South of Broad.
by Pat Conroy.
This book is dedicated to my wife and fellow novelist, Cassandra King, who helped more than anyone in bringing South of Broad to its publication. To me, she is the finest to its publication. To me, she is the finest thing ever produced on an Alabama farm.
PROLOGUE.
The Mansion on the River.
It was my father who called the city the Mansion on the River.
He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father's ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I've never lost nor ever will. I'm Charleston-born, and bred. The city's two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula.
I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael's calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory.
As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Because of its devotional, graceful attraction to food and gardens and architecture, Charleston stands for all the principles that make living well both a civic virtue and a standard. It is a rapturous, defining place to grow up. Everything I reveal to you now will be Charleston-shaped and Charleston-governed, and sometimes even Charleston-ruined. But it is my fault and not the city's that it came close to destroying me. Not everyone responds to beauty in the same way. Though Charleston can do much, it can't always improve on the strangeness of human behavior. But Charleston has a high tolerance for eccentricity and bemusement. There is a tastefulness in its gentility that comes from the knowledge that Charleston is a permanent dimple in the understated skyline, while the rest of us are only visitors.
My father was an immensely gifted science teacher who could make the beach at Sullivan's Island seem like a laboratory created for his own pleasures and devices. He could pick up a starfish, or describe the last excruciating moments of an oyster's life on a flat a hundred yards from where we stood. He made Christmas ornaments out of the braceletlike egg casings of whelks. In my mother's gardens he would show me where the ladybug disguised her eggs beneath the leaves of basil and arugula. In the Congaree Swamp, he discovered a new species of salamander that was named in his honor. There was no butterfly that drifted into our life he could not identify by sight. At night, he would take my brother, Steve, and I out into the boat to the middle of Charleston Harbor and make us memorize the constellations. He treated the stars as though they were love songs written to him by God. With such reverence he would point out Canis Major, the hound of Orion, the Hunter; or Cygnus, the Swan; or Andromeda, the Chained Lady; or Cassiopeia, the Lady in the Chair. My father turned the heavens into a fresh puzzlement of stars: "Ah, look at Jupiter tonight. And red Mars. And isn't Venus fresh on her throne?" A stargazer of the first order, he squealed with pleasure on the moonless nights when the stars winked at him in some mysterious, soul-stirring graffiti of ballet-footed light. He would clap his hands with irresistible joy on a cloudless night when he made every star in the sky a silver dollar in his pocket.
He was more North Star than father. His curiosity about the earth ennobled his every waking moment. His earth was billion-footed, with unseen worlds in every drop of water and every seedling and every blade of grass. The earth was so generous. It was this same earth that he prayed to because it was his synonym for God.
My mother is also a Charlestonian, but her personality strikes far darker harmonies than my father's did. She is God-haunted and pious in a city with enough church spires to have earned the name of the Holy City. She is a scholar of prodigious gifts, who once wrote a critique of Richard Ellman's biography of James Joyce for the New York Review of Books New York Review of Books. For most of my life she was a high school principal, and her house felt something like the hallway of a well-run school. Among her students, she could run a fine line between fear and respect. There was not much horseplay or lollygagging about in one of Dr. Lindsay King's schools. I knew kids who were afraid of me just because she was my mother. She almost never wears makeup other than lipstick. Besides her wedding band, the only jewelry she owns is the string of pearls my father bought her for their honeymoon.
Singularly, without artifice or guile, my mother's world seemed disconsolate and tragic before she really knew how tragic life could be. Once she learned that no life could avoid the consequences of tragedy, she softened into an ascetic's acknowledgment of the illusory nature of life. She became a true believer in the rude awakening.
My older brother, Steve, was her favorite by far, but that seemed only natural to everyone, including me. Steve was blond and athletic and charismatic, and had a natural way about him that appealed to the higher instincts of adults. He could make my mother howl with laughter by telling her a story of one of his teachers or about something he had read in a book; I could not have made my mother smile if I had exchanged arm farts with the Pope in the Sistine Chapel. Because I hero-worshipped Steve, it never occurred to me to be jealous of him. He was both solicitous and protective of me; my natural shyness brought out an instinctive championing of me. The world of children terrified me, and I found it perilous as soon as I was exposed to it. Steve cleared a path for me until he died.
Now, looking back, I think the family suffered a collective nervous breakdown after we buried Steve. His sudden, inexplicable death sent me reeling into a downward spiral that would take me many years to fight my way out of and then back into the light. My bashfulness turned to morbidity. My alarm systems all froze up inside me. I went directly from a fearful childhood to a hopeless one without skipping a beat. It was not just the wordless awfulness of losing a brother that unmoored me but the realization that I had never bothered to make any other friends, rather had satisfied myself by being absorbed into that wisecracking circle of girls and boys who found my brother so delicious that his tagalong brother was at least acceptable. After Steve's death, that circle abandoned me before the flowers at his graveside had withered. Like Steve, they were bright and flashy children, and I always felt something like a toadstool placed outside the watch fires of their mysteries and attractions.
So I began the Great Drift when Steve left my family forever. I found myself thoroughly unable to fulfill my enhanced duties as an only child. I could not take a step without incurring my mother's helpless wrath over my raw un-Stephenness, her contempt for my not being blond and acrobatic and a Charleston boy to watch. It never occurred to me that my mother could hold against me my unfitness to transfer myself into the child she had relished and lost. For years, I sank into the unclear depths of myself, and learned with some surprise that their haunted explorations would both thrill and alarm me for the rest of my life. A measurable touch of madness was enough to send my fragile boyhood down the river, and it took some hard labor to get things right again. I could always feel a flinty, unconquerable spirit staring out of the mangroves and the impenetrable rain forests inside me, a spirit who waited with a mineral patience for that day I was to claim myself back because of my own fierce need of survival. In the worst of times, there was something that lived in isolation and commitment that would come at my bidding and stand beside me, shoulder-to-shoulder, when I decided to face the world on my own terms.
I turned out to be a late bloomer, which I long regretted. My parents suffered needlessly because it took me so long to find my way to a place at their table. But I sighted the early signs of my recovery long before they did. My mother had given up on me at such an early age that a comeback was something she no longer even prayed for in her wildest dreams. Yet in my anonymous and underachieving high school career, I laid the foundation for a strong finish without my mother noticing that I was, at last, up to some good. I had built an impregnable castle of solitude for myself and then set out to bring that castle down, no matter how serious the collateral damage or who might get hurt.
I was eighteen years old and did not have a friend my own age. There wasn't a boy in Charleston who would think about inviting me to a party or to come out to spend the weekend at his family's beach house.
I planned for all that to change. I had decided to become the most interesting boy to ever grow up in Charleston, and I revealed this secret to my parents.
Outside my house in the languid summer air of my eighteenth year, I climbed the magnolia tree nearest to the Ashley River with the agility that constant practice had granted me. From its highest branches, I surveyed my city as it lay simmering in the hot-blooded saps of June while the sun began to set, reddening the vest of cirrus clouds that had gathered along the western horizon. In the other direction, I saw the city of rooftops and columns and gables that was my native land. What I had just promised my parents, I wanted very much for them and for myself. Yet I also wanted it for Charleston. I desired to turn myself into a worthy townsman of such a many-storied city.
Charleston has its own heartbeat and fingerprint, its own mug shots and photo ops and police lineups. It is a city of contrivance, of blueprints; devotion to pattern that is like a bent knee to the nature of beauty itself. I could feel my destiny forming in the leaves high above the city. Like Charleston, I had my alleyways that were dead ends and led to nowhere, but mansions were forming like jewels in my bloodstream. Looking down, I studied the layout of my city, the one that had taught me all the lures of attractiveness, yet made me suspicious of the showy or the makeshift. I turned to the stars and was about to make a bad throw of the dice and try to predict the future, but stopped myself in time.
A boy stopped in time, in a city of amber-colored life that possessed the glamour forbidden to a lesser angel.
PART ONE.
CHAPTER 1.
June 16, 1969.
Nothing happens by accident. I learned this the hard way, long before I knew that the hard way was the only path to true, certain knowledge. Early in my life, I came to fear the power of strange conveyances. Though I thought I always chose the safest path, I found myself powerless to avoid the small treacheries of fate. Because I was a timid boy, I grew up fearful and knew deep in my heart the world was out to get me. Before the summer of my senior year in high school, the real life I was always meant to lead lay coiled and ready to spring in the hot Charleston days that followed.
On June 16, 1969, a series of unrelated events occurred: I discovered that my mother once had been a Roman Catholic nun in the Sacred Heart order; an Atlas moving van backed into the driveway of a nineteenth-century Charleston single house across the street from ours; two orphans arrived at the gates of St. Jude's Orphanage behind the cathedral on Broad Street; and the News and Courier News and Courier recorded that a drug bust had taken place on East Bay Street at the Rutledge-Bennet house. I was eighteen, with a reputation as a slow starter, so I could not feel the tectonic shift in my fate as my history began to launch of its own volition. It would be many years before I learned that your fate could scuttle up behind you, touch you with its bloody claws, and when you turn to face the worst, you find it disguised in all innocence and camouflaged as a moving van, an orphanage, and a drug bust south of Broad. If I knew then what I have come to learn, I would never have made a batch of cookies for the new family across the street, never uttered a single word to the orphans, and never introduced myself to the two students who were kicked out of Porter-Gaud School and quickly enrolled at my own Peninsula High for their senior year. recorded that a drug bust had taken place on East Bay Street at the Rutledge-Bennet house. I was eighteen, with a reputation as a slow starter, so I could not feel the tectonic shift in my fate as my history began to launch of its own volition. It would be many years before I learned that your fate could scuttle up behind you, touch you with its bloody claws, and when you turn to face the worst, you find it disguised in all innocence and camouflaged as a moving van, an orphanage, and a drug bust south of Broad. If I knew then what I have come to learn, I would never have made a batch of cookies for the new family across the street, never uttered a single word to the orphans, and never introduced myself to the two students who were kicked out of Porter-Gaud School and quickly enrolled at my own Peninsula High for their senior year.
But fate comes at you cat-footed, unavoidable, and bloodthirsty. The moment you are born your death is foretold by your newly minted cells as your mother holds you up, then hands you to your father, who gently tickles the stomach where the cancer will one day form, studies the eyes where melanoma's dark signature is already written along the optic nerve, touches the back where the liver will one day house the cirrhosis, feels the bloodstream that will sweeten itself into diabetes, admires the shape of the head where the brain will fall to the ax-handle of stroke, or listens to your heart, which, exhausted by the fearful ways and humiliations and indecencies of life, will explode in your chest like a light going out in the world. Death lives in each one of us and begins its countdown on our birthdays and makes its rough entrance at the last hour and the perfect time.
I awoke at four-thirty that June morning, threw on my clothes, then rode my bike to the northeast corner of Colonial Lake, where a awoke at four-thirty that June morning, threw on my clothes, then rode my bike to the northeast corner of Colonial Lake, where a News and Courier News and Courier truck was idling in the darkness waiting for my arrival. I began folding a huge pile of papers and placing them tightly wrapped with rubber bands into one of two capacious bags that hung from my shoulders. It took fifteen minutes for me to get the bike right for the morning run, but I was fast and efficient at what I did. I had been a newspaper boy for three years. In the light of the truck I watched Eugene Haverford writing down the addresses of new customers or complaints from one of my regulars. Already, he was on his second Swisher Sweets cigar of the morning, and I could smell the Four Roses bourbon on his breath. He thought the cigar smoke masked his early-morning drinking. truck was idling in the darkness waiting for my arrival. I began folding a huge pile of papers and placing them tightly wrapped with rubber bands into one of two capacious bags that hung from my shoulders. It took fifteen minutes for me to get the bike right for the morning run, but I was fast and efficient at what I did. I had been a newspaper boy for three years. In the light of the truck I watched Eugene Haverford writing down the addresses of new customers or complaints from one of my regulars. Already, he was on his second Swisher Sweets cigar of the morning, and I could smell the Four Roses bourbon on his breath. He thought the cigar smoke masked his early-morning drinking.
"Hey, Leo, my distinguished Charleston gentleman friend," Mr. Haverford said, his voice as slow as his movements.
"Hey, Mr. Haverford."
"Got two new subscriptions for you. One on Gibbes Street, one on South Battery." He handed me two notes printed out in large letters. "One complaint-that lunatic on Legare Street claims she has not gotten her newspaper all week."
"I hand-delivered it to her, Mr. Haverford. She's getting forgetful."
"Push her down a flight of stairs for both of us. She's the only customer to ever complain about you."
"She gets afraid, living in that big house," I said. "She's going to need some help soon."
"How in the hell do you know that, Charleston gentleman?"
"I pay attention to my customers," I said. "Part of the job."
"We bring the news of the world to their front doors, don't we, Charleston gentleman?"
"Every day of the year, sir."
"Your parole officer called me again," he said. "I told her what I always tell her-that you're the best newspaper boy I've seen in my thirty years with the company. I tell her the News and Courier News and Courier is lucky to have you." is lucky to have you."
"Thanks," I said. "I go off probation soon. She won't bother you much longer."
"Your old lady made her weekly pain-in-the-ass call too," he said.
"Mother'll probably call you the rest of her life."
"Not after what I told her yesterday. You're eighteen, Leo, a man as far as I'm concerned. Your mother's a stiff bitch. Not my kind of broad. But she asked me if you were fulfilling your duties properly. Her exact words, by the way. Listen up, Leo. Here's what I told her: If I ever have a kid, which I won't, I'd like him to be exactly like Leo King. I wouldn't change one thing. Not one thing. My exact words, by the way."
"That's so nice of you, Mr. Haverford."
"Quit being so naive, Leo. I keep telling you that. Quit being so open to the world's shitting all over you."
"Yes, sir. My naive days are over."
"You goddamn Charleston gentleman."
With a squeaking of wheels, he drove off into the darkness, his cigar glowing like a firefly in his cab, and I pedaled my bicycle forward.
Heading south on Rutledge Avenue, I lobbed a rolled-up newspaper on the first piazza of every house on the street, except for Burbage Eliot, who was famous as a tightwad even in penny-pinching Charleston. He borrowed his paper from Mrs. Wilson. She read it over her breakfast of soft-boiled egg, stone-ground grits, and chamomile tea, then recycled it to her stingy neighbor by tossing it onto his back porch.
I could lob a newspaper with either hand. When I turned left on Tradd Street, I looked like an ambitious acrobat hurling papers to my right and left as I made my way toward the Cooper River and the rising sun that began to finger the morning tides of the harbor, to dance along the spillways of palmetto fronds and water oaks until the street itself burst into the first flame of morning. The lawyer Compson Brailsford awaited me in his yard and got down in a wide receiver's stance as I neared the serene stillness of his family's mansion. As I passed, he sprinted out in his seersucker suit, elegant as a Swiss Army knife, and ran a quick button-hook pattern in the trimmed grass. On the days when I was good, the paper was already in the air when he turned and made his move back toward the imaginary quarterback at The Citadel; he was an All-Southern Conference end. On this morning his movements were letter-perfect and efficient, and my pass arrived at the precise moment. It was a game that had begun between us by accident, but it continued every day unless he was out of town or the weather too inclement for a well-dressed Charleston lawyer.
The gardens of Charleston were mysteries walled away in ivied jewel boxes emitting their special fragrances over high walls. The summer had proven good for the magnolias that had bloomed late. I passed one old forty-foot tree that looked as though a hundred white doves had gathered there in search of mates. My sense of smell lit up as the temperature rose and the dew started to burn off the tea olive and the jasmine. My armpits moistened, and I began to offer my own scent back to the streets where coffee began brewing in hidden kitchens and the noise of the newspapers hitting the soft wood of the verandas sounded like mullets jumping for joy in giant lagoons. Turning right on Legare, I was hitting my stride; moving fast down the center of the street, I arched my longest throw of the morning at the mansion behind the Sword Gate House, putting it on the third step. At the Ravenel house toward the end of the street, I made my first real misfire on what had been a morning of machinelike precision, and hurled a paper into a mass of oversized camellias. I stopped the bike, skipped through the gate, retrieved the paper from the top branches, and sailed it up to the front door. The small dark nose of a King Charles spaniel named Virginia poked through the bottom of the fence across from the Ravenels', and I hurled a paper to the far corner of the yard, where the exquisitely tricolored dog retrieved it in a flash and carried it in triumph to its master's doormat. I followed that throw by tossing a small dog biscuit into the same yard, which Virginia would then walk down to retrieve with great dignity.
When I'd taken the job three years earlier, all the arrayed stars of my life had been aberrant and off course. So I promised myself I would do this job well. If I heard of a customer rummaging around in the garden hunting for their morning paper, I always called to apologize. A good paperboy was a study in timeliness and steadfastness and accuracy, and that's what I wanted to bring to my customers. It was what Eugene Haverford had growled at me during my week of orientation.
So there I was, a delivery boy making my rounds in a city where beauty ambushed you at every turn of the wheel, rewarded every patient inspection, and entered your pores and bloodstream from every angle; these images could change the way the whole world felt. It was a city that shaped the architecture of my memories and dreaming, adding cornices and parapets and the arched glooms of Palladian windows every time I rode those streets, full of purpose and duty. I threw missile after missile of pages chock-full of news as well as art show openings on King Street and sales taxes making their way through senate committees in Columbia, a total eclipse of the sun due in the fall, and a terrific sale at Berlin's clothing store entering its last week.
When I started the job, my life was at a standstill, my choices down to one, and my opportunities barren on the vine. From the day I took the job, I was watched over by the South Carolina Juvenile Court, a child psychiatrist connected to Roper Hospital, my worried and overarching mother, and a gruff hillbilly from a North Charleston trailer park, Eugene Haverford. I looked upon this paper route as a source of redemption, a last chance to salvage a childhood ruined by my own baffling character and one unspeakable tragedy. When my share of the world's cruelty struck, I was nine years old. It would take a great portion of my time as an adult before I realized that tragedy was hurled freely into everyone's life as though it were a cheap newspaper advertising porno shops and strip shows thrown into an overgrown yard. I was an old man by the time I turned ten years old, and I caught the terrible drift of things many years before my number should have been called.
But by age seventeen, I had come through the bad times intact and functioning, leaving friends behind in the impersonal mental wards of my state whose eyes stayed opaque with a milky, nameless rage. I had loved the faces of the hopeless up close and held them trembling through hallucinations that never left them a minute's peace. Living among them, I discovered I was not one of them; yet they hated me when they saw a calmness return to me years after I found my beloved older brother, his arteries severed, dead in the bathtub we both shared, my father's straight razor on the tiles of our bathroom floor. My screaming brought a neighbor running to the house through a first-story window and finding me, in hysterics, trying to pull my brother's lifeless body from the tub. A serene, uneventful childhood ended for me that night. When my parents returned from the Dock Street Theatre, Steve's body lay in an unnatural peace in the downtown morgue. The police were trying to calm me down to question me. A doctor administered a sedative by injection, and my life among drugs and needles and psychological testing and shrinks and therapists and priests began. It was a time that I believe to this day ruined both my parents' lives.
When I turned my bicycle left on Meeting Street, the sun was high enough on the horizon for me to cut off the bike lamp. Meeting was spacious and cocky, with mansions on both sides of the street, a showboat of a street in a city brimful with them. Here, I zigzagged from one side to the other, taking dead aim at front doors heavy and sumptuous enough to be the entrances to the residences of kings. The traffic was still light, and if my rhythm was true, I could service the length of the street all the way to Broad in five to seven minutes. Taking a right at Broad Street, I hit the doorways of a dozen lawyers' offices, sometimes three at a doorway, four at one, and six at the Darcy, Rutledge, and Sinkler law firm, the largest in the city. At Church and Broad on the southeast corner, there were several fresh piles of newspapers waiting for me. I stopped to reload, not losing my rhythm while noticing the increasing traffic of ambulatory lawyers picking their way to favorite restaurants and cafes. The street began to smell of coffee and bacon frying on grills, and a slight wind from the harbor told of buoys and ship hulls brined by the tides and the years; the awakening of gulls followed the first freighter making the turn toward the Atlantic, and the bells of St. Michael's answered the puny, half-human cry of the gulls. Working fast, I loaded up with the last hundred newspapers of my route and blasted down Church Street, my arms whirling again in the eccentric morning dance of paperboys.
Early on, I could feel the redemptive powers of hard work, and I basked in the praise of Mr. Haverford and my customers who lived on this island of the peninsula city. My predecessor had been born to great privilege and lived in one of the houses I now served, but the hours proved too early for him and the labor too intrusive on his late-night social life. He was soon let go, not fired, because of his family connections that traced back to the actual founding of the colony. When the upper management of the News and Courier News and Courier decided to take a chance on me, it was a nod of approval and gratitude to my parents' distinguished life as educators in the city as well as a way to pull my entire family back from the brink after the death of my brother. Steve's death had wounded the city in some profound, inchoate way. I was granted the job not because of who I was, but because of who Steve had been. decided to take a chance on me, it was a nod of approval and gratitude to my parents' distinguished life as educators in the city as well as a way to pull my entire family back from the brink after the death of my brother. Steve's death had wounded the city in some profound, inchoate way. I was granted the job not because of who I was, but because of who Steve had been.
And what a boy Steve had been, I thought, as I took a right on South Battery, bringing the sweet-smelling papers onto the steps of what I considered the prettiest row of mansions in the city. Steve would one day have lived in one of those houses, after marrying the most comely and glittering debutante in Charleston, after graduating from Harvard and coming back to South Carolina for law school. In my mind, Steve would always remain eighteen months older than I would ever be, a natural leader known for his great wit and charm. Many people thought he would ripen into one of the best athletes ever raised in Charleston. In the summer he turned into a new color of gold, his hair a shade of blond that reminded one of the tawniness of Siamese cats. His eyes were bright blue and emotionless and almost textureless when you saw him sizing up a new person or situation. All of Charleston agreed that he was the last boy on earth who would take a razor to his arteries and fill up a bathtub with his own blood. He was so dazzling in both presentation and personality that the city could not come to terms with the violent self-hatred suggested by his death. On the other hand, I was exactly the melancholy, apprehensive kind of child, a Venus-flytrap type of boy overshadowed by his rosy-cheeked, overachieving brother, who could commit such a terrible crime to himself and to the image the city had of itself.
Ahead of me, I saw Miss Ophelia Simms watering her flower boxes in front of her house. Stopping the bicycle, I handed a newspaper to her. "How's that for service, Miss Simms?"
"I should think it approaches perfection, Leo," she said. "And how are we today?"
"We are fine today." I was always thrilled that Miss Simms referred to me in the lordly plural. "And how are our flowers today?"
"A little piqued," she would always say during our rare encounters among her phlox and impatiens. To me, Miss Simms was a knockout, and I knew that she had celebrated her fiftieth birthday that year. I hoped that I would one day marry a girl in her twenties half as lovely as Miss Simms. But that probably was a long shot, and I was reminded of it every time I looked at myself in the mirror. Though I wouldn't call myself ugly, it wouldn't surprise me if I heard that someone else had said it. I blamed it on the black horn-rimmed glasses my mother had bought me, but I was so nearsighted that the lenses looked like they could have served as the portholes of ships. My eyes held a fishlike cast that those lenses managed to overemphasize, and had been the butt of much teasing among my peers, unless my brother was around. Steve was overprotective of his baby brother as he hovered over me, patrolling the cruel airways above the school playground like a red-tailed hawk. Fearless and sharp-tongued, he let no one bully his little brother. Steve's obvious superiority caused me some discomfort and even resentment as a child, but his fierce championing and unwavering love of me made me feel special. My brother was so handsome that I could sense my own mother's disappointment every time she looked at me.
Zigzagging through the smaller streets and alleys south of Broad, I would finally reach the coast guard station and pause to rest for a minute or two. I could make this run blindfolded, and I also prided myself on hitting certain corners at the correct time. I always checked my watch to see how I was doing, panting from exertion and the good pain I felt in my thigh and arm muscles. Putting myself into high gear again, I pushed off with the sparkling Ashley River to my right, a river I could hear beating against a seawall on stormy nights near my house. The Ashley was the playground of my father's childhood, and the river's smell was the smell my mother opened the windows to inhale after her long labors, bearing my brother, and then me. A freshwater river let mankind drink and be refreshed, but a saltwater river let it return to first things, to moonstruck tides, the rush of spawning fish, the love of language felt in the rhythm of the wasp-waisted swells, and a paperboy's hands covered with newsprint, thinking the Ashley was as pretty a river as ever a god could make. I would start the last sprint of my route, flinging papers with confidence and verve, serving the newer houses built in the filled-in corpses of saltwater marshes as I headed due east again. Running past White Point Gardens, I would turn north when I saw Fort Sumter in the distance, sitting like a leatherback turtle in the middle of Charleston Harbor. I would service the really big mansions on East Bay, then Rainbow Row, take a left at Broad and do both sides of the street, weaving through traffic and still more strolling lawyers, young hotshots and old lions alike; the Riley Real Estate firm; the travel agency; ten for city hall; and the final paper of the morning I sent crashing into the front door of Henry Berlin's Men's Store.
With the last paper nesting against Berlin's doorstep, Charleston ceased to be mine, and I released ownership to the other early risers who had a greater claim on it than I ever would, a boy at ease in darkness.
In my three years of high school, I had become a familiar, even famous, sight on the early-morning streets south of Broad. Later, people told me they could set their watches when I passed their houses before and after first light. All of them knew about the death of my brother, my subsequent breakdown and disappearance, and all would later tell me how they rooted for me during my long penitential season of redemption. When I made my monthly collection runs for their subscriptions, the adults appreciated that I came to their doorsteps in a sports coat, tie, and white shirt, penny loafers impeccably shined. They admired the correctness, if not the stiffness, of my manners, and they appreciated my inarticulate attempts to initiate conversation and that I always brought treats to the families owning cats and dogs; I always remembered the names of these animals. I asked about their kids. They accepted my painful shyness as a kind of initial calling card, but most households remarked that my confidence gradually grew as I grew comfortable approaching their front doors. When it rained, they loved it that I rose an hour earlier to hand-deliver the newspapers to dry porches I was not sure I could reach with my usual toss. They assured me, later, of their certainty that I was well on my way to becoming both a charming and a fascinating young man.
But on June 16, 1969, as I rode my bike the two short blocks between Berlin's and the Cathedral of St. John the Baptist, my portrait of myself was of a natural-born loser who at eighteen had never been on a date or danced with a girl, nor had a best friend, nor had ever received an A on a report card, nor would ever cleanse his mind of that moment when he discovered his carefree, one-of-a-kind brother in a bath of his own blood. In all the days since that unkillable day, neither my mother or my father, nor any shrink or social worker, nor priest or nun, nor relative or friend of the family, could show me the pathway to a normal productive life with that ghoulish entry visa affixed to my passport. During the rosary for my brother's funeral, I had retreated to the men's room and locked myself into a stall where I wept silently and out of control because the inconsolable nature of my grief seemed selfish in the face of my parents' complete devastation.
From that moment I marked the time when the earth opened up to swallow me whole. I left simple grief on the road behind me and held madness at arm's length as it stormed the walls of my boyhood with its tireless regiments coming at the most tender parts of my psyche in wave after unappeasable wave. For three years, I entered the country of the pit viper. Every dream contained poisonous snakes lying in wait for me-the cottonmouth moccasin coiled against the cypress root, the coral snake beneath the hollowed-out log, the copperhead invisible in a bright carpet of autumn leaves, and the eastern diamondback with its deadly warning rattle serving as the lone musician composing the debased libretto of my distress, my fury, and my helpless sadness. The doctors called it a nervous breakdown, terminology I found to be correct. I came apart. Then, with the encouragement of some good people, I put myself together again. The snakes acknowledged my returning health by their silent withdrawal from my dreaming life and I was never afraid of snakes again, acknowledging that even they had played a necessary role in my recovery. Because I had long feared them with my body and soul, their mordant shapes, their curved fangs, and their venom, they kept my brother's face out of my night world and I awoke to his permanent residence in my psyche only at daybreak. When I look back, I see that my tragedy was that I could never summon Steve in all his apple-cheeked, athletic good looks and ornamental charm. Once he had died and I had found him, I could never pull my brother out of that horrible tub.
I parked my bike in the rack beside the elementary school, and skipped into the back entrance of the cathedral as I did every morning, the entrance that all the insiders knew-from bishop and priests to nuns and altar boys like me. When I opened the door, the smell of the Catholic world washed over me. I walked to the room where Monsignor Maxwell Sadler had almost finished decking himself out in the sumptuous finery of a summer morning Mass. Monsignor Max had been a fixture in my family drama since well before I was born: he had taught my parents in their 1938 graduating class at Bishop Ireland High School. He had married my parents, baptized both Steve and me, placed the wafer on my tongue at First Communion. Steve and I were altar boys together when I served my first Mass. When Steve died, the monsignor hovered about our house, as ubiquitous as my mother's reading chair. When the bishop of Charleston refused to bury Steve in holy ground, Monsignor Max (Father Max then) worked through the creaky, impenetrable bureaucracy of the pre-Vatican II Church and had Stephen's body exhumed from a public cemetery west of the Ashley and reburied in the sacred ground of St. Mary's Church among my mother's people.
I was the cause of ceaseless trouble in those days, and had given up the Catholic faith in a titanic schoolboy's rage, refusing to worship my God or belong to any church. The Catholic Church had rejected the corpse of my brother. Then I entered the realm of child psychiatry and understaffed mental hospitals and yawning tutors as my poor parents tried to mend the broken boy they had on their hands after their favorite son left them. Monsignor Max remained faithful to us in our darkest days, and told me that the Church was patient and would always be waiting for me to return. It was, and so was he.
I watched Monsignor Max comb his hair with flair, making certain that the crease on the left side of his head was as straight as a guy wire. He saw me in his mirror and said, "Leo, my altar boy called in sick. Get in your cassock and surplice. Your mother and father are out there already. And this is your mother's special day, Bloomsday."
Of all the elements of my childhood that rang a false note, I was the only kid in the American South whose mother had received a doctorate by writing a perfectly unreadable dissertation on the religious symbolism in James Joyce's equally unreadable Ulysses Ulysses, which I considered the worst book ever written by anyone. June 16 was the endless day when Leopold Bloom makes his nervous Nellie way, stopping at bars and consorting with whores and then returning home to his horny wife, Molly, who has a final soliloquy that goes on for what seemed like six thousand pages when my mother force-fed me the book in tenth grade. Joyce-nuts like my mother consider June 16 to be a consecrated mythical day in the Gregorian calendar. She bristled with uncontrollable fury when I threw the book out the window after I had finished it following an agonizing six months of unpleasurable reading.
It took me seconds to dress in my surplice and cassock, then I stood before the radiant, comely monsignor as he admired his own image in the mirror. Ever since I had known him I had heard the women of the parish whisper "What a total waste" when their stylish movie star of a priest floated out toward the altar in all his gallant finery.
"Happy Bloomsday, Monsignor Max," I said.
"Don't make fun of your mother, young man. Ulysses Ulysses is her passion, James Joyce the great literary love of her life." is her passion, James Joyce the great literary love of her life."
"I still think it's weird," I said.
"One must always forgive another's passion."
"I could forgive her if she hadn't named me Leopold Bloom King. Or my brother Stephen Dedalus King. That's taking it a little far. Have you ever read Ulysses?" Ulysses?"
"Of course not. He is a flagrant anti-Catholic. I'm a Chesterston man myself."
I felt an old flush of pride as I led the monsignor out to the central altar and spotted my parents in the front row, both of them saying the rosary. My father looked up and smiled when he saw me and gave me an exaggerated wink of his right eye, the one my mother could not see. She tolerated playfulness at church not at all. At every Mass, she wore her game face for a crucifixion as though she were an actual eyewitness to the death of Jesus each time she knelt in her pew.
As he faced the small, mostly octogenarian congregation, Monsignor Max began the Mass in the name of the Father and the Son and the Holy Ghost. The words I heard him utter in his operatic voice washed over me like a clean stream from my boyhood, the delicate latticework of memory and language.
"I will go to the altar of God."
And I went with him and let the ancient, sacrosanct rhythms of the Church seize me. When the priest called for water, I provided him with water. When he needed to cleanse his hands for the coming mystery, I emptied cruets over his fingers. When he called for wine, I supplied him with wine in the gold shine of chalices. At the moment of consecration, when he turned the wine into the blood of Christ and the bread into the body of the same God, I rang the bells that had sounded beneath altars for two thousand years. When I opened my mouth and received the unleavened bread from the consecrated finger and thumb of the priest, I felt the touch of God on my tongue, His taste in my palate, His bloodstream mingling in my own. I had come back to Him, after a full-pledged embittered retreat, after He stole my brother from my bedroom and killed him in my bathtub.
But I had come back to Him, and that is part of my story.
After Mass, we walked down to Cleo's restaurant for breakfast, a ritual of summer as ingrained in the texture of our family life as daily Mass. Cleo was a fast-talking Greek girl who ran the cash register as though she were reloading an M16 rifle for snipers. Her patter was endless and profane, until my parents walked in for breakfast and her attitude turned beatific. Both of my parents had taught her when they were at Bishop Ireland High, and she held fast to the respect that high school kids who never go to college continue to feel for the last teachers of their lives. Even the young waitresses displayed new vigor when my parents appeared in the doorway, and Cleo delivered hand signals to the kitchen staff that translated into hot coffee, orange juice, and ice water on the table. Since I was in training for football season, I ordered two eggs over light, grits with redeye gravy, and three slices of bacon. My father would dig into country ham and biscuits with a side order of hash browns. Even though it was the most celebrated day of the year for my mother, she retained the strong-willed discipline that made up every habit of her life: she ordered half a grapefruit and a bowl of oatmeal. My mother admitted to needs such as nourishment, but not of appetites. "Happy Bloomsday, darling," my father said to my mother, leaning to kiss her on the cheek. "This is your day and your every wish is our command. Isn't that right, Leo?"
"That's right," I said. "We're at your beck and call."
"Very good, Leo," Mother said. "Though you fight me on it, your vocabulary shows constant improvement. Here's your list of five words to memorize today." She handed me a piece of folded-over notebook paper.
I made a groaning noise, as I did every morning, and opened the notebook paper to read five words that no one would use in normal conversation: sedulous, perspicacious, ribald, vivisection, and tumid sedulous, perspicacious, ribald, vivisection, and tumid.
"Do you know what any of those words mean?" Mother asked.