Something Wicked This Way Comes - Something Wicked This Way Comes Part 12
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Something Wicked This Way Comes Part 12

They hit the carnival grounds at a good twenty miles an hour, give or take a mile, the nephew in the lead, Jim close behind, and Will further back, gasping, shotgun blasts of fatigue in his feet, his head, his heart.

The nephew, running scared, looked back, not smiling.

Fooled him, thought Will, he figured I wouldn't follow, figured I'd call the police, get stuck, not be believed, or run hide. Now he's scared I'll beat the tar out of him, and wants to jump on that ride and run around getting older and bigger than me. Oh, Jim, Jim, we got to stop him, keep him young, tear his skin off!

But he knew from Jim's running there'd be no help from Jim. Jim wasn't running after nephews. He was running toward free rides.

The nephew vanished around a tent far ahead. Jim followed. By the time Will reached the midway, the merry-go-round was popping to life. In the pulse, the din, the squeal-around of music the small fresh-faced nephew rode the great platform in a swirl of midnight dust.

Jim, ten feet back, watched the horses leap, his eyes striking fire from the high-jumped stallion's eyes.

The merry-go-round was going forward forward!

Jim leaned leaned at it. at it.

'Jim!' cried Will.

The nephew swept from sight borne around by the machine. Drifted back again he stretched out pink fingers urging softly: '...Jim...?'

Jim twitched one foot forward.

'No!' Will plunged.

He knocked, seized, held Jim; they toppled; they fell in a heap.

The nephew, surprised, whisked on in darkness, one year older. One year older, thought Will, on the earth, one year taller, bigger, meaner!

'Oh God, Jim, quick!' He jumped up, ran to the control box, the complex mysteries of brass switch and porcelain covering and sizzling wires. He struck the switch. But Jim, behind, babbling, tore at Will's hands.

'Will, you'll spoil it! No!'

Jim knocked the switch full back.

Will spun and slapped his face. Each clenched the other's elbows, rocked, failed. They fell against the control box.

Will saw the evil boy, a year older still, glide around into night. Five or six more times around and he'd be bigger than the two of them!

'Jim, he'll kill us!'

'Not me, no!'

Will felt a sting of electricity. He yelled, pulled back, hit the switch handle. The control box spat. Lightning jumped to the sky. Jim and Will, flung by the blast, lay watching the merry-go-round run wild.

The evil boy whistled by, clenched to a brass tree. He cursed. He spat. He wrestled with wind, with centrifuge. He was trying to clutch his way through the horses, the poles, to the outer rim of the carousel. His face came, went, came, went. He clawed. He brayed. The control box erupted blue showers. The carousel jumped and bucked. The nephew slipped. He fell. A black stallion's steel hoof kicked him. Blood printed his brow.

Jim hissed, rolled., thrashed Will riding him hard, pressing him to grass, trading yell for yell, both fright-pale, heart ramming heart. Electric bolts from the switch flushed up in white stars a gush of fireworks. The carousel spun thirty, spun forty - 'Will, let me up!' - spun fifty times. The calliope howled, boiled steam, ran ancient dry, then played nothing, its keys gibbering as only chitterings boiled up through the vents. Lightning unravelled itself over the sweated outflung boys, delivered flame to the silent horse stampede to light their way around, around with the figure lying on the platform no longer a boy but a man, no longer a man but more than a man and even more and even more, much more than that, around, around.

'He's he's, oh he's, oh look, Will, he's - ' gasped Jim, and began to sob, because it was the only thing to do, locked down, nailed tight. 'Oh God, Will, get up! We got got to make it run backward!' to make it run backward!'

Lights flashed on in the tents.

But no one came out.

Why not? Will thought crazily. The explosions? The electric storm? Do the freaks think the whole world's jumping through the midway? Where's Mr Dark? In town? Up to no good? What, where, why?

He thought he heard the agonized figure sprawled on the carousel platform drum his heart superfast, then slow, fast, slow, very fast, very slow, incredibly fast, then as slow as the moon going down the sky on a white night in winter.

Someone, something, on the carousel wailed faintly.

Thank God it's dark, thought Will. Thank God, I can't see. There goes someone. Here comes something. There, whatever it is, goes again. There... there...

A black shadow on the shuddering machine tried to stagger up, but it was late, late, later still, very late, latest of all, oh, very late. The shadow crumbled. The carousel, like the earth spinning, whipped away air, sunlight, sense and sensibility, leaving only dark, cold, and age.

In a final vomit, the switch box blew itself completely apart.

All the carnival lights blinked out.

The carousel slowed itself through the cold night wind.

Will let Jim go.

How many times, thought Will, did it go around? Sixty, eighty...ninety...?

How many times? said Jim's face, all nightmare, watching the dead carousel shiver and halt in the dead grass, a stopped world now which nothing, not their hearts, hands or heads, could send back anywhere.

They walked slowly to the merry-go-round, their shoes whispering.

The shadowy figure lay on the near side, on the plank floor, its face turned away.

One hand hung off the platform.

It did not belong to a boy.

It seemed a huge wax hand shrivelled by fire.

The man's hair was long, spidery, white. It blew like milkweed in the breathing dark.

They bent to see the face.

The eyes were mummified shut. The nose was collapsed upon gristle. The mouth was a ruined white flower, the petals twisted into a thin wax sheath over the clenched teeth through which faint bubblings sighed. The man was small inside his clothes small as a child, but tall, strung out, and old, so old, very old, not ninety, not one hundred, no, not one hundred and ten, but one hundred and twenty or one hundred and impossible years old.

Will touched.

The man was cold as an albino frog.

He smelled of moon swamps and old Egyptian bandages. He was something found in museums, wrapped in nicotine linens, sealed in glass.

But he was alive, puling like a babe, and shrivelling unto death, fast, very fast, before their eyes.

Will was sick over the side of the carousel.

Then, falling against each other, Jim and Will sledge-hammered the insane leaves, the unbelievable grass, the insubstantial earth with their numbed shoes, fleeing off down the midway...

24

Moths ticked off the high tin-shaded arc light which swung abandoned above the crossroads. Below, in a deserted gas station in the midst of country wilderness there was another ticking. In a coffin-sized phone booth speaking to people lost somewhere across night hills, two white-faced boys were crammed, holding to each other at every flit of bat, each sliding of cloud across the stars.

Will hung up the phone. The police and an ambulance were coming.

At first he and Jim had shout-whispered-wheezed at each other, pumping along, stumbling: they should go home, sleep, forget - no! they should take a freight train west! - no! for Mr Cooger, if he survived what they'd done to him, that old man, that old old old man, would follow them over the world until he found them and tore them apart! Arguing, shivering, they ended up in a phone booth, and now saw the police car bouncing along the road, its siren moaning, with the ambulance behind. All the men looked out at the two boys whose teeth chattered in the moth-flicked light.

Three minutes later they all advanced down the dark midway, Jim leading the way, talking, gibbering.

'He's alive. He's got got to be alive. We didn't mean to do it! We're sorry!' He stared at the black tents. 'You hear? We're sorry!' to be alive. We didn't mean to do it! We're sorry!' He stared at the black tents. 'You hear? We're sorry!'

'Take it easy, boy,' said one of the policemen. 'Go on.'

The two policemen in midnight blue, the two internes like ghosts, the two boys, made the last turn past the ferris wheel and reached the merry-go-round.

Jim groaned.

The horses trampled the night air, in midplunge. Starlight glittered on the brass poles. That was all.

'He's gone gone...'

'He was here, we swear!' said Jim. 'One hundred and fifty, two hundred years old, and dying dying of it!' of it!'

'Jim' said Will.

The four men stirred uneasily.

'They must've taken him in a tent.' Will started off. A policeman took his elbow.

'Did you say one hundred and fifty years old?' he asked Jim. 'Why not three three hundred?' hundred?'

'Maybe he was! Oh God.' Jim turned, yelling. 'Mr Cooger! We brought help help!'

Lights blinked on in the Freak Tent. The huge banners out front rumbled and lashed as arc lights flushed over them. The police glanced up. MR SKELETON, THE DUST WITCH, THE CRUSHER, VESUVIO THE LAVA SIPPFR! danced soft, big, painted each on its separate flag.

Jim paused by the rustling freak show entry.

'Mr Cooger?' he pleaded. 'You...there?'

The tent flaps mouthed out a warm lion air.

'What?' asked a policeman.

Jim read the moving flaps.

'They said 'yes.' They said, 'Come in.'

Jim stepped through. The others followed.

Inside they squinted through crisscrossed tent pole shadows to the high freak platforms and all the world-wandered aliens, crippled of face of bone, of mind, waiting there.

At a rickety card table nearby four men sat playing orange, lime-green, sun-yellow cards printed with moon beasts and winged sun-symbolled men. Here the akimbo Skeleton one might play like a piccolo; here the Blimp who could be punctured every night, pumped up at dawn; here the midget known as The Wart who could be mailed parcel post dirt-cheap; and next to him an even littler accident of cell and time, a Dwarf so small and perched in such a way you could not see his face behind the cards clenched before him in arthritic and tremulous oak-gnarled fingers.

The Dwarf! Will started. Something about those hands! Familiar, familiar. Where? Who? What? But his eyes snapped on.

There stood Monsieur Guillotine, black tights, black long stockings, black hood over head, arms crossed over his chest, stiff straight by his chopping machine the blade high in the tent sky, a hungry knife all flashes and meteor shine, much desiring to cleave space. Below, in the head cradle, a dummy sprawled waiting quick doom.

There stood the Crusher, all ropes and tendons, all steel and iron all bone-monger, jaw-cruncher, horseshoe-taffy-puller.

And there the Lava Sipper, Vesuvio of the chafed tongue, of the scalded teeth, who spun scores of fireballs up, hissing in a ferris of flame which streaked shadows along the tent roof.

Nearby, in booths, another thirty freaks watched the fires fly until the Lava Sipper glanced, saw intruders, and let his universe fall. The suns drowned in a water tub.

Steam billowed. All froze in a tableau.

An insect stopped buzzing.

Will glanced swiftly.

There, on the biggest stage, a tattoo needle poised like a blowgun dart in his rose-crusted hand, stood Mr Dark, the Illustrated Man.

His picture crowds flooded raw upon his flesh. Stripped bare to the navel, he had been stinging himself, adding a picture to his left palm with this dragonfly contraption. Now with the insect droned dead in his hand, he wheeled. But Will, staring beyond him, cried: 'There he is! There's Mr Cooger!'

The police, the internes, quickened.

Behind Mr Dark sat the Electric Chair.

In this chair sat a ruined man, last seen strewn wheezing in a collapse of bones and albino wax on the broken carousel. Now he was erected, propped, strapped in this device full of lightning power.

'That's him! He was...dying.'

The Blimp ascended ascended to his feet. to his feet.

The Skeleton spun about, tall.