Sketches of Church History - Part 22
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Part 22

[90] See page 232.

CHAPTER XXVII.

NICOLAS V. AND PIUS II.

A.D. 1447-1464.

The next pope, Nicolas V., was a man who had raised himself from a humble station by his learning, ability, and good character. He was chiefly remarkable for his love of learning, and for the bounty which he spent on learned men. For learning had come to be regarded with very high honour, and those who were famous for it found themselves persons of great importance, who were welcome at the courts of princes, from the Emperor of the West down to the little dukes and lords of Italy. But we must not fancy that these learned men were all that they ought to have been. They were too commonly selfish and jealous, vain, greedy, quarrelsome, unthrifty; they flattered the great, however unworthy these might be; and in religion many of them were more like the old heathen Greeks than Christians.

In the time of Nicolas, a terrible calamity fell on Christendom by the loss of Constantinople. The Turks, a barbarous and Mahometan people, had long been pressing on the Eastern empire, and swallowing up more and more of it. It was the fear of these advancing enemies that led the Greeks repeatedly to seek for union with the Latin Church, in the hope that they might thus get help from the West for the defence of what remained of their empire. But these reconciliations never lasted long, more especially as the Greeks did not gain that aid from their Western brethren for the sake of which they had yielded in matters of religion.

One more attempt of this kind was made after the council of Florence; but it was vain, and in 1453 the Turks, under Sultan Mahomet II., became masters of Constantinople.

A great number of learned Greeks, who were scattered by this conquest, found their way into the West, bringing with them their knowledge and many Greek ma.n.u.scripts; and such scholars were gladly welcomed by Pope Nicolas and others. Not only were their books bought up, but the pope sent persons to search for ma.n.u.scripts all over Greece, in order to rescue as much as possible from destruction by the barbarians. Nicolas founded the famous Vatican library in the papal palace at Rome, and presented a vast number of ma.n.u.scripts to it. For it was not until this very time that printing was invented, and formerly all books were written by hand, which is a slow and costly kind of work, as compared with printing. For in writing out books, the whole labour has to be done for every single copy; but when a printer has once set up his types, he can print any number of copies without any other trouble than that of inking the types and pressing them on the paper, by means of a machine, for each copy that is wanted. The art of printing was brought from Germany to Rome under Nicolas V., and he encouraged it, like everything else which was connected with learning.

Nicolas also had a plan for rebuilding Rome in a very grand style, and began with the Church of St. Peter; which he intended to surround with palaces, gardens, terraces, libraries, and smaller churches. But he did not live to carry this work far.

One effect of the new encouragement of learning was, that scholars began to inquire into the truth of some things which had long been allowed to pa.s.s without question. And thus in no long time the story of Constantine's donation and the false Decretals[91] were shown to be forged and worthless.

[91] See page 192.

The shock of the loss of Constantinople was felt all through Christendom, and Nicholas attempted to get up a crusade, but died before much came of it. When, however, the Turks, in the pride of victory, advanced further into Europe, and laid siege to Belgrade on the Danube, they were driven back with great loss by the skill of John Huniades, a general, and by the courage which John of Capistrano, a Franciscan friar, was able by his exhortations and his prayers to rouse in the hearts of the besieged.

Nicolas died in 1455, and his successor, Calixtus III., in 1458. The next pope, aeneas Sylvius Piccolomini, who took the name of Pius II., was a very remarkable man. He had taken a strong part against Pope Eugenius at Basel, and had even been secretary to the old duke-antipope Felix.

But he afterwards made his peace by doing great services to Eugenius, and then he rose step by step, until at the death of Calixtus he was elected pope. Pius was a man of very great ability in many ways; but his health was so much shaken before he became pope, that he was not able to do all that he might have done if he had been in the fulness of his strength. He took up the crusade with great zeal, but found no hearty support from others. A meeting which he held at Mantua for the purpose had little effect. At last, although suffering from gout and fever, the pope made his way from Rome to Ancona, on the Adriatic, where he expected to find both land and sea forces ready for the crusade. But on the way he fell in with some of the troops which had been collected for the purpose, and they turned out to be such wretched creatures, and so utterly unfit for the hardships of war, that he could only give them his blessing and tell them to go back to their homes. And, although, after reaching Ancona, he had the pleasure of seeing twenty-four Venetian ships enter the harbour for his service, he was so worn out by sickness that he died on the next day but one (Aug. 14, 1464). And after his death the crusade, on which he had so much set his heart, came to nothing.

CHAPTER XXVIII.

JEROME SAVONAROLA.

A.D. 1452-1498.

PART I.

There is not much to tell about the popes after Pius II. until we come to Alexander VI., who was a Spaniard named Roderick Borgia, and was pope from 1492 to 1503. And the story of Alexander is too shocking to be told here; for there is hardly anything in all history so bad as the accounts which we have of him and of his family. He is supposed to have died of drinking, by mistake, some poison which he had prepared for a rich cardinal whose wealth he wished to get into his hands.

Instead, therefore, of telling you about the popes of this time, I shall give some account of a man who became very famous as a preacher--Jerome Savonarola.

Savonarola was born in 1452 at Ferrara, where his grandfather had been physician to the duke; and his family wished him to follow the same profession. But Jerome was set on becoming a monk, and from this nothing could move him. He therefore joined the Dominican friars, and after a while he was removed to St. Mark's, at Florence, a famous convent of his order. He found things in a bad state there; but he was chosen prior (or head) of the convent, and reformed it, so that it rose in character, and the number of the monks was much increased. He also became a great preacher, so that even the vast cathedral of Florence could not hold the crowds which flocked to hear him. He was especially fond of preaching on the dark prophecies of the Revelation, and of declaring that the judgments of G.o.d were about to come on Florence and on all Italy because of sin; and he sometimes fancied that he not only gathered such things from Scripture, but that they were revealed to him by visions from heaven.

At this time a family named Medici had got the chief power in Florence into their hands; and Savonarola always opposed them, because he thought that they had no right to such power in a city which ought to be free.

But when Lorenzo, the head of the family, was dying (A.D. 1492), he sent for Savonarola, because he thought him the only one of the clergy who would be likely to speak honestly to him of his sins, and to show him the way of seeking forgiveness. Savonarola did his part firmly, and pointed out some of Lorenzo's acts as being those of which he was especially bound to repent. But when he desired him to restore the liberties of Florence, it was more than the dying man could make up his mind to; and Savonarola, thinking that his repentance could not be sincere if he refused this, left him without giving him the Church's absolution.

But, although Savonarola was a very sincere and pious man, he did not always show good judgment. For instance, when he wished to get rid of the disorderly way in which the young people of Florence used to behave at the beginning of Lent, he sent a number of boys about the city (A.D.

1497), where they entered into houses, and asked the inhabitants to give up to them any _vanities_ which they might have. Then these vanities (as they were called) were all gathered together, and were built up into a pile fifteen stories high. There were among them cards and dice, fineries of women's dress, looking-gla.s.ses, bad books, musical instruments, pictures, and statues. The whole heap was of great value, and a merchant from Venice offered a large sum for it. But the money was refused, and he was forced to throw in his own picture as an addition to the other vanities. When night came, a long procession under Savonarola's orders pa.s.sed through the streets, and then the pile was set on fire, amidst the sound of bells, drums, and trumpets, and the shouts of the mult.i.tude, who had been worked up to a share of Savonarola's zeal.

But the wiser people were distressed by the mistakes of judgment which he had shown in setting children to search out the faults of their elders, and in mixing up harmless things in the same destruction with those which were connected with deep sinfulness and vice. And this want of judgment was still more shown a year later, when, after having repeated the bonfire of vanities, Savonarola's followers danced wildly in three circles around a cross set up in front of St. Mark's, as if they had been so many crazy dervishes of the East.

PART II.

Savonarola had raised up a host of enemies, and some of them were eagerly looking for an opportunity of doing him some mischief. At length one Francis of Apulia, a Franciscan friar, challenged him to what was called the _ordeal_ (or judgment) of fire, as a trial of the truth of his doctrine; and after much trouble it was settled that a friend of each should pa.s.s through this trial, which was supposed to be a way of finding out G.o.d's judgment as to the truth of the matter in dispute. Two great heaps of fuel were piled up in a public place at Florence. They were each forty yards long and two yards and a half high, with an opening of a yard's width between them; and it was intended that these heaps should be set on fire, and that the champions should try to pa.s.s between the two, as a famous monk had done at Florence in Hildebrand's time, hundreds of years before. But when a vast crowd had been brought to see the ordeal, they were much disappointed at finding that it was delayed, because Savonarola's enemies fancied that he might perhaps make use of some magical charms against the flames. There was a long dispute about this, and, while the parties were still wrangling, a heavy shower came down on the crowd. The magistrates then forbade the trial; the people, tired and hungry from waiting, drenched by the rain, provoked by the wearisome squabble which had caused the delay, and after all balked of the expected sight, broke out against Savonarola; and he had great difficulty in reaching St. Mark's under the protection of some friends, who closed around him and kept off the angry mult.i.tude. Two days later, the convent was besieged; and when the defenders were obliged to surrender it, Savonarola and the friar who was to have undergone the ordeal on his side were sent to prison.

Savonarola had a long trial, during which he was often tortured; but whatever might be wrung from him in this way, he afterwards declared that it was not to be believed, because the weakness of his body could not bear the pain of torture, and he confessed whatever might be asked of him. This trial was carried on under the authority of the wicked Pope Alexander VI.

Although no charge of error as to the faith could be made out against Savonarola, his enemies were bent on his death; and he and two of his companions were sentenced to be hanged and burnt. Like Huss, they had to go through the form of being degraded from their orders; and at the end of this it was a bishop's part to say to each, "I separate thee from the Church militant" (that is, from the Church which is carrying on its warfare here on earth). But the bishop, who had once been one of Savonarola's friars at St. Mark's, was very uneasy, and said in his confusion, "I separate thee from the Church triumphant" (that is, from the Church when its warfare has ended in victory and triumph).

Savonarola saw the mistake, and corrected it by saying, "from the militant, not from the triumphant; for _that_ is not thine to do."

Savonarola's party did not die out with him, but long continued to cherish his memory. Among those who were most earnest in this was the great artist, Michael Angelo Buonarotti, who had been one of his hearers in youth, and even to his latest days used to read his works with interest, and to speak of him with reverence.

CHAPTER XXIX.

JULIUS II. AND LEO X.

A.D. 1503-1521.

Alexander VI. was succeeded by a pope who took the t.i.tle of Pius III., and lived only six and twenty days after his election. And after Pius came Julius II., who was pope from 1503 to 1513, and Leo X., who lived to the year 1521.

Julius, who owed his rise in life to the favour of his uncle Sixtus IV.

(one of the popes who had come between Pius II. and Alexander VI.), was desirous to gain for the Roman see all that it had lost or had ever claimed. He was not a man of religious character, but plunged deeply into politics, and even acted as a soldier in war. Thus, at the siege of Mirandola, in the winter of 1511, he lived for weeks in a little hut, regardless of the frost and snow, of the roughness and scantiness of his food; and when most of those around him were frightened away by the cannon-b.a.l.l.s which came from the walls of the fortress, the stout old pope kept his place, and directed the pointing of his own cannon against the town.

His successor, Leo, who was of the Florentine family of Medici,[92] was fond of elegant pleasures and of hunting. His tastes were costly, and continually brought him into difficulties as to money. The manner of life in Leo's court was gay, luxurious, and far from strict. He had comedies acted before him, which were hardly fit for the amus.e.m.e.nt of the chief bishop of Christendom. He is famous for his encouragement of the arts; and it was in his time that the art of painting reached its highest perfection through the genius of Michael Angelo Buonarotti (who has been already mentioned as a disciple of Savonarola)[93] and of Raphael Sanzio. In the art of architecture a great change took place about this time. For some hundreds of years it had been usual to build in what is called the _Gothic_ style, of which the chief mark is the use of pointed arches. Not that there was no change during all that time; for there are great differences between the earlier and the later kinds of Gothic, and these have since been so carefully studied that skilful people can tell from the look of a building the time at which every part of it was erected. But a little before the year 1500, the Gothic gave way to another style, and one of the greatest works ever done in this new style was the vast church of St. Peter, at Rome. I have mentioned that Nicolas V. thought of rebuilding the ancient church, which had stood since the time of Constantine the Great, and that he had even begun the work.[94] But now both the old basilica[95] and the beginning of a new church which Nicolas had made were swept away, and something far grander was designed. There were several architects who carried on the building of this great church, one after another; but the grand dome of St. Peter's, which rises into the air over the whole city, was the work of Michael Angelo, who was not only a painter, but an architect and a sculptor. It was by offering indulgences (or spiritual favours, forgiveness of sins, and the like) as a reward for gifts towards the new St. Peter's, that Julius raised the anger and disgust of the German reformer, Martin Luther. And thus it was the building of the most magnificent of Roman churches that led to the revolt which took away from the popes a great part of their spiritual dominion.

[92] See page 272.

[93] Page 274.

[94] See p. 269.

[95] See Part I., p. 85.

CHAPTER x.x.x.

MISSIONS.--THE INQUISITION.