind it in a car. Lazar had already planted the bomb when the truck stopped for lunch. Kaboom, the bomb went off and disabled the truck. Runion killed the other two guards on duty and shot me in the leg. Then Gorman hooked the truck up to the tow truck and hauled it off about a quarter mile down the road into an abandoned barn. I wasn't there, of course, but they told me Lazar set a charge that opened the truck like he'd used a can opener. They killed the truck guards and in a matter of minutes were miles away and seven million dollars richer."

"And no one ever solved the crime."

"No. The army expended so much energy hushing it all up that there wasn't a lot of energy left to investigate. They didn't want anyone to know the extent of the loss. That was very big money back then."

"What happened to the money?"

"There were five of us. We each took two hundred thousand as seed money for start-up businesses when we got out. And we agreed that every ten years we'd take another two hundred thousand apiece until we hit the forty-year mark and then we'd divide up what was left." Sor "We had a vault in the mortuary basement. We had a system that each of us had a number, and it took all of us to open the vault. No one knew, but over the years I'd figured out the numbers. So I borrowed from the vault from time to time. Then you and your grandmother burned my business down. The vault survived, but I didn't. I was underinsured. So I took what was left in the vault and used it to rebuild. Two months ago, Barroni found out he had colon cancer and asked for his share of the money. He wanted to make sure it went to his family. We set the meeting up in the field behind the farmers market so we could take a vote. I knew they were going to give Barroni the money. And they were going to want their share early, too. We were all at that age. Colon cancer.

Heart disease. Irritable bowel. Everyone wants to take a cruise. Live the good life. Buy a new car. They were going to go down to my basement, open the vault, find out I'd stolen the money, and then they would have killed me."

"So you killed them."

"Yes. Death isn't such a big deal when it's happening to someone else."

"How do I fit in?"

"You're my insurance policy.

"Just in case one of my comrades shared the secret with a wife and she came looking for me, maybe with the police, I would confess to telling Spiro about the crime. Of course, it would be my version of the crime and I'd be non-culpable. Easy to believe Spiro would return to extort money and then resort to mass murder. And easy to believe Spiro would be a little goofy and take to stalking you. And I'd be the poor grieving father of the little bastard."

"That's the dumbest thing I ever heard."

"You fell for it," Con said. "Actually my original plan was just to leave you a few notes. Then I realized you'd made so many enemies you might not consider Spiro as the stalker, so I had to get more elaborate. Probably I could have stopped after you identified me at Cluck-in-a-Bucket, but by that time I was addicted to the rush of the game. It's too bad I have to kill you. It would have been fun to blow up more cars. I really like blowing up cars. And it turns out I'm good at it."

He was crazy. He'd inhaled too much embalming fluid. "You won't get away with it," I told him.