"Ye'll have travelled far?" said Gavin, avoiding the direct interrogative.

"A long way, indeed," said Mr. Blake.

"Come from America, stranger?" said Andrew.

"Yes, from Canada."

"Shake, I'm a fellow colonial--I'm from Australia--delightful this, to come back to the old homestead and meet a brother you never saw before."

"Maist wonderfu', is't no'?" interjected Gavin--then the responsibilities of a host began to weigh upon him, and he urged Mr.

Blake to reconsider his decision about the process; but Mr. Blake was firm.

"I ken't fine there was somebody frae Ameriky i' these pairts," said Gavin. "Brownie Telfer tell't me there was a saxpence i' the plate last Sabbath day. It'll be yir ain?"

"No, I'm afraid I cannot claim it," said Mr. Blake. "I only landed yesterday."

"Ye'll be rinnin' aboot at a graun rate," said Gavin, trying a new vein; "came ower a sicht seein', did ye?"

"No," said Mr. Blake, "not particularly."

"Took a little run over on business, I suppose?" amended the Australian.

"Yes," a.s.sented Mr. Blake.

"You said you were born in Scotland; have you any old friends still about? Kind of lonely business if you haven't," continued Andrew.

"I really cannot say I have," said Mr. Blake, moving towards the door.

"I'm a fish out of its accustomed waters, even in its old hunting-ground, if you will excuse mixed metaphors. Good-evening to you both; I'm glad to have met with you."

"Good-evening to you," cried the men.

The Canadian was gone, but the two old cronies sat smoking; and the twilight, that great gleaner of the past, crept about them, bringing tender memories that mistrusted the garish day. In the very midst of them, Gavin said:

"What did the cratur mean when he spoke aboot 'mixed metaphors'? I never heard tell o' them before."

"I'm not very sure," answered Andrew, cautiously; "he must have meant something."

"'Mixed metaphors,'" mused Gavin, "an' the body wadna tak onythin'; it'll be somethin' they tak in Ameriky--I'll ask Ronnie."

Now Ronnie was the bartender!

x.x.x

_LOVE'S VICTORY OVER SIN_

The curtain of the night had fallen--and human souls were on their trial; for human life is then behind the scenes, and the candour of its purity or shame comes with the shelter of the falling night. In their n.o.blest acts, and in their basest deeds, men are aided by the impartial dark. Both alike she screens, though with fickle folds, retreating when she hears the first footfall of the dawn; then is every man's work made manifest of what sort it is--and the great judgment day shall be but relentless light.

The landscape no longer glimmered on the sight when Michael Blake set out from the little inn, his heart burning with fear. And hope heaped fuel on the flame, for fear would die if it were not for hope. He walked on beneath the stately elms, their far-spread branches whispering as he pa.s.sed, for they knew well his step, and wondered that it hurried so. He paused at the spring and drank again, but his thirst was still unquenched.

He looked about him at the holy night; and surging shame flooded neck and face with crimson. For it had been thus and there, amid the sanct.i.ties of the night, and by their trysting-place, that the soul's great wound was made, the blood oozing ever since, oozing still. Memory, ermine-robed, half enchantress and half avenger, turned her face full on his as he sat by the spring; but he turned his own away and started on, ever on.

"Oh, my G.o.d! Give me a chance," he cried, "give me a chance," and the darkness answered not, but the whispering trees seemed to have the woman-voice.

He sees the light now; it is the harbour light, and Michael Blake presses swiftly on, his heart upbraiding the laggard feet.

He stands now before the door, but that same heart, strangely wavering, refuses to go in. The hour has struck for Michael Blake, the hour for which his soul has waited long; but strange forces seek to hold him back. The chiefest of these is fear; he feels he is hurrying his judgment day, and when G.o.d would punish men, thinks he, He endows them with deep and burning love--for otherwise He cannot speak to them in the eternal tongue. The trembling man turns as if to go back.

"It is too light," he murmured, "still too light," for the memory of another night has arisen upon him with judgment in its wings.

As he moves noiselessly from the door-step, he pauses by the window. It is partly open, for the night is mild. A woman's figure moves before it, so close that he could almost touch--and his arms go out unbidden, G.o.d's retrievers, though they knew it not. He controls himself, and steps back a pace, for she has pa.s.sed to the other side of the room. Beside an old chest of drawers she kneels, and his heart burns with eager pa.s.sion as he beholds the beauty of her face. Time, and sorrow, and G.o.d, have worked together. Unto them all she hath submitted, and they have held to their holy task till the beauty of peace rewards their secret toil.

She is lifting something from the drawer and the light falls upon it.

Another, and still another, she takes up in her gentle hands, smiling down on them the while--they are a child's outgrown possessions, bits of clothing some, and some, broken toys, such as mothers take into their immortal keeping when children have spurned them from their own.

And what is that, shining bright, held longer than the others, still smiling down upon it, her bosom heaving more heavily than before? He knows, he knows--it is a little brooch, so little, but of gold, given her long ago in the first glad sacrifice of love. She kisses it, and the tears fall fast upon it, the lovely face suffused. It is tenderly restored to its hiding-place, and the graceful form is full-bowed now.

He can see the white clasped hands, and the movement of the pure lips he also sees. The words he cannot catch--for G.o.d is close, and the voice is low. But the fragrance of prayer steals out to him, and the Interpreter, once called the Man of Sorrows, tells him for whom she prays. "Make me worthy, oh, G.o.d," he cries, his heart melted within him. Again he turns to the door, and this time he falters not, but knocks. In a moment it is opened.

"Guid evenin' sir," said the woman's voice. "I canna see ye for the dark; is it some one I ken?" for wayfarers often sought guidance at her door.

"No, I fear you do not know me," the man responded, "and I crave your pardon for thus disturbing you. I have travelled far."

"Will ye come in? Or is there something I can do?"

"No, thank you," said the man; "I have travelled far and am thirsty. I seek but a draught of water, and I shall go on my way."

"I'll sune gie ye that," replied the woman's cheery voice, "but what's here is mebbe raither warm. Bide ye here till I rin doon to the spring."

The sweet face gleamed in the candle-light as she turned within, picking up a light plaid shawl, so strong is habit, which she threw across her shoulders. The tall gracious form was gone a moment, one darksome moment, returning instantly, a pitcher in her hand. Down the steps she tripped, and out into the night, her white gown mingling with the darkness.

Michael Blake stealthily followed her, his heart in wild tumult again.

Her pace was swift and he found it difficult to keep the path. But again he saw the flutter of white before him, and he knew that it was Janet, none other, the same whom he had held so close in other days. He ran a little, panting as he ran, his thirst a torment now--for the chase was of the soul. He is not far from her.

"Janet," he cried.

She stopped and stood still, as a deer stops when it hears the hunter's voice.

He was closer now, and again he cried: "Janet, oh, Janet, wait for me."

Her pitcher was thrown upon the sward and she came back a little way, eye and heart and bosom calling to each other through the storm.

"Wha's callin' me?" she cried, her voice bleating like a lamb's.

"Oh, Janet, you know who's calling you--I have called you long," and holy pa.s.sion burned in the voice that spoke, leaped from the face that came closer, still closer, to her own.