Lilly, with the mysterious tenacity of a crannied flower, was pulling from her soil toward the light. And light in all its chiaroscuras rules the _se leve, couche_, complexion, and humors of the world. Lindsley was a ray.

And so her adolescence came in suddenly, almost stormlike, uprooting little forests of sapling traditions.

At sixteen she still slept on the cot drawn across the bed end and rode her bicycle up and down the sidewalks, holding her skirts down against the wind, but also she had ransacked the boarding-house shelves and High School library, reading her uncensored way through _Lady Audrey's Secret, Canterbury Tales, Five Little Peppers and How They Grew, Plain Facts About Life, Arabian Nights, Golden Treasury, Childe Harold, To Have and to Hold, Tales from Shakespeare, Pilgrim's Progress, Old Curiosity Shop, Diary of Marie Baschkertcheff, Pride and Prejudice, Vanity Fair, Les Miserables, Stories of the Operas_, and a red volume rescued from propping up the hall hatrack, _Great Lovers_.

Within that same year Katy Stutz twice lowered her skirt hems.

"Mamma, I think it is terrible I haven't a room to myself."

The entire surface of Mrs. Becker seemed to coat over with sensitiveness to this frequently discussed issue.

"Why," her lips writhing with an excoriating brand of self-pity, "who am I that I should want a home for my daughter, now that she is grown? Mr.

Kemble can treat his wife like a queen, but me--why, I'm mud under my husband's feet."

The Kemble family, on a wave of putative prosperity, had eight months since gone to housekeeping in a rather pretentious rock-fronted house on one of the many newly graded streets west of Kingshighway. Every Friday night Lilly slept with Flora, the two side by side in Flora's pretty new bird's-eye-maple bed, exchanging unextinguishable confidences well through nights wakeful with their dreams.

"Flora has her own parlor to practice in, and here I can't even sing a little without the entire boarding house rapping on the wall."

"It's a shame. Watch me talk to your father to-night."

"Mamma, can't I please take elocution?"

"I should say not. Aren't piano and voice sufficient? The idea! I wouldn't give a row of pins for all the elocution in the world. Reciting is out of date."

"Mamma, it isn't. Mr. Lindsley says the modern woman of culture should cultivate her speaking voice the same as she learns to use her singing voice. Please, mamma; only a dollar a lesson."

"Oh, I don't care! Goodness knows where the money is coming from, with flax twine where it is; but anything for peace."

And so when Lilly graduated from High School, third in her cla.s.s, and again slightly to the rear of Estelle Foote, who read the valedictory, she was executing excitedly, if sloppily, "The Turkish Patrol," was singing in an abominably trained but elastic enough soprano, the "Jewel Song" from "Faust," and "Jocelyn," a lullaby, and at a private recital of the Alden School of Dramatic Expression had recited "A Set of Turquoise" to incidental music.

Mrs. Schum's boarding house, to the man, turned out to Lilly's High School graduation, Katy Stutz and Willie standing in the wings and all unwittingly visible from the house. A German-silver manicure set, handsomely embossed, bore the somewhat cryptic card, "To Lilly Becker, as she stands on the threshold of life, from her friends in the house."

There were a Honiton-lace fan with mother-of-pearl sticks, with the best wishes of her mother's euchre club, and from her parents a tiny diamond ring set high in gold facets, "To Lilly, from her parents, June, 1901,"

engraved in the hoop.

That night, still in her white organdie frock, with its whirligig design of too much Valenciennes lace, her hair worn high and revealing an unsuspectedly white nape of neck, Lilly regarded her parents across a little table-display of gifts.

"I feel so queer," she said, looking off through the chocolate-ochre wall paper, the reaction already set in. "So sort of--finished.

Nothing to do."

MR. BECKER: "That was certainly a fine speech the president of the Board of Education made. You've something now that no one can take away from you. Knowledge is power."

"Two girls in our cla.s.s are going to the University of Missouri, papa.

That's what I'd like to do--go to college."

"Don't spoil a good thing by trying to overdo it, Lilly. It is as bad for a young girl to permit herself to be educated into one of those bold, unwomanly woman's-rights girls as it is for her to be frivolous and empty-headed. When women get too smart they get unattractive."

"But, papa, girls are beginning more and more to go to college, and all women will be--suffrage--some day."

"Not womanly girls, Lilly."

"I always said that High School would be her ruination."

"I didn't learn it there, mamma. I always wanted to be something--"

"Well, you're a finished stenographer, aren't you? Why not go down to your father's office a couple of mornings a week?"

"I don't mean stenography. I hated learning it. I mean something--something--beyond--"

Suddenly Mrs. Becker, quiet at the business of wrapping away some of the gifts, glanced up, two round spots of color on her cheeks.

"You _are_ going to do something, Lilly. Have a home and entertain in it like other girls."

"But--"

"I've a piece of news for you and your father. If I waited for him to take the initiative I'd wait until the crack of doom."

"What is it, little woman?"

"I signed a lease yesterday for one of those yellow-brick houses--seven rooms, bath, furnace heat, and privilege of buying. Twenty-eight dollars, out on Page Avenue near Union. We move in two weeks from to-day."

CHAPTER VIII

There followed one of those years which come and go even in the small affairs of small men, when for Ben Becker swift waters flowed under the bridge. He was just that, a small man, prided himself upon it and was frequent in his boast: "I'm a small man, Carrie. I don't hope to make a big or showy success of it. Just a comfortable and una.s.suming living is about all I expect to get out of it, and that's a pretty good deal."

The Spanish-American War, something of musical comedy in its setting, had run its brief malarial engagement, netting Ben Becker, in one order of hemp rope alone, a cleanly realized profit of forty-two hundred dollars.

On a new and gradually attained bank credit the B. T. Becker Hemp, Rope, and Twine Company bought out the about-to-be-insolvent Mound City Flax Twine Company, the consolidated interests moving into a two-story brick building on South Seventh Street.

The firm took on the subtle and psychological proportions that go with incorporation, however una.s.suming, capitalizing at fifteen thousand dollars, B. T. Becker, president; Jerry Hensel, trusted foreman of years, vice president and holder of ten shares; Carrie Becker, secretary and treasurer and, to propitiate the law, holder of one share.

The little house on Page Avenue, too new for wall paper, still exuding the indescribable cold, white smell of mortar in the drying, was none the less---and with the flexible personality of houses--taking on the print of the family. A mission dining-room set, ordered wholesale through the machinations of one of Mrs. Becker's euchre friends, arriving from Grand Rapids two months late, completed a careful and thrifty period of housefurnishing. There were an upright piano, still rented, but, like the house, payments to apply to a possible future purchase, in the square of "reception hall"; a double bra.s.s bedstead in the second-story front; and tucked away in the back of the tiny house, overlooking, through sheerest of dimity curtains, a rolling ocean of empty lots, the German-silver manicure set spread out on the dressing table, Lilly's bird's-eye-maple bedroom come true.

Followed even then a long and uneasy period of adjustment. The up and down stairs tugged at the rear muscles of Mrs. Becker's legs, compelling evening foot baths. Mr. Becker chafed under the twenty minutes additional street-car ride, eating his dinner by gaslight even in August. The bed making and her allotment of the upstairs work irked Lilly, even though Willie's stepniece, Georgia, came to help out once a week, and evenings the little house could seem very still and untenanted.

But after the arrival of the mahogany-and-velours parlor set, the music cabinet, and the hanging of crispy lace curtains, Lilly standing on the ladder, her mother steadying from below, and finally the laying of a well-padded strip of stair carpet to eat in the hollow noises of new tenancy, the house began to settle, so to speak.

Something latent, something congenital, even malignant, however, had developed in Mrs. Becker. She took a fierce kind of joy, not untinged with the mongrel emotion of self-pity, in scrubbing, on hands and knees, the entire flight of back stairs at the black six-o'clock hour of wintry mornings, her voice tickling up like a feather duster to Lilly's reluctantly awakening senses.

"Lil-ly! Get up! I've done a day's work already. If I was a girl I wouldn't want to sleep while my mother slaves."

But let Lilly so much as venture down into the wintry gaslight of the bacon-fragrant kitchen, proffering her drowsy aid, a new flow, still in the key of termagency, would greet her.

"Go right back to bed, Lilly. You want to catch your death of cold?"

"But, mamma, you fuss so. I'd rather help than listen. Here, let me stir the oatmeal."