"I can't have the girls and boys visit me in this little two-by-four, dear. It's a dump!"

And so early in the run of "Who Did It?" the little group moved again.

This time to a strictly modern, pretentious apartment in West End Avenue, whose upper apartments boasted a river view and three baths and rented as high as four and five thousand dollars a year.

For twelve hundred Lilly obtained the ground-floor rear, no view, but five fairly large rooms and two capacious baths. And since such a house takes its tone from its highest-priced tenants, they enjoyed with them the uniformed hall service, the ornate entrance _de luxe_ and foyer _de trop_.

In lieu of maid, Harry again occupied those quarters, his grandmother sleeping on a davenport in the sitting-dining-room. There were no roomers, Lilly carrying the resultant deficit.

She and Zoe again shared what corresponded to the parlor, this time a fairly large room, with alcove curtained off for sleeping quarters. They furnished it themselves, quite charmingly, too, and with a consensus of taste except where Lilly gave way to Zoe's really superior intuition.

There were plain ecru walls, not papered, but, at Zoe's instance, painted and roughened up with a process called "stippling." The two-tone brown rug. An overstuffed couch of generous proportions and upholstered in a nicely woven imitation of Flemish tapestry. Along the back of this piece, which occupied virtually the center of the room, was a long, narrow table the exact length of the couch, with a pair of Italian polychrome candlesticks, gift of Gedney Daab, at either end.

A piece of old red brocade hung over the fireplace, covering the ugly mirror, and facing it a brown-rep fireside chair, coa.r.s.e tan fishnet curtains, a pair of huge black-velvet floor cushions with orange-colored b.a.l.l.s in each center, bespeaking a new art era which was dawning as colorfully and as formlessly as a p.r.i.c.ked egg yolk.

An upright piano was stacked with music, and, in spite of Lilly's argument for them, no pictures on the walls, only a brilliant panel portrait of Zoe, signed Gedney Daab, her young form in faint profile against a background of cloth of gold, the face up-flung to a flow of sunlight that crossed the picture in a churchy ray.

"If we cannot have originals or etchings, we won't have any. I hate middle-cla.s.sness."

"But, Zoe, dear--a few good prints. 'The Age of Innocence'--"

She kissed her mother on the mouth with all the outrageous patronage of youth.

"You're a darling, Lilly, but they just aren't doing it that way any more, dear."

So there were no pictures.

At the time of this move, Harry had been holding the position of clerk at the cigar, magazine, and book concession of one of the newest and noisiest of Broadway's terrific commercial hotels.

The hours were difficult, from noon to midnight, but within the seventeen months he had advanced from fifteen to twenty-five dollars a week. A new, a surprising spruceness had laid hold of him. He took to exceedingly tall small collars and vivid neckwear, his suit very narrow and making him look less than ever his years.

Mrs. Schum, too, had taken on some of that well-being, and, though she complained constantly of a sciatic twist in her side, something had lifted from off her. Her patter about the house, in the slippers with the rubber insets, was lighter; she discarded the old jet-edged dolman with the humps on the shoulders and the slits for the arms, for a decent full-length black coat with a st.i.tched braid border and self-covered b.u.t.tons, gift of her grandson. There had been a present for Lilly, too, a light-blue, drugstore-purchased celluloid toilet set.

He no longer sat idle in his room, his light eyes futile with staring at s.p.a.ce or his head down tiredly in his hands. Something had indeed come over Harry.

"After all," said Lilly, always readily buoyed, "the operation did accomplish!"

Sometimes, since his mornings were free, he rode down to the office with Lilly, eagerly insistent to pay her car fare and cram a return Subway ticket into the warm pink aperture of flesh where her glove clasped.

Once he bought her a little spray of heather off a vender's tray.

"Harry, you mustn't spend on me this way. You must begin to save your money for that right girl when she comes along."

Never quick with retort, he stood watching her dart into the foyer of the Forty-second Street building, a sudden silence shaping around him that had in it the little noises of birds singing. "Right girl," he kept repeating after her, or something like that, and remained there loitering for twenty minutes after her presence had fluttered through the revolving doors and into the elevator.

And then suddenly a quick succession of events set in.

One night Lilly and Zoe, returning from a Boston Symphony concert for which they held first-balcony season seats, found Harry trying to pour brandy between the clenched lips of Mrs. Schum, who lay rigid on the hall floor where she had fallen, her head bleeding from a sharp contact with the door.

Her poor face with the shriveled bags of flesh seemed suddenly shrunk, and, holding the flask against her teeth, Harry's hands were trembling so that the liquid poured in a thin stream off the edge of her mouth.

After half an hour of desperate and unavailing use of home remedies, Lilly sent for a doctor, one in the building, who came down in dinner clothes.

At twelve o'clock that night Mrs. Schum, without regaining consciousness, was rushed to the Saint Genevieve Hospital in East Seventy-eighth Street, for an emergency operation that had to do with a growth in her side.

It was Lilly's first contact with the casualty of sudden illness. In the little anteroom of the hospital, her hand in Harry's, she sat the remainder of the night through. He was constantly wiping away the tears from his light eyes and looking away to gulp. She rea.s.sured him where she could, tightening her hold of his hand.

"Don't--let them hurt her."

"They aren't hurting her, Harry dear. She can't feel at all under the anaesthetic."

"But they won't know. Gramaw won't let them know. Tell them, Lilly, she's that way--not to hurt her--please."

"Harry--dear!"

At dawn milk wagons began to clatter through streets no grayer than Harry's face. But at six o'clock Mrs. Schum was reported "as well as could be expected" and the operation apparently a success.

They rode home through the early morning, Lilly insisting upon a taxicab and Harry lying back, quite frankly spent, against her arm. Her vitality was unquenchable, mounted, in fact, under stress. Untired, she brewed him hot coffee, forced him to drink it and lie down; tidied up the little flat there at six-thirty o'clock in the morning, with a hit-and-a-miss it is true, but allaying all signs of confusion; fluted an Eton collar for Zoe and packed her off to school; and at half after eight, just out of a cold and invigorating shower, was combing out the fine electric rush of her hair, a pink Turkish bathrobe, the color of her firm, cool skin, wrapped tightly about her and caught in by a cord at her waist line.

Suddenly through the mirror she saw the door open, and before she could call out, Harry stood in the center of the room, his eyes running quite unmistakably over the contour of her sheathed body.

It was the first time he had ever violated the slightest nicety, and, outraged even in her pity for him, her hand flew up, drawing the robe closer at her breast.

"Don't come in!" she cried, retreating up against the dresser and turning her shoulder with the hair flowing over it toward him. "How dared you come in here without knocking! Go!"

He was crying, not seeming to know it, because he continued, even as she stood blazing at him, to stand staring through the rain of tears.

"Harry, you're forgetting yourself. You mustn't give way. Your grandmother is over the worst now--"

Suddenly he was on his knees, his back round and shaken with sobs.

"Lilly--Lilly--can't you see?"

"See what? Is anything wrong? Harry," she cried, stooping to shake him by the shoulder, "has anything happened again? Are you in trouble?"

He would not rise, following her, to her horror, by walking on his knees, pressing and pressing the hem of her garments, and before she realized it burning his kisses down into it. She fought him off, tearing from his grasp and staggering back against the wall.

"Harry--you're in trouble again."

He caught her bare arm, pressing his lips into the yielding flesh.

"Lilly, I can't hold back any longer. I love you. I'm all alone. With gramaw here I could hold back--somehow--but now--Lilly--Lilly--I love you."

She could only stare, her mouth fallen open and the rim of her eyes their widest.

"It's been so long to--hold back--so long. Since that first day at the street car--you kissed me--and now with gramaw gone--Lilly--"

She jerked him up from his knees this time, holding him firmly, even absurdly, by the coat lapels, shaking him.

"Harry, you've gone mad!"