"What are your rates?"

"Three-fifty and up."

"Yes--bath."

He shifted among his keys and she noticed that when she returned the pen to him his hand lingered just too long. She had a way of lifting her eyebrows to express her archest scorn. The smile on the clerk's face did not die, but neither did it widen.

She shot upward in an elevator. She padded her way through long hallways deeply carpeted to eat in footfalls. It seemed to her they must have rounded a city square of those hallways, door after door after door as imperturbable as eyeless masks, and yet which somehow seemed to look on.

"Anything else, ma'am?"

"Nothing." She interpreted his wait and felt for a ten-cent piece. He shifted the key to the room inside of the door and went out.

She was alone in a twelfth-story room that enhanced her aerial sense of light-headedness. She looked at the bed. Curly birch with a fine sense of depth to its whiteness. There was a gla.s.s top on the dresser, with a lace scarf beneath it which appealed to her sense of novelty. Also an extra light above it which she jerked on, peering at herself in the mirror.

There were soot rims about her eyes, and when she removed her hat her hair was glued to her brow in its outline. But just the same, the pollen that gave to her skin its velvetiness was there. She leaned to the mirror, baring her teeth to scan their whiteness; turned her profile as if to appraise its strong, sure cast; swelled her chest after the manner of inhaling for an octave, letting her hand ride on it. Then she undressed slowly, luxuriating in a deep hot bath that rested her as she lay back in it. She even washed her hair, wrapping it finally in one of the thick turkish towels, and then leaned out of her window for a while, her body well over the sill, and the air, with a cool washed quality to it, flowing through her nightdress. She looked down on what she thought must be the bosom of Broadway. Actually it was Forty-fourth Street. An ocean of roofs billowed under her gaze.

She thought of Tuefelsdrock alone with his stars. Or rather, wanted to think of herself as thinking of him.

A telephone directory on the desk caught her eye. For an hour she pored over its pages, names that had blazoned themselves incandescently from the pages of musical reviews and magazines mixed in casually with the clayey ones of mere persons. A thrill shot over her with each encounter.

The book began to exhale an odor of sanct.i.ty.

It was two o'clock when she turned off her lights, just enough glow from the hallway pressing against her transom to rea.s.sure her. The sheets were fragrant with cleanliness and she let her body give to the delicious sag of the mattress. The rumble of the train was gone from her ears. She felt washed, light, drowsy; cast aside her pillow; wound her arm up under her head; sighed out of deliciousness; slept.

She awoke with a sense of red. A flame of fear shot through her, and a first thought of fire, but even before she could rise she saw it was static, this crimson gash across the blackness, and shaped like a grin.

She began to tremble, and an unreasoning fear of the depth of the darkness to take hold of her. A sort of paralysis locked her, and, although she wanted to scream, she lay there drenched in terror.

Finally, out of contempt for her fear, she sprang, landing both feet on the floor.

A little window in the box of the wall telephone, one of those modern hotel devices _de luxe_ and _de trop_, had flashed up redly, spelling out to her dilated gaze, "MAIL IN YOUR BOX." Regarding it, her relief shifted suddenly to terror. Mail! Not even had she herself known what her address might be! Her mother--father--Albert? But how? The drummer with the gold-mounted elk's tooth! The clerk and that almost imperceptible trail of the hand. Detectives! Her window showed a streak of dawn. Five-forty by her watch. She tried to go back to bed, but at six she was up again, dressed fumblingly, finally sliding the linen jacket over an unb.u.t.toned blouse. She had some difficulty locating the elevator, scurrying through the deserted halls only to dash herself against repeated _cul-de-sacs_. It was almost seven when she descended into a lobby that was littered with sawdust in the sweeping up.

She asked for her mail, a strange clerk handing it out to her without askance, and hurried to a chair behind a pillar, holding the envelope between the folds of her skirt without glancing at it, and trying to hide the trembling of her arm. She sat down, forcing her hand around and her gaze to meet it. The envelope was blank; she tore its flap and read: "Valet Service. Suits Cleaned and Pressed in One Hour."

And then she went out into 7 A.M. Broadway, all swept clean and caroling with the song of the car gong and the whistlings of steamboats. A line-up of theaters, early-morning mausoleums of last night's madnesses, first met her eye in the clean light. One of them was violently postered with lithographs of Minnie Maddern Fiske. A three-sheet proclaimed Melba. Broadway became an Olympus, every pa.s.ser-by a probable immortal.

She half expected to pa.s.s John Drew there as the Rialto cleaned its cuspidors, polished its bra.s.s, and swept its front. She thought she caught a flash of Margaret Mazarin in a cab. An exultant chill raced over her at the vertical sign, "Rector's." A musical comedy full of frothy and naughty allusions to Rector's had once played Forest Park Highlands, St. Louis. It was like strolling the pages of an ill.u.s.trated magazine. Some one jostled her and smiled around very closely into her face. Suddenly her eyebrows shot up. It seemed to her that the face under the gray derby hat was as coldly and as bonelessly fat as an oyster. Her two hands could have met around the little neck which was tightly incased in a soft blue collar held with a gold bar pin. She quickened her step and, what with the lifted brows, promptly lost him.

She stopped finally at a florid lace-and-gla.s.s-fronted restaurant on Forty-third Street, with a mimeographed breakfast menu up against the window. Her food went down through a throat constricted against it. Her tightness would not relax.

At half after eight she was back once more in her room, changing from the tan linen into a pink mull, heavily inserted, too, and throwing up quite an aura of rosiness about her. She had only the tan hat, too wide and too floppy of brim, but it had a picturesque value, which is a greater selling quality than _chic_. In fact, in her own eyes, as she tilted the mirror for a full-length view, the art of Katy Stutz stood unimpeached. Eying her reflection in the mirrored walls of the elevator, she felt as pinkly blown as a rose, and looked it. A head or two turned after her youth. At the desk she inquired for the Pittman Building. Just opposite! A policeman held up traffic to let her cross. She picked a name off a third-story window, "Barnett Bureau--Musical Service," and rode up to it.

By one of those astonishing flukes of beginner's good fortune, upon the occasion of this very first effort Lilly obtained.

A ground-gla.s.s door opened into a room the size and bareness of a packing case and crammed to its capacity with a roller-top desk, a stenographer at a white-pine table, a cuspidor, a pair of shirt sleeves, a black mustache, and a blacker cigar.

Entering, Lilly was surprised at the measured tempo of her voice and the manner in which she permitted her eyebrows to arch ever so superciliously.

"I'm looking for an engagement," she said, speaking through the ticking of the typewriter.

The jaw ate in half an inch more of cigar and swung around in the swivel.

"Voice?"

"Yes. High soprano."

He ran a swift c.o.c.ked eye over her points and turned to the white-pine table.

"Send her down to Visigoth," he said to the stenographer, who took up where he left off.

She was as blond and as bland as a summer's day. A Pompadour dipped down over one eye and her jaws moved as rhythmically as rigorously to gum with a pull to it. She was herself caricatured. She and Lilly exchanged that quickest of inventories, woman's for woman.

"Sign here."

Lilly signed.

"Ten dollars."

"Why?"

"Our rules. Ten dollars a year bureau membership, and fifty per cent of first two weeks' salary."

"But what if--"

"We always place sooner or later."

"But in case--"

"Take this card down to the Union Family Theater, Union Square, and ask for Robert Visigoth. It's a two-a-day. If you don't do business with him, come back to-morrow morning."

A quick dozen of questions rushed to Lilly's lips, but instead she laid down a new ten-dollar bill, crammed the slip into her palm through the hole in her glove, and went out, the snapping torrent of typewriting already resumed.

The Union Family Theater was the first of a succession of variety houses that was to spread, first to Harlem, then Philadelphia, and later gird the country like a close-link chain. Vaudeville prefaced with stereopticon views, designed to appeal to the strict respectability of the most strictly respectable audiences in the world.

The high-cla.s.s Rialto houses might pander to low-cla.s.s comedy and Broadway take its entertainment broad, but Robert Visigoth laid the corner stone of subsequent fortunes when he decided that a ten-twenty-thirty vaudeville audience that smells sour of perspiration and strong foods demands entertainment as pink and as sweet as a baby's heel, and that a gunman in the gallery will catcall his prototype on the stage.

Let the Noras and all the pyscha.n.a.lyzed Magdas go their problematic and not always prophylactic ways, the Visigoth Family Theaters wanted 'em sweet, high-necked and low-browed.

Robert Visigoth, attorney-at-law, whose practice had suddenly, by one of those arbitrary twists as difficult to account for as the changed course of a river, a.s.sumed a theatrical twist, had taken over, on cleverly obtained backing, the Union Family Theater from an insolvent client.

Within a year it had made a disappearing island of the law office, flowing over and finally submerging that enterprise in the swifter waters of the new.

At the end of two years, Bruce Visigoth, a younger brother by ten years and s.n.a.t.c.hed from the law the very day he graduated into it, was already in Chicago, launching under the auspices of The Enterprise Amus.e.m.e.nt Company, the People's Family Theater, Popular Prices, the sixth link of the chain already in the soldering.

When Lilly found out the older of these brothers, he was standing in the black auditorium of the theater, holding an electric bulb made portable by a coil of cord, and directing the reverberating hammering down of an additional brace of three orchestra chairs for which room had been found by shifting the position of the ba.s.s drum.

A hairy old watchdog, tilted back against the brick side of the building and smoking a pipe so foul that its tang clung to her hair that night as she brushed it out, inspected her slip of paper and led her through a black labyrinth of wings and properties.

An aroma lay on that blackness that in some indefinable way quickened her, set her nostrils quivering, and ran along her entire being like a line of fire. It smelled of Elizabethans in buckskin. Bottom rollicked through it, thumb to nose. Ophelia leaned out of it. Bernhardt, Coquelin, Melba, intoned into it. Its cold, pink paintiness lay damply to her face. She had never smelled simmering mascara, but her lashes were hot with it. Suddenly to herself she was herself, running ahead of the wind, her aching senses bathed in an odor which somehow intoxicated them. She was on a stage for the first time in her life, a bunch light only half revealing it to her. Through the megaphone of cupped hands and the dimness of the auditorium a voice came at her.

"Come down here, around through the left box."